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Color name
HEX #0D691F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D691F it is the complementary color #F296E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D691F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D691F shade: #12691A, #237B2D, #348D40, #459F53 and #56B166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D691F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D691F shade: #0D691F, #00570C, #004500, #003300 and #002100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D691F shade: #0D681F, #14680D, #2C680D, #45680D and #5E680D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D691F shade: #0D681F, #0D6837, #0D6850, #0D6868 and #0D4F68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D691F shade matches the following richer shades: #0D681F and #037219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D691F shade: #0D681F, #165F25, #20552A, #294C30 and #334236

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D691F shade: #2D680D, #15680D, #0D681E, #0D6836 and #0D684E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D691F shade: #041F09, #084414, #0D681F, #118D2A and #16B234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D691F shade: #0D691F, #0D4568 and #680D21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D691F shade: #0D691F, #1E0D68 and #681E0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D691F shade: #0D691F, #0D4568, #680D58 and #68300D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D691F shade: #0D691F, #0D2A68, #680D58 and #684B0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

Complementary color

CMYK 0 / 38 / 7 / 5

HEX #F296E0

RGB 242 150 224

HSL 311.74, 0.78%, 0.77%

LAB 73.59, 45.07, -23.1

 

CMYK 83 / 0 / 75 / 59

HEX #12691A

RGB 18 105 26

HSL 125.52, 0.71%, 0.24%

LAB 38.39, -41.18, 35.61

 

CMYK 72 / 0 / 63 / 52

HEX #237B2D

RGB 35 123 45

HSL 126.82, 0.56%, 0.31%

LAB 45.24, -42.58, 34.5

 

CMYK 63 / 0 / 55 / 45

HEX #348D40

RGB 52 141 64

HSL 128.09, 0.46%, 0.38%

LAB 52.01, -43.23, 33.09

 

CMYK 57 / 0 / 48 / 38

HEX #459F53

RGB 69 159 83

HSL 129.33, 0.39%, 0.45%

LAB 58.68, -43.47, 31.64

 

CMYK 51 / 0 / 42 / 31

HEX #56B166

RGB 86 177 102

HSL 130.55, 0.37%, 0.52%

LAB 65.26, -43.48, 30.25

 

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

CMYK 100 / 0 / 86 / 66

HEX #00570C

RGB 0 87 12

HSL 128.28, 1%, 0.17%

LAB 31.45, -38.57, 34.01

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 100 / 87

HEX #002100

RGB 0 33 0

HSL 120, 1%, 0.06%

LAB 9.7, -19.54, 14.13

 

CMYK 88 / 0 / 70 / 59

HEX #0D681F

RGB 13 104 31

HSL 131.87, 0.78%, 0.23%

LAB 37.99, -40.95, 32.96

 

CMYK 81 / 0 / 88 / 59

HEX #14680D

RGB 20 104 13

HSL 115.38, 0.78%, 0.23%

LAB 37.98, -41.53, 39.9

 

CMYK 58 / 0 / 88 / 59

HEX #2C680D

RGB 44 104 13

HSL 99.56, 0.78%, 0.23%

LAB 38.66, -35.86, 40.77

 

CMYK 34 / 0 / 88 / 59

HEX #45680D

RGB 69 104 13

HSL 83.08, 0.78%, 0.23%

LAB 39.91, -26.74, 42.35

 

CMYK 10 / 0 / 88 / 59

HEX #5E680D

RGB 94 104 13

HSL 66.59, 0.78%, 0.23%

LAB 41.7, -15.55, 44.62

 

CMYK 88 / 0 / 70 / 59

HEX #0D681F

RGB 13 104 31

HSL 131.87, 0.78%, 0.23%

LAB 37.99, -40.95, 32.96

 

CMYK 88 / 0 / 47 / 59

HEX #0D6837

RGB 13 104 55

HSL 147.69, 0.78%, 0.23%

LAB 38.31, -37.17, 20.66

 

CMYK 88 / 0 / 23 / 59

HEX #0D6850

RGB 13 104 80

HSL 164.18, 0.78%, 0.23%

LAB 38.84, -31.23, 6.53

 

CMYK 88 / 0 / 0 / 59

HEX #0D6868

RGB 13 104 104

HSL 180, 0.78%, 0.23%

LAB 39.56, -23.92, -7.08

 

CMYK 88 / 24 / 0 / 59

HEX #0D4F68

RGB 13 79 104

HSL 196.48, 0.78%, 0.23%

LAB 31.06, -9.91, -20.04

 

CMYK 88 / 0 / 70 / 59

HEX #0D681F

RGB 13 104 31

HSL 131.87, 0.78%, 0.23%

LAB 37.99, -40.95, 32.96

 

CMYK 97 / 0 / 78 / 55

HEX #037219

RGB 3 114 25

HSL 131.89, 0.95%, 0.23%

LAB 41.41, -45.87, 39.04

 

CMYK 88 / 0 / 70 / 59

HEX #0D681F

RGB 13 104 31

HSL 131.87, 0.78%, 0.23%

LAB 37.99, -40.95, 32.96

 

CMYK 77 / 0 / 61 / 63

HEX #165F25

RGB 22 95 37

HSL 132.33, 0.62%, 0.23%

LAB 34.98, -35.48, 26.58

 

CMYK 62 / 0 / 51 / 67

HEX #20552A

RGB 32 85 42

HSL 131.32, 0.45%, 0.23%

LAB 31.74, -28.15, 19.88

 

CMYK 46 / 0 / 37 / 70

HEX #294C30

RGB 41 76 48

HSL 132, 0.3%, 0.23%

LAB 29.04, -19.75, 12.8

 

CMYK 23 / 0 / 18 / 74

HEX #334236

RGB 51 66 54

HSL 132, 0.13%, 0.23%

LAB 26.35, -8.93, 5.34

 

CMYK 57 / 0 / 88 / 59

HEX #2D680D

RGB 45 104 13

HSL 98.9, 0.78%, 0.23%

LAB 38.7, -35.55, 40.82

 

CMYK 80 / 0 / 88 / 59

HEX #15680D

RGB 21 104 13

HSL 114.73, 0.78%, 0.23%

LAB 38, -41.36, 39.93

 

CMYK 88 / 0 / 71 / 59

HEX #0D681E

RGB 13 104 30

HSL 131.21, 0.78%, 0.23%

LAB 37.99, -41.07, 33.41

 

CMYK 88 / 0 / 48 / 59

HEX #0D6836

RGB 13 104 54

HSL 147.03, 0.78%, 0.23%

LAB 38.29, -37.37, 21.21

 

CMYK 88 / 0 / 25 / 59

HEX #0D684E

RGB 13 104 78

HSL 162.86, 0.78%, 0.23%

LAB 38.79, -31.78, 7.67

 

CMYK 87 / 0 / 71 / 88

HEX #041F09

RGB 4 31 9

HSL 131.11, 0.77%, 0.07%

LAB 9.2, -15.52, 9.78

 

CMYK 88 / 0 / 71 / 73

HEX #084414

RGB 8 68 20

HSL 132, 0.79%, 0.15%

LAB 24.44, -29.82, 23.33

 

CMYK 88 / 0 / 70 / 59

HEX #0D681F

RGB 13 104 31

HSL 131.87, 0.78%, 0.23%

LAB 37.99, -40.95, 32.96

 

CMYK 88 / 0 / 70 / 45

HEX #118D2A

RGB 17 141 42

HSL 132.1, 0.78%, 0.31%

LAB 51.08, -51.73, 42.23

 

CMYK 88 / 0 / 71 / 30

HEX #16B234

RGB 22 178 52

HSL 131.54, 0.78%, 0.39%

LAB 63.56, -61.92, 51.4

 

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

CMYK 88 / 34 / 0 / 59

HEX #0D4568

RGB 13 69 104

HSL 203.08, 0.78%, 0.23%

LAB 27.69, -3.58, -25.32

 

CMYK 0 / 88 / 68 / 59

HEX #680D21

RGB 104 13 33

HSL 346.81, 0.78%, 0.23%

LAB 21.36, 39.45, 13.84

 

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

CMYK 71 / 88 / 0 / 59

HEX #1E0D68

RGB 30 13 104

HSL 251.21, 0.78%, 0.23%

LAB 13.01, 36.06, -49.05

 

CMYK 0 / 71 / 88 / 59

HEX #681E0D

RGB 104 30 13

HSL 11.21, 0.78%, 0.23%

LAB 23.34, 32.2, 28.74

 

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

CMYK 88 / 34 / 0 / 59

HEX #0D4568

RGB 13 69 104

HSL 203.08, 0.78%, 0.23%

LAB 27.69, -3.58, -25.32

 

CMYK 0 / 88 / 15 / 59

HEX #680D58

RGB 104 13 88

HSL 310.55, 0.78%, 0.23%

LAB 23.46, 45.47, -20.96

 

CMYK 0 / 54 / 88 / 59

HEX #68300D

RGB 104 48 13

HSL 23.08, 0.78%, 0.23%

LAB 26.98, 22.71, 32.19

 

CMYK 88 / 0 / 70 / 59

HEX #0D691F

RGB 13 105 31

HSL 131.74, 0.78%, 0.23%

LAB 38.35, -41.3, 33.35

 

CMYK 88 / 60 / 0 / 59

HEX #0D2A68

RGB 13 42 104

HSL 220.88, 0.78%, 0.23%

LAB 18.98, 15.47, -39.28

 

CMYK 0 / 88 / 15 / 59

HEX #680D58

RGB 104 13 88

HSL 310.55, 0.78%, 0.23%

LAB 23.46, 45.47, -20.96

 

CMYK 0 / 28 / 88 / 59

HEX #684B0D

RGB 104 75 13

HSL 40.88, 0.78%, 0.23%

LAB 33.99, 6.33, 38.37

 

Description

Color code: HEX #0D691F | qconv.com Color code: HEX #0D691F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 105 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 105 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 70 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 70% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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