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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D274ACE it is the complementary color #F2D8B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D274ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D274ACE shade: #122745CE, #233958CE, #344B6BCE, #455D7ECE and #566F91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D274ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D274ACE shade: #0D274ACE, #001537CE, #000324CE, #000011CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D274ACE shade: #0D274A, #0D174A, #140D4A, #240D4A and #350D4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D274ACE shade: #0D274A, #0D174A and #0D0D4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D274ACE shade matches the following richer shades: #0D274A and #062651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D274ACE shade: #0D274A, #142843, #1B293C, #222A35 and #292B2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D274ACE shade: #0D484A, #0D374A, #0D274A, #0D174A and #130D4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D274ACE shade: #010204, #071427, #0D274A, #13396D and #194C90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D274ACE shade: #0D274A, #3C0D4A and #404A0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D274ACE shade: #0D274A, #4A0D27 and #274A0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D274ACE shade: #0D274A, #3C0D4A, #4A2F0D and #1B4A0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D274ACE shade: #0D274A, #4A0D46, #4A2F0D and #0D4A11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 38 / 0 / 57

HEX #0D274ACE

RGBA 13 39 74 0.81

HSLA 214.43, 0.7%, 0.17%, 0.81

LABA 15.65, 4.49, -24.62, 0.81

 

Complementary color

CMYK 0 / 9 / 20 / 4

HEX #F2D8B5CE

RGBA 242 216 181 0.81

HSLA 34.43, 0.7%, 0.83%, 0.81

LABA 87.64, 3.75, 20.56, 0.81

 

CMYK 60 / 35 / 0 / 59

HEX #122745CE

RGBA 18 39 69 0.81

HSLA 215.29, 0.59%, 0.17%, 0.81

LABA 15.54, 3.23, -21.35, 0.81

 

CMYK 49 / 29 / 0 / 53

HEX #233958CE

RGBA 35 57 88 0.81

HSLA 215.09, 0.43%, 0.24%, 0.81

LABA 23.63, 1.89, -21.29, 0.81

 

CMYK 42 / 24 / 0 / 47

HEX #344B6BCE

RGBA 52 75 107 0.81

HSLA 214.91, 0.35%, 0.31%, 0.81

LABA 31.4, 1.05, -21.29, 0.81

 

CMYK 37 / 21 / 0 / 41

HEX #455D7ECE

RGBA 69 93 126 0.81

HSLA 214.74, 0.29%, 0.38%, 0.81

LABA 38.9, 0.46, -21.36, 0.81

 

CMYK 33 / 19 / 0 / 35

HEX #566F91CE

RGBA 86 111 145 0.81

HSLA 214.58, 0.26%, 0.45%, 0.81

LABA 46.17, 0.02, -21.48, 0.81

 

CMYK 67 / 38 / 0 / 57

HEX #0D274ACE

RGBA 13 39 74 0.81

HSLA 214.43, 0.7%, 0.17%, 0.81

LABA 15.65, 4.49, -24.62, 0.81

 

CMYK 81 / 50 / 0 / 64

HEX #001537CE

RGBA 0 21 55 0.81

HSLA 217.09, 1%, 0.11%, 0.81

LABA 7.34, 7.41, -24.67, 0.81

 

CMYK 81 / 74 / 0 / 70

HEX #000324CE

RGBA 0 3 36 0.81

HSLA 235, 1%, 0.07%, 0.81

LABA 1.74, 6.88, -19.28, 0.81

 

CMYK 81 / 81 / 0 / 76

HEX #000011CE

RGBA 0 0 17 0.81

HSLA 240, 1%, 0.03%, 0.81

LABA 0.37, 2.57, -6.99, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 82 / 69 / 0 / 71

HEX #0D174A

RGB 13 23 74

HSL 230.16, 0.7%, 0.17%

LAB 10.5, 16.73, -32.94

 

CMYK 73 / 82 / 0 / 71

HEX #140D4A

RGB 20 13 74

HSL 246.89, 0.7%, 0.17%

LAB 8.4, 24.76, -36.37

 

CMYK 51 / 82 / 0 / 71

HEX #240D4A

RGB 36 13 74

HSL 262.62, 0.7%, 0.17%

LAB 10.24, 27.37, -33.29

 

CMYK 28 / 82 / 0 / 71

HEX #350D4A

RGB 53 13 74

HSL 279.34, 0.7%, 0.17%

LAB 12.85, 30.93, -28.92

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 82 / 69 / 0 / 71

HEX #0D174A

RGB 13 23 74

HSL 230.16, 0.7%, 0.17%

LAB 10.5, 16.73, -32.94

 

CMYK 82 / 82 / 0 / 71

HEX #0D0D4A

RGB 13 13 74

HSL 240, 0.7%, 0.17%

LAB 7.84, 23.93, -37.32

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 93 / 53 / 0 / 68

HEX #062651

RGB 6 38 81

HSL 214.4, 0.86%, 0.17%

LAB 15.59, 7.49, -29.5

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 70 / 40 / 0 / 74

HEX #142843

RGB 20 40 67

HSL 214.47, 0.54%, 0.17%

LAB 15.86, 2.09, -19.46

 

CMYK 55 / 32 / 0 / 76

HEX #1B293C

RGB 27 41 60

HSL 214.55, 0.38%, 0.17%

LAB 16.23, 0.49, -13.99

 

CMYK 36 / 21 / 0 / 79

HEX #222A35

RGB 34 42 53

HSL 214.74, 0.22%, 0.17%

LAB 16.76, -0.25, -8.24

 

CMYK 11 / 7 / 0 / 82

HEX #292B2E

RGB 41 43 46

HSL 216, 0.06%, 0.17%

LAB 17.44, -0.13, -2.26

 

CMYK 82 / 3 / 0 / 71

HEX #0D484A

RGB 13 72 74

HSL 181.97, 0.7%, 0.17%

LAB 27.34, -17.05, -6.49

 

CMYK 82 / 26 / 0 / 71

HEX #0D374A

RGB 13 55 74

HSL 198.69, 0.7%, 0.17%

LAB 21.25, -6.74, -15.78

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 82 / 69 / 0 / 71

HEX #0D174A

RGB 13 23 74

HSL 230.16, 0.7%, 0.17%

LAB 10.5, 16.73, -32.94

 

CMYK 74 / 82 / 0 / 71

HEX #130D4A

RGB 19 13 74

HSL 245.9, 0.7%, 0.17%

LAB 8.31, 24.63, -36.52

 

CMYK 75 / 50 / 0 / 98

HEX #010204

RGB 1 2 4

HSL 220, 0.6%, 0.01%

LAB 0.53, 0.02, -0.85

 

CMYK 82 / 49 / 0 / 85

HEX #071427

RGB 7 20 39

HSL 215.63, 0.7%, 0.09%

LAB 6.25, 1.9, -14.55

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 83 / 48 / 0 / 57

HEX #13396D

RGB 19 57 109

HSL 214.67, 0.7%, 0.25%

LAB 24.22, 7.4, -34.03

 

CMYK 83 / 47 / 0 / 44

HEX #194C90

RGB 25 76 144

HSL 214.29, 0.7%, 0.33%

LAB 32.68, 9.49, -42.33

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 19 / 82 / 0 / 71

HEX #3C0D4A

RGB 60 13 74

HSL 286.23, 0.7%, 0.17%

LAB 14.08, 32.54, -26.88

 

CMYK 14 / 0 / 82 / 71

HEX #404A0D

RGB 64 74 13

HSL 69.84, 0.7%, 0.17%

LAB 29.45, -13.24, 32.68

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 0 / 82 / 47 / 71

HEX #4A0D27

RGB 74 13 39

HSL 334.43, 0.7%, 0.17%

LAB 14.9, 30.49, -0.43

 

CMYK 47 / 0 / 82 / 71

HEX #274A0D

RGB 39 74 13

HSL 94.43, 0.7%, 0.17%

LAB 27.73, -24.43, 30.43

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 19 / 82 / 0 / 71

HEX #3C0D4A

RGB 60 13 74

HSL 286.23, 0.7%, 0.17%

LAB 14.08, 32.54, -26.88

 

CMYK 0 / 36 / 82 / 71

HEX #4A2F0D

RGB 74 47 13

HSL 33.44, 0.7%, 0.17%

LAB 22.01, 8.82, 25.74

 

CMYK 64 / 0 / 82 / 71

HEX #1B4A0D

RGB 27 74 13

HSL 106.23, 0.7%, 0.17%

LAB 27.18, -28.59, 29.7

 

CMYK 82 / 47 / 0 / 71

HEX #0D274A

RGB 13 39 74

HSL 214.43, 0.7%, 0.17%

LAB 15.65, 4.49, -24.62

 

CMYK 0 / 82 / 5 / 71

HEX #4A0D46

RGB 74 13 70

HSL 303.93, 0.7%, 0.17%

LAB 16.43, 35.17, -20.19

 

CMYK 0 / 36 / 82 / 71

HEX #4A2F0D

RGB 74 47 13

HSL 33.44, 0.7%, 0.17%

LAB 22.01, 8.82, 25.74

 

CMYK 82 / 0 / 77 / 71

HEX #0D4A11

RGB 13 74 17

HSL 123.93, 0.7%, 0.17%

LAB 26.8, -31.63, 27.43

 

Description

Color code: HEX #0D274ACE | qconv.com Color code: HEX #0D274ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 39 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 39 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 38 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 38% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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