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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CE144 it is the complementary color #F31EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CE144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CE144 shade: #11E13F, #22F352, #33FF65, #44FF78 and #55FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CE144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CE144 shade: #0CE144, #00CF31, #00BD1E, #00AB0B and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CE144 shade: #0CDF43, #0DDF0C, #46DF0C, #7FDF0C and #B8DF0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CE144 shade: #0CDF43, #0CDF7C, #0CDFB5, #0CD0DF and #0C97DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CE144 shade matches the following richer shades: #0CDF43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CE144 shade: #0CDF43, #1FCC4C, #32B955, #45A65E and #589367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CE144 shade: #48DF0C, #0FDF0C, #0CDF41, #0CDF79 and #0CDFB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CE144 shade: #08902C, #0AB837, #0CDF43, #21F358 and #48F575

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CE144 shade: #0CE144, #0C80DF and #DF0C2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CE144 shade: #0CE144, #410CDF and #DF410C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CE144 shade: #0CE144, #0C80DF, #DF0CAA and #DF6B0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CE144 shade: #0CE144, #0C41DF, #DF0CAA and #DFAA0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

Complementary color

CMYK 0 / 88 / 23 / 5

HEX #F31EBB

RGB 243 30 187

HSL 315.77, 0.9%, 0.54%

LAB 55.66, 84.83, -29.84

 

CMYK 92 / 0 / 72 / 12

HEX #11E13F

RGB 17 225 63

HSL 133.27, 0.86%, 0.47%

LAB 78.65, -75.08, 62.95

 

CMYK 86 / 0 / 66 / 5

HEX #22F352

RGB 34 243 82

HSL 133.78, 0.9%, 0.54%

LAB 84.51, -77.49, 62.05

 

CMYK 80 / 0 / 60 / 0

HEX #33FF65

RGB 51 255 101

HSL 134.71, 1%, 0.6%

LAB 88.53, -77.5, 58.81

 

CMYK 73 / 0 / 53 / 0

HEX #44FF78

RGB 68 255 120

HSL 136.68, 1%, 0.63%

LAB 88.97, -73.04, 51.01

 

CMYK 67 / 0 / 45 / 0

HEX #55FF8B

RGB 85 255 139

HSL 139.06, 1%, 0.67%

LAB 89.54, -67.64, 42.86

 

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

CMYK 100 / 0 / 76 / 19

HEX #00CF31

RGB 0 207 49

HSL 134.2, 1%, 0.41%

LAB 72.79, -71.74, 61.79

 

CMYK 100 / 0 / 84 / 26

HEX #00BD1E

RGB 0 189 30

HSL 129.52, 1%, 0.37%

LAB 66.89, -67.88, 61.67

 

CMYK 100 / 0 / 94 / 33

HEX #00AB0B

RGB 0 171 11

HSL 123.86, 1%, 0.34%

LAB 60.91, -63.6, 60.18

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 95 / 0 / 70 / 13

HEX #0CDF43

RGB 12 223 67

HSL 135.64, 0.9%, 0.46%

LAB 78.03, -74.38, 60.84

 

CMYK 94 / 0 / 95 / 13

HEX #0DDF0C

RGB 13 223 12

HSL 119.72, 0.9%, 0.46%

LAB 77.81, -77.21, 74.13

 

CMYK 69 / 0 / 95 / 13

HEX #46DF0C

RGB 70 223 12

HSL 103.51, 0.9%, 0.46%

LAB 78.52, -70.89, 75.01

 

CMYK 43 / 0 / 95 / 13

HEX #7FDF0C

RGB 127 223 12

HSL 87.3, 0.9%, 0.46%

LAB 80.36, -56.24, 77.25

 

CMYK 17 / 0 / 95 / 13

HEX #B8DF0C

RGB 184 223 12

HSL 71.09, 0.9%, 0.46%

LAB 83.44, -35.42, 81

 

CMYK 95 / 0 / 70 / 13

HEX #0CDF43

RGB 12 223 67

HSL 135.64, 0.9%, 0.46%

LAB 78.03, -74.38, 60.84

 

CMYK 95 / 0 / 44 / 13

HEX #0CDF7C

RGB 12 223 124

HSL 151.85, 0.9%, 0.46%

LAB 78.64, -66.84, 36.05

 

CMYK 95 / 0 / 19 / 13

HEX #0CDFB5

RGB 12 223 181

HSL 168.06, 0.9%, 0.46%

LAB 79.72, -54.62, 7.99

 

CMYK 95 / 7 / 0 / 13

HEX #0CD0DF

RGB 12 208 223

HSL 184.27, 0.9%, 0.46%

LAB 76.39, -36.36, -19.41

 

CMYK 95 / 32 / 0 / 13

HEX #0C97DF

RGB 12 151 223

HSL 200.47, 0.9%, 0.46%

LAB 59.47, -6.93, -45.59

 

CMYK 95 / 0 / 70 / 13

HEX #0CDF43

RGB 12 223 67

HSL 135.64, 0.9%, 0.46%

LAB 78.03, -74.38, 60.84

 

CMYK 95 / 0 / 70 / 13

HEX #0CDF43

RGB 12 223 67

HSL 135.64, 0.9%, 0.46%

LAB 78.03, -74.38, 60.84

 

CMYK 85 / 0 / 63 / 20

HEX #1FCC4C

RGB 31 204 76

HSL 135.61, 0.74%, 0.46%

LAB 72.23, -66.64, 50.95

 

CMYK 73 / 0 / 54 / 27

HEX #32B955

RGB 50 185 85

HSL 135.56, 0.57%, 0.46%

LAB 66.54, -56.9, 40.23

 

CMYK 58 / 0 / 43 / 35

HEX #45A65E

RGB 69 166 94

HSL 135.46, 0.41%, 0.46%

LAB 61.09, -44.55, 28.93

 

CMYK 40 / 0 / 30 / 42

HEX #589367

RGB 88 147 103

HSL 135.25, 0.25%, 0.46%

LAB 56.01, -29.19, 17.4

 

CMYK 68 / 0 / 95 / 13

HEX #48DF0C

RGB 72 223 12

HSL 102.94, 0.9%, 0.46%

LAB 78.57, -70.52, 75.06

 

CMYK 93 / 0 / 95 / 13

HEX #0FDF0C

RGB 15 223 12

HSL 119.15, 0.9%, 0.46%

LAB 77.82, -77.13, 74.14

 

CMYK 95 / 0 / 71 / 13

HEX #0CDF41

RGB 12 223 65

HSL 135.07, 0.9%, 0.46%

LAB 78.01, -74.56, 61.56

 

CMYK 95 / 0 / 46 / 13

HEX #0CDF79

RGB 12 223 121

HSL 151, 0.9%, 0.46%

LAB 78.6, -67.35, 37.49

 

CMYK 95 / 0 / 21 / 13

HEX #0CDFB1

RGB 12 223 177

HSL 166.92, 0.9%, 0.46%

LAB 79.63, -55.62, 9.97

 

CMYK 94 / 0 / 69 / 44

HEX #08902C

RGB 8 144 44

HSL 135.88, 0.89%, 0.3%

LAB 52.04, -53.15, 42.39

 

CMYK 95 / 0 / 70 / 28

HEX #0AB837

RGB 10 184 55

HSL 135.52, 0.9%, 0.38%

LAB 65.45, -64.2, 52.2

 

CMYK 95 / 0 / 70 / 13

HEX #0CDF43

RGB 12 223 67

HSL 135.64, 0.9%, 0.46%

LAB 78.03, -74.38, 60.84

 

CMYK 86 / 0 / 64 / 5

HEX #21F358

RGB 33 243 88

HSL 135.71, 0.9%, 0.54%

LAB 84.55, -76.95, 59.69

 

CMYK 71 / 0 / 52 / 4

HEX #48F575

RGB 72 245 117

HSL 135.61, 0.9%, 0.62%

LAB 85.99, -69.55, 48.79

 

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

CMYK 95 / 43 / 0 / 13

HEX #0C80DF

RGB 12 128 223

HSL 207.01, 0.9%, 0.46%

LAB 52.78, 6.72, -56.24

 

CMYK 0 / 95 / 81 / 13

HEX #DF0C2B

RGB 223 12 43

HSL 351.18, 0.9%, 0.46%

LAB 47.14, 72.02, 43.71

 

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

CMYK 71 / 95 / 0 / 13

HEX #410CDF

RGB 65 12 223

HSL 255.07, 0.9%, 0.46%

LAB 31.15, 70.71, -91.56

 

CMYK 0 / 71 / 95 / 13

HEX #DF410C

RGB 223 65 12

HSL 15.07, 0.9%, 0.46%

LAB 51.26, 59.32, 59.86

 

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

CMYK 95 / 43 / 0 / 13

HEX #0C80DF

RGB 12 128 223

HSL 207.01, 0.9%, 0.46%

LAB 52.78, 6.72, -56.24

 

CMYK 0 / 95 / 24 / 13

HEX #DF0CAA

RGB 223 12 170

HSL 315.07, 0.9%, 0.46%

LAB 50.52, 81.05, -28.17

 

CMYK 0 / 52 / 95 / 13

HEX #DF6B0C

RGB 223 107 12

HSL 27.01, 0.9%, 0.46%

LAB 58.25, 40.88, 64.28

 

CMYK 95 / 0 / 70 / 12

HEX #0CE144

RGB 12 225 68

HSL 135.77, 0.9%, 0.46%

LAB 78.66, -74.86, 61.13

 

CMYK 95 / 71 / 0 / 13

HEX #0C41DF

RGB 12 65 223

HSL 224.93, 0.9%, 0.46%

LAB 36.34, 46.75, -83.01

 

CMYK 0 / 95 / 24 / 13

HEX #DF0CAA

RGB 223 12 170

HSL 315.07, 0.9%, 0.46%

LAB 50.52, 81.05, -28.17

 

CMYK 0 / 24 / 95 / 13

HEX #DFAA0C

RGB 223 170 12

HSL 44.93, 0.9%, 0.46%

LAB 72.54, 7.7, 74.23

 

Description

Color code: HEX #0CE144 | qconv.com Color code: HEX #0CE144 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 225 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 225 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 70 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 70% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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