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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D6520 it is the complementary color #F29ADF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D6520. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D6520 shade: #12651B, #23772E, #348941, #459B54 and #56AD67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D6520. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D6520 shade: #0D6520, #00530D, #004100, #002F00 and #001D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D6520 shade: #0D6320, #12630D, #29630D, #40630D and #57630D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D6520 shade: #0D6320, #0D6337, #0D634E, #0D6163 and #0D4A63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D6520 shade matches the following richer shades: #0D6320 and #046C1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D6520 shade: #0D6320, #165A25, #1F512A, #28482F and #313F34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D6520 shade: #2A630D, #13630D, #0D631E, #0D6335 and #0D634C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D6520 shade: #031A08, #083F14, #0D6320, #12882B and #16AC37

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D6520 shade: #0D6520, #0D4163 and #630D1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D6520 shade: #0D6520, #1E0D63 and #631E0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D6520 shade: #0D6520, #0D4163, #630D52 and #632F0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D6520 shade: #0D6520, #0D2763, #630D52 and #63490D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

Complementary color

CMYK 0 / 36 / 8 / 5

HEX #F29ADF

RGB 242 154 223

HSL 312.95, 0.77%, 0.78%

LAB 74.39, 42.83, -21.33

 

CMYK 82 / 0 / 73 / 60

HEX #12651B

RGB 18 101 27

HSL 126.51, 0.7%, 0.23%

LAB 36.96, -39.67, 33.68

 

CMYK 71 / 0 / 61 / 53

HEX #23772E

RGB 35 119 46

HSL 127.86, 0.55%, 0.3%

LAB 43.87, -40.93, 32.43

 

CMYK 62 / 0 / 53 / 46

HEX #348941

RGB 52 137 65

HSL 129.18, 0.45%, 0.37%

LAB 50.69, -41.49, 30.96

 

CMYK 55 / 0 / 46 / 39

HEX #459B54

RGB 69 155 84

HSL 130.47, 0.38%, 0.44%

LAB 57.41, -41.65, 29.5

 

CMYK 50 / 0 / 40 / 32

HEX #56AD67

RGB 86 173 103

HSL 131.72, 0.35%, 0.51%

LAB 64.04, -41.61, 28.12

 

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

CMYK 100 / 0 / 84 / 67

HEX #00530D

RGB 0 83 13

HSL 129.4, 1%, 0.16%

LAB 29.95, -37.18, 32.22

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 87 / 0 / 68 / 61

HEX #0D6320

RGB 13 99 32

HSL 133.26, 0.77%, 0.22%

LAB 36.2, -39.06, 30.5

 

CMYK 82 / 0 / 87 / 61

HEX #12630D

RGB 18 99 13

HSL 116.51, 0.77%, 0.22%

LAB 36.14, -40.13, 38.19

 

CMYK 59 / 0 / 87 / 61

HEX #29630D

RGB 41 99 13

HSL 100.47, 0.77%, 0.22%

LAB 36.79, -34.74, 39.02

 

CMYK 35 / 0 / 87 / 61

HEX #40630D

RGB 64 99 13

HSL 84.42, 0.77%, 0.22%

LAB 37.92, -26.39, 40.47

 

CMYK 12 / 0 / 87 / 61

HEX #57630D

RGB 87 99 13

HSL 68.37, 0.77%, 0.22%

LAB 39.55, -16.13, 42.53

 

CMYK 87 / 0 / 68 / 61

HEX #0D6320

RGB 13 99 32

HSL 133.26, 0.77%, 0.22%

LAB 36.2, -39.06, 30.5

 

CMYK 87 / 0 / 44 / 61

HEX #0D6337

RGB 13 99 55

HSL 149.3, 0.77%, 0.22%

LAB 36.53, -35.18, 18.35

 

CMYK 87 / 0 / 21 / 61

HEX #0D634E

RGB 13 99 78

HSL 165.35, 0.77%, 0.22%

LAB 37.04, -29.5, 5.19

 

CMYK 87 / 2 / 0 / 61

HEX #0D6163

RGB 13 97 99

HSL 181.4, 0.77%, 0.22%

LAB 37, -21.96, -7.84

 

CMYK 87 / 25 / 0 / 61

HEX #0D4A63

RGB 13 74 99

HSL 197.44, 0.77%, 0.22%

LAB 29.12, -8.8, -19.89

 

CMYK 87 / 0 / 68 / 61

HEX #0D6320

RGB 13 99 32

HSL 133.26, 0.77%, 0.22%

LAB 36.2, -39.06, 30.5

 

CMYK 96 / 0 / 76 / 58

HEX #046C1A

RGB 4 108 26

HSL 132.69, 0.93%, 0.22%

LAB 39.29, -43.75, 36.49

 

CMYK 87 / 0 / 68 / 61

HEX #0D6320

RGB 13 99 32

HSL 133.26, 0.77%, 0.22%

LAB 36.2, -39.06, 30.5

 

CMYK 76 / 0 / 59 / 65

HEX #165A25

RGB 22 90 37

HSL 133.24, 0.61%, 0.22%

LAB 33.17, -33.49, 24.42

 

CMYK 62 / 0 / 48 / 68

HEX #1F512A

RGB 31 81 42

HSL 133.2, 0.45%, 0.22%

LAB 30.26, -26.58, 17.99

 

CMYK 44 / 0 / 35 / 72

HEX #28482F

RGB 40 72 47

HSL 133.13, 0.29%, 0.22%

LAB 27.55, -18.17, 11.4

 

CMYK 22 / 0 / 17 / 75

HEX #313F34

RGB 49 63 52

HSL 132.86, 0.13%, 0.22%

LAB 25.12, -8.36, 4.89

 

CMYK 58 / 0 / 87 / 61

HEX #2A630D

RGB 42 99 13

HSL 99.77, 0.77%, 0.22%

LAB 36.83, -34.43, 39.07

 

CMYK 81 / 0 / 87 / 61

HEX #13630D

RGB 19 99 13

HSL 115.81, 0.77%, 0.22%

LAB 36.16, -39.97, 38.22

 

CMYK 87 / 0 / 70 / 61

HEX #0D631E

RGB 13 99 30

HSL 131.86, 0.77%, 0.22%

LAB 36.18, -39.31, 31.44

 

CMYK 87 / 0 / 46 / 61

HEX #0D6335

RGB 13 99 53

HSL 147.91, 0.77%, 0.22%

LAB 36.49, -35.59, 19.47

 

CMYK 87 / 0 / 23 / 61

HEX #0D634C

RGB 13 99 76

HSL 163.95, 0.77%, 0.22%

LAB 36.99, -30.06, 6.34

 

CMYK 88 / 0 / 69 / 90

HEX #031A08

RGB 3 26 8

HSL 133.04, 0.79%, 0.06%

LAB 7.01, -11.74, 6.99

 

CMYK 87 / 0 / 68 / 75

HEX #083F14

RGB 8 63 20

HSL 133.09, 0.77%, 0.14%

LAB 22.5, -27.84, 21.12

 

CMYK 87 / 0 / 68 / 61

HEX #0D6320

RGB 13 99 32

HSL 133.26, 0.77%, 0.22%

LAB 36.2, -39.06, 30.5

 

CMYK 87 / 0 / 68 / 47

HEX #12882B

RGB 18 136 43

HSL 132.71, 0.77%, 0.3%

LAB 49.39, -49.89, 39.98

 

CMYK 87 / 0 / 68 / 33

HEX #16AC37

RGB 22 172 55

HSL 133.2, 0.77%, 0.38%

LAB 61.61, -59.77, 48.12

 

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

CMYK 87 / 34 / 0 / 61

HEX #0D4163

RGB 13 65 99

HSL 203.72, 0.77%, 0.22%

LAB 26.06, -3.02, -24.68

 

CMYK 0 / 87 / 70 / 61

HEX #630D1E

RGB 99 13 30

HSL 348.14, 0.77%, 0.22%

LAB 20.18, 37.72, 14.19

 

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

CMYK 70 / 87 / 0 / 61

HEX #1E0D63

RGB 30 13 99

HSL 251.86, 0.77%, 0.22%

LAB 12.38, 34.47, -46.78

 

CMYK 0 / 70 / 87 / 61

HEX #631E0D

RGB 99 30 13

HSL 11.86, 0.77%, 0.22%

LAB 22.34, 30.26, 27.39

 

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

CMYK 87 / 34 / 0 / 61

HEX #0D4163

RGB 13 65 99

HSL 203.72, 0.77%, 0.22%

LAB 26.06, -3.02, -24.68

 

CMYK 0 / 87 / 17 / 61

HEX #630D52

RGB 99 13 82

HSL 311.86, 0.77%, 0.22%

LAB 22.12, 43.37, -19.1

 

CMYK 0 / 53 / 87 / 61

HEX #632F0D

RGB 99 47 13

HSL 23.72, 0.77%, 0.22%

LAB 25.91, 21.02, 30.9

 

CMYK 87 / 0 / 68 / 60

HEX #0D6520

RGB 13 101 32

HSL 132.95, 0.77%, 0.22%

LAB 36.92, -39.78, 31.3

 

CMYK 87 / 61 / 0 / 61

HEX #0D2763

RGB 13 39 99

HSL 221.86, 0.77%, 0.22%

LAB 17.63, 15.53, -38.19

 

CMYK 0 / 87 / 17 / 61

HEX #630D52

RGB 99 13 82

HSL 311.86, 0.77%, 0.22%

LAB 22.12, 43.37, -19.1

 

CMYK 0 / 26 / 87 / 61

HEX #63490D

RGB 99 73 13

HSL 41.86, 0.77%, 0.22%

LAB 32.8, 5.06, 37.09

 

Description

Color code: HEX #0D6520 | qconv.com Color code: HEX #0D6520 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 101 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 101 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 68 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 68% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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