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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D22FD it is the complementary color #F2DD02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D22FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D22FD shade: #1222F8, #2334FF, #3446FF, #4558FF and #566AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D22FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D22FD shade: #0D22FD, #0010EA, #0000D7, #0000C4 and #0000B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D22FD shade: #0D22FD, #380DFD, #790DFD, #BA0DFD and #FA0DFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D22FD shade: #0D22FD and #0D0DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D22FD shade matches the following richer shades: #0D22FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D22FD shade: #0D22FD, #2032E9, #3442D5, #4853C1 and #5C63AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D22FD shade: #0DA5FD, #0D65FD, #0D25FD, #350DFD and #750DFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D22FD shade: #0211B5, #0215DE, #0D22FD, #3547FD and #5E6CFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D22FD shade: #0D22FD, #FD0DE5 and #85FD0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D22FD shade: #0D22FD, #FD0D25 and #25FD0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D22FD shade: #0D22FD, #FD0DE5, #FDE50D and #0DFD25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D22FD shade: #0D22FD, #FD0D9D, #FDE50D and #0DFD6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

Complementary color

CMYK 0 / 9 / 99 / 5

HEX #F2DD02

RGB 242 221 2

HSL 54.75, 0.98%, 0.48%

LAB 87.29, -10.44, 86.69

 

CMYK 93 / 86 / 0 / 3

HEX #1222F8

RGB 18 34 248

HSL 235.83, 0.94%, 0.52%

LAB 34.09, 69.98, -100.94

 

CMYK 86 / 80 / 0 / 0

HEX #2334FF

RGB 35 52 255

HSL 235.36, 1%, 0.57%

LAB 37.9, 64.92, -98.5

 

CMYK 80 / 73 / 0 / 0

HEX #3446FF

RGB 52 70 255

HSL 234.68, 1%, 0.6%

LAB 41.74, 56.52, -92.13

 

CMYK 73 / 65 / 0 / 0

HEX #4558FF

RGB 69 88 255

HSL 233.87, 1%, 0.64%

LAB 46.26, 47.62, -84.64

 

CMYK 66 / 58 / 0 / 0

HEX #566AFF

RGB 86 106 255

HSL 232.9, 1%, 0.67%

LAB 51.27, 38.88, -76.42

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 100 / 93 / 0 / 8

HEX #0010EA

RGB 0 16 234

HSL 235.9, 1%, 0.46%

LAB 30.18, 71.35, -99.53

 

CMYK 100 / 100 / 0 / 16

HEX #0000D7

RGB 0 0 215

HSL 240, 1%, 0.42%

LAB 26.47, 69.63, -94.83

 

CMYK 100 / 100 / 0 / 23

HEX #0000C4

RGB 0 0 196

HSL 240, 1%, 0.38%

LAB 23.62, 64.97, -88.48

 

CMYK 100 / 100 / 0 / 31

HEX #0000B1

RGB 0 0 177

HSL 240, 1%, 0.35%

LAB 20.73, 60.22, -82.02

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 78 / 95 / 0 / 1

HEX #380DFD

RGB 56 13 253

HSL 250.75, 0.98%, 0.52%

LAB 34.44, 77.51, -103.13

 

CMYK 52 / 95 / 0 / 1

HEX #790DFD

RGB 121 13 253

HSL 267, 0.98%, 0.52%

LAB 40.32, 80.81, -93.19

 

CMYK 26 / 95 / 0 / 1

HEX #BA0DFD

RGB 186 13 253

HSL 283.25, 0.98%, 0.52%

LAB 49.28, 87.38, -78.14

 

CMYK 1 / 95 / 0 / 1

HEX #FA0DFD

RGB 250 13 253

HSL 299.25, 0.98%, 0.52%

LAB 59.62, 96.43, -60.9

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 95 / 95 / 0 / 1

HEX #0D0DFD

RGB 13 13 253

HSL 240, 0.98%, 0.52%

LAB 32.84, 76.81, -105.83

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 86 / 79 / 0 / 9

HEX #2032E9

RGB 32 50 233

HSL 234.63, 0.82%, 0.52%

LAB 34.95, 59.01, -91.01

 

CMYK 76 / 69 / 0 / 16

HEX #3442D5

RGB 52 66 213

HSL 234.78, 0.66%, 0.52%

LAB 36.8, 44.84, -76.46

 

CMYK 63 / 57 / 0 / 24

HEX #4853C1

RGB 72 83 193

HSL 234.55, 0.49%, 0.52%

LAB 40.27, 29.99, -59.16

 

CMYK 47 / 43 / 0 / 32

HEX #5C63AD

RGB 92 99 173

HSL 234.81, 0.33%, 0.52%

LAB 44.54, 17.51, -40.53

 

CMYK 95 / 35 / 0 / 1

HEX #0DA5FD

RGB 13 165 253

HSL 202, 0.98%, 0.52%

LAB 65.03, -3.81, -53.3

 

CMYK 95 / 60 / 0 / 1

HEX #0D65FD

RGB 13 101 253

HSL 218, 0.98%, 0.52%

LAB 47.6, 35.37, -81.4

 

CMYK 95 / 85 / 0 / 1

HEX #0D25FD

RGB 13 37 253

HSL 234, 0.98%, 0.52%

LAB 35, 70.22, -102.22

 

CMYK 79 / 95 / 0 / 1

HEX #350DFD

RGB 53 13 253

HSL 250, 0.98%, 0.52%

LAB 34.27, 77.43, -103.42

 

CMYK 54 / 95 / 0 / 1

HEX #750DFD

RGB 117 13 253

HSL 266, 0.98%, 0.52%

LAB 39.85, 80.51, -93.98

 

CMYK 99 / 91 / 0 / 29

HEX #0211B5

RGB 2 17 181

HSL 234.97, 0.98%, 0.36%

LAB 22.83, 56.81, -80.91

 

CMYK 99 / 91 / 0 / 13

HEX #0215DE

RGB 2 21 222

HSL 234.82, 0.98%, 0.44%

LAB 28.96, 66.93, -94.7

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 79 / 72 / 0 / 1

HEX #3547FD

RGB 53 71 253

HSL 234.6, 0.98%, 0.6%

LAB 41.78, 55.39, -90.95

 

CMYK 63 / 57 / 0 / 1

HEX #5E6CFD

RGB 94 108 253

HSL 234.72, 0.98%, 0.68%

LAB 52.06, 38.18, -74.01

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 0 / 95 / 9 / 1

HEX #FD0DE5

RGB 253 13 229

HSL 306, 0.98%, 0.52%

LAB 58.81, 93.66, -48.75

 

CMYK 47 / 0 / 95 / 1

HEX #85FD0D

RGB 133 253 13

HSL 90, 0.98%, 0.52%

LAB 89.52, -65.49, 84.61

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 0 / 95 / 85 / 1

HEX #FD0D25

RGB 253 13 37

HSL 354, 0.98%, 0.52%

LAB 53.28, 79.12, 54.66

 

CMYK 85 / 0 / 95 / 1

HEX #25FD0D

RGB 37 253 13

HSL 114, 0.98%, 0.52%

LAB 87.33, -83.74, 81.92

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 0 / 95 / 9 / 1

HEX #FD0DE5

RGB 253 13 229

HSL 306, 0.98%, 0.52%

LAB 58.81, 93.66, -48.75

 

CMYK 0 / 9 / 95 / 1

HEX #FDE50D

RGB 253 229 13

HSL 54, 0.98%, 0.52%

LAB 90.3, -9.68, 88.41

 

CMYK 95 / 0 / 85 / 1

HEX #0DFD25

RGB 13 253 37

HSL 126, 0.98%, 0.52%

LAB 87.23, -84.44, 78.31

 

CMYK 95 / 87 / 0 / 1

HEX #0D22FD

RGB 13 34 253

HSL 234.75, 0.98%, 0.52%

LAB 34.64, 71.31, -102.82

 

CMYK 0 / 95 / 38 / 1

HEX #FD0D9D

RGB 253 13 157

HSL 324, 0.98%, 0.52%

LAB 55.69, 85.64, -12.07

 

CMYK 0 / 9 / 95 / 1

HEX #FDE50D

RGB 253 229 13

HSL 54, 0.98%, 0.52%

LAB 90.3, -9.68, 88.41

 

CMYK 95 / 0 / 57 / 1

HEX #0DFD6D

RGB 13 253 109

HSL 144, 0.98%, 0.52%

LAB 87.7, -78.47, 54.31

 

Description

Color code: HEX #0D22FD | qconv.com Color code: HEX #0D22FD | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 34 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 34 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 87 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 87% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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