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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D406B it is the complementary color #F2BF94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D406B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D406B shade: #124066, #235279, #34648C, #45769F and #5688B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D406B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D406B shade: #0D406B, #002E58, #001C45, #000A32 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D406B shade: #0D416D, #0D286D, #0D0E6D, #270D6D and #410D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D406B shade: #0D416D, #0D286D, #0D0E6D and #0D0D6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D406B shade matches the following richer shades: #0D416D and #044277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D406B shade: #0D416D, #174063, #214059, #2B3F4F and #353E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D406B shade: #0D6D65, #0D5B6D, #0D426D, #0D296D and #0D0F6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D406B shade: #041523, #092B48, #0D416D, #125792 and #176DB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D406B shade: #0D406B, #4C0D6D and #686D0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D406B shade: #0D406B, #6D0D42 and #426D0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D406B shade: #0D406B, #4C0D6D, #6D380D and #2F6D0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D406B shade: #0D406B, #680D6D, #6D380D and #126D0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

Complementary color

CMYK 0 / 21 / 39 / 5

HEX #F2BF94

RGB 242 191 148

HSL 27.45, 0.78%, 0.76%

LAB 80.89, 12.69, 28.67

 

CMYK 82 / 37 / 0 / 60

HEX #124066

RGB 18 64 102

HSL 207.14, 0.7%, 0.24%

LAB 26.02, -0.51, -26.66

 

CMYK 71 / 32 / 0 / 53

HEX #235279

RGB 35 82 121

HSL 207.21, 0.55%, 0.31%

LAB 33.5, -2.2, -26.82

 

CMYK 63 / 29 / 0 / 45

HEX #34648C

RGB 52 100 140

HSL 207.27, 0.46%, 0.38%

LAB 40.8, -3.33, -26.96

 

CMYK 57 / 26 / 0 / 38

HEX #45769F

RGB 69 118 159

HSL 207.33, 0.39%, 0.45%

LAB 47.91, -4.14, -27.11

 

CMYK 52 / 24 / 0 / 30

HEX #5688B2

RGB 86 136 178

HSL 207.39, 0.37%, 0.52%

LAB 54.87, -4.74, -27.26

 

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

CMYK 100 / 48 / 0 / 65

HEX #002E58

RGB 0 46 88

HSL 208.64, 1%, 0.17%

LAB 18.62, 4.05, -29.33

 

CMYK 100 / 59 / 0 / 73

HEX #001C45

RGB 0 28 69

HSL 215.65, 1%, 0.14%

LAB 10.99, 8.77, -28.69

 

CMYK 100 / 80 / 0 / 80

HEX #000A32

RGB 0 10 50

HSL 228, 1%, 0.1%

LAB 4.04, 10.61, -26.31

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 88 / 40 / 0 / 57

HEX #0D416D

RGB 13 65 109

HSL 207.5, 0.79%, 0.24%

LAB 26.65, 1.19, -30.16

 

CMYK 88 / 63 / 0 / 57

HEX #0D286D

RGB 13 40 109

HSL 223.13, 0.79%, 0.24%

LAB 18.83, 19.09, -42.77

 

CMYK 88 / 87 / 0 / 57

HEX #0D0E6D

RGB 13 14 109

HSL 239.38, 0.79%, 0.24%

LAB 12.63, 36.05, -52.99

 

CMYK 64 / 88 / 0 / 57

HEX #270D6D

RGB 39 13 109

HSL 256.25, 0.79%, 0.24%

LAB 14.53, 38.48, -49.78

 

CMYK 40 / 88 / 0 / 57

HEX #410D6D

RGB 65 13 109

HSL 272.5, 0.79%, 0.24%

LAB 17.99, 41.89, -43.96

 

CMYK 88 / 40 / 0 / 57

HEX #0D416D

RGB 13 65 109

HSL 207.5, 0.79%, 0.24%

LAB 26.65, 1.19, -30.16

 

CMYK 88 / 63 / 0 / 57

HEX #0D286D

RGB 13 40 109

HSL 223.13, 0.79%, 0.24%

LAB 18.83, 19.09, -42.77

 

CMYK 88 / 87 / 0 / 57

HEX #0D0E6D

RGB 13 14 109

HSL 239.38, 0.79%, 0.24%

LAB 12.63, 36.05, -52.99

 

CMYK 88 / 88 / 0 / 57

HEX #0D0D6D

RGB 13 13 109

HSL 240, 0.79%, 0.24%

LAB 12.46, 36.55, -53.27

 

CMYK 88 / 40 / 0 / 57

HEX #0D416D

RGB 13 65 109

HSL 207.5, 0.79%, 0.24%

LAB 26.65, 1.19, -30.16

 

CMYK 97 / 45 / 0 / 53

HEX #044277

RGB 4 66 119

HSL 207.65, 0.93%, 0.24%

LAB 27.45, 4.09, -35.23

 

CMYK 88 / 40 / 0 / 57

HEX #0D416D

RGB 13 65 109

HSL 207.5, 0.79%, 0.24%

LAB 26.65, 1.19, -30.16

 

CMYK 77 / 35 / 0 / 61

HEX #174063

RGB 23 64 99

HSL 207.63, 0.62%, 0.24%

LAB 26.01, -1.02, -24.74

 

CMYK 63 / 28 / 0 / 65

HEX #214059

RGB 33 64 89

HSL 206.79, 0.46%, 0.24%

LAB 25.9, -2.93, -18.41

 

CMYK 46 / 20 / 0 / 69

HEX #2B3F4F

RGB 43 63 79

HSL 206.67, 0.3%, 0.24%

LAB 25.66, -3.02, -12.18

 

CMYK 23 / 10 / 0 / 73

HEX #353E45

RGB 53 62 69

HSL 206.25, 0.13%, 0.24%

LAB 25.66, -1.89, -5.53

 

CMYK 88 / 0 / 7 / 57

HEX #0D6D65

RGB 13 109 101

HSL 175, 0.79%, 0.24%

LAB 41.16, -27.39, -2.88

 

CMYK 88 / 17 / 0 / 57

HEX #0D5B6D

RGB 13 91 109

HSL 191.25, 0.79%, 0.24%

LAB 35.34, -15.1, -16.55

 

CMYK 88 / 39 / 0 / 57

HEX #0D426D

RGB 13 66 109

HSL 206.88, 0.79%, 0.24%

LAB 26.98, 0.51, -29.63

 

CMYK 88 / 62 / 0 / 57

HEX #0D296D

RGB 13 41 109

HSL 222.5, 0.79%, 0.24%

LAB 19.12, 18.36, -42.3

 

CMYK 88 / 86 / 0 / 57

HEX #0D0F6D

RGB 13 15 109

HSL 238.75, 0.79%, 0.24%

LAB 12.81, 35.54, -52.7

 

CMYK 89 / 40 / 0 / 86

HEX #041523

RGB 4 21 35

HSL 207.1, 0.79%, 0.08%

LAB 6.17, -1.15, -11.65

 

CMYK 88 / 40 / 0 / 72

HEX #092B48

RGB 9 43 72

HSL 207.62, 0.78%, 0.16%

LAB 16.77, 0.09, -21.48

 

CMYK 88 / 40 / 0 / 57

HEX #0D416D

RGB 13 65 109

HSL 207.5, 0.79%, 0.24%

LAB 26.65, 1.19, -30.16

 

CMYK 88 / 40 / 0 / 43

HEX #125792

RGB 18 87 146

HSL 207.66, 0.78%, 0.32%

LAB 36.02, 2.35, -38.19

 

CMYK 87 / 40 / 0 / 29

HEX #176DB6

RGB 23 109 182

HSL 207.55, 0.78%, 0.4%

LAB 44.94, 3.06, -45.33

 

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

CMYK 30 / 88 / 0 / 57

HEX #4C0D6D

RGB 76 13 109

HSL 279.38, 0.79%, 0.24%

LAB 19.76, 43.69, -41.01

 

CMYK 5 / 0 / 88 / 57

HEX #686D0D

RGB 104 109 13

HSL 63.13, 0.79%, 0.24%

LAB 44.1, -13.57, 46.99

 

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

CMYK 0 / 88 / 39 / 57

HEX #6D0D42

RGB 109 13 66

HSL 326.88, 0.79%, 0.24%

LAB 23.45, 43.8, -6.02

 

CMYK 39 / 0 / 88 / 57

HEX #426D0D

RGB 66 109 13

HSL 86.88, 0.79%, 0.24%

LAB 41.41, -30.3, 43.62

 

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

CMYK 30 / 88 / 0 / 57

HEX #4C0D6D

RGB 76 13 109

HSL 279.38, 0.79%, 0.24%

LAB 19.76, 43.69, -41.01

 

CMYK 0 / 49 / 88 / 57

HEX #6D380D

RGB 109 56 13

HSL 26.88, 0.79%, 0.24%

LAB 29.68, 20.3, 34.9

 

CMYK 57 / 0 / 88 / 57

HEX #2F6D0D

RGB 47 109 13

HSL 98.75, 0.79%, 0.24%

LAB 40.53, -36.96, 42.49

 

CMYK 88 / 40 / 0 / 58

HEX #0D406B

RGB 13 64 107

HSL 207.45, 0.78%, 0.24%

LAB 26.2, 1.02, -29.6

 

CMYK 5 / 88 / 0 / 57

HEX #680D6D

RGB 104 13 109

HSL 296.88, 0.79%, 0.24%

LAB 24.75, 48.94, -32.69

 

CMYK 0 / 49 / 88 / 57

HEX #6D380D

RGB 109 56 13

HSL 26.88, 0.79%, 0.24%

LAB 29.68, 20.3, 34.9

 

CMYK 83 / 0 / 88 / 57

HEX #126D0D

RGB 18 109 13

HSL 116.88, 0.79%, 0.24%

LAB 39.74, -43.51, 41.49

 

Description

Color code: HEX #0D406B | qconv.com Color code: HEX #0D406B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 64 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 64 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 40 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 40% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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