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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D4F4B it is the complementary color #F2B0B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D4F4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D4F4B shade: #124F46, #236159, #34736C, #45857F and #569792

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D4F4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D4F4B shade: #0D4F4B, #003D38, #002B25, #001912 and #000700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D4F4B shade: #0D4F4B, #0D4F39, #0D4F27, #0D4F15 and #164F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D4F4B shade: #0D4F4B, #0D414F, #0D2F4F, #0D1D4F and #0D0D4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D4F4B shade matches the following richer shades: #0D4F4B and #055651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D4F4B shade: #0D4F4B, #144844, #1C403E, #233937 and #2B3131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D4F4B shade: #0D4F27, #0D4F39, #0D4F4B, #0D424F and #0D304F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D4F4B shade: #010808, #072B29, #0D4F4B, #13726D and #18968E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D4F4B shade: #0D4F4B, #160D4F and #4F300D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D4F4B shade: #0D4F4B, #4B0D4F and #4F4B0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D4F4B shade: #0D4F4B, #160D4F, #4F0D11 and #464F0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D4F4B shade: #0D4F4B, #290D4F, #4F0D11 and #324F0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

Complementary color

CMYK 0 / 27 / 26 / 5

HEX #F2B0B4

RGB 242 176 180

HSL 356.36, 0.72%, 0.82%

LAB 78.01, 24.62, 7.5

 

CMYK 77 / 0 / 11 / 69

HEX #124F46

RGB 18 79 70

HSL 171.15, 0.63%, 0.19%

LAB 29.82, -21.42, -0.21

 

CMYK 64 / 0 / 8 / 62

HEX #236159

RGB 35 97 89

HSL 172.26, 0.47%, 0.26%

LAB 37.17, -21.89, -1.35

 

CMYK 55 / 0 / 6 / 55

HEX #34736C

RGB 52 115 108

HSL 173.33, 0.38%, 0.33%

LAB 44.34, -22.06, -2.3

 

CMYK 48 / 0 / 5 / 48

HEX #45857F

RGB 69 133 127

HSL 174.38, 0.32%, 0.4%

LAB 51.35, -22.08, -3.13

 

CMYK 43 / 0 / 3 / 41

HEX #569792

RGB 86 151 146

HSL 175.38, 0.27%, 0.46%

LAB 58.21, -22.03, -3.88

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 100 / 0 / 8 / 76

HEX #003D38

RGB 0 61 56

HSL 175.08, 1%, 0.12%

LAB 22.38, -19.12, -2.01

 

CMYK 100 / 0 / 14 / 83

HEX #002B25

RGB 0 43 37

HSL 171.63, 1%, 0.08%

LAB 14.74, -16.15, -0.17

 

CMYK 100 / 0 / 28 / 90

HEX #001912

RGB 0 25 18

HSL 163.2, 1%, 0.05%

LAB 6.67, -10.06, 1.63

 

CMYK 100 / 0 / 100 / 97

HEX #000700

RGB 0 7 0

HSL 120, 1%, 0.01%

LAB 1.37, -2.8, 2

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 84 / 0 / 28 / 69

HEX #0D4F39

RGB 13 79 57

HSL 160, 0.72%, 0.18%

LAB 29.34, -25.98, 7.39

 

CMYK 84 / 0 / 51 / 69

HEX #0D4F27

RGB 13 79 39

HSL 143.64, 0.72%, 0.18%

LAB 28.96, -30.23, 18.02

 

CMYK 84 / 0 / 73 / 69

HEX #0D4F15

RGB 13 79 21

HSL 127.27, 0.72%, 0.18%

LAB 28.73, -33.08, 27.59

 

CMYK 72 / 0 / 84 / 69

HEX #164F0D

RGB 22 79 13

HSL 111.82, 0.72%, 0.18%

LAB 28.88, -32.01, 31.32

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 84 / 18 / 0 / 69

HEX #0D414F

RGB 13 65 79

HSL 192.73, 0.72%, 0.18%

LAB 25.05, -11.1, -13.24

 

CMYK 84 / 41 / 0 / 69

HEX #0D2F4F

RGB 13 47 79

HSL 209.09, 0.72%, 0.18%

LAB 18.73, 0.85, -23.11

 

CMYK 84 / 63 / 0 / 69

HEX #0D1D4F

RGB 13 29 79

HSL 225.45, 0.72%, 0.18%

LAB 12.79, 14.33, -32.66

 

CMYK 84 / 84 / 0 / 69

HEX #0D0D4F

RGB 13 13 79

HSL 240, 0.72%, 0.18%

LAB 8.46, 25.86, -39.76

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 94 / 0 / 6 / 66

HEX #055651

RGB 5 86 81

HSL 176.3, 0.89%, 0.18%

LAB 32.44, -23.01, -3.39

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 72 / 0 / 6 / 72

HEX #144844

RGB 20 72 68

HSL 175.38, 0.57%, 0.18%

LAB 27.3, -17.96, -2.62

 

CMYK 56 / 0 / 3 / 75

HEX #1C403E

RGB 28 64 62

HSL 176.67, 0.39%, 0.18%

LAB 24.52, -13.5, -2.76

 

CMYK 39 / 0 / 4 / 78

HEX #233937

RGB 35 57 55

HSL 174.55, 0.24%, 0.18%

LAB 22.16, -9.21, -1.53

 

CMYK 12 / 0 / 0 / 81

HEX #2B3131

RGB 43 49 49

HSL 180, 0.07%, 0.18%

LAB 19.77, -2.58, -0.89

 

CMYK 84 / 0 / 51 / 69

HEX #0D4F27

RGB 13 79 39

HSL 143.64, 0.72%, 0.18%

LAB 28.96, -30.23, 18.02

 

CMYK 84 / 0 / 28 / 69

HEX #0D4F39

RGB 13 79 57

HSL 160, 0.72%, 0.18%

LAB 29.34, -25.98, 7.39

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 84 / 16 / 0 / 69

HEX #0D424F

RGB 13 66 79

HSL 191.82, 0.72%, 0.18%

LAB 25.4, -11.71, -12.69

 

CMYK 84 / 39 / 0 / 69

HEX #0D304F

RGB 13 48 79

HSL 208.18, 0.72%, 0.18%

LAB 19.07, 0.14, -22.56

 

CMYK 88 / 0 / 0 / 97

HEX #010808

RGB 1 8 8

HSL 180, 0.78%, 0.02%

LAB 1.79, -1.83, -0.65

 

CMYK 84 / 0 / 5 / 83

HEX #072B29

RGB 7 43 41

HSL 176.67, 0.72%, 0.1%

LAB 15.13, -13.05, -2.4

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 83 / 0 / 4 / 55

HEX #13726D

RGB 19 114 109

HSL 176.84, 0.71%, 0.26%

LAB 43.18, -26.79, -4.71

 

CMYK 84 / 0 / 5 / 41

HEX #18968E

RGB 24 150 142

HSL 176.19, 0.72%, 0.34%

LAB 56.05, -33.52, -5

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 72 / 84 / 0 / 69

HEX #160D4F

RGB 22 13 79

HSL 248.18, 0.72%, 0.18%

LAB 9.18, 26.83, -38.55

 

CMYK 0 / 39 / 84 / 69

HEX #4F300D

RGB 79 48 13

HSL 31.82, 0.72%, 0.18%

LAB 23.02, 10.73, 27.01

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 5 / 84 / 0 / 69

HEX #4B0D4F

RGB 75 13 79

HSL 296.36, 0.72%, 0.18%

LAB 17.22, 37.12, -25.13

 

CMYK 0 / 5 / 84 / 69

HEX #4F4B0D

RGB 79 75 13

HSL 56.36, 0.72%, 0.18%

LAB 31.17, -6.32, 34.78

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 72 / 84 / 0 / 69

HEX #160D4F

RGB 22 13 79

HSL 248.18, 0.72%, 0.18%

LAB 9.18, 26.83, -38.55

 

CMYK 0 / 84 / 78 / 69

HEX #4F0D11

RGB 79 13 17

HSL 356.36, 0.72%, 0.18%

LAB 15.44, 30.35, 16.15

 

CMYK 11 / 0 / 84 / 69

HEX #464F0D

RGB 70 79 13

HSL 68.18, 0.72%, 0.18%

LAB 31.63, -13.16, 34.91

 

CMYK 84 / 0 / 5 / 69

HEX #0D4F4B

RGB 13 79 75

HSL 176.36, 0.72%, 0.18%

LAB 29.88, -20.52, -3.35

 

CMYK 48 / 84 / 0 / 69

HEX #290D4F

RGB 41 13 79

HSL 265.45, 0.72%, 0.18%

LAB 11.44, 29.81, -34.75

 

CMYK 0 / 84 / 78 / 69

HEX #4F0D11

RGB 79 13 17

HSL 356.36, 0.72%, 0.18%

LAB 15.44, 30.35, 16.15

 

CMYK 37 / 0 / 84 / 69

HEX #324F0D

RGB 50 79 13

HSL 86.36, 0.72%, 0.18%

LAB 30.15, -22.4, 32.99

 

Description

Color code: HEX #0D4F4B | qconv.com Color code: HEX #0D4F4B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 79 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 79 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 5 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 5% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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