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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CC6B5 it is the complementary color #F3394A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CC6B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CC6B5 shade: #11C6B0, #22D8C3, #33EAD6, #44FCE9 and #55FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CC6B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CC6B5 shade: #0CC6B5, #00B4A2, #00A28F, #00907C and #007E69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CC6B5 shade: #0CC6B5, #0CC682, #0CC650, #0CC61E and #2BC60C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CC6B5 shade: #0CC6B5, #0CA4C6, #0C72C6, #0C40C6 and #0C0EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CC6B5 shade matches the following richer shades: #0CC6B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CC6B5 shade: #0CC6B5, #1CB5A7, #2DA499, #3E938B and #4F827D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CC6B5 shade: #0CC650, #0CC681, #0CC6B3, #0CA7C6 and #0C75C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CC6B5 shade: #07786D, #099F91, #0CC6B5, #0EEDD8 and #31F3E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CC6B5 shade: #0CC6B5, #1E0CC6 and #C6690C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CC6B5 shade: #0CC6B5, #B30CC6 and #C6B30C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CC6B5 shade: #0CC6B5, #1E0CC6, #C60C1E and #B3C60C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CC6B5 shade: #0CC6B5, #560CC6, #C60C1E and #7BC60C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

Complementary color

CMYK 0 / 77 / 70 / 5

HEX #F3394A

RGB 243 57 74

HSL 354.52, 0.89%, 0.59%

LAB 54.53, 69.63, 35.37

 

CMYK 91 / 0 / 11 / 22

HEX #11C6B0

RGB 17 198 176

HSL 172.71, 0.84%, 0.42%

LAB 71.99, -45.53, -0.52

 

CMYK 84 / 0 / 10 / 15

HEX #22D8C3

RGB 34 216 195

HSL 173.08, 0.73%, 0.49%

LAB 78.11, -47.02, -1.8

 

CMYK 78 / 0 / 9 / 8

HEX #33EAD6

RGB 51 234 214

HSL 173.44, 0.81%, 0.56%

LAB 84.18, -48.18, -2.96

 

CMYK 73 / 0 / 8 / 1

HEX #44FCE9

RGB 68 252 233

HSL 173.8, 0.97%, 0.63%

LAB 90.2, -49.07, -4.01

 

CMYK 67 / 0 / 1 / 0

HEX #55FFFC

RGB 85 255 252

HSL 178.94, 1%, 0.67%

LAB 91.9, -43.25, -11.32

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 100 / 0 / 10 / 29

HEX #00B4A2

RGB 0 180 162

HSL 174, 1%, 0.35%

LAB 65.94, -42.34, -1.7

 

CMYK 100 / 0 / 12 / 36

HEX #00A28F

RGB 0 162 143

HSL 172.96, 1%, 0.32%

LAB 59.73, -39.94, -0.17

 

CMYK 100 / 0 / 14 / 44

HEX #00907C

RGB 0 144 124

HSL 171.67, 1%, 0.28%

LAB 53.39, -37.49, 1.42

 

CMYK 100 / 0 / 17 / 51

HEX #007E69

RGB 0 126 105

HSL 170, 1%, 0.25%

LAB 46.9, -34.98, 3.09

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 94 / 0 / 34 / 22

HEX #0CC682

RGB 12 198 130

HSL 158.06, 0.89%, 0.41%

LAB 70.92, -57.01, 22.75

 

CMYK 94 / 0 / 60 / 22

HEX #0CC650

RGB 12 198 80

HSL 141.94, 0.89%, 0.41%

LAB 70.21, -65.55, 46.82

 

CMYK 94 / 0 / 85 / 22

HEX #0CC61E

RGB 12 198 30

HSL 125.81, 0.89%, 0.41%

LAB 69.87, -69.87, 64.37

 

CMYK 78 / 0 / 94 / 22

HEX #2BC60C

RGB 43 198 12

HSL 110, 0.89%, 0.41%

LAB 70.13, -67.73, 67.89

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 94 / 17 / 0 / 22

HEX #0CA4C6

RGB 12 164 198

HSL 190.97, 0.89%, 0.41%

LAB 62.26, -22.97, -27.3

 

CMYK 94 / 42 / 0 / 22

HEX #0C72C6

RGB 12 114 198

HSL 207.1, 0.89%, 0.41%

LAB 47.22, 5.63, -50.94

 

CMYK 94 / 68 / 0 / 22

HEX #0C40C6

RGB 12 64 198

HSL 223.23, 0.89%, 0.41%

LAB 33.61, 38.23, -73.06

 

CMYK 94 / 93 / 0 / 22

HEX #0C0EC6

RGB 12 14 198

HSL 239.35, 0.89%, 0.41%

LAB 25.17, 62.48, -87.07

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 85 / 0 / 8 / 29

HEX #1CB5A7

RGB 28 181 167

HSL 174.51, 0.73%, 0.41%

LAB 66.58, -40.04, -3.5

 

CMYK 73 / 0 / 7 / 36

HEX #2DA499

RGB 45 164 153

HSL 174.45, 0.57%, 0.41%

LAB 61.14, -34.58, -3.68

 

CMYK 58 / 0 / 5 / 42

HEX #3E938B

RGB 62 147 139

HSL 174.35, 0.41%, 0.41%

LAB 55.84, -27.51, -3.49

 

CMYK 39 / 0 / 4 / 49

HEX #4F827D

RGB 79 130 125

HSL 174.12, 0.24%, 0.41%

LAB 50.81, -18.34, -2.7

 

CMYK 94 / 0 / 60 / 22

HEX #0CC650

RGB 12 198 80

HSL 141.94, 0.89%, 0.41%

LAB 70.21, -65.55, 46.82

 

CMYK 94 / 0 / 35 / 22

HEX #0CC681

RGB 12 198 129

HSL 157.74, 0.89%, 0.41%

LAB 70.91, -57.22, 23.26

 

CMYK 94 / 0 / 10 / 22

HEX #0CC6B3

RGB 12 198 179

HSL 173.87, 0.89%, 0.41%

LAB 72.04, -44.9, -2.08

 

CMYK 94 / 16 / 0 / 22

HEX #0CA7C6

RGB 12 167 198

HSL 190, 0.89%, 0.41%

LAB 63.17, -24.51, -25.89

 

CMYK 94 / 41 / 0 / 22

HEX #0C75C6

RGB 12 117 198

HSL 206.13, 0.89%, 0.41%

LAB 48.11, 3.76, -49.53

 

CMYK 94 / 0 / 9 / 53

HEX #07786D

RGB 7 120 109

HSL 174.16, 0.89%, 0.25%

LAB 45.06, -30.61, -1.95

 

CMYK 94 / 0 / 9 / 38

HEX #099F91

RGB 9 159 145

HSL 174.4, 0.89%, 0.33%

LAB 58.88, -37.65, -2.54

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 94 / 0 / 9 / 7

HEX #0EEDD8

RGB 14 237 216

HSL 174.35, 0.89%, 0.49%

LAB 84.8, -51.07, -3.13

 

CMYK 80 / 0 / 7 / 5

HEX #31F3E1

RGB 49 243 225

HSL 174.43, 0.89%, 0.57%

LAB 87.09, -49.23, -4.45

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 85 / 94 / 0 / 22

HEX #1E0CC6

RGB 30 12 198

HSL 245.81, 0.89%, 0.41%

LAB 25.61, 63.26, -86.32

 

CMYK 0 / 47 / 94 / 22

HEX #C6690C

RGB 198 105 12

HSL 30, 0.89%, 0.41%

LAB 54.17, 31.84, 59.76

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 10 / 94 / 0 / 22

HEX #B30CC6

RGB 179 12 198

HSL 293.87, 0.89%, 0.41%

LAB 44.12, 77.12, -55.22

 

CMYK 0 / 10 / 94 / 22

HEX #C6B30C

RGB 198 179 12

HSL 53.87, 0.89%, 0.41%

LAB 72.41, -8.03, 73.03

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 85 / 94 / 0 / 22

HEX #1E0CC6

RGB 30 12 198

HSL 245.81, 0.89%, 0.41%

LAB 25.61, 63.26, -86.32

 

CMYK 0 / 94 / 85 / 22

HEX #C60C1E

RGB 198 12 30

HSL 354.19, 0.89%, 0.41%

LAB 41.79, 65.43, 43.81

 

CMYK 10 / 0 / 94 / 22

HEX #B3C60C

RGB 179 198 12

HSL 66.13, 0.89%, 0.41%

LAB 76.07, -25.77, 75.14

 

CMYK 94 / 0 / 9 / 22

HEX #0CC6B5

RGB 12 198 181

HSL 174.52, 0.89%, 0.41%

LAB 72.1, -44.34, -3.08

 

CMYK 57 / 94 / 0 / 22

HEX #560CC6

RGB 86 12 198

HSL 263.87, 0.89%, 0.41%

LAB 30.2, 65.93, -78.55

 

CMYK 0 / 94 / 85 / 22

HEX #C60C1E

RGB 198 12 30

HSL 354.19, 0.89%, 0.41%

LAB 41.79, 65.43, 43.81

 

CMYK 38 / 0 / 94 / 22

HEX #7BC60C

RGB 123 198 12

HSL 84.19, 0.89%, 0.41%

LAB 72.64, -47.71, 70.99

 

Description

Color code: HEX #0CC6B5 | qconv.com Color code: HEX #0CC6B5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 198 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 198 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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