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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D7A4B it is the complementary color #F285B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D7A4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D7A4B shade: #127A46, #238C59, #349E6C, #45B07F and #56C292

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D7A4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D7A4B shade: #0D7A4B, #006838, #005625, #004412 and #003200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D7A4B shade: #0D784A, #0D782D, #0D7810, #26780D and #43780D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D7A4B shade: #0D784A, #0D7867, #0D6C78, #0D4F78 and #0D3278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D7A4B shade matches the following richer shades: #0D784A and #02834B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D7A4B shade: #0D784A, #176D48, #226347, #2D5845 and #384D44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D7A4B shade: #0D7810, #0D782D, #0D7849, #0D7866 and #0D6D78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D7A4B shade: #052D1C, #095333, #0D784A, #119D61 and #14C378

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D7A4B shade: #0D7A4B, #0D2678 and #781E0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D7A4B shade: #0D7A4B, #490D78 and #78490D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D7A4B shade: #0D7A4B, #0D2678, #780D3B and #785F0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D7A4B shade: #0D7A4B, #140D78, #780D3B and #71780D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

Complementary color

CMYK 0 / 45 / 26 / 5

HEX #F285B4

RGB 242 133 180

HSL 334.13, 0.81%, 0.74%

LAB 68.71, 47.03, -6.04

 

CMYK 85 / 0 / 43 / 52

HEX #127A46

RGB 18 122 70

HSL 150, 0.74%, 0.27%

LAB 44.93, -40.66, 20.75

 

CMYK 75 / 0 / 36 / 45

HEX #238C59

RGB 35 140 89

HSL 150.86, 0.6%, 0.34%

LAB 51.65, -41.64, 19.04

 

CMYK 67 / 0 / 32 / 38

HEX #349E6C

RGB 52 158 108

HSL 151.7, 0.5%, 0.41%

LAB 58.29, -42.14, 17.52

 

CMYK 61 / 0 / 28 / 31

HEX #45B07F

RGB 69 176 127

HSL 152.52, 0.44%, 0.48%

LAB 64.84, -42.35, 16.16

 

CMYK 56 / 0 / 25 / 24

HEX #56C292

RGB 86 194 146

HSL 153.33, 0.47%, 0.55%

LAB 71.31, -42.38, 14.94

 

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

CMYK 100 / 0 / 46 / 59

HEX #006838

RGB 0 104 56

HSL 152.31, 1%, 0.2%

LAB 38.17, -38.21, 19.88

 

CMYK 100 / 0 / 57 / 66

HEX #005625

RGB 0 86 37

HSL 145.81, 1%, 0.17%

LAB 31.32, -35.1, 22.08

 

CMYK 100 / 0 / 74 / 73

HEX #004412

RGB 0 68 18

HSL 135.88, 1%, 0.13%

LAB 24.25, -31.52, 24.11

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 89 / 0 / 63 / 53

HEX #0D782D

RGB 13 120 45

HSL 137.94, 0.8%, 0.26%

LAB 43.81, -44.73, 32.76

 

CMYK 89 / 0 / 87 / 53

HEX #0D7810

RGB 13 120 16

HSL 121.68, 0.8%, 0.26%

LAB 43.59, -47.51, 44.14

 

CMYK 68 / 0 / 89 / 53

HEX #26780D

RGB 38 120 13

HSL 105.98, 0.8%, 0.26%

LAB 44.05, -43.55, 45.51

 

CMYK 44 / 0 / 89 / 53

HEX #43780D

RGB 67 120 13

HSL 89.72, 0.8%, 0.26%

LAB 45.16, -34.84, 46.91

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 89 / 0 / 14 / 53

HEX #0D7867

RGB 13 120 103

HSL 170.47, 0.8%, 0.26%

LAB 44.94, -32.01, 1.46

 

CMYK 89 / 10 / 0 / 53

HEX #0D6C78

RGB 13 108 120

HSL 186.73, 0.8%, 0.26%

LAB 41.48, -20.55, -13.91

 

CMYK 89 / 34 / 0 / 53

HEX #0D4F78

RGB 13 79 120

HSL 202.99, 0.8%, 0.26%

LAB 31.88, -3.49, -28.8

 

CMYK 89 / 58 / 0 / 53

HEX #0D3278

RGB 13 50 120

HSL 219.25, 0.8%, 0.26%

LAB 22.73, 16.53, -43.47

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 98 / 0 / 43 / 49

HEX #02834B

RGB 2 131 75

HSL 153.95, 0.97%, 0.26%

LAB 47.95, -44.32, 21.88

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 79 / 0 / 34 / 57

HEX #176D48

RGB 23 109 72

HSL 154.19, 0.65%, 0.26%

LAB 40.55, -34.26, 13.74

 

CMYK 66 / 0 / 28 / 61

HEX #226347

RGB 34 99 71

HSL 154.15, 0.49%, 0.26%

LAB 37.33, -27.97, 9.94

 

CMYK 49 / 0 / 22 / 65

HEX #2D5845

RGB 45 88 69

HSL 153.49, 0.32%, 0.26%

LAB 33.91, -20.05, 6.44

 

CMYK 27 / 0 / 12 / 70

HEX #384D44

RGB 56 77 68

HSL 154.29, 0.16%, 0.26%

LAB 30.8, -10.35, 2.7

 

CMYK 89 / 0 / 87 / 53

HEX #0D7810

RGB 13 120 16

HSL 121.68, 0.8%, 0.26%

LAB 43.59, -47.51, 44.14

 

CMYK 89 / 0 / 63 / 53

HEX #0D782D

RGB 13 120 45

HSL 137.94, 0.8%, 0.26%

LAB 43.81, -44.73, 32.76

 

CMYK 89 / 0 / 39 / 53

HEX #0D7849

RGB 13 120 73

HSL 153.64, 0.8%, 0.26%

LAB 44.23, -39.73, 18.11

 

CMYK 89 / 0 / 15 / 53

HEX #0D7866

RGB 13 120 102

HSL 169.91, 0.8%, 0.26%

LAB 44.91, -32.3, 2.01

 

CMYK 89 / 9 / 0 / 53

HEX #0D6D78

RGB 13 109 120

HSL 186.17, 0.8%, 0.26%

LAB 41.81, -21.08, -13.41

 

CMYK 89 / 0 / 38 / 82

HEX #052D1C

RGB 5 45 28

HSL 154.5, 0.8%, 0.1%

LAB 15.45, -18.79, 7.15

 

CMYK 89 / 0 / 39 / 67

HEX #095333

RGB 9 83 51

HSL 154.05, 0.8%, 0.18%

LAB 30.6, -29.85, 12.86

 

CMYK 89 / 0 / 38 / 53

HEX #0D784A

RGB 13 120 74

HSL 154.21, 0.8%, 0.26%

LAB 44.25, -39.51, 17.56

 

CMYK 89 / 0 / 38 / 38

HEX #119D61

RGB 17 157 97

HSL 154.29, 0.8%, 0.34%

LAB 57.17, -48.55, 21.97

 

CMYK 90 / 0 / 38 / 24

HEX #14C378

RGB 20 195 120

HSL 154.29, 0.81%, 0.42%

LAB 69.85, -57.59, 26.58

 

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

CMYK 89 / 68 / 0 / 53

HEX #0D2678

RGB 13 38 120

HSL 225.98, 0.8%, 0.26%

LAB 19.34, 25.13, -49.02

 

CMYK 0 / 75 / 89 / 53

HEX #781E0D

RGB 120 30 13

HSL 9.53, 0.8%, 0.26%

LAB 26.59, 38.08, 32.98

 

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

CMYK 39 / 89 / 0 / 53

HEX #490D78

RGB 73 13 120

HSL 273.64, 0.8%, 0.26%

LAB 20.28, 45.76, -47.27

 

CMYK 0 / 39 / 89 / 53

HEX #78490D

RGB 120 73 13

HSL 33.64, 0.8%, 0.26%

LAB 35.57, 15.32, 40.56

 

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

CMYK 89 / 68 / 0 / 53

HEX #0D2678

RGB 13 38 120

HSL 225.98, 0.8%, 0.26%

LAB 19.34, 25.13, -49.02

 

CMYK 0 / 89 / 51 / 53

HEX #780D3B

RGB 120 13 59

HSL 334.21, 0.8%, 0.26%

LAB 25.55, 46.05, 2.15

 

CMYK 0 / 21 / 89 / 53

HEX #785F0D

RGB 120 95 13

HSL 45.98, 0.8%, 0.26%

LAB 41.54, 2.18, 45.5

 

CMYK 89 / 0 / 39 / 52

HEX #0D7A4B

RGB 13 122 75

HSL 154.13, 0.81%, 0.26%

LAB 44.96, -40.08, 17.93

 

CMYK 83 / 89 / 0 / 53

HEX #140D78

RGB 20 13 120

HSL 243.93, 0.8%, 0.26%

LAB 14.36, 40.45, -57.25

 

CMYK 0 / 89 / 51 / 53

HEX #780D3B

RGB 120 13 59

HSL 334.21, 0.8%, 0.26%

LAB 25.55, 46.05, 2.15

 

CMYK 6 / 0 / 89 / 53

HEX #71780D

RGB 113 120 13

HSL 63.93, 0.8%, 0.26%

LAB 48.23, -15.32, 50.73

 

Description

Color code: HEX #0D7A4B | qconv.com Color code: HEX #0D7A4B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 122 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 122 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 39 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 39% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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