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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D236ACE it is the complementary color #F2DC95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D236ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D236ACE shade: #122365CE, #233578CE, #34478BCE, #45599ECE and #566BB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D236ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D236ACE shade: #0D236ACE, #001157CE, #000044CE, #000031CE and #00001ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D236ACE shade: #0D2368, #100D68, #290D68, #410D68 and #5A0D68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D236ACE shade: #0D2368 and #0D0D68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D236ACE shade matches the following richer shades: #0D2368 and #031E72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D236ACE shade: #0D2368, #16285F, #202D55, #29324C and #333742

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D236ACE shade: #0D5568, #0D3C68, #0D2468, #0E0D68 and #270D68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D236ACE shade: #040A1F, #081644, #0D2368, #112F8D and #163BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D236ACE shade: #0D236A, #640D68 and #48680D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D236ACE shade: #0D236A, #680D24 and #24680D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D236ACE shade: #0D236A, #640D68, #68520D and #11680D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D236ACE shade: #0D236A, #680D52, #68520D and #0D6824

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 54 / 0 / 47

HEX #0D236ACE

RGBA 13 35 106 0.81

HSLA 225.81, 0.78%, 0.23%, 0.81

LABA 17.12, 21.46, -43.61, 0.81

 

Complementary color

CMYK 0 / 7 / 31 / 4

HEX #F2DC95CE

RGBA 242 220 149 0.81

HSLA 45.81, 0.78%, 0.77%, 0.81

LABA 88.08, -2.23, 37.64, 0.81

 

CMYK 67 / 53 / 0 / 49

HEX #122365CE

RGBA 18 35 101 0.81

HSLA 227.71, 0.7%, 0.23%, 0.81

LABA 16.85, 19.86, -40.78, 0.81

 

CMYK 57 / 45 / 0 / 43

HEX #233578CE

RGBA 35 53 120 0.81

HSLA 227.29, 0.55%, 0.3%, 0.81

LABA 24.51, 17.08, -40.54, 0.81

 

CMYK 51 / 40 / 0 / 37

HEX #34478BCE

RGBA 52 71 139 0.81

HSLA 226.9, 0.46%, 0.37%, 0.81

LABA 32.03, 15.04, -40.23, 0.81

 

CMYK 46 / 35 / 0 / 31

HEX #45599ECE

RGBA 69 89 158 0.81

HSLA 226.52, 0.39%, 0.45%, 0.81

LABA 39.38, 13.52, -39.95, 0.81

 

CMYK 42 / 32 / 0 / 25

HEX #566BB1CE

RGBA 86 107 177 0.81

HSLA 226.15, 0.37%, 0.52%, 0.81

LABA 46.54, 12.33, -39.73, 0.81

 

CMYK 71 / 54 / 0 / 47

HEX #0D236ACE

RGBA 13 35 106 0.81

HSLA 225.81, 0.78%, 0.23%, 0.81

LABA 17.12, 21.46, -43.61, 0.81

 

CMYK 81 / 65 / 0 / 53

HEX #001157CE

RGBA 0 17 87 0.81

HSLA 228.28, 1%, 0.17%, 0.81

LABA 9.71, 25.36, -43.19, 0.81

 

CMYK 81 / 81 / 0 / 59

HEX #000044CE

RGBA 0 0 68 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.77, 25.91, -39.82, 0.81

 

CMYK 81 / 81 / 0 / 65

HEX #000031CE

RGBA 0 0 49 0.81

HSLA 240, 1%, 0.1%, 0.81

LABA 2, 14.08, -28.82, 0.81

 

CMYK 81 / 81 / 0 / 71

HEX #00001ECE

RGBA 0 0 30 0.81

HSLA 240, 1%, 0.06%, 0.81

LABA 0.85, 5.95, -15.88, 0.81

 

CMYK 88 / 66 / 0 / 59

HEX #0D2368

RGB 13 35 104

HSL 225.49, 0.78%, 0.23%

LAB 16.93, 20.62, -42.63

 

CMYK 85 / 88 / 0 / 59

HEX #100D68

RGB 16 13 104

HSL 241.98, 0.78%, 0.23%

LAB 11.94, 35.02, -50.85

 

CMYK 61 / 88 / 0 / 59

HEX #290D68

RGB 41 13 104

HSL 258.46, 0.78%, 0.23%

LAB 14.17, 37.22, -47.09

 

CMYK 38 / 88 / 0 / 59

HEX #410D68

RGB 65 13 104

HSL 274.29, 0.78%, 0.23%

LAB 17.51, 40.66, -41.47

 

CMYK 13 / 88 / 0 / 59

HEX #5A0D68

RGB 90 13 104

HSL 290.77, 0.78%, 0.23%

LAB 21.8, 45.22, -34.31

 

CMYK 88 / 66 / 0 / 59

HEX #0D2368

RGB 13 35 104

HSL 225.49, 0.78%, 0.23%

LAB 16.93, 20.62, -42.63

 

CMYK 88 / 88 / 0 / 59

HEX #0D0D68

RGB 13 13 104

HSL 240, 0.78%, 0.23%

LAB 11.78, 34.86, -51.13

 

CMYK 88 / 66 / 0 / 59

HEX #0D2368

RGB 13 35 104

HSL 225.49, 0.78%, 0.23%

LAB 16.93, 20.62, -42.63

 

CMYK 97 / 74 / 0 / 55

HEX #031E72

RGB 3 30 114

HSL 225.41, 0.95%, 0.23%

LAB 16.32, 27.66, -50.15

 

CMYK 88 / 66 / 0 / 59

HEX #0D2368

RGB 13 35 104

HSL 225.49, 0.78%, 0.23%

LAB 16.93, 20.62, -42.63

 

CMYK 77 / 58 / 0 / 63

HEX #16285F

RGB 22 40 95

HSL 225.21, 0.62%, 0.23%

LAB 17.98, 14.21, -34.96

 

CMYK 62 / 47 / 0 / 67

HEX #202D55

RGB 32 45 85

HSL 225.28, 0.45%, 0.23%

LAB 19.39, 8.46, -26.02

 

CMYK 46 / 34 / 0 / 70

HEX #29324C

RGB 41 50 76

HSL 224.57, 0.3%, 0.23%

LAB 21.11, 4.13, -17.24

 

CMYK 23 / 17 / 0 / 74

HEX #333742

RGB 51 55 66

HSL 224, 0.13%, 0.23%

LAB 23.1, 1.15, -7.39

 

CMYK 88 / 18 / 0 / 59

HEX #0D5568

RGB 13 85 104

HSL 192.53, 0.78%, 0.23%

LAB 33.1, -13.5, -16.89

 

CMYK 88 / 42 / 0 / 59

HEX #0D3C68

RGB 13 60 104

HSL 209.01, 0.78%, 0.23%

LAB 24.69, 2.49, -30.07

 

CMYK 88 / 65 / 0 / 59

HEX #0D2468

RGB 13 36 104

HSL 224.84, 0.78%, 0.23%

LAB 17.21, 19.89, -42.16

 

CMYK 87 / 88 / 0 / 59

HEX #0E0D68

RGB 14 13 104

HSL 240.66, 0.78%, 0.23%

LAB 11.83, 34.91, -51.04

 

CMYK 63 / 88 / 0 / 59

HEX #270D68

RGB 39 13 104

HSL 257.14, 0.78%, 0.23%

LAB 13.94, 36.99, -47.48

 

CMYK 87 / 68 / 0 / 88

HEX #040A1F

RGB 4 10 31

HSL 226.67, 0.77%, 0.07%

LAB 3.09, 3.32, -13.28

 

CMYK 88 / 68 / 0 / 73

HEX #081644

RGB 8 22 68

HSL 226, 0.79%, 0.15%

LAB 9.34, 14.21, -30.66

 

CMYK 88 / 66 / 0 / 59

HEX #0D2368

RGB 13 35 104

HSL 225.49, 0.78%, 0.23%

LAB 16.93, 20.62, -42.63

 

CMYK 88 / 67 / 0 / 45

HEX #112F8D

RGB 17 47 141

HSL 225.48, 0.78%, 0.31%

LAB 23.92, 27.63, -54.72

 

CMYK 88 / 67 / 0 / 30

HEX #163BB2

RGB 22 59 178

HSL 225.77, 0.78%, 0.39%

LAB 30.67, 34.33, -66.1

 

CMYK 88 / 67 / 0 / 58

HEX #0D236A

RGB 13 35 106

HSL 225.81, 0.78%, 0.23%

LAB 17.12, 21.46, -43.61

 

CMYK 4 / 88 / 0 / 59

HEX #640D68

RGB 100 13 104

HSL 297.36, 0.78%, 0.23%

LAB 23.66, 47.24, -31.23

 

CMYK 31 / 0 / 88 / 59

HEX #48680D

RGB 72 104 13

HSL 81.1, 0.78%, 0.23%

LAB 40.09, -25.48, 42.59

 

CMYK 88 / 67 / 0 / 58

HEX #0D236A

RGB 13 35 106

HSL 225.81, 0.78%, 0.23%

LAB 17.12, 21.46, -43.61

 

CMYK 0 / 88 / 65 / 59

HEX #680D24

RGB 104 13 36

HSL 344.84, 0.78%, 0.23%

LAB 21.43, 39.65, 11.83

 

CMYK 65 / 0 / 88 / 59

HEX #24680D

RGB 36 104 13

HSL 104.84, 0.78%, 0.23%

LAB 38.38, -38.13, 40.42

 

CMYK 88 / 67 / 0 / 58

HEX #0D236A

RGB 13 35 106

HSL 225.81, 0.78%, 0.23%

LAB 17.12, 21.46, -43.61

 

CMYK 4 / 88 / 0 / 59

HEX #640D68

RGB 100 13 104

HSL 297.36, 0.78%, 0.23%

LAB 23.66, 47.24, -31.23

 

CMYK 0 / 21 / 88 / 59

HEX #68520D

RGB 104 82 13

HSL 45.49, 0.78%, 0.23%

LAB 36, 2.06, 40.1

 

CMYK 84 / 0 / 88 / 59

HEX #11680D

RGB 17 104 13

HSL 117.36, 0.78%, 0.23%

LAB 37.93, -41.99, 39.83

 

CMYK 88 / 67 / 0 / 58

HEX #0D236A

RGB 13 35 106

HSL 225.81, 0.78%, 0.23%

LAB 17.12, 21.46, -43.61

 

CMYK 0 / 88 / 21 / 59

HEX #680D52

RGB 104 13 82

HSL 314.51, 0.78%, 0.23%

LAB 23.14, 44.58, -17.45

 

CMYK 0 / 21 / 88 / 59

HEX #68520D

RGB 104 82 13

HSL 45.49, 0.78%, 0.23%

LAB 36, 2.06, 40.1

 

CMYK 88 / 0 / 65 / 59

HEX #0D6824

RGB 13 104 36

HSL 135.16, 0.78%, 0.23%

LAB 38.05, -40.33, 30.61

 

Description

Color code: HEX #0D236ACE | qconv.com Color code: HEX #0D236ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 35 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 35 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 54 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 54% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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