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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D46664C it is the complementary color #F2B9994C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D46664C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D46664C shade: #1246614C, #2358744C, #346A874C, #457C9A4C and #568EAD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D46664C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D46664C shade: #0D46664C, #0034534C, #0022404C, #00102D4C and #00001A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D46664C shade: #0D4768, #0D2F68, #0D1768, #1D0D68 and #350D68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D46664C shade: #0D4768, #0D2F68, #0D1768 and #0D0D68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D46664C shade matches the following richer shades: #0D4768 and #044A71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D46664C shade: #0D4768, #17455E, #204255, #2A3F4B and #333D42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D46664C shade: #0D6857, #0D6068, #0D4868, #0D3068 and #0D1868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D46664C shade: #04151F, #092E43, #0D4768, #12608C and #177AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D46664C shade: #0D4666, #3F0D68 and #68630D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D46664C shade: #0D4666, #680D48 and #48680D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D46664C shade: #0D4666, #3F0D68, #682D0D and #36680D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D46664C shade: #0D4666, #5A0D68, #682D0D and #1B680D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 9 / 0 / 18

HEX #0D46664C

RGBA 13 70 102 0.3

HSLA 201.57, 0.77%, 0.23%, 0.3

LABA 27.91, -5.05, -23.69, 0.3

 

Complementary color

CMYK 0 / 7 / 11 / 2

HEX #F2B9994C

RGBA 242 185 153 0.3

HSLA 21.57, 0.77%, 0.77%, 0.3

LABA 79.54, 16.42, 24.2, 0.3

 

CMYK 24 / 8 / 0 / 19

HEX #1246614C

RGBA 18 70 97 0.3

HSLA 200.51, 0.69%, 0.23%, 0.3

LABA 27.77, -6.48, -20.7, 0.3

 

CMYK 21 / 7 / 0 / 16

HEX #2358744C

RGBA 35 88 116 0.3

HSLA 200.74, 0.54%, 0.3%, 0.3

LABA 35.2, -7.8, -21.08, 0.3

 

CMYK 18 / 6 / 0 / 14

HEX #346A874C

RGBA 52 106 135 0.3

HSLA 200.96, 0.44%, 0.37%, 0.3

LABA 42.44, -8.66, -21.4, 0.3

 

CMYK 17 / 6 / 0 / 12

HEX #457C9A4C

RGBA 69 124 154 0.3

HSLA 201.18, 0.38%, 0.44%, 0.3

LABA 49.51, -9.24, -21.7, 0.3

 

CMYK 15 / 5 / 0 / 10

HEX #568EAD4C

RGBA 86 142 173 0.3

HSLA 201.38, 0.35%, 0.51%, 0.3

LABA 56.43, -9.66, -22, 0.3

 

CMYK 26 / 9 / 0 / 18

HEX #0D46664C

RGBA 13 70 102 0.3

HSLA 201.57, 0.77%, 0.23%, 0.3

LABA 27.91, -5.05, -23.69, 0.3

 

CMYK 30 / 11 / 0 / 20

HEX #0034534C

RGBA 0 52 83 0.3

HSLA 202.41, 1%, 0.16%, 0.3

LABA 20.36, -2.51, -23.22, 0.3

 

CMYK 30 / 14 / 0 / 22

HEX #0022404C

RGBA 0 34 64 0.3

HSLA 208.13, 1%, 0.13%, 0.3

LABA 12.7, 1.65, -22.44, 0.3

 

CMYK 30 / 19 / 0 / 25

HEX #00102D4C

RGBA 0 16 45 0.3

HSLA 218.67, 1%, 0.09%, 0.3

LABA 5.06, 5.19, -20.96, 0.3

 

CMYK 30 / 30 / 0 / 27

HEX #00001A4C

RGBA 0 0 26 0.3

HSLA 240, 1%, 0.05%, 0.3

LABA 0.67, 4.73, -12.88, 0.3

 

CMYK 88 / 32 / 0 / 59

HEX #0D4768

RGB 13 71 104

HSL 201.76, 0.78%, 0.23%

LAB 28.36, -4.88, -24.27

 

CMYK 88 / 55 / 0 / 59

HEX #0D2F68

RGB 13 47 104

HSL 217.58, 0.78%, 0.23%

LAB 20.51, 11.79, -36.79

 

CMYK 88 / 78 / 0 / 59

HEX #0D1768

RGB 13 23 104

HSL 233.41, 0.78%, 0.23%

LAB 13.81, 29, -47.75

 

CMYK 72 / 88 / 0 / 59

HEX #1D0D68

RGB 29 13 104

HSL 250.55, 0.78%, 0.23%

LAB 12.91, 35.97, -49.21

 

CMYK 49 / 88 / 0 / 59

HEX #350D68

RGB 53 13 104

HSL 266.37, 0.78%, 0.23%

LAB 15.72, 38.8, -44.49

 

CMYK 88 / 32 / 0 / 59

HEX #0D4768

RGB 13 71 104

HSL 201.76, 0.78%, 0.23%

LAB 28.36, -4.88, -24.27

 

CMYK 88 / 55 / 0 / 59

HEX #0D2F68

RGB 13 47 104

HSL 217.58, 0.78%, 0.23%

LAB 20.51, 11.79, -36.79

 

CMYK 88 / 78 / 0 / 59

HEX #0D1768

RGB 13 23 104

HSL 233.41, 0.78%, 0.23%

LAB 13.81, 29, -47.75

 

CMYK 88 / 88 / 0 / 59

HEX #0D0D68

RGB 13 13 104

HSL 240, 0.78%, 0.23%

LAB 11.78, 34.86, -51.13

 

CMYK 88 / 32 / 0 / 59

HEX #0D4768

RGB 13 71 104

HSL 201.76, 0.78%, 0.23%

LAB 28.36, -4.88, -24.27

 

CMYK 96 / 35 / 0 / 56

HEX #044A71

RGB 4 74 113

HSL 201.47, 0.93%, 0.23%

LAB 29.7, -3.84, -27.86

 

CMYK 88 / 32 / 0 / 59

HEX #0D4768

RGB 13 71 104

HSL 201.76, 0.78%, 0.23%

LAB 28.36, -4.88, -24.27

 

CMYK 76 / 27 / 0 / 63

HEX #17455E

RGB 23 69 94

HSL 201.13, 0.61%, 0.23%

LAB 27.43, -6.27, -19.3

 

CMYK 62 / 22 / 0 / 67

HEX #204255

RGB 32 66 85

HSL 201.51, 0.45%, 0.23%

LAB 26.33, -5.92, -15.13

 

CMYK 44 / 16 / 0 / 71

HEX #2A3F4B

RGB 42 63 75

HSL 201.82, 0.28%, 0.23%

LAB 25.43, -4.62, -9.91

 

CMYK 23 / 8 / 0 / 74

HEX #333D42

RGB 51 61 66

HSL 200, 0.13%, 0.23%

LAB 25.06, -2.81, -4.45

 

CMYK 88 / 0 / 16 / 59

HEX #0D6857

RGB 13 104 87

HSL 168.79, 0.78%, 0.23%

LAB 39.03, -29.24, 2.53

 

CMYK 88 / 8 / 0 / 59

HEX #0D6068

RGB 13 96 104

HSL 185.27, 0.78%, 0.23%

LAB 36.84, -19.7, -11.17

 

CMYK 88 / 31 / 0 / 59

HEX #0D4868

RGB 13 72 104

HSL 201.1, 0.78%, 0.23%

LAB 28.69, -5.52, -23.74

 

CMYK 88 / 54 / 0 / 59

HEX #0D3068

RGB 13 48 104

HSL 216.92, 0.78%, 0.23%

LAB 20.82, 11.06, -36.28

 

CMYK 88 / 77 / 0 / 59

HEX #0D1868

RGB 13 24 104

HSL 232.75, 0.78%, 0.23%

LAB 14.05, 28.34, -47.36

 

CMYK 87 / 32 / 0 / 88

HEX #04151F

RGB 4 21 31

HSL 202.22, 0.77%, 0.07%

LAB 5.97, -2.57, -8.91

 

CMYK 87 / 31 / 0 / 74

HEX #092E43

RGB 9 46 67

HSL 201.72, 0.76%, 0.15%

LAB 17.54, -4.21, -16.84

 

CMYK 88 / 32 / 0 / 59

HEX #0D4768

RGB 13 71 104

HSL 201.76, 0.78%, 0.23%

LAB 28.36, -4.88, -24.27

 

CMYK 87 / 31 / 0 / 45

HEX #12608C

RGB 18 96 140

HSL 201.64, 0.77%, 0.31%

LAB 38.53, -5.75, -30.59

 

CMYK 87 / 31 / 0 / 31

HEX #177AB1

RGB 23 122 177

HSL 201.43, 0.77%, 0.39%

LAB 48.61, -6.78, -36.62

 

CMYK 87 / 31 / 0 / 60

HEX #0D4666

RGB 13 70 102

HSL 201.57, 0.77%, 0.23%

LAB 27.91, -5.05, -23.69

 

CMYK 39 / 88 / 0 / 59

HEX #3F0D68

RGB 63 13 104

HSL 272.97, 0.78%, 0.23%

LAB 17.2, 40.33, -42

 

CMYK 0 / 5 / 88 / 59

HEX #68630D

RGB 104 99 13

HSL 56.7, 0.78%, 0.23%

LAB 41.05, -7.96, 44.41

 

CMYK 87 / 31 / 0 / 60

HEX #0D4666

RGB 13 70 102

HSL 201.57, 0.77%, 0.23%

LAB 27.91, -5.05, -23.69

 

CMYK 0 / 88 / 31 / 59

HEX #680D48

RGB 104 13 72

HSL 321.1, 0.78%, 0.23%

LAB 22.65, 43.22, -11.43

 

CMYK 31 / 0 / 88 / 59

HEX #48680D

RGB 72 104 13

HSL 81.1, 0.78%, 0.23%

LAB 40.09, -25.48, 42.59

 

CMYK 87 / 31 / 0 / 60

HEX #0D4666

RGB 13 70 102

HSL 201.57, 0.77%, 0.23%

LAB 27.91, -5.05, -23.69

 

CMYK 39 / 88 / 0 / 59

HEX #3F0D68

RGB 63 13 104

HSL 272.97, 0.78%, 0.23%

LAB 17.2, 40.33, -42

 

CMYK 0 / 57 / 88 / 59

HEX #682D0D

RGB 104 45 13

HSL 21.1, 0.78%, 0.23%

LAB 26.3, 24.42, 31.58

 

CMYK 48 / 0 / 88 / 59

HEX #36680D

RGB 54 104 13

HSL 92.97, 0.78%, 0.23%

LAB 39.09, -32.54, 41.32

 

CMYK 87 / 31 / 0 / 60

HEX #0D4666

RGB 13 70 102

HSL 201.57, 0.77%, 0.23%

LAB 27.91, -5.05, -23.69

 

CMYK 13 / 88 / 0 / 59

HEX #5A0D68

RGB 90 13 104

HSL 290.77, 0.78%, 0.23%

LAB 21.8, 45.22, -34.31

 

CMYK 0 / 57 / 88 / 59

HEX #682D0D

RGB 104 45 13

HSL 21.1, 0.78%, 0.23%

LAB 26.3, 24.42, 31.58

 

CMYK 74 / 0 / 88 / 59

HEX #1B680D

RGB 27 104 13

HSL 110.77, 0.78%, 0.23%

LAB 38.13, -40.23, 40.09

 

Description

Color code: HEX #0D46664C | qconv.com Color code: HEX #0D46664C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 70 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 70 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 9 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 9% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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