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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD770 it is the complementary color #F3288F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD770. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD770 shade: #11D76B, #22E97E, #33FB91, #44FFA4 and #55FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD770. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD770 shade: #0CD770, #00C55D, #00B34A, #00A137 and #008F24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD770 shade: #0DD971, #0DD93A, #16D90D, #4DD90D and #84D90D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD770 shade: #0DD971, #0DD9A8, #0DD2D9, #0D9BD9 and #0D64D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD770 shade matches the following richer shades: #0DD971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD770 shade: #0DD971, #1FC672, #32B472, #44A172 and #578F72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD770 shade: #17D90D, #0DD939, #0DD96F, #0DD9A6 and #0DD5D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD770 shade: #088B49, #0AB25D, #0DD971, #1DF286 and #44F49B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD770 shade: #0CD770, #0D4DD9 and #D91E0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD770 shade: #0CD770, #6F0DD9 and #D96F0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD770 shade: #0CD770, #0D4DD9, #D90D76 and #D9980D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD770 shade: #0CD770, #0D10D9, #D90D76 and #D9D50D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

Complementary color

CMYK 0 / 84 / 41 / 5

HEX #F3288F

RGB 243 40 143

HSL 329.56, 0.89%, 0.55%

LAB 54.61, 78.52, -5.58

 

CMYK 92 / 0 / 50 / 16

HEX #11D76B

RGB 17 215 107

HSL 147.27, 0.85%, 0.45%

LAB 75.94, -66.84, 41

 

CMYK 85 / 0 / 46 / 9

HEX #22E97E

RGB 34 233 126

HSL 147.74, 0.82%, 0.52%

LAB 81.91, -68.59, 39.28

 

CMYK 80 / 0 / 42 / 2

HEX #33FB91

RGB 51 251 145

HSL 148.2, 0.96%, 0.59%

LAB 87.84, -69.9, 37.65

 

CMYK 73 / 0 / 36 / 0

HEX #44FFA4

RGB 68 255 164

HSL 150.8, 1%, 0.63%

LAB 89.59, -65.9, 30.57

 

CMYK 67 / 0 / 28 / 0

HEX #55FFB7

RGB 85 255 183

HSL 154.59, 1%, 0.67%

LAB 90.26, -59.7, 21.92

 

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

CMYK 100 / 0 / 53 / 23

HEX #00C55D

RGB 0 197 93

HSL 148.32, 1%, 0.39%

LAB 69.98, -63.88, 40.42

 

CMYK 100 / 0 / 59 / 30

HEX #00B34A

RGB 0 179 74

HSL 144.8, 1%, 0.35%

LAB 63.95, -60.93, 42.26

 

CMYK 100 / 0 / 66 / 37

HEX #00A137

RGB 0 161 55

HSL 140.5, 1%, 0.32%

LAB 57.81, -57.71, 43.92

 

CMYK 100 / 0 / 75 / 44

HEX #008F24

RGB 0 143 36

HSL 135.1, 1%, 0.28%

LAB 51.58, -54.14, 45.13

 

CMYK 94 / 0 / 48 / 15

HEX #0DD971

RGB 13 217 113

HSL 149.41, 0.89%, 0.45%

LAB 76.62, -66.69, 38.92

 

CMYK 94 / 0 / 73 / 15

HEX #0DD93A

RGB 13 217 58

HSL 133.24, 0.89%, 0.45%

LAB 76.08, -73.39, 62.07

 

CMYK 90 / 0 / 94 / 15

HEX #16D90D

RGB 22 217 13

HSL 117.35, 0.89%, 0.45%

LAB 75.96, -75.11, 72.52

 

CMYK 65 / 0 / 94 / 15

HEX #4DD90D

RGB 77 217 13

HSL 101.18, 0.89%, 0.45%

LAB 76.82, -67.61, 73.57

 

CMYK 39 / 0 / 94 / 15

HEX #84D90D

RGB 132 217 13

HSL 85, 0.89%, 0.45%

LAB 78.79, -52.24, 75.99

 

CMYK 94 / 0 / 48 / 15

HEX #0DD971

RGB 13 217 113

HSL 149.41, 0.89%, 0.45%

LAB 76.62, -66.69, 38.92

 

CMYK 94 / 0 / 23 / 15

HEX #0DD9A8

RGB 13 217 168

HSL 165.59, 0.89%, 0.45%

LAB 77.6, -55.45, 11.86

 

CMYK 94 / 3 / 0 / 15

HEX #0DD2D9

RGB 13 210 217

HSL 182.06, 0.89%, 0.45%

LAB 76.79, -39.09, -15.57

 

CMYK 94 / 29 / 0 / 15

HEX #0D9BD9

RGB 13 155 217

HSL 198.24, 0.89%, 0.45%

LAB 60.37, -11.36, -40.83

 

CMYK 94 / 54 / 0 / 15

HEX #0D64D9

RGB 13 100 217

HSL 214.41, 0.89%, 0.45%

LAB 44.53, 22.16, -66.15

 

CMYK 94 / 0 / 48 / 15

HEX #0DD971

RGB 13 217 113

HSL 149.41, 0.89%, 0.45%

LAB 76.62, -66.69, 38.92

 

CMYK 94 / 0 / 48 / 15

HEX #0DD971

RGB 13 217 113

HSL 149.41, 0.89%, 0.45%

LAB 76.62, -66.69, 38.92

 

CMYK 84 / 0 / 42 / 22

HEX #1FC672

RGB 31 198 114

HSL 149.82, 0.73%, 0.45%

LAB 70.8, -59, 30.97

 

CMYK 72 / 0 / 37 / 29

HEX #32B472

RGB 50 180 114

HSL 149.54, 0.57%, 0.45%

LAB 65.39, -50.1, 23.86

 

CMYK 58 / 0 / 29 / 37

HEX #44A172

RGB 68 161 114

HSL 149.68, 0.41%, 0.45%

LAB 59.83, -38.84, 16.38

 

CMYK 39 / 0 / 20 / 44

HEX #578F72

RGB 87 143 114

HSL 148.93, 0.24%, 0.45%

LAB 54.95, -25.29, 9.69

 

CMYK 89 / 0 / 94 / 15

HEX #17D90D

RGB 23 217 13

HSL 117.06, 0.89%, 0.45%

LAB 75.97, -75.04, 72.52

 

CMYK 94 / 0 / 74 / 15

HEX #0DD939

RGB 13 217 57

HSL 132.94, 0.89%, 0.45%

LAB 76.07, -73.47, 62.41

 

CMYK 94 / 0 / 49 / 15

HEX #0DD96F

RGB 13 217 111

HSL 148.82, 0.89%, 0.45%

LAB 76.59, -67.02, 39.87

 

CMYK 94 / 0 / 24 / 15

HEX #0DD9A6

RGB 13 217 166

HSL 165, 0.89%, 0.45%

LAB 77.56, -55.93, 12.86

 

CMYK 94 / 2 / 0 / 15

HEX #0DD5D9

RGB 13 213 217

HSL 181.18, 0.89%, 0.45%

LAB 77.69, -40.45, -14.22

 

CMYK 94 / 0 / 47 / 45

HEX #088B49

RGB 8 139 73

HSL 149.77, 0.89%, 0.29%

LAB 50.68, -47.25, 26.53

 

CMYK 94 / 0 / 48 / 30

HEX #0AB25D

RGB 10 178 93

HSL 149.64, 0.89%, 0.37%

LAB 63.91, -57.21, 32.87

 

CMYK 94 / 0 / 48 / 15

HEX #0DD971

RGB 13 217 113

HSL 149.41, 0.89%, 0.45%

LAB 76.62, -66.69, 38.92

 

CMYK 88 / 0 / 45 / 5

HEX #1DF286

RGB 29 242 134

HSL 149.58, 0.89%, 0.53%

LAB 84.73, -70.56, 38.97

 

CMYK 72 / 0 / 36 / 4

HEX #44F49B

RGB 68 244 155

HSL 149.66, 0.89%, 0.61%

LAB 86.15, -63.61, 30.48

 

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

CMYK 94 / 65 / 0 / 15

HEX #0D4DD9

RGB 13 77 217

HSL 221.18, 0.89%, 0.45%

LAB 38.56, 37.1, -75.92

 

CMYK 0 / 86 / 94 / 15

HEX #D91E0D

RGB 217 30 13

HSL 5, 0.89%, 0.45%

LAB 46.59, 67.41, 56.25

 

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

CMYK 49 / 94 / 0 / 15

HEX #6F0DD9

RGB 111 13 217

HSL 268.82, 0.89%, 0.45%

LAB 35.36, 72.14, -80.98

 

CMYK 0 / 49 / 94 / 15

HEX #D96F0D

RGB 217 111 13

HSL 28.82, 0.89%, 0.45%

LAB 58.18, 36.49, 63.6

 

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

CMYK 94 / 65 / 0 / 15

HEX #0D4DD9

RGB 13 77 217

HSL 221.18, 0.89%, 0.45%

LAB 38.56, 37.1, -75.92

 

CMYK 0 / 94 / 46 / 15

HEX #D90D76

RGB 217 13 118

HSL 329.12, 0.89%, 0.45%

LAB 47.43, 74.55, -1.63

 

CMYK 0 / 30 / 94 / 15

HEX #D9980D

RGB 217 152 13

HSL 40.88, 0.89%, 0.45%

LAB 67.45, 14.71, 70.12

 

CMYK 94 / 0 / 48 / 16

HEX #0CD770

RGB 12 215 112

HSL 149.56, 0.89%, 0.45%

LAB 75.98, -66.24, 38.6

 

CMYK 94 / 93 / 0 / 15

HEX #0D10D9

RGB 13 16 217

HSL 239.12, 0.89%, 0.45%

LAB 28.02, 67.04, -93.38

 

CMYK 0 / 94 / 46 / 15

HEX #D90D76

RGB 217 13 118

HSL 329.12, 0.89%, 0.45%

LAB 47.43, 74.55, -1.63

 

CMYK 0 / 2 / 94 / 15

HEX #D9D50D

RGB 217 213 13

HSL 58.82, 0.89%, 0.45%

LAB 83.11, -17, 81.7

 

Description

Color code: HEX #0CD770 | qconv.com Color code: HEX #0CD770 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 215 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 215 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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