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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D0FCA it is the complementary color #F2F035. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D0FCA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D0FCA shade: #120FC5, #2321D8, #3433EB, #4545FE and #5657FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D0FCA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D0FCA shade: #0D0FCA, #0000B7, #0000A4, #000091 and #00007E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D0FCA shade: #0C0EC9, #3D0CC9, #700CC9, #A30CC9 and #C90CBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D0FCA shade: #0C0EC9 and #0C0CC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D0FCA shade matches the following richer shades: #0C0EC9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D0FCA shade: #0C0EC9, #1E1FB8, #2F30A6, #404195 and #525284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D0FCA shade: #0C74C9, #0C42C9, #0C0FC9, #3B0CC9 and #6E0CC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D0FCA shade: #07097B, #0A0BA2, #0C0EC9, #0F12EF and #3638F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D0FCA shade: #0D0FCA, #C90CA6 and #5BC90C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D0FCA shade: #0D0FCA, #C90C0F and #0FC90C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D0FCA shade: #0D0FCA, #C90CA6, #C9C60C and #0CC92F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D0FCA shade: #0D0FCA, #C90C6E, #C9C60C and #0CC967

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

Complementary color

CMYK 0 / 1 / 78 / 5

HEX #F2F035

RGB 242 240 53

HSL 59.37, 0.88%, 0.58%

LAB 92.33, -18.84, 82.39

 

CMYK 91 / 92 / 0 / 23

HEX #120FC5

RGB 18 15 197

HSL 240.99, 0.86%, 0.42%

LAB 25.26, 62.04, -86.32

 

CMYK 84 / 85 / 0 / 15

HEX #2321D8

RGB 35 33 216

HSL 240.66, 0.73%, 0.49%

LAB 30.41, 61.69, -88.81

 

CMYK 78 / 78 / 0 / 8

HEX #3433EB

RGB 52 51 235

HSL 240.33, 0.82%, 0.56%

LAB 36.17, 60.1, -90.09

 

CMYK 73 / 73 / 0 / 0

HEX #4545FE

RGB 69 69 254

HSL 240, 0.99%, 0.63%

LAB 42.27, 58, -90.66

 

CMYK 66 / 66 / 0 / 0

HEX #5657FF

RGB 86 87 255

HSL 239.64, 1%, 0.67%

LAB 46.99, 50.09, -83.41

 

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 100 / 100 / 0 / 43

HEX #000091

RGB 0 0 145

HSL 240, 1%, 0.28%

LAB 15.72, 52, -70.83

 

CMYK 100 / 100 / 0 / 51

HEX #00007E

RGB 0 0 126

HSL 240, 1%, 0.25%

LAB 12.65, 46.97, -63.97

 

CMYK 94 / 93 / 0 / 21

HEX #0C0EC9

RGB 12 14 201

HSL 239.37, 0.89%, 0.42%

LAB 25.59, 63.29, -88.13

 

CMYK 70 / 94 / 0 / 21

HEX #3D0CC9

RGB 61 12 201

HSL 255.56, 0.89%, 0.42%

LAB 28.04, 65.11, -83.98

 

CMYK 44 / 94 / 0 / 21

HEX #700CC9

RGB 112 12 201

HSL 271.75, 0.89%, 0.42%

LAB 33.83, 68.9, -74.21

 

CMYK 19 / 94 / 0 / 21

HEX #A30CC9

RGB 163 12 201

HSL 287.94, 0.89%, 0.42%

LAB 41.64, 75.22, -61.12

 

CMYK 0 / 94 / 6 / 21

HEX #C90CBC

RGB 201 12 188

HSL 304.13, 0.89%, 0.42%

LAB 47.38, 79.28, -43.96

 

CMYK 94 / 93 / 0 / 21

HEX #0C0EC9

RGB 12 14 201

HSL 239.37, 0.89%, 0.42%

LAB 25.59, 63.29, -88.13

 

CMYK 94 / 94 / 0 / 21

HEX #0C0CC9

RGB 12 12 201

HSL 240, 0.89%, 0.42%

LAB 25.44, 63.76, -88.38

 

CMYK 94 / 93 / 0 / 21

HEX #0C0EC9

RGB 12 14 201

HSL 239.37, 0.89%, 0.42%

LAB 25.59, 63.29, -88.13

 

CMYK 94 / 93 / 0 / 21

HEX #0C0EC9

RGB 12 14 201

HSL 239.37, 0.89%, 0.42%

LAB 25.59, 63.29, -88.13

 

CMYK 84 / 83 / 0 / 28

HEX #1E1FB8

RGB 30 31 184

HSL 239.61, 0.72%, 0.42%

LAB 25.91, 52.82, -77.53

 

CMYK 72 / 71 / 0 / 35

HEX #2F30A6

RGB 47 48 166

HSL 239.5, 0.56%, 0.42%

LAB 28.04, 39.02, -63.2

 

CMYK 57 / 56 / 0 / 42

HEX #404195

RGB 64 65 149

HSL 239.29, 0.4%, 0.42%

LAB 31.9, 25, -46.53

 

CMYK 38 / 38 / 0 / 48

HEX #525284

RGB 82 82 132

HSL 240, 0.23%, 0.42%

LAB 36.92, 13.04, -28.04

 

CMYK 94 / 42 / 0 / 21

HEX #0C74C9

RGB 12 116 201

HSL 206.98, 0.89%, 0.42%

LAB 47.99, 5.56, -51.43

 

CMYK 94 / 67 / 0 / 21

HEX #0C42C9

RGB 12 66 201

HSL 222.86, 0.89%, 0.42%

LAB 34.38, 38.08, -73.55

 

CMYK 94 / 93 / 0 / 21

HEX #0C0FC9

RGB 12 15 201

HSL 239.05, 0.89%, 0.42%

LAB 25.67, 63.03, -87.99

 

CMYK 71 / 94 / 0 / 21

HEX #3B0CC9

RGB 59 12 201

HSL 254.92, 0.89%, 0.42%

LAB 27.87, 65.02, -84.26

 

CMYK 45 / 94 / 0 / 21

HEX #6E0CC9

RGB 110 12 201

HSL 271.11, 0.89%, 0.42%

LAB 33.55, 68.7, -74.67

 

CMYK 94 / 93 / 0 / 52

HEX #07097B

RGB 7 9 123

HSL 238.97, 0.89%, 0.25%

LAB 13.65, 42.56, -60.37

 

CMYK 94 / 93 / 0 / 36

HEX #0A0BA2

RGB 10 11 162

HSL 239.61, 0.88%, 0.34%

LAB 19.69, 53.39, -74.67

 

CMYK 94 / 93 / 0 / 21

HEX #0C0EC9

RGB 12 14 201

HSL 239.37, 0.89%, 0.42%

LAB 25.59, 63.29, -88.13

 

CMYK 94 / 92 / 0 / 6

HEX #0F12EF

RGB 15 18 239

HSL 239.2, 0.88%, 0.5%

LAB 31.27, 72.29, -100.56

 

CMYK 78 / 77 / 0 / 5

HEX #3638F2

RGB 54 56 242

HSL 239.36, 0.88%, 0.58%

LAB 37.88, 59.9, -91.21

 

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

CMYK 0 / 94 / 17 / 21

HEX #C90CA6

RGB 201 12 166

HSL 311.11, 0.89%, 0.42%

LAB 46.22, 76.35, -32.81

 

CMYK 55 / 0 / 94 / 21

HEX #5BC90C

RGB 91 201 12

HSL 94.92, 0.89%, 0.42%

LAB 72.24, -58.87, 70.11

 

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

CMYK 0 / 94 / 93 / 21

HEX #C90C0F

RGB 201 12 15

HSL 359.05, 0.89%, 0.42%

LAB 42.33, 65.94, 51.33

 

CMYK 93 / 0 / 94 / 21

HEX #0FC90C

RGB 15 201 12

HSL 119.05, 0.89%, 0.42%

LAB 70.8, -71.16, 68.33

 

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

CMYK 0 / 94 / 17 / 21

HEX #C90CA6

RGB 201 12 166

HSL 311.11, 0.89%, 0.42%

LAB 46.22, 76.35, -32.81

 

CMYK 0 / 1 / 94 / 21

HEX #C9C60C

RGB 201 198 12

HSL 59.05, 0.89%, 0.42%

LAB 77.78, -16.4, 77.2

 

CMYK 94 / 0 / 77 / 21

HEX #0CC92F

RGB 12 201 47

HSL 131.11, 0.89%, 0.42%

LAB 70.91, -69.72, 60.61

 

CMYK 94 / 93 / 0 / 21

HEX #0D0FCA

RGB 13 15 202

HSL 239.37, 0.88%, 0.42%

LAB 25.84, 63.31, -88.3

 

CMYK 0 / 94 / 45 / 21

HEX #C90C6E

RGB 201 12 110

HSL 328.89, 0.89%, 0.42%

LAB 43.95, 70.4, -2.15

 

CMYK 0 / 1 / 94 / 21

HEX #C9C60C

RGB 201 198 12

HSL 59.05, 0.89%, 0.42%

LAB 77.78, -16.4, 77.2

 

CMYK 94 / 0 / 49 / 21

HEX #0CC967

RGB 12 201 103

HSL 148.89, 0.89%, 0.42%

LAB 71.44, -63.14, 37.33

 

Description

Color code: HEX #0D0FCA | qconv.com Color code: HEX #0D0FCA | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 15 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 15 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 93 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 93% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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