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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CCEAA it is the complementary color #F33155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CCEAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CCEAA shade: #11CEA5, #22E0B8, #33F2CB, #44FFDE and #55FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CCEAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CCEAA shade: #0CCEAA, #00BC97, #00AA84, #009871 and #00865E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CCEAA shade: #0CCFAB, #0CCF76, #0CCF42, #0CCF0D and #40CF0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CCEAA shade: #0CCFAB, #0CBFCF, #0C8ACF, #0C56CF and #0C21CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CCEAA shade matches the following richer shades: #0CCFAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CCEAA shade: #0CCFAB, #1EBDA0, #30AC95, #419A8A and #53887E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CCEAA shade: #0CCF40, #0CCF74, #0CCFA8, #0CC2CF and #0C8ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CCEAA shade: #08816B, #0AA88B, #0CCFAB, #13F1C8 and #3AF4D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CCEAA shade: #0CCEAA, #0C0CCF and #CF5A0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CCEAA shade: #0CCEAA, #A80CCF and #CFA80C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CCEAA shade: #0CCEAA, #0C0CCF, #CF0C33 and #CFCF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CCEAA shade: #0CCEAA, #470CCF, #CF0C33 and #95CF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

Complementary color

CMYK 0 / 80 / 65 / 5

HEX #F33155

RGB 243 49 85

HSL 348.87, 0.89%, 0.57%

LAB 53.93, 72.34, 28.19

 

CMYK 92 / 0 / 20 / 19

HEX #11CEA5

RGB 17 206 165

HSL 166.98, 0.85%, 0.44%

LAB 74.18, -51.72, 8.59

 

CMYK 85 / 0 / 18 / 12

HEX #22E0B8

RGB 34 224 184

HSL 167.37, 0.75%, 0.51%

LAB 80.24, -53.19, 7.16

 

CMYK 79 / 0 / 16 / 5

HEX #33F2CB

RGB 51 242 203

HSL 167.75, 0.88%, 0.57%

LAB 86.27, -54.31, 5.86

 

CMYK 73 / 0 / 13 / 0

HEX #44FFDE

RGB 68 255 222

HSL 169.41, 1%, 0.63%

LAB 90.79, -53.13, 2.56

 

CMYK 67 / 0 / 5 / 0

HEX #55FFF1

RGB 85 255 241

HSL 175.06, 1%, 0.67%

LAB 91.6, -46.15, -6.07

 

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

CMYK 100 / 0 / 20 / 26

HEX #00BC97

RGB 0 188 151

HSL 168.19, 1%, 0.37%

LAB 68.17, -48.67, 7.58

 

CMYK 100 / 0 / 22 / 33

HEX #00AA84

RGB 0 170 132

HSL 166.59, 1%, 0.33%

LAB 62.01, -46.28, 9.28

 

CMYK 100 / 0 / 26 / 40

HEX #009871

RGB 0 152 113

HSL 164.61, 1%, 0.3%

LAB 55.73, -43.83, 11.06

 

CMYK 100 / 0 / 30 / 47

HEX #00865E

RGB 0 134 94

HSL 162.09, 1%, 0.26%

LAB 49.32, -41.31, 12.95

 

CMYK 94 / 0 / 17 / 19

HEX #0CCFAB

RGB 12 207 171

HSL 168.92, 0.89%, 0.43%

LAB 74.6, -50.79, 5.97

 

CMYK 94 / 0 / 43 / 19

HEX #0CCF76

RGB 12 207 118

HSL 152.62, 0.89%, 0.43%

LAB 73.55, -62.54, 32.48

 

CMYK 94 / 0 / 68 / 19

HEX #0CCF42

RGB 12 207 66

HSL 136.62, 0.89%, 0.43%

LAB 72.96, -69.84, 55.85

 

CMYK 94 / 0 / 94 / 19

HEX #0CCF0D

RGB 12 207 13

HSL 120.31, 0.89%, 0.43%

LAB 72.72, -72.92, 69.8

 

CMYK 69 / 0 / 94 / 19

HEX #40CF0C

RGB 64 207 12

HSL 104, 0.89%, 0.43%

LAB 73.38, -67.07, 70.73

 

CMYK 94 / 0 / 17 / 19

HEX #0CCFAB

RGB 12 207 171

HSL 168.92, 0.89%, 0.43%

LAB 74.6, -50.79, 5.97

 

CMYK 94 / 8 / 0 / 19

HEX #0CBFCF

RGB 12 191 207

HSL 184.92, 0.89%, 0.43%

LAB 70.76, -33.38, -19.26

 

CMYK 94 / 33 / 0 / 19

HEX #0C8ACF

RGB 12 138 207

HSL 201.23, 0.89%, 0.43%

LAB 54.82, -5.41, -43.97

 

CMYK 94 / 58 / 0 / 19

HEX #0C56CF

RGB 12 86 207

HSL 217.23, 0.89%, 0.43%

LAB 39.98, 27.35, -67.84

 

CMYK 94 / 84 / 0 / 19

HEX #0C21CF

RGB 12 33 207

HSL 233.54, 0.89%, 0.43%

LAB 28.57, 58.44, -86.67

 

CMYK 94 / 0 / 17 / 19

HEX #0CCFAB

RGB 12 207 171

HSL 168.92, 0.89%, 0.43%

LAB 74.6, -50.79, 5.97

 

CMYK 94 / 0 / 17 / 19

HEX #0CCFAB

RGB 12 207 171

HSL 168.92, 0.89%, 0.43%

LAB 74.6, -50.79, 5.97

 

CMYK 84 / 0 / 15 / 26

HEX #1EBDA0

RGB 30 189 160

HSL 169.06, 0.73%, 0.43%

LAB 68.9, -45.27, 3.74

 

CMYK 72 / 0 / 13 / 33

HEX #30AC95

RGB 48 172 149

HSL 168.87, 0.56%, 0.43%

LAB 63.59, -38.91, 2.16

 

CMYK 58 / 0 / 10 / 40

HEX #419A8A

RGB 65 154 138

HSL 169.21, 0.41%, 0.43%

LAB 58.1, -30.57, 0.41

 

CMYK 39 / 0 / 7 / 47

HEX #53887E

RGB 83 136 126

HSL 168.68, 0.24%, 0.43%

LAB 52.9, -20.11, -0.2

 

CMYK 94 / 0 / 69 / 19

HEX #0CCF40

RGB 12 207 64

HSL 136, 0.89%, 0.43%

LAB 72.94, -70.04, 56.62

 

CMYK 94 / 0 / 44 / 19

HEX #0CCF74

RGB 12 207 116

HSL 152, 0.89%, 0.43%

LAB 73.52, -62.9, 33.46

 

CMYK 94 / 0 / 19 / 19

HEX #0CCFA8

RGB 12 207 168

HSL 168, 0.89%, 0.43%

LAB 74.53, -51.55, 7.48

 

CMYK 94 / 6 / 0 / 19

HEX #0CC2CF

RGB 12 194 207

HSL 184, 0.89%, 0.43%

LAB 71.67, -34.8, -17.89

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 94 / 0 / 17 / 49

HEX #08816B

RGB 8 129 107

HSL 169.09, 0.88%, 0.27%

LAB 48.02, -35.26, 3.55

 

CMYK 94 / 0 / 17 / 34

HEX #0AA88B

RGB 10 168 139

HSL 168.99, 0.89%, 0.35%

LAB 61.6, -43.21, 4.79

 

CMYK 94 / 0 / 17 / 19

HEX #0CCFAB

RGB 12 207 171

HSL 168.92, 0.89%, 0.43%

LAB 74.6, -50.79, 5.97

 

CMYK 92 / 0 / 17 / 5

HEX #13F1C8

RGB 19 241 200

HSL 168.92, 0.89%, 0.51%

LAB 85.61, -56.71, 6.45

 

CMYK 76 / 0 / 14 / 4

HEX #3AF4D1

RGB 58 244 209

HSL 168.71, 0.89%, 0.59%

LAB 87.1, -52.95, 3.94

 

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 0 / 57 / 94 / 19

HEX #CF5A0C

RGB 207 90 12

HSL 24, 0.89%, 0.43%

LAB 52.51, 43.04, 59.29

 

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

CMYK 19 / 94 / 0 / 19

HEX #A80CCF

RGB 168 12 207

HSL 288, 0.89%, 0.43%

LAB 42.9, 76.98, -62.51

 

CMYK 0 / 19 / 94 / 19

HEX #CFA80C

RGB 207 168 12

HSL 48, 0.89%, 0.43%

LAB 70.38, 1.73, 71.91

 

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 0 / 94 / 75 / 19

HEX #CF0C33

RGB 207 12 51

HSL 348, 0.89%, 0.43%

LAB 43.9, 68.3, 34.67

 

CMYK 0 / 0 / 94 / 19

HEX #CFCF0C

RGB 207 207 12

HSL 60, 0.89%, 0.43%

LAB 80.69, -18.3, 79.62

 

CMYK 94 / 0 / 17 / 19

HEX #0CCEAA

RGB 12 206 170

HSL 168.87, 0.89%, 0.43%

LAB 74.27, -50.64, 6.03

 

CMYK 66 / 94 / 0 / 19

HEX #470CCF

RGB 71 12 207

HSL 258.15, 0.89%, 0.43%

LAB 29.68, 67.11, -84.72

 

CMYK 0 / 94 / 75 / 19

HEX #CF0C33

RGB 207 12 51

HSL 348, 0.89%, 0.43%

LAB 43.9, 68.3, 34.67

 

CMYK 28 / 0 / 94 / 19

HEX #95CF0C

RGB 149 207 12

HSL 77.85, 0.89%, 0.43%

LAB 76.7, -41.98, 74.81

 

Description

Color code: HEX #0CCEAA | qconv.com Color code: HEX #0CCEAA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 206 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 206 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 17 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 17% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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