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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CC187 it is the complementary color #F33E78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CC187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CC187 shade: #11C182, #22D395, #33E5A8, #44F7BB and #55FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CC187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CC187 shade: #0CC187, #00AF74, #009D61, #008B4E and #00793B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CC187 shade: #0CC086, #0CC056, #0CC025, #23C00C and #54C00C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CC187 shade: #0CC086, #0CC0B7, #0C98C0, #0C68C0 and #0C38C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CC187 shade matches the following richer shades: #0CC086

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CC187 shade: #0CC086, #1DAF80, #2D9F7A, #3E8E74 and #4E7E6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CC187 shade: #0CC024, #0CC054, #0CC084, #0CC0B4 and #0C9CC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CC187 shade: #077250, #0A996B, #0CC086, #0FE7A1 and #2DF2B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CC187 shade: #0CC187, #0C24C0 and #C03C0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CC187 shade: #0CC187, #840CC0 and #C0840C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CC187 shade: #0CC187, #0C24C0, #C00C48 and #C0A80C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CC187 shade: #0CC187, #2A0CC0, #C00C48 and #A2C00C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

Complementary color

CMYK 0 / 74 / 51 / 5

HEX #F33E78

RGB 243 62 120

HSL 340.77, 0.88%, 0.6%

LAB 55.94, 70.96, 10.06

 

CMYK 91 / 0 / 33 / 24

HEX #11C182

RGB 17 193 130

HSL 158.52, 0.84%, 0.41%

LAB 69.38, -54.94, 20.65

 

CMYK 84 / 0 / 29 / 17

HEX #22D395

RGB 34 211 149

HSL 158.98, 0.72%, 0.48%

LAB 75.51, -56.38, 19.02

 

CMYK 78 / 0 / 27 / 10

HEX #33E5A8

RGB 51 229 168

HSL 159.44, 0.77%, 0.55%

LAB 81.6, -57.43, 17.54

 

CMYK 72 / 0 / 24 / 3

HEX #44F7BB

RGB 68 247 187

HSL 159.89, 0.92%, 0.62%

LAB 87.65, -58.18, 16.18

 

CMYK 67 / 0 / 19 / 0

HEX #55FFCE

RGB 85 255 206

HSL 162.71, 1%, 0.67%

LAB 90.74, -54.72, 10.79

 

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

CMYK 100 / 0 / 34 / 31

HEX #00AF74

RGB 0 175 116

HSL 159.77, 1%, 0.34%

LAB 63.28, -52.04, 19.84

 

CMYK 100 / 0 / 38 / 38

HEX #009D61

RGB 0 157 97

HSL 157.07, 1%, 0.31%

LAB 57.05, -49.48, 21.79

 

CMYK 100 / 0 / 44 / 45

HEX #008B4E

RGB 0 139 78

HSL 153.67, 1%, 0.27%

LAB 50.71, -46.79, 23.82

 

CMYK 100 / 0 / 51 / 53

HEX #00793B

RGB 0 121 59

HSL 149.26, 1%, 0.24%

LAB 44.22, -43.91, 25.92

 

CMYK 94 / 0 / 30 / 25

HEX #0CC086

RGB 12 192 134

HSL 160.67, 0.88%, 0.4%

LAB 69.11, -53.91, 18.14

 

CMYK 94 / 0 / 55 / 25

HEX #0CC056

RGB 12 192 86

HSL 144.67, 0.88%, 0.4%

LAB 68.35, -62.85, 41.83

 

CMYK 94 / 0 / 81 / 25

HEX #0CC025

RGB 12 192 37

HSL 128.33, 0.88%, 0.4%

LAB 67.95, -67.81, 60.81

 

CMYK 82 / 0 / 94 / 25

HEX #23C00C

RGB 35 192 12

HSL 112.33, 0.88%, 0.4%

LAB 68.08, -66.98, 66.15

 

CMYK 56 / 0 / 94 / 25

HEX #54C00C

RGB 84 192 12

HSL 96, 0.88%, 0.4%

LAB 69.19, -57.57, 67.52

 

CMYK 94 / 0 / 30 / 25

HEX #0CC086

RGB 12 192 134

HSL 160.67, 0.88%, 0.4%

LAB 69.11, -53.91, 18.14

 

CMYK 94 / 0 / 5 / 25

HEX #0CC0B7

RGB 12 192 183

HSL 177, 0.88%, 0.4%

LAB 70.31, -41.15, -6.81

 

CMYK 94 / 21 / 0 / 25

HEX #0C98C0

RGB 12 152 192

HSL 193.33, 0.88%, 0.4%

LAB 58.36, -18.75, -29.96

 

CMYK 94 / 46 / 0 / 25

HEX #0C68C0

RGB 12 104 192

HSL 209.33, 0.88%, 0.4%

LAB 43.92, 9.59, -52.77

 

CMYK 94 / 71 / 0 / 25

HEX #0C38C0

RGB 12 56 192

HSL 225.33, 0.88%, 0.4%

LAB 31.14, 41.05, -73.61

 

CMYK 94 / 0 / 30 / 25

HEX #0CC086

RGB 12 192 134

HSL 160.67, 0.88%, 0.4%

LAB 69.11, -53.91, 18.14

 

CMYK 94 / 0 / 30 / 25

HEX #0CC086

RGB 12 192 134

HSL 160.67, 0.88%, 0.4%

LAB 69.11, -53.91, 18.14

 

CMYK 83 / 0 / 27 / 31

HEX #1DAF80

RGB 29 175 128

HSL 160.68, 0.72%, 0.4%

LAB 63.74, -47.63, 13.96

 

CMYK 72 / 0 / 23 / 38

HEX #2D9F7A

RGB 45 159 122

HSL 160.53, 0.56%, 0.4%

LAB 58.75, -40.53, 10.32

 

CMYK 56 / 0 / 18 / 44

HEX #3E8E74

RGB 62 142 116

HSL 160.5, 0.39%, 0.4%

LAB 53.63, -31.08, 6.52

 

CMYK 38 / 0 / 12 / 51

HEX #4E7E6F

RGB 78 126 111

HSL 161.25, 0.24%, 0.4%

LAB 49.12, -19.98, 3.03

 

CMYK 94 / 0 / 81 / 25

HEX #0CC024

RGB 12 192 36

HSL 128, 0.88%, 0.4%

LAB 67.95, -67.87, 61.09

 

CMYK 94 / 0 / 56 / 25

HEX #0CC054

RGB 12 192 84

HSL 144, 0.88%, 0.4%

LAB 68.33, -63.13, 42.75

 

CMYK 94 / 0 / 31 / 25

HEX #0CC084

RGB 12 192 132

HSL 160, 0.88%, 0.4%

LAB 69.07, -54.36, 19.16

 

CMYK 94 / 0 / 6 / 25

HEX #0CC0B4

RGB 12 192 180

HSL 176, 0.88%, 0.4%

LAB 70.23, -42.01, -5.3

 

CMYK 94 / 19 / 0 / 25

HEX #0C9CC0

RGB 12 156 192

HSL 192, 0.88%, 0.4%

LAB 59.58, -20.87, -28.07

 

CMYK 94 / 0 / 30 / 55

HEX #077250

RGB 7 114 80

HSL 160.93, 0.88%, 0.24%

LAB 42.24, -36.09, 11.3

 

CMYK 93 / 0 / 30 / 40

HEX #0A996B

RGB 10 153 107

HSL 160.7, 0.88%, 0.32%

LAB 56, -45.2, 14.82

 

CMYK 94 / 0 / 30 / 25

HEX #0CC086

RGB 12 192 134

HSL 160.67, 0.88%, 0.4%

LAB 69.11, -53.91, 18.14

 

CMYK 94 / 0 / 30 / 9

HEX #0FE7A1

RGB 15 231 161

HSL 160.56, 0.88%, 0.48%

LAB 81.74, -62.23, 21.32

 

CMYK 81 / 0 / 26 / 5

HEX #2DF2B3

RGB 45 242 179

HSL 160.81, 0.88%, 0.56%

LAB 85.66, -60.5, 17.48

 

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

CMYK 94 / 81 / 0 / 25

HEX #0C24C0

RGB 12 36 192

HSL 232, 0.88%, 0.4%

LAB 27.15, 52.38, -80.24

 

CMYK 0 / 69 / 94 / 25

HEX #C03C0C

RGB 192 60 12

HSL 16, 0.88%, 0.4%

LAB 44.89, 51, 53.06

 

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

CMYK 31 / 94 / 0 / 25

HEX #840CC0

RGB 132 12 192

HSL 280, 0.88%, 0.4%

LAB 35.93, 69.32, -65.36

 

CMYK 0 / 31 / 94 / 25

HEX #C0840C

RGB 192 132 12

HSL 40, 0.88%, 0.4%

LAB 59.65, 14.57, 63.3

 

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

CMYK 94 / 81 / 0 / 25

HEX #0C24C0

RGB 12 36 192

HSL 232, 0.88%, 0.4%

LAB 27.15, 52.38, -80.24

 

CMYK 0 / 94 / 63 / 25

HEX #C00C48

RGB 192 12 72

HSL 340, 0.88%, 0.4%

LAB 41.12, 65.56, 17.52

 

CMYK 0 / 13 / 94 / 25

HEX #C0A80C

RGB 192 168 12

HSL 52, 0.88%, 0.4%

LAB 68.92, -4.93, 70.17

 

CMYK 94 / 0 / 30 / 24

HEX #0CC187

RGB 12 193 135

HSL 160.77, 0.88%, 0.4%

LAB 69.45, -54.06, 18.06

 

CMYK 78 / 94 / 0 / 25

HEX #2A0CC0

RGB 42 12 192

HSL 250, 0.88%, 0.4%

LAB 25.45, 62.03, -83.04

 

CMYK 0 / 94 / 63 / 25

HEX #C00C48

RGB 192 12 72

HSL 340, 0.88%, 0.4%

LAB 41.12, 65.56, 17.52

 

CMYK 16 / 0 / 94 / 25

HEX #A2C00C

RGB 162 192 12

HSL 70, 0.88%, 0.4%

LAB 73.16, -30.01, 72.36

 

Description

Color code: HEX #0CC187 | qconv.com Color code: HEX #0CC187 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 193 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 193 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 30 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 30% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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