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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D3213 it is the complementary color #F2CDEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D3213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D3213 shade: #12320E, #234421, #345634, #456847 and #567A5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D3213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D3213 shade: #0D3213, #002000, #000E00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D3213 shade: #0D3112, #10310D, #1A310D, #24310D and #2E310D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D3213 shade: #0D3112, #0D311C, #0D3126, #0D3130 and #0D2831

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D3213 shade matches the following richer shades: #0D3112, #08360F and #033B0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D3213 shade: #0D3112, #112C16, #162719, #1B221C and #201D20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D3213 shade: #1A310D, #11310D, #0D3112, #0D311C and #0D3125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D3213 shade: #000000, #041006, #0D3112, #15511F and #1D722B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D3213 shade: #0D3213, #0D2431 and #310D16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D3213 shade: #0D3213, #120D31 and #31120D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D3213 shade: #0D3213, #0D2431, #310D2B and #31190D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D3213 shade: #0D3213, #0D1931, #310D2B and #31240D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

Complementary color

CMYK 0 / 15 / 2 / 5

HEX #F2CDEC

RGB 242 205 236

HSL 309.73, 0.59%, 0.88%

LAB 86.3, 18.16, -10.42

 

CMYK 64 / 0 / 72 / 80

HEX #12320E

RGB 18 50 14

HSL 113.33, 0.56%, 0.13%

LAB 17.65, -20.5, 18.86

 

CMYK 49 / 0 / 51 / 73

HEX #234421

RGB 35 68 33

HSL 116.57, 0.35%, 0.2%

LAB 25.57, -20.55, 17.47

 

CMYK 40 / 0 / 40 / 66

HEX #345634

RGB 52 86 52

HSL 120, 0.25%, 0.27%

LAB 33.21, -20.32, 16

 

CMYK 34 / 0 / 32 / 59

HEX #456847

RGB 69 104 71

HSL 123.43, 0.2%, 0.34%

LAB 40.61, -20.03, 14.7

 

CMYK 30 / 0 / 26 / 52

HEX #567A5A

RGB 86 122 90

HSL 126.67, 0.17%, 0.41%

LAB 47.8, -19.76, 13.53

 

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 100 / 0 / 100 / 95

HEX #000E00

RGB 0 14 0

HSL 120, 1%, 0.03%

LAB 2.84, -5.8, 4.14

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 67 / 0 / 73 / 81

HEX #10310D

RGB 16 49 13

HSL 115, 0.58%, 0.12%

LAB 17.16, -20.81, 18.73

 

CMYK 47 / 0 / 73 / 81

HEX #1A310D

RGB 26 49 13

HSL 98.33, 0.58%, 0.12%

LAB 17.67, -17.06, 19.47

 

CMYK 27 / 0 / 73 / 81

HEX #24310D

RGB 36 49 13

HSL 81.67, 0.58%, 0.12%

LAB 18.37, -12.48, 20.47

 

CMYK 6 / 0 / 73 / 81

HEX #2E310D

RGB 46 49 13

HSL 65, 0.58%, 0.12%

LAB 19.25, -7.37, 21.73

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 73 / 0 / 43 / 81

HEX #0D311C

RGB 13 49 28

HSL 145, 0.58%, 0.12%

LAB 17.3, -18.86, 9.71

 

CMYK 73 / 0 / 22 / 81

HEX #0D3126

RGB 13 49 38

HSL 161.67, 0.58%, 0.12%

LAB 17.56, -16.15, 3.26

 

CMYK 73 / 0 / 2 / 81

HEX #0D3130

RGB 13 49 48

HSL 178.33, 0.58%, 0.12%

LAB 17.9, -12.89, -3.17

 

CMYK 73 / 18 / 0 / 81

HEX #0D2831

RGB 13 40 49

HSL 195, 0.58%, 0.12%

LAB 14.54, -6.81, -8.94

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 85 / 0 / 72 / 79

HEX #08360F

RGB 8 54 15

HSL 129.13, 0.74%, 0.12%

LAB 18.9, -24.88, 19.74

 

CMYK 95 / 0 / 80 / 77

HEX #033B0C

RGB 3 59 12

HSL 129.64, 0.9%, 0.12%

LAB 20.73, -28.38, 23.26

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 61 / 0 / 50 / 83

HEX #112C16

RGB 17 44 22

HSL 131.11, 0.44%, 0.12%

LAB 15.37, -16.38, 11.21

 

CMYK 44 / 0 / 36 / 85

HEX #162719

RGB 22 39 25

HSL 130.59, 0.28%, 0.12%

LAB 13.78, -10.91, 7.07

 

CMYK 21 / 0 / 18 / 87

HEX #1B221C

RGB 27 34 28

HSL 128.57, 0.11%, 0.12%

LAB 12.36, -4.73, 3

 

CMYK 0 / 9 / 0 / 87

HEX #201D20

RGB 32 29 32

HSL 300, 0.05%, 0.12%

LAB 11.21, 2.18, -1.54

 

CMYK 47 / 0 / 73 / 81

HEX #1A310D

RGB 26 49 13

HSL 98.33, 0.58%, 0.12%

LAB 17.67, -17.06, 19.47

 

CMYK 65 / 0 / 73 / 81

HEX #11310D

RGB 17 49 13

HSL 113.33, 0.58%, 0.12%

LAB 17.2, -20.48, 18.8

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 73 / 0 / 43 / 81

HEX #0D311C

RGB 13 49 28

HSL 145, 0.58%, 0.12%

LAB 17.3, -18.86, 9.71

 

CMYK 73 / 0 / 24 / 81

HEX #0D3125

RGB 13 49 37

HSL 160, 0.58%, 0.12%

LAB 17.53, -16.44, 3.91

 

CMYK 75 / 0 / 63 / 94

HEX #041006

RGB 4 16 6

HSL 130, 0.6%, 0.04%

LAB 3.7, -4.96, 2.99

 

CMYK 73 / 0 / 63 / 81

HEX #0D3112

RGB 13 49 18

HSL 128.33, 0.58%, 0.12%

LAB 17.11, -20.94, 15.93

 

CMYK 74 / 0 / 62 / 68

HEX #15511F

RGB 21 81 31

HSL 130, 0.59%, 0.2%

LAB 29.77, -30.96, 23.65

 

CMYK 75 / 0 / 62 / 55

HEX #1D722B

RGB 29 114 43

HSL 129.88, 0.59%, 0.28%

LAB 41.95, -40.62, 31.68

 

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

CMYK 73 / 27 / 0 / 81

HEX #0D2431

RGB 13 36 49

HSL 201.67, 0.58%, 0.12%

LAB 13.04, -4.05, -11.24

 

CMYK 0 / 73 / 55 / 81

HEX #310D16

RGB 49 13 22

HSL 345, 0.58%, 0.12%

LAB 8.98, 19.26, 3.04

 

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

CMYK 63 / 73 / 0 / 81

HEX #120D31

RGB 18 13 49

HSL 248.33, 0.58%, 0.12%

LAB 5.76, 13.81, -22.74

 

CMYK 0 / 63 / 73 / 81

HEX #31120D

RGB 49 18 13

HSL 8.33, 0.58%, 0.12%

LAB 9.91, 15.26, 9.74

 

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

CMYK 73 / 27 / 0 / 81

HEX #0D2431

RGB 13 36 49

HSL 201.67, 0.58%, 0.12%

LAB 13.04, -4.05, -11.24

 

CMYK 0 / 73 / 12 / 81

HEX #310D2B

RGB 49 13 43

HSL 310, 0.58%, 0.12%

LAB 9.92, 22.7, -11.42

 

CMYK 0 / 49 / 73 / 81

HEX #31190D

RGB 49 25 13

HSL 20, 0.58%, 0.12%

LAB 11.81, 10.57, 12.38

 

CMYK 74 / 0 / 62 / 80

HEX #0D3213

RGB 13 50 19

HSL 129.73, 0.59%, 0.12%

LAB 17.52, -21.24, 15.82

 

CMYK 73 / 49 / 0 / 81

HEX #0D1931

RGB 13 25 49

HSL 220, 0.58%, 0.12%

LAB 9.01, 4.18, -17.57

 

CMYK 0 / 73 / 12 / 81

HEX #310D2B

RGB 49 13 43

HSL 310, 0.58%, 0.12%

LAB 9.92, 22.7, -11.42

 

CMYK 0 / 27 / 73 / 81

HEX #31240D

RGB 49 36 13

HSL 38.33, 0.58%, 0.12%

LAB 15.19, 2.91, 16.86

 

Description

Color code: HEX #0D3213 | qconv.com Color code: HEX #0D3213 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 50 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 50 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 62 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 62% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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