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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CBDF33F it is the complementary color #F3420C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CBDF33F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CBDF33F shade: #11BDEE3F, #22CFFF3F, #33E1FF3F, #44F3FF3F and #55FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CBDF33F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CBDF33F shade: #0CBDF33F, #00ABE03F, #0099CD3F, #0087BA3F and #0075A73F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CBDF33F shade: #0BBDF4, #0B7FF4, #0B40F4, #150BF4 and #540BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CBDF33F shade: #0BBDF4, #0B7FF4, #0B40F4 and #0B0BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CBDF33F shade matches the following richer shades: #0BBDF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CBDF33F shade: #0BBDF4, #20B2DF, #35A7CA, #499CB6 and #5E91A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CBDF33F shade: #0BF4AE, #0BF4EC, #0BBDF4, #0B80F4 and #0B42F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CBDF33F shade: #0880A5, #0A9FCC, #0BBDF4, #33C8F5 and #5AD3F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CBDF33F shade: #0CBDF3, #700BF4 and #F4CD0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CBDF33F shade: #0CBDF3, #F40BBD and #BDF40B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CBDF33F shade: #0CBDF3, #700BF4, #F4420B and #8FF40B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CBDF33F shade: #0CBDF3, #B60BF4, #F4420B and #49F40B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 6 / 0 / 1

HEX #0CBDF33F

RGBA 12 189 243 0.25

HSLA 194.03, 0.91%, 0.5%, 0.25

LABA 71.52, -20.47, -37.68, 0.25

 

Complementary color

CMYK 0 / 18 / 24 / 1

HEX #F3420C3F

RGBA 243 66 12 0.25

HSLA 14.03, 0.91%, 0.5%, 0.25

LABA 55.05, 65.22, 63.97, 0.25

 

CMYK 23 / 5 / 0 / 2

HEX #11BDEE3F

RGBA 17 189 238 0.25

HSLA 193.3, 0.87%, 0.5%, 0.25

LABA 71.34, -22.02, -35.24, 0.25

 

CMYK 22 / 5 / 0 / 0

HEX #22CFFF3F

RGBA 34 207 255 0.25

HSLA 193.03, 1%, 0.57%, 0.25

LABA 77.39, -24.69, -35, 0.25

 

CMYK 20 / 3 / 0 / 0

HEX #33E1FF3F

RGBA 51 225 255 0.25

HSLA 188.82, 1%, 0.6%, 0.25

LABA 82.79, -32.3, -26.69, 0.25

 

CMYK 18 / 1 / 0 / 0

HEX #44F3FF3F

RGBA 68 243 255 0.25

HSLA 183.85, 1%, 0.63%, 0.25

LABA 88.23, -39.07, -18.41, 0.25

 

CMYK 17 / 0 / 0 / 0

HEX #55FFFF3F

RGBA 85 255 255 0.25

HSLA 180, 1%, 0.67%, 0.25

LABA 91.99, -42.44, -12.75, 0.25

 

CMYK 24 / 6 / 0 / 1

HEX #0CBDF33F

RGBA 12 189 243 0.25

HSLA 194.03, 0.91%, 0.5%, 0.25

LABA 71.52, -20.47, -37.68, 0.25

 

CMYK 25 / 6 / 0 / 3

HEX #00ABE03F

RGBA 0 171 224 0.25

HSLA 194.2, 1%, 0.44%, 0.25

LABA 65.36, -17.94, -36.9, 0.25

 

CMYK 25 / 6 / 0 / 5

HEX #0099CD3F

RGBA 0 153 205 0.25

HSLA 195.22, 1%, 0.4%, 0.25

LABA 59.15, -15.03, -36.05, 0.25

 

CMYK 25 / 7 / 0 / 7

HEX #0087BA3F

RGBA 0 135 186 0.25

HSLA 196.45, 1%, 0.36%, 0.25

LABA 52.81, -12, -35.21, 0.25

 

CMYK 25 / 7 / 0 / 9

HEX #0075A73F

RGBA 0 117 167 0.25

HSLA 197.96, 1%, 0.33%, 0.25

LABA 46.33, -8.84, -34.39, 0.25

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 95 / 48 / 0 / 4

HEX #0B7FF4

RGB 11 127 244

HSL 210.13, 0.91%, 0.5%

LAB 53.79, 15.44, -66.33

 

CMYK 95 / 74 / 0 / 4

HEX #0B40F4

RGB 11 64 244

HSL 226.35, 0.91%, 0.5%

LAB 38.32, 54.57, -91.65

 

CMYK 91 / 95 / 0 / 4

HEX #150BF4

RGB 21 11 244

HSL 242.58, 0.91%, 0.5%

LAB 31.65, 74.99, -102.75

 

CMYK 66 / 95 / 0 / 4

HEX #540BF4

RGB 84 11 244

HSL 258.8, 0.91%, 0.5%

LAB 35.31, 76.74, -96.55

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 95 / 48 / 0 / 4

HEX #0B7FF4

RGB 11 127 244

HSL 210.13, 0.91%, 0.5%

LAB 53.79, 15.44, -66.33

 

CMYK 95 / 74 / 0 / 4

HEX #0B40F4

RGB 11 64 244

HSL 226.35, 0.91%, 0.5%

LAB 38.32, 54.57, -91.65

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 86 / 20 / 0 / 13

HEX #20B2DF

RGB 32 178 223

HSL 194.14, 0.75%, 0.5%

LAB 67.63, -20.68, -32.81

 

CMYK 74 / 17 / 0 / 21

HEX #35A7CA

RGB 53 167 202

HSL 194.09, 0.58%, 0.5%

LAB 63.88, -19.97, -26.98

 

CMYK 60 / 14 / 0 / 29

HEX #499CB6

RGB 73 156 182

HSL 194.31, 0.43%, 0.5%

LAB 60.4, -17.38, -21.07

 

CMYK 42 / 10 / 0 / 37

HEX #5E91A1

RGB 94 145 161

HSL 194.33, 0.26%, 0.5%

LAB 57.27, -12.73, -13.82

 

CMYK 95 / 0 / 29 / 4

HEX #0BF4AE

RGB 11 244 174

HSL 161.97, 0.91%, 0.5%

LAB 85.92, -64.22, 20.38

 

CMYK 95 / 0 / 3 / 4

HEX #0BF4EC

RGB 11 244 236

HSL 177.94, 0.91%, 0.5%

LAB 87.4, -48.55, -9.78

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 95 / 48 / 0 / 4

HEX #0B80F4

RGB 11 128 244

HSL 209.87, 0.91%, 0.5%

LAB 54.07, 14.82, -65.88

 

CMYK 95 / 73 / 0 / 4

HEX #0B42F4

RGB 11 66 244

HSL 225.84, 0.91%, 0.5%

LAB 38.72, 53.44, -90.98

 

CMYK 95 / 22 / 0 / 35

HEX #0880A5

RGB 8 128 165

HSL 194.14, 0.91%, 0.34%

LAB 49.75, -15.54, -27.88

 

CMYK 95 / 22 / 0 / 20

HEX #0A9FCC

RGB 10 159 204

HSL 193.92, 0.91%, 0.42%

LAB 60.98, -18.32, -32.64

 

CMYK 95 / 23 / 0 / 4

HEX #0BBDF4

RGB 11 189 244

HSL 194.16, 0.91%, 0.5%

LAB 71.55, -20.15, -38.16

 

CMYK 79 / 18 / 0 / 4

HEX #33C8F5

RGB 51 200 245

HSL 193.92, 0.91%, 0.58%

LAB 75.2, -23.17, -33.01

 

CMYK 64 / 15 / 0 / 3

HEX #5AD3F7

RGB 90 211 247

HSL 193.76, 0.91%, 0.66%

LAB 79.32, -23.18, -27.69

 

CMYK 95 / 22 / 0 / 5

HEX #0CBDF3

RGB 12 189 243

HSL 194.03, 0.91%, 0.5%

LAB 71.52, -20.47, -37.68

 

CMYK 54 / 95 / 0 / 4

HEX #700BF4

RGB 112 11 244

HSL 266.01, 0.91%, 0.5%

LAB 38.23, 78.43, -91.62

 

CMYK 0 / 16 / 95 / 4

HEX #F4CD0B

RGB 244 205 11

HSL 49.96, 0.91%, 0.5%

LAB 83.4, -1.45, 83.17

 

CMYK 95 / 22 / 0 / 5

HEX #0CBDF3

RGB 12 189 243

HSL 194.03, 0.91%, 0.5%

LAB 71.52, -20.47, -37.68

 

CMYK 0 / 95 / 23 / 4

HEX #F40BBD

RGB 244 11 189

HSL 314.16, 0.91%, 0.5%

LAB 55.22, 87.3, -31.66

 

CMYK 23 / 0 / 95 / 4

HEX #BDF40B

RGB 189 244 11

HSL 74.16, 0.91%, 0.5%

LAB 89.65, -42.81, 86.04

 

CMYK 95 / 22 / 0 / 5

HEX #0CBDF3

RGB 12 189 243

HSL 194.03, 0.91%, 0.5%

LAB 71.52, -20.47, -37.68

 

CMYK 54 / 95 / 0 / 4

HEX #700BF4

RGB 112 11 244

HSL 266.01, 0.91%, 0.5%

LAB 38.23, 78.43, -91.62

 

CMYK 0 / 73 / 95 / 4

HEX #F4420B

RGB 244 66 11

HSL 14.16, 0.91%, 0.5%

LAB 55.23, 65.52, 64.39

 

CMYK 41 / 0 / 95 / 4

HEX #8FF40B

RGB 143 244 11

HSL 86.01, 0.91%, 0.5%

LAB 87.27, -59.12, 83.16

 

CMYK 95 / 22 / 0 / 5

HEX #0CBDF3

RGB 12 189 243

HSL 194.03, 0.91%, 0.5%

LAB 71.52, -20.47, -37.68

 

CMYK 25 / 95 / 0 / 4

HEX #B60BF4

RGB 182 11 244

HSL 284.03, 0.91%, 0.5%

LAB 47.9, 85.46, -75.37

 

CMYK 0 / 73 / 95 / 4

HEX #F4420B

RGB 244 66 11

HSL 14.16, 0.91%, 0.5%

LAB 55.23, 65.52, 64.39

 

CMYK 70 / 0 / 95 / 4

HEX #49F40B

RGB 73 244 11

HSL 104.03, 0.91%, 0.5%

LAB 85.07, -76.72, 80.46

 

Description

Color code: HEX #0CBDF33F | qconv.com Color code: HEX #0CBDF33F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 189 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 189 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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