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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CB837 it is the complementary color #F347C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CB837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CB837 shade: #11B832, #22CA45, #33DC58, #44EE6B and #55FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CB837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CB837 shade: #0CB837, #00A624, #009411, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CB837 shade: #0CB636, #0FB60C, #3DB60C, #6BB60C and #99B60C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CB837 shade: #0CB636, #0CB664, #0CB692, #0CACB6 and #0C7EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CB837 shade matches the following richer shades: #0CB636

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CB837 shade: #0CB636, #1BA63E, #2B9746, #3B874E and #4A7756

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CB837 shade: #3CB60C, #0EB60C, #0CB636, #0CB664 and #0CB691

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CB837 shade: #07691F, #098F2B, #0CB636, #0EDD42 and #23F157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CB837 shade: #0CB837, #0C69B6 and #B60C25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CB837 shade: #0CB837, #360CB6 and #B6360C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CB837 shade: #0CB837, #0C69B6, #B60C8C and #B6580C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CB837 shade: #0CB837, #0C36B6, #B60C8C and #B68C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

Complementary color

CMYK 0 / 71 / 18 / 5

HEX #F347C8

RGB 243 71 200

HSL 315, 0.88%, 0.62%

LAB 59.65, 76.6, -31.12

 

CMYK 91 / 0 / 73 / 28

HEX #11B832

RGB 17 184 50

HSL 131.86, 0.83%, 0.39%

LAB 65.46, -64.27, 54.12

 

CMYK 83 / 0 / 66 / 21

HEX #22CA45

RGB 34 202 69

HSL 132.5, 0.71%, 0.46%

LAB 71.56, -66.5, 53.18

 

CMYK 77 / 0 / 60 / 14

HEX #33DC58

RGB 51 220 88

HSL 133.14, 0.71%, 0.53%

LAB 77.64, -68.08, 51.94

 

CMYK 71 / 0 / 55 / 7

HEX #44EE6B

RGB 68 238 107

HSL 133.76, 0.83%, 0.6%

LAB 83.67, -69.17, 50.57

 

CMYK 67 / 0 / 51 / 0

HEX #55FF7E

RGB 85 255 126

HSL 134.47, 1%, 0.67%

LAB 89.37, -69.55, 48.81

 

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

CMYK 100 / 0 / 78 / 35

HEX #00A624

RGB 0 166 36

HSL 133.01, 1%, 0.33%

LAB 59.34, -60.98, 52.87

 

CMYK 100 / 0 / 89 / 42

HEX #009411

RGB 0 148 17

HSL 126.89, 1%, 0.29%

LAB 53.19, -56.87, 52.46

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 92 / 0 / 93 / 29

HEX #0FB60C

RGB 15 182 12

HSL 118.94, 0.88%, 0.38%

LAB 64.63, -65.88, 63.19

 

CMYK 66 / 0 / 93 / 29

HEX #3DB60C

RGB 61 182 12

HSL 102.71, 0.88%, 0.38%

LAB 65.34, -59.69, 64.06

 

CMYK 41 / 0 / 93 / 29

HEX #6BB60C

RGB 107 182 12

HSL 86.47, 0.88%, 0.38%

LAB 66.98, -46.75, 66.09

 

CMYK 16 / 0 / 93 / 29

HEX #99B60C

RGB 153 182 12

HSL 70.24, 0.88%, 0.38%

LAB 69.65, -29.01, 69.35

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 93 / 0 / 45 / 29

HEX #0CB664

RGB 12 182 100

HSL 151.06, 0.88%, 0.38%

LAB 65.32, -57.25, 31.06

 

CMYK 93 / 0 / 20 / 29

HEX #0CB692

RGB 12 182 146

HSL 167.29, 0.88%, 0.38%

LAB 66.22, -47.09, 7.55

 

CMYK 93 / 5 / 0 / 29

HEX #0CACB6

RGB 12 172 182

HSL 183.53, 0.88%, 0.38%

LAB 64.13, -32.24, -15.51

 

CMYK 93 / 31 / 0 / 29

HEX #0C7EB6

RGB 12 126 182

HSL 199.76, 0.88%, 0.38%

LAB 49.95, -7.87, -37.4

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 84 / 0 / 63 / 35

HEX #1BA63E

RGB 27 166 62

HSL 135.11, 0.72%, 0.38%

LAB 59.76, -56.59, 43.03

 

CMYK 72 / 0 / 54 / 41

HEX #2B9746

RGB 43 151 70

HSL 135, 0.56%, 0.38%

LAB 55.16, -48.02, 33.81

 

CMYK 56 / 0 / 42 / 47

HEX #3B874E

RGB 59 135 78

HSL 135, 0.39%, 0.38%

LAB 50.46, -36.74, 23.72

 

CMYK 38 / 0 / 28 / 53

HEX #4A7756

RGB 74 119 86

HSL 136, 0.23%, 0.38%

LAB 46.07, -23.15, 13.38

 

CMYK 67 / 0 / 93 / 29

HEX #3CB60C

RGB 60 182 12

HSL 103.06, 0.88%, 0.38%

LAB 65.31, -59.9, 64.03

 

CMYK 92 / 0 / 93 / 29

HEX #0EB60C

RGB 14 182 12

HSL 119.29, 0.88%, 0.38%

LAB 64.62, -65.94, 63.18

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 93 / 0 / 45 / 29

HEX #0CB664

RGB 12 182 100

HSL 151.06, 0.88%, 0.38%

LAB 65.32, -57.25, 31.06

 

CMYK 93 / 0 / 20 / 29

HEX #0CB691

RGB 12 182 145

HSL 166.94, 0.88%, 0.38%

LAB 66.2, -47.34, 8.06

 

CMYK 93 / 0 / 70 / 59

HEX #07691F

RGB 7 105 31

HSL 134.69, 0.88%, 0.22%

LAB 38.28, -41.92, 33.25

 

CMYK 94 / 0 / 70 / 44

HEX #098F2B

RGB 9 143 43

HSL 135.22, 0.88%, 0.3%

LAB 51.7, -52.88, 42.45

 

CMYK 93 / 0 / 70 / 29

HEX #0CB636

RGB 12 182 54

HSL 134.82, 0.88%, 0.38%

LAB 64.8, -63.6, 51.91

 

CMYK 94 / 0 / 70 / 13

HEX #0EDD42

RGB 14 221 66

HSL 135.07, 0.88%, 0.46%

LAB 77.4, -73.82, 60.56

 

CMYK 85 / 0 / 64 / 5

HEX #23F157

RGB 35 241 87

HSL 135.15, 0.88%, 0.54%

LAB 83.94, -76.31, 59.43

 

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

CMYK 93 / 42 / 0 / 29

HEX #0C69B6

RGB 12 105 182

HSL 207.18, 0.88%, 0.38%

LAB 43.59, 4.95, -47.49

 

CMYK 0 / 93 / 80 / 29

HEX #B60C25

RGB 182 12 37

HSL 351.18, 0.88%, 0.38%

LAB 38.45, 61.49, 35.52

 

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

CMYK 70 / 93 / 0 / 29

HEX #360CB6

RGB 54 12 182

HSL 254.82, 0.88%, 0.38%

LAB 25.03, 59.95, -77.77

 

CMYK 0 / 70 / 93 / 29

HEX #B6360C

RGB 182 54 12

HSL 14.82, 0.88%, 0.38%

LAB 42.17, 49.98, 50.38

 

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

CMYK 93 / 42 / 0 / 29

HEX #0C69B6

RGB 12 105 182

HSL 207.18, 0.88%, 0.38%

LAB 43.59, 4.95, -47.49

 

CMYK 0 / 93 / 23 / 29

HEX #B60C8C

RGB 182 12 140

HSL 314.82, 0.88%, 0.38%

LAB 41.38, 69.4, -24.95

 

CMYK 0 / 52 / 93 / 29

HEX #B6580C

RGB 182 88 12

HSL 26.82, 0.88%, 0.38%

LAB 48.2, 34.17, 54.49

 

CMYK 93 / 0 / 70 / 28

HEX #0CB837

RGB 12 184 55

HSL 135, 0.88%, 0.38%

LAB 65.46, -64.1, 52.21

 

CMYK 93 / 70 / 0 / 29

HEX #0C36B6

RGB 12 54 182

HSL 225.18, 0.88%, 0.38%

LAB 29.65, 38.61, -70.17

 

CMYK 0 / 93 / 23 / 29

HEX #B60C8C

RGB 182 12 140

HSL 314.82, 0.88%, 0.38%

LAB 41.38, 69.4, -24.95

 

CMYK 0 / 23 / 93 / 29

HEX #B68C0C

RGB 182 140 12

HSL 45.18, 0.88%, 0.38%

LAB 60.54, 5.67, 63.45

 

Description

Color code: HEX #0CB837 | qconv.com Color code: HEX #0CB837 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 184 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 184 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 70 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 70% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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