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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D8860 it is the complementary color #F2779F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D8860. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D8860 shade: #12885B, #239A6E, #34AC81, #45BE94 and #56D0A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D8860. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D8860 shade: #0D8860, #00764D, #00643A, #005227 and #004014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D8860 shade: #0D875F, #0D873E, #0D871D, #1D870D and #3E870D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D8860 shade: #0D875F, #0D8781, #0D6D87, #0D4C87 and #0D2B87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D8860 shade matches the following richer shades: #0D875F and #019364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D8860 shade: #0D875F, #197B5B, #256F57, #306353 and #3C574F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D8860 shade: #0D871D, #0D873E, #0D875E, #0D877F and #0D6F87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D8860 shade: #063C2A, #096245, #0D875F, #10AD7A and #14D395

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D8860 shade: #0D8860, #0D1D87 and #872D0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D8860 shade: #0D8860, #5E0D87 and #875E0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D8860 shade: #0D8860, #0D1D87, #870D35 and #87770D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D8860 shade: #0D8860, #210D87, #870D35 and #73870D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

Complementary color

CMYK 0 / 51 / 34 / 5

HEX #F2779F

RGB 242 119 159

HSL 340.49, 0.83%, 0.71%

LAB 65.42, 51.27, 0.97

 

CMYK 87 / 0 / 33 / 47

HEX #12885B

RGB 18 136 91

HSL 157.12, 0.77%, 0.3%

LAB 50.09, -41.63, 15.74

 

CMYK 77 / 0 / 29 / 40

HEX #239A6E

RGB 35 154 110

HSL 157.82, 0.63%, 0.37%

LAB 56.68, -42.69, 14.13

 

CMYK 70 / 0 / 25 / 33

HEX #34AC81

RGB 52 172 129

HSL 158.5, 0.54%, 0.44%

LAB 63.19, -43.31, 12.7

 

CMYK 64 / 0 / 22 / 25

HEX #45BE94

RGB 69 190 148

HSL 159.17, 0.48%, 0.51%

LAB 69.63, -43.65, 11.43

 

CMYK 59 / 0 / 20 / 18

HEX #56D0A7

RGB 86 208 167

HSL 159.84, 0.56%, 0.58%

LAB 76, -43.81, 10.27

 

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

CMYK 100 / 0 / 35 / 54

HEX #00764D

RGB 0 118 77

HSL 159.15, 1%, 0.23%

LAB 43.5, -39, 14.78

 

CMYK 100 / 0 / 42 / 61

HEX #00643A

RGB 0 100 58

HSL 154.8, 1%, 0.2%

LAB 36.78, -36.23, 16.89

 

CMYK 100 / 0 / 52 / 68

HEX #005227

RGB 0 82 39

HSL 148.54, 1%, 0.16%

LAB 29.86, -33.21, 19.12

 

CMYK 100 / 0 / 69 / 75

HEX #004014

RGB 0 64 20

HSL 138.75, 1%, 0.13%

LAB 22.71, -29.77, 21.32

 

CMYK 90 / 0 / 30 / 47

HEX #0D875F

RGB 13 135 95

HSL 160.33, 0.82%, 0.29%

LAB 49.79, -40.67, 13.03

 

CMYK 90 / 0 / 54 / 47

HEX #0D873E

RGB 13 135 62

HSL 144.1, 0.82%, 0.29%

LAB 49.21, -47.4, 30.53

 

CMYK 90 / 0 / 79 / 47

HEX #0D871D

RGB 13 135 29

HSL 127.87, 0.82%, 0.29%

LAB 48.89, -51.35, 45.04

 

CMYK 79 / 0 / 90 / 47

HEX #1D870D

RGB 29 135 13

HSL 112.13, 0.82%, 0.29%

LAB 49.03, -50.37, 49.8

 

CMYK 54 / 0 / 90 / 47

HEX #3E870D

RGB 62 135 13

HSL 95.9, 0.82%, 0.29%

LAB 49.96, -42.69, 50.96

 

CMYK 90 / 0 / 30 / 47

HEX #0D875F

RGB 13 135 95

HSL 160.33, 0.82%, 0.29%

LAB 49.79, -40.67, 13.03

 

CMYK 90 / 0 / 4 / 47

HEX #0D8781

RGB 13 135 129

HSL 177.05, 0.82%, 0.29%

LAB 50.69, -31.2, -5.44

 

CMYK 90 / 19 / 0 / 47

HEX #0D6D87

RGB 13 109 135

HSL 192.79, 0.82%, 0.29%

LAB 42.42, -15.7, -21.52

 

CMYK 90 / 44 / 0 / 47

HEX #0D4C87

RGB 13 76 135

HSL 209.02, 0.82%, 0.29%

LAB 31.82, 4.71, -38.2

 

CMYK 90 / 68 / 0 / 47

HEX #0D2B87

RGB 13 43 135

HSL 225.25, 0.82%, 0.29%

LAB 22.17, 27.73, -53.86

 

CMYK 90 / 0 / 30 / 47

HEX #0D875F

RGB 13 135 95

HSL 160.33, 0.82%, 0.29%

LAB 49.79, -40.67, 13.03

 

CMYK 99 / 0 / 32 / 42

HEX #019364

RGB 1 147 100

HSL 160.68, 0.99%, 0.29%

LAB 53.81, -44.97, 15.72

 

CMYK 90 / 0 / 30 / 47

HEX #0D875F

RGB 13 135 95

HSL 160.33, 0.82%, 0.29%

LAB 49.79, -40.67, 13.03

 

CMYK 80 / 0 / 26 / 52

HEX #197B5B

RGB 25 123 91

HSL 160.41, 0.66%, 0.29%

LAB 45.81, -35.42, 9.82

 

CMYK 67 / 0 / 22 / 56

HEX #256F57

RGB 37 111 87

HSL 160.54, 0.5%, 0.29%

LAB 41.92, -29.03, 6.75

 

CMYK 52 / 0 / 16 / 61

HEX #306353

RGB 48 99 83

HSL 161.18, 0.35%, 0.29%

LAB 38.16, -21.47, 3.85

 

CMYK 31 / 0 / 9 / 66

HEX #3C574F

RGB 60 87 79

HSL 162.22, 0.18%, 0.29%

LAB 34.68, -12.1, 1.39

 

CMYK 90 / 0 / 79 / 47

HEX #0D871D

RGB 13 135 29

HSL 127.87, 0.82%, 0.29%

LAB 48.89, -51.35, 45.04

 

CMYK 90 / 0 / 54 / 47

HEX #0D873E

RGB 13 135 62

HSL 144.1, 0.82%, 0.29%

LAB 49.21, -47.4, 30.53

 

CMYK 90 / 0 / 30 / 47

HEX #0D875E

RGB 13 135 94

HSL 159.84, 0.82%, 0.29%

LAB 49.76, -40.91, 13.57

 

CMYK 90 / 0 / 6 / 47

HEX #0D877F

RGB 13 135 127

HSL 176.07, 0.82%, 0.29%

LAB 50.62, -31.82, -4.36

 

CMYK 90 / 18 / 0 / 47

HEX #0D6F87

RGB 13 111 135

HSL 191.8, 0.82%, 0.29%

LAB 43.07, -16.82, -20.51

 

CMYK 90 / 0 / 30 / 76

HEX #063C2A

RGB 6 60 42

HSL 160, 0.82%, 0.13%

LAB 21.72, -22.08, 6.4

 

CMYK 91 / 0 / 30 / 62

HEX #096245

RGB 9 98 69

HSL 160.45, 0.83%, 0.21%

LAB 36.41, -31.88, 9.8

 

CMYK 90 / 0 / 30 / 47

HEX #0D875F

RGB 13 135 95

HSL 160.33, 0.82%, 0.29%

LAB 49.79, -40.67, 13.03

 

CMYK 91 / 0 / 29 / 32

HEX #10AD7A

RGB 16 173 122

HSL 160.51, 0.83%, 0.37%

LAB 62.85, -49.2, 15.99

 

CMYK 91 / 0 / 29 / 17

HEX #14D395

RGB 20 211 149

HSL 160.52, 0.83%, 0.45%

LAB 75.39, -57.3, 18.84

 

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

CMYK 90 / 79 / 0 / 47

HEX #0D1D87

RGB 13 29 135

HSL 232.13, 0.82%, 0.29%

LAB 18.86, 36.83, -59.33

 

CMYK 0 / 67 / 90 / 47

HEX #872D0D

RGB 135 45 13

HSL 15.74, 0.82%, 0.29%

LAB 31.94, 37.06, 38.6

 

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

CMYK 30 / 90 / 0 / 47

HEX #5E0D87

RGB 94 13 135

HSL 279.84, 0.82%, 0.29%

LAB 25, 52.27, -48.92

 

CMYK 0 / 30 / 90 / 47

HEX #875E0D

RGB 135 94 13

HSL 39.84, 0.82%, 0.29%

LAB 43.04, 9.99, 47.45

 

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

CMYK 90 / 79 / 0 / 47

HEX #0D1D87

RGB 13 29 135

HSL 232.13, 0.82%, 0.29%

LAB 18.86, 36.83, -59.33

 

CMYK 0 / 90 / 61 / 47

HEX #870D35

RGB 135 13 53

HSL 340.33, 0.82%, 0.29%

LAB 28.63, 49.64, 11.03

 

CMYK 0 / 12 / 90 / 47

HEX #87770D

RGB 135 119 13

HSL 52.13, 0.82%, 0.29%

LAB 49.95, -4.42, 52.97

 

CMYK 90 / 0 / 29 / 47

HEX #0D8860

RGB 13 136 96

HSL 160.49, 0.83%, 0.29%

LAB 50.14, -40.84, 12.95

 

CMYK 76 / 90 / 0 / 47

HEX #210D87

RGB 33 13 135

HSL 249.84, 0.82%, 0.29%

LAB 17.28, 45.7, -61.92

 

CMYK 0 / 90 / 61 / 47

HEX #870D35

RGB 135 13 53

HSL 340.33, 0.82%, 0.29%

LAB 28.63, 49.64, 11.03

 

CMYK 15 / 0 / 90 / 47

HEX #73870D

RGB 115 135 13

HSL 69.84, 0.82%, 0.29%

LAB 52.95, -22.24, 54.68

 

Description

Color code: HEX #0D8860 | qconv.com Color code: HEX #0D8860 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 136 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 136 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 29 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 29% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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