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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D7FD4 it is the complementary color #F2802B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D7FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D7FD4 shade: #127FCF, #2391E2, #34A3F5, #45B5FF and #56C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D7FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D7FD4 shade: #0D7FD4, #006DC1, #005BAE, #00499B and #003788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D7FD4 shade: #0D7FD3, #0D49D3, #0D14D3, #3C0DD3 and #710DD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D7FD4 shade: #0D7FD3, #0D49D3, #0D14D3 and #0D0DD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D7FD4 shade matches the following richer shades: #0D7FD3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D7FD4 shade: #0D7FD3, #207CC1, #3279AF, #44779C and #56748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D7FD4 shade: #0DD3BC, #0DB5D3, #0D81D3, #0D4CD3 and #0D17D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D7FD4 shade: #095085, #0B67AC, #0D7FD3, #1994F0 and #40A6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D7FD4 shade: #0D7FD4, #870DD3 and #D0D30D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D7FD4 shade: #0D7FD4, #D30D81 and #81D30D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D7FD4 shade: #0D7FD4, #870DD3, #D3600D and #59D30D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D7FD4 shade: #0D7FD4, #C20DD3, #D3600D and #1ED30D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

Complementary color

CMYK 0 / 47 / 82 / 5

HEX #F2802B

RGB 242 128 43

HSL 25.63, 0.88%, 0.56%

LAB 65.35, 38.4, 61.76

 

CMYK 91 / 39 / 0 / 19

HEX #127FCF

RGB 18 127 207

HSL 205.4, 0.84%, 0.44%

LAB 51.62, 1.39, -49.04

 

CMYK 85 / 36 / 0 / 11

HEX #2391E2

RGB 35 145 226

HSL 205.45, 0.77%, 0.51%

LAB 58.13, -1.12, -49.36

 

CMYK 79 / 33 / 0 / 4

HEX #34A3F5

RGB 52 163 245

HSL 205.49, 0.91%, 0.58%

LAB 64.58, -3.16, -49.62

 

CMYK 73 / 29 / 0 / 0

HEX #45B5FF

RGB 69 181 255

HSL 203.87, 1%, 0.64%

LAB 70.55, -7.88, -45.62

 

CMYK 66 / 22 / 0 / 0

HEX #56C7FF

RGB 86 199 255

HSL 199.88, 1%, 0.67%

LAB 76.1, -15.19, -36.93

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

CMYK 100 / 44 / 0 / 24

HEX #006DC1

RGB 0 109 193

HSL 206.11, 1%, 0.38%

LAB 45.34, 6.36, -51.08

 

CMYK 100 / 48 / 0 / 32

HEX #005BAE

RGB 0 91 174

HSL 208.62, 1%, 0.34%

LAB 38.79, 10.27, -50.52

 

CMYK 100 / 53 / 0 / 39

HEX #00499B

RGB 0 73 155

HSL 211.74, 1%, 0.3%

LAB 32.1, 14.47, -49.96

 

CMYK 100 / 60 / 0 / 47

HEX #003788

RGB 0 55 136

HSL 215.74, 1%, 0.27%

LAB 25.29, 18.99, -49.38

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD3

RGB 13 127 211

HSL 205.45, 0.88%, 0.44%

LAB 51.8, 2.72, -51.03

 

CMYK 94 / 65 / 0 / 17

HEX #0D49D3

RGB 13 73 211

HSL 221.82, 0.88%, 0.44%

LAB 37.03, 37.4, -74.98

 

CMYK 94 / 91 / 0 / 17

HEX #0D14D3

RGB 13 20 211

HSL 237.88, 0.88%, 0.44%

LAB 27.54, 64.35, -90.7

 

CMYK 72 / 94 / 0 / 17

HEX #3C0DD3

RGB 60 13 211

HSL 254.24, 0.88%, 0.44%

LAB 29.29, 67.36, -87.73

 

CMYK 46 / 94 / 0 / 17

HEX #710DD3

RGB 113 13 211

HSL 270.3, 0.88%, 0.44%

LAB 35.01, 71.01, -78.08

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD3

RGB 13 127 211

HSL 205.45, 0.88%, 0.44%

LAB 51.8, 2.72, -51.03

 

CMYK 94 / 65 / 0 / 17

HEX #0D49D3

RGB 13 73 211

HSL 221.82, 0.88%, 0.44%

LAB 37.03, 37.4, -74.98

 

CMYK 94 / 91 / 0 / 17

HEX #0D14D3

RGB 13 20 211

HSL 237.88, 0.88%, 0.44%

LAB 27.54, 64.35, -90.7

 

CMYK 94 / 94 / 0 / 17

HEX #0D0DD3

RGB 13 13 211

HSL 240, 0.88%, 0.44%

LAB 26.95, 66.17, -91.69

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD3

RGB 13 127 211

HSL 205.45, 0.88%, 0.44%

LAB 51.8, 2.72, -51.03

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD3

RGB 13 127 211

HSL 205.45, 0.88%, 0.44%

LAB 51.8, 2.72, -51.03

 

CMYK 83 / 36 / 0 / 24

HEX #207CC1

RGB 32 124 193

HSL 205.71, 0.72%, 0.44%

LAB 50.18, -1.21, -43.33

 

CMYK 71 / 31 / 0 / 31

HEX #3279AF

RGB 50 121 175

HSL 205.92, 0.56%, 0.44%

LAB 48.82, -3.95, -35.08

 

CMYK 56 / 24 / 0 / 39

HEX #44779C

RGB 68 119 156

HSL 205.23, 0.39%, 0.44%

LAB 48.04, -5.93, -25.16

 

CMYK 38 / 16 / 0 / 46

HEX #56748A

RGB 86 116 138

HSL 205.38, 0.23%, 0.44%

LAB 47.37, -4.94, -15.48

 

CMYK 94 / 0 / 11 / 17

HEX #0DD3BC

RGB 13 211 188

HSL 173.03, 0.88%, 0.44%

LAB 76.26, -47.88, -0.77

 

CMYK 94 / 14 / 0 / 17

HEX #0DB5D3

RGB 13 181 211

HSL 189.09, 0.88%, 0.44%

LAB 67.9, -27.18, -25.82

 

CMYK 94 / 39 / 0 / 17

HEX #0D81D3

RGB 13 129 211

HSL 204.85, 0.88%, 0.44%

LAB 52.39, 1.5, -50.1

 

CMYK 94 / 64 / 0 / 17

HEX #0D4CD3

RGB 13 76 211

HSL 220.91, 0.88%, 0.44%

LAB 37.77, 35.47, -73.77

 

CMYK 94 / 89 / 0 / 17

HEX #0D17D3

RGB 13 23 211

HSL 236.97, 0.88%, 0.44%

LAB 27.85, 63.42, -90.19

 

CMYK 93 / 40 / 0 / 48

HEX #095085

RGB 9 80 133

HSL 205.65, 0.87%, 0.28%

LAB 32.89, 0.95, -35.25

 

CMYK 94 / 40 / 0 / 33

HEX #0B67AC

RGB 11 103 172

HSL 205.71, 0.88%, 0.36%

LAB 42.38, 2.17, -43.57

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD3

RGB 13 127 211

HSL 205.45, 0.88%, 0.44%

LAB 51.8, 2.72, -51.03

 

CMYK 90 / 38 / 0 / 6

HEX #1994F0

RGB 25 148 240

HSL 205.67, 0.88%, 0.52%

LAB 59.6, 1.69, -54.8

 

CMYK 74 / 32 / 0 / 5

HEX #40A6F3

RGB 64 166 243

HSL 205.81, 0.88%, 0.6%

LAB 65.62, -4.23, -46.86

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

CMYK 36 / 94 / 0 / 17

HEX #870DD3

RGB 135 13 211

HSL 276.97, 0.88%, 0.44%

LAB 38.1, 73.33, -72.89

 

CMYK 1 / 0 / 94 / 17

HEX #D0D30D

RGB 208 211 13

HSL 60.91, 0.88%, 0.44%

LAB 81.85, -19.83, 80.43

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

CMYK 0 / 94 / 39 / 17

HEX #D30D81

RGB 211 13 129

HSL 324.85, 0.88%, 0.44%

LAB 46.61, 74.21, -9.72

 

CMYK 39 / 0 / 94 / 17

HEX #81D30D

RGB 129 211 13

HSL 84.85, 0.88%, 0.44%

LAB 76.85, -50.87, 74.37

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

CMYK 36 / 94 / 0 / 17

HEX #870DD3

RGB 135 13 211

HSL 276.97, 0.88%, 0.44%

LAB 38.1, 73.33, -72.89

 

CMYK 0 / 55 / 94 / 17

HEX #D3600D

RGB 211 96 13

HSL 25.15, 0.88%, 0.44%

LAB 54.28, 41.66, 60.55

 

CMYK 58 / 0 / 94 / 17

HEX #59D30D

RGB 89 211 13

HSL 96.97, 0.88%, 0.44%

LAB 75.29, -62.84, 72.46

 

CMYK 94 / 40 / 0 / 17

HEX #0D7FD4

RGB 13 127 212

HSL 205.63, 0.88%, 0.44%

LAB 51.86, 3.11, -51.51

 

CMYK 8 / 94 / 0 / 17

HEX #C20DD3

RGB 194 13 211

HSL 294.85, 0.88%, 0.44%

LAB 47.57, 81.44, -57.05

 

CMYK 0 / 55 / 94 / 17

HEX #D3600D

RGB 211 96 13

HSL 25.15, 0.88%, 0.44%

LAB 54.28, 41.66, 60.55

 

CMYK 86 / 0 / 94 / 17

HEX #1ED30D

RGB 30 211 13

HSL 114.85, 0.88%, 0.44%

LAB 74.12, -72.86, 71.02

 

Description

Color code: HEX #0D7FD4 | qconv.com Color code: HEX #0D7FD4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 127 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 127 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 40 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 40% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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