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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CB5E3 it is the complementary color #F34A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CB5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CB5E3 shade: #11B5DE, #22C7F1, #33D9FF, #44EBFF and #55FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CB5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CB5E3 shade: #0CB5E3, #00A3D0, #0091BD, #007FAA and #006D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CB5E3 shade: #0BB5E3, #0B7BE3, #0B41E3, #100BE3 and #4B0BE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CB5E3 shade: #0BB5E3, #0B7BE3, #0B41E3 and #0B0BE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CB5E3 shade matches the following richer shades: #0BB5E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CB5E3 shade: #0BB5E3, #1FAAD0, #329FBC, #4694A9 and #598996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CB5E3 shade: #0BE39B, #0BE3D5, #0BB8E3, #0B7FE3 and #0B45E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CB5E3 shade: #077795, #0996BC, #0BB5E3, #25C7F3 and #4CD1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CB5E3 shade: #0CB5E3, #620BE3 and #E3B80B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CB5E3 shade: #0CB5E3, #E30BB8 and #B8E30B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CB5E3 shade: #0CB5E3, #620BE3, #E3370B and #8DE30B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CB5E3 shade: #0CB5E3, #A20BE3, #E3370B and #4CE30B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

Complementary color

CMYK 0 / 70 / 88 / 5

HEX #F34A1C

RGB 243 74 28

HSL 12.84, 0.9%, 0.53%

LAB 56.12, 62.63, 59.87

 

CMYK 92 / 18 / 0 / 13

HEX #11B5DE

RGB 17 181 222

HSL 192, 0.86%, 0.47%

LAB 68.34, -23.35, -31.17

 

CMYK 86 / 17 / 0 / 5

HEX #22C7F1

RGB 34 199 241

HSL 192.17, 0.88%, 0.54%

LAB 74.53, -25.27, -31.92

 

CMYK 80 / 15 / 0 / 0

HEX #33D9FF

RGB 51 217 255

HSL 191.18, 1%, 0.6%

LAB 80.49, -28.44, -30.22

 

CMYK 73 / 8 / 0 / 0

HEX #44EBFF

RGB 68 235 255

HSL 186.42, 1%, 0.63%

LAB 85.94, -35.38, -21.88

 

CMYK 67 / 1 / 0 / 0

HEX #55FDFF

RGB 85 253 255

HSL 180.71, 1%, 0.67%

LAB 91.42, -41.55, -13.6

 

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

CMYK 100 / 22 / 0 / 18

HEX #00A3D0

RGB 0 163 208

HSL 192.98, 1%, 0.41%

LAB 62.29, -19.34, -32.82

 

CMYK 100 / 23 / 0 / 26

HEX #0091BD

RGB 0 145 189

HSL 193.97, 1%, 0.37%

LAB 56.01, -16.46, -31.91

 

CMYK 100 / 25 / 0 / 33

HEX #007FAA

RGB 0 127 170

HSL 195.18, 1%, 0.33%

LAB 49.59, -13.47, -31.02

 

CMYK 100 / 28 / 0 / 41

HEX #006D97

RGB 0 109 151

HSL 196.69, 1%, 0.3%

LAB 43.02, -10.34, -30.15

 

CMYK 95 / 20 / 0 / 11

HEX #0BB5E3

RGB 11 181 227

HSL 192.78, 0.91%, 0.47%

LAB 68.51, -21.84, -33.65

 

CMYK 95 / 46 / 0 / 11

HEX #0B7BE3

RGB 11 123 227

HSL 208.89, 0.91%, 0.47%

LAB 51.59, 11.34, -60.39

 

CMYK 95 / 71 / 0 / 11

HEX #0B41E3

RGB 11 65 227

HSL 225, 0.91%, 0.47%

LAB 36.74, 48.14, -84.63

 

CMYK 93 / 95 / 0 / 11

HEX #100BE3

RGB 16 11 227

HSL 241.39, 0.91%, 0.47%

LAB 29.15, 70.7, -97.26

 

CMYK 67 / 95 / 0 / 11

HEX #4B0BE3

RGB 75 11 227

HSL 257.78, 0.91%, 0.47%

LAB 32.44, 72.3, -91.68

 

CMYK 95 / 20 / 0 / 11

HEX #0BB5E3

RGB 11 181 227

HSL 192.78, 0.91%, 0.47%

LAB 68.51, -21.84, -33.65

 

CMYK 95 / 46 / 0 / 11

HEX #0B7BE3

RGB 11 123 227

HSL 208.89, 0.91%, 0.47%

LAB 51.59, 11.34, -60.39

 

CMYK 95 / 71 / 0 / 11

HEX #0B41E3

RGB 11 65 227

HSL 225, 0.91%, 0.47%

LAB 36.74, 48.14, -84.63

 

CMYK 95 / 95 / 0 / 11

HEX #0B0BE3

RGB 11 11 227

HSL 240, 0.91%, 0.47%

LAB 29.05, 70.66, -97.42

 

CMYK 95 / 20 / 0 / 11

HEX #0BB5E3

RGB 11 181 227

HSL 192.78, 0.91%, 0.47%

LAB 68.51, -21.84, -33.65

 

CMYK 95 / 20 / 0 / 11

HEX #0BB5E3

RGB 11 181 227

HSL 192.78, 0.91%, 0.47%

LAB 68.51, -21.84, -33.65

 

CMYK 85 / 18 / 0 / 18

HEX #1FAAD0

RGB 31 170 208

HSL 192.88, 0.74%, 0.47%

LAB 64.64, -21.66, -29.17

 

CMYK 73 / 15 / 0 / 26

HEX #329FBC

RGB 50 159 188

HSL 192.61, 0.58%, 0.47%

LAB 60.87, -20.73, -23.78

 

CMYK 59 / 12 / 0 / 34

HEX #4694A9

RGB 70 148 169

HSL 192.73, 0.41%, 0.47%

LAB 57.41, -17.67, -18.27

 

CMYK 41 / 9 / 0 / 41

HEX #598996

RGB 89 137 150

HSL 192.79, 0.26%, 0.47%

LAB 54.26, -12.7, -12.07

 

CMYK 95 / 0 / 32 / 11

HEX #0BE39B

RGB 11 227 155

HSL 160, 0.91%, 0.47%

LAB 80.39, -62.21, 22.57

 

CMYK 95 / 0 / 6 / 11

HEX #0BE3D5

RGB 11 227 213

HSL 176.11, 0.91%, 0.47%

LAB 81.74, -47.78, -6.06

 

CMYK 95 / 19 / 0 / 11

HEX #0BB8E3

RGB 11 184 227

HSL 191.94, 0.91%, 0.47%

LAB 69.4, -23.39, -32.28

 

CMYK 95 / 44 / 0 / 11

HEX #0B7FE3

RGB 11 127 227

HSL 207.78, 0.91%, 0.47%

LAB 52.73, 8.86, -58.57

 

CMYK 95 / 70 / 0 / 11

HEX #0B45E3

RGB 11 69 227

HSL 223.89, 0.91%, 0.47%

LAB 37.61, 45.73, -83.19

 

CMYK 95 / 20 / 0 / 42

HEX #077795

RGB 7 119 149

HSL 192.68, 0.91%, 0.31%

LAB 46.19, -16.46, -24.02

 

CMYK 95 / 20 / 0 / 26

HEX #0996BC

RGB 9 150 188

HSL 192.74, 0.91%, 0.39%

LAB 57.56, -19.2, -28.94

 

CMYK 95 / 20 / 0 / 11

HEX #0BB5E3

RGB 11 181 227

HSL 192.78, 0.91%, 0.47%

LAB 68.51, -21.84, -33.65

 

CMYK 85 / 18 / 0 / 5

HEX #25C7F3

RGB 37 199 243

HSL 192.82, 0.9%, 0.55%

LAB 74.64, -24.42, -32.82

 

CMYK 69 / 15 / 0 / 4

HEX #4CD1F5

RGB 76 209 245

HSL 192.78, 0.89%, 0.63%

LAB 78.3, -24.85, -28.2

 

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

CMYK 57 / 95 / 0 / 11

HEX #620BE3

RGB 98 11 227

HSL 264.17, 0.91%, 0.47%

LAB 34.77, 73.65, -87.75

 

CMYK 0 / 19 / 95 / 11

HEX #E3B80B

RGB 227 184 11

HSL 48.06, 0.91%, 0.47%

LAB 76.46, 2.06, 77.37

 

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

CMYK 0 / 95 / 19 / 11

HEX #E30BB8

RGB 227 11 184

HSL 311.94, 0.91%, 0.47%

LAB 51.87, 83.54, -34.22

 

CMYK 19 / 0 / 95 / 11

HEX #B8E30B

RGB 184 227 11

HSL 71.94, 0.91%, 0.47%

LAB 84.56, -37.24, 81.96

 

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

CMYK 57 / 95 / 0 / 11

HEX #620BE3

RGB 98 11 227

HSL 264.17, 0.91%, 0.47%

LAB 34.77, 73.65, -87.75

 

CMYK 0 / 76 / 95 / 11

HEX #E3370B

RGB 227 55 11

HSL 12.22, 0.91%, 0.47%

LAB 50.79, 63.91, 60.22

 

CMYK 38 / 0 / 95 / 11

HEX #8DE30B

RGB 141 227 11

HSL 83.89, 0.91%, 0.47%

LAB 82.18, -53.18, 79.07

 

CMYK 95 / 20 / 0 / 11

HEX #0CB5E3

RGB 12 181 227

HSL 192.84, 0.9%, 0.47%

LAB 68.51, -21.81, -33.64

 

CMYK 29 / 95 / 0 / 11

HEX #A20BE3

RGB 162 11 227

HSL 281.94, 0.91%, 0.47%

LAB 43.46, 79.88, -73.13

 

CMYK 0 / 76 / 95 / 11

HEX #E3370B

RGB 227 55 11

HSL 12.22, 0.91%, 0.47%

LAB 50.79, 63.91, 60.22

 

CMYK 67 / 0 / 95 / 11

HEX #4CE30B

RGB 76 227 11

HSL 101.94, 0.91%, 0.47%

LAB 79.9, -71, 76.28

 

Description

Color code: HEX #0CB5E3 | qconv.com Color code: HEX #0CB5E3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 181 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 181 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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