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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D0F89 it is the complementary color #F2F076. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D0F89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D0F89 shade: #120F84, #232197, #3433AA, #4545BD and #5657D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D0F89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D0F89 shade: #0D0F89, #000076, #000063, #000050 and #00003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D0F89 shade: #0D0F87, #2C0D87, #4D0D87, #6E0D87 and #870D80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D0F89 shade: #0D0F87 and #0D0D87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D0F89 shade matches the following richer shades: #0D0F87 and #010393

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D0F89 shade: #0D0F87, #191A7B, #25266F, #303163 and #3C3D57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D0F89 shade: #0D5087, #0D2F87, #0D0F87, #2B0D87 and #4C0D87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D0F89 shade: #06063C, #090A62, #0D0F87, #1013AD and #1417D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D0F89 shade: #0D0F89, #870D71 and #40870D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D0F89 shade: #0D0F89, #870D0F and #0F870D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D0F89 shade: #0D0F89, #870D71, #87850D and #0D8723

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D0F89 shade: #0D0F89, #870D4C, #87850D and #0D8748

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

Complementary color

CMYK 0 / 1 / 51 / 5

HEX #F2F076

RGB 242 240 118

HSL 59.03, 0.83%, 0.71%

LAB 92.8, -15.18, 58.43

 

CMYK 86 / 89 / 0 / 48

HEX #120F84

RGB 18 15 132

HSL 241.54, 0.8%, 0.29%

LAB 16.19, 43.28, -61.87

 

CMYK 77 / 78 / 0 / 41

HEX #232197

RGB 35 33 151

HSL 241.02, 0.64%, 0.36%

LAB 22.58, 41.5, -63.08

 

CMYK 69 / 70 / 0 / 33

HEX #3433AA

RGB 52 51 170

HSL 240.5, 0.54%, 0.43%

LAB 29.41, 39.16, -63.34

 

CMYK 63 / 63 / 0 / 26

HEX #4545BD

RGB 69 69 189

HSL 240, 0.48%, 0.51%

LAB 36.36, 36.91, -63.19

 

CMYK 59 / 58 / 0 / 18

HEX #5657D0

RGB 86 87 208

HSL 239.51, 0.56%, 0.58%

LAB 43.28, 34.91, -62.9

 

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

CMYK 100 / 100 / 0 / 54

HEX #000076

RGB 0 0 118

HSL 240, 1%, 0.23%

LAB 11.33, 44.81, -61.03

 

CMYK 100 / 100 / 0 / 61

HEX #000063

RGB 0 0 99

HSL 240, 1%, 0.19%

LAB 8.14, 39.57, -53.9

 

CMYK 100 / 100 / 0 / 69

HEX #000050

RGB 0 0 80

HSL 240, 1%, 0.16%

LAB 5.23, 32.43, -45.83

 

CMYK 100 / 100 / 0 / 76

HEX #00003D

RGB 0 0 61

HSL 240, 1%, 0.12%

LAB 3.04, 21.39, -35.98

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 67 / 90 / 0 / 47

HEX #2C0D87

RGB 44 13 135

HSL 255.25, 0.82%, 0.29%

LAB 18.24, 46.44, -60.29

 

CMYK 43 / 90 / 0 / 47

HEX #4D0D87

RGB 77 13 135

HSL 271.48, 0.82%, 0.29%

LAB 22.36, 49.87, -53.36

 

CMYK 19 / 90 / 0 / 47

HEX #6E0D87

RGB 110 13 135

HSL 287.7, 0.82%, 0.29%

LAB 27.72, 54.85, -44.39

 

CMYK 0 / 90 / 5 / 47

HEX #870D80

RGB 135 13 128

HSL 303.44, 0.82%, 0.29%

LAB 31.8, 58.22, -33.2

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 90 / 90 / 0 / 47

HEX #0D0D87

RGB 13 13 135

HSL 240, 0.82%, 0.29%

LAB 16.12, 44.86, -63.88

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 99 / 98 / 0 / 42

HEX #010393

RGB 1 3 147

HSL 239.18, 0.99%, 0.29%

LAB 16.4, 51.52, -70.94

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 80 / 79 / 0 / 52

HEX #191A7B

RGB 25 26 123

HSL 239.39, 0.66%, 0.29%

LAB 17.35, 35.05, -54.21

 

CMYK 67 / 66 / 0 / 56

HEX #25266F

RGB 37 38 111

HSL 239.19, 0.5%, 0.29%

LAB 19.75, 24.41, -42.51

 

CMYK 52 / 51 / 0 / 61

HEX #303163

RGB 48 49 99

HSL 238.82, 0.35%, 0.29%

LAB 22.74, 14.81, -29.84

 

CMYK 31 / 30 / 0 / 66

HEX #3C3D57

RGB 60 61 87

HSL 237.78, 0.18%, 0.29%

LAB 26.7, 6.42, -15.72

 

CMYK 90 / 41 / 0 / 47

HEX #0D5087

RGB 13 80 135

HSL 207.05, 0.82%, 0.29%

LAB 33.08, 2.04, -36.19

 

CMYK 90 / 65 / 0 / 47

HEX #0D2F87

RGB 13 47 135

HSL 223.28, 0.82%, 0.29%

LAB 23.23, 24.95, -52.12

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 68 / 90 / 0 / 47

HEX #2B0D87

RGB 43 13 135

HSL 254.75, 0.82%, 0.29%

LAB 18.15, 46.37, -60.45

 

CMYK 44 / 90 / 0 / 47

HEX #4C0D87

RGB 76 13 135

HSL 270.98, 0.82%, 0.29%

LAB 22.21, 49.74, -53.61

 

CMYK 90 / 90 / 0 / 76

HEX #06063C

RGB 6 6 60

HSL 240, 0.82%, 0.13%

LAB 4.47, 19.68, -32.92

 

CMYK 91 / 90 / 0 / 62

HEX #090A62

RGB 9 10 98

HSL 239.33, 0.83%, 0.21%

LAB 10.24, 34.12, -49.71

 

CMYK 90 / 89 / 0 / 47

HEX #0D0F87

RGB 13 15 135

HSL 239.02, 0.82%, 0.29%

LAB 16.39, 44.05, -63.43

 

CMYK 91 / 89 / 0 / 32

HEX #1013AD

RGB 16 19 173

HSL 238.85, 0.83%, 0.37%

LAB 22.28, 54.04, -77.01

 

CMYK 91 / 89 / 0 / 17

HEX #1417D3

RGB 20 23 211

HSL 239.06, 0.83%, 0.45%

LAB 28.02, 63.53, -89.9

 

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

CMYK 0 / 90 / 16 / 47

HEX #870D71

RGB 135 13 113

HSL 310.82, 0.82%, 0.29%

LAB 30.95, 56, -25.05

 

CMYK 53 / 0 / 90 / 47

HEX #40870D

RGB 64 135 13

HSL 94.92, 0.82%, 0.29%

LAB 50.03, -42.07, 51.06

 

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

CMYK 0 / 90 / 89 / 47

HEX #870D0F

RGB 135 13 15

HSL 359.02, 0.82%, 0.29%

LAB 28.04, 47.94, 34.48

 

CMYK 89 / 0 / 90 / 47

HEX #0F870D

RGB 15 135 13

HSL 119.02, 0.82%, 0.29%

LAB 48.83, -52.12, 49.55

 

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

CMYK 0 / 90 / 16 / 47

HEX #870D71

RGB 135 13 113

HSL 310.82, 0.82%, 0.29%

LAB 30.95, 56, -25.05

 

CMYK 0 / 1 / 90 / 47

HEX #87850D

RGB 135 133 13

HSL 59.02, 0.82%, 0.29%

LAB 53.98, -12.12, 56.19

 

CMYK 90 / 0 / 74 / 47

HEX #0D8723

RGB 13 135 35

HSL 130.82, 0.82%, 0.29%

LAB 48.93, -50.84, 42.83

 

CMYK 91 / 89 / 0 / 46

HEX #0D0F89

RGB 13 15 137

HSL 239.03, 0.83%, 0.29%

LAB 16.67, 44.68, -64.23

 

CMYK 0 / 90 / 44 / 47

HEX #870D4C

RGB 135 13 76

HSL 329.02, 0.82%, 0.29%

LAB 29.31, 51.56, -3.44

 

CMYK 0 / 1 / 90 / 47

HEX #87850D

RGB 135 133 13

HSL 59.02, 0.82%, 0.29%

LAB 53.98, -12.12, 56.19

 

CMYK 90 / 0 / 47 / 47

HEX #0D8748

RGB 13 135 72

HSL 149.02, 0.82%, 0.29%

LAB 49.35, -45.65, 25.38

 

Description

Color code: HEX #0D0F89 | qconv.com Color code: HEX #0D0F89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 15 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 15 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 89 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 89% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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