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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CB800 it is the complementary color #F347FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CB800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CB800 shade: #11B800, #22CA0E, #33DC21, #44EE34 and #55FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CB800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CB800 shade: #0CB800, #00A600, #009400, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CB800 shade: #0CB800, #3DB800, #6FB800, #A0B800 and #B89D00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CB800 shade: #0CB800, #00B826, #00B857, #00B889 and #00B5B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CB800 shade matches the following richer shades: #0CB800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CB800 shade: #0CB800, #19A90F, #269A1E, #338B2D and #407C3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CB800 shade: #6EB800, #3DB800, #0CB800, #00B825 and #00B856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CB800 shade: #076500, #098E00, #0CB800, #0FE100 and #1BFF0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CB800 shade: #0CB800, #009FB8 and #B80056

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CB800 shade: #0CB800, #000CB8 and #B8000C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CB800 shade: #0CB800, #009FB8, #AB00B8 and #B81800

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CB800 shade: #0CB800, #0068B8, #AB00B8 and #B85000

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

Complementary color

CMYK 5 / 72 / 0 / 0

HEX #F347FF

RGB 243 71 255

HSL 296.09, 1%, 0.64%

LAB 62.32, 84.7, -57.75

 

CMYK 91 / 0 / 100 / 28

HEX #11B800

RGB 17 184 0

HSL 114.46, 1%, 0.36%

LAB 65.28, -66.59, 65.21

 

CMYK 83 / 0 / 93 / 21

HEX #22CA0E

RGB 34 202 14

HSL 113.62, 0.87%, 0.42%

LAB 71.29, -69.92, 68.56

 

CMYK 77 / 0 / 85 / 14

HEX #33DC21

RGB 51 220 33

HSL 114.22, 0.74%, 0.5%

LAB 77.28, -72.45, 70.47

 

CMYK 71 / 0 / 78 / 7

HEX #44EE34

RGB 68 238 52

HSL 114.84, 0.85%, 0.57%

LAB 83.25, -74.32, 71.22

 

CMYK 67 / 0 / 72 / 0

HEX #55FF47

RGB 85 255 71

HSL 115.43, 1%, 0.64%

LAB 88.88, -75.37, 70.89

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 100 / 0 / 100 / 42

HEX #009400

RGB 0 148 0

HSL 120, 1%, 0.29%

LAB 53.15, -57.45, 55.44

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 67 / 0 / 100 / 28

HEX #3DB800

RGB 61 184 0

HSL 100.11, 1%, 0.36%

LAB 65.96, -60.59, 66.04

 

CMYK 40 / 0 / 100 / 28

HEX #6FB800

RGB 111 184 0

HSL 83.8, 1%, 0.36%

LAB 67.77, -46.39, 68.24

 

CMYK 13 / 0 / 100 / 28

HEX #A0B800

RGB 160 184 0

HSL 67.83, 1%, 0.36%

LAB 70.7, -27.2, 71.76

 

CMYK 0 / 15 / 100 / 28

HEX #B89D00

RGB 184 157 0

HSL 51.2, 1%, 0.36%

LAB 65.2, -2.82, 68.65

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 0 / 79 / 28

HEX #00B826

RGB 0 184 38

HSL 132.39, 1%, 0.36%

LAB 65.3, -66.01, 57.98

 

CMYK 100 / 0 / 53 / 28

HEX #00B857

RGB 0 184 87

HSL 148.37, 1%, 0.36%

LAB 65.72, -60.62, 38.14

 

CMYK 100 / 0 / 26 / 28

HEX #00B889

RGB 0 184 137

HSL 164.67, 1%, 0.36%

LAB 66.59, -50.59, 12.99

 

CMYK 100 / 2 / 0 / 28

HEX #00B5B8

RGB 0 181 184

HSL 180.98, 1%, 0.36%

LAB 66.91, -36.25, -12.45

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 85 / 0 / 91 / 34

HEX #19A90F

RGB 25 169 15

HSL 116.1, 0.84%, 0.36%

LAB 60.44, -61.26, 59.22

 

CMYK 75 / 0 / 81 / 40

HEX #269A1E

RGB 38 154 30

HSL 116.13, 0.67%, 0.36%

LAB 55.7, -54.19, 51.42

 

CMYK 63 / 0 / 68 / 45

HEX #338B2D

RGB 51 139 45

HSL 116.17, 0.51%, 0.36%

LAB 51.1, -45.05, 41.16

 

CMYK 48 / 0 / 52 / 51

HEX #407C3B

RGB 64 124 59

HSL 115.38, 0.36%, 0.36%

LAB 46.74, -33.51, 29.37

 

CMYK 40 / 0 / 100 / 28

HEX #6EB800

RGB 110 184 0

HSL 84.13, 1%, 0.36%

LAB 67.72, -46.74, 68.18

 

CMYK 67 / 0 / 100 / 28

HEX #3DB800

RGB 61 184 0

HSL 100.11, 1%, 0.36%

LAB 65.96, -60.59, 66.04

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 0 / 80 / 28

HEX #00B825

RGB 0 184 37

HSL 132.07, 1%, 0.36%

LAB 65.29, -66.08, 58.27

 

CMYK 100 / 0 / 53 / 28

HEX #00B856

RGB 0 184 86

HSL 148.04, 1%, 0.36%

LAB 65.71, -60.78, 38.61

 

CMYK 93 / 0 / 100 / 60

HEX #076500

RGB 7 101 0

HSL 115.84, 1%, 0.2%

LAB 36.65, -42.9, 42.26

 

CMYK 94 / 0 / 100 / 44

HEX #098E00

RGB 9 142 0

HSL 116.2, 1%, 0.28%

LAB 51.16, -55.12, 53.88

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 93 / 0 / 100 / 12

HEX #0FE100

RGB 15 225 0

HSL 116, 1%, 0.44%

LAB 78.43, -77.86, 75.75

 

CMYK 89 / 0 / 96 / 0

HEX #1BFF0B

RGB 27 255 11

HSL 116.07, 1%, 0.52%

LAB 87.86, -85, 82.5

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 14 / 0 / 28

HEX #009FB8

RGB 0 159 184

HSL 188.15, 1%, 0.36%

LAB 60.12, -25.59, -22.74

 

CMYK 0 / 100 / 53 / 28

HEX #B80056

RGB 184 0 86

HSL 331.96, 1%, 0.36%

LAB 39.35, 65.83, 5.89

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 93 / 0 / 28

HEX #000CB8

RGB 0 12 184

HSL 236.09, 1%, 0.36%

LAB 22.74, 59.09, -82.85

 

CMYK 0 / 100 / 93 / 28

HEX #B8000C

RGB 184 0 12

HSL 356.09, 1%, 0.36%

LAB 38.23, 62.82, 48.09

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 14 / 0 / 28

HEX #009FB8

RGB 0 159 184

HSL 188.15, 1%, 0.36%

LAB 60.12, -25.59, -22.74

 

CMYK 7 / 100 / 0 / 28

HEX #AB00B8

RGB 171 0 184

HSL 295.76, 1%, 0.36%

LAB 41.4, 74.82, -51.47

 

CMYK 0 / 87 / 100 / 28

HEX #B81800

RGB 184 24 0

HSL 7.83, 1%, 0.36%

LAB 39.32, 59.43, 53.02

 

CMYK 93 / 0 / 100 / 28

HEX #0CB800

RGB 12 184 0

HSL 116.09, 1%, 0.36%

LAB 65.25, -66.88, 65.17

 

CMYK 100 / 43 / 0 / 28

HEX #0068B8

RGB 0 104 184

HSL 206.09, 1%, 0.36%

LAB 43.3, 5.92, -49.13

 

CMYK 7 / 100 / 0 / 28

HEX #AB00B8

RGB 171 0 184

HSL 295.76, 1%, 0.36%

LAB 41.4, 74.82, -51.47

 

CMYK 0 / 57 / 100 / 28

HEX #B85000

RGB 184 80 0

HSL 26.09, 1%, 0.36%

LAB 46.88, 38.89, 56.71

 

Description

Color code: HEX #0CB800 | qconv.com Color code: HEX #0CB800 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 184 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 184 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 100 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 100% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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