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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C92F3 it is the complementary color #F36D0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C92F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C92F3 shade: #1192EE, #22A4FF, #33B6FF, #44C8FF and #55DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C92F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C92F3 shade: #0C92F3, #0080E0, #006ECD, #005CBA and #004AA7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C92F3 shade: #0B92F4, #0B54F4, #0B15F4, #410BF4 and #7F0BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C92F3 shade: #0B92F4, #0B54F4, #0B15F4 and #0B0BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C92F3 shade matches the following richer shades: #0B92F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C92F3 shade: #0B92F4, #208FDF, #358BCA, #4988B6 and #5E85A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C92F3 shade: #0BF4D8, #0BD1F4, #0B93F4, #0B55F4 and #0B17F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C92F3 shade: #0863A5, #0A7ACC, #0B92F4, #33A4F5 and #5AB5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C92F3 shade: #0C92F3, #9B0BF4 and #F0F40B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C92F3 shade: #0C92F3, #F40B93 and #93F40B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C92F3 shade: #0C92F3, #9B0BF4, #F46C0B and #64F40B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C92F3 shade: #0C92F3, #E00BF4, #F46C0B and #1FF40B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

Complementary color

CMYK 0 / 55 / 95 / 5

HEX #F36D0C

RGB 243 109 12

HSL 25.19, 0.91%, 0.5%

LAB 61.67, 47.55, 67.97

 

CMYK 93 / 39 / 0 / 7

HEX #1192EE

RGB 17 146 238

HSL 204.98, 0.87%, 0.5%

LAB 58.84, 1.77, -54.91

 

CMYK 87 / 36 / 0 / 0

HEX #22A4FF

RGB 34 164 255

HSL 204.71, 1%, 0.57%

LAB 65.05, -1.57, -54.34

 

CMYK 80 / 29 / 0 / 0

HEX #33B6FF

RGB 51 182 255

HSL 201.47, 1%, 0.6%

LAB 70.44, -10.35, -45.82

 

CMYK 73 / 22 / 0 / 0

HEX #44C8FF

RGB 68 200 255

HSL 197.65, 1%, 0.63%

LAB 75.92, -18.15, -37.24

 

CMYK 67 / 15 / 0 / 0

HEX #55DAFF

RGB 85 218 255

HSL 193.06, 1%, 0.67%

LAB 81.45, -25.04, -28.68

 

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

CMYK 100 / 43 / 0 / 12

HEX #0080E0

RGB 0 128 224

HSL 205.71, 1%, 0.44%

LAB 52.75, 6.76, -56.85

 

CMYK 100 / 46 / 0 / 20

HEX #006ECD

RGB 0 110 205

HSL 207.8, 1%, 0.4%

LAB 46.39, 10.53, -56.29

 

CMYK 100 / 51 / 0 / 27

HEX #005CBA

RGB 0 92 186

HSL 210.32, 1%, 0.36%

LAB 39.91, 14.54, -55.75

 

CMYK 100 / 56 / 0 / 35

HEX #004AA7

RGB 0 74 167

HSL 213.41, 1%, 0.33%

LAB 33.32, 18.82, -55.21

 

CMYK 95 / 40 / 0 / 4

HEX #0B92F4

RGB 11 146 244

HSL 205.24, 0.91%, 0.5%

LAB 59.12, 3.85, -57.77

 

CMYK 95 / 66 / 0 / 4

HEX #0B54F4

RGB 11 84 244

HSL 221.2, 0.91%, 0.5%

LAB 42.68, 42.67, -84.46

 

CMYK 95 / 91 / 0 / 4

HEX #0B15F4

RGB 11 21 244

HSL 237.42, 0.91%, 0.5%

LAB 32.12, 72.82, -101.97

 

CMYK 73 / 95 / 0 / 4

HEX #410BF4

RGB 65 11 244

HSL 253.91, 0.91%, 0.5%

LAB 33.76, 75.94, -99.17

 

CMYK 48 / 95 / 0 / 4

HEX #7F0BF4

RGB 127 11 244

HSL 269.87, 0.91%, 0.5%

LAB 40.05, 79.61, -88.54

 

CMYK 95 / 40 / 0 / 4

HEX #0B92F4

RGB 11 146 244

HSL 205.24, 0.91%, 0.5%

LAB 59.12, 3.85, -57.77

 

CMYK 95 / 66 / 0 / 4

HEX #0B54F4

RGB 11 84 244

HSL 221.2, 0.91%, 0.5%

LAB 42.68, 42.67, -84.46

 

CMYK 95 / 91 / 0 / 4

HEX #0B15F4

RGB 11 21 244

HSL 237.42, 0.91%, 0.5%

LAB 32.12, 72.82, -101.97

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 95 / 40 / 0 / 4

HEX #0B92F4

RGB 11 146 244

HSL 205.24, 0.91%, 0.5%

LAB 59.12, 3.85, -57.77

 

CMYK 95 / 40 / 0 / 4

HEX #0B92F4

RGB 11 146 244

HSL 205.24, 0.91%, 0.5%

LAB 59.12, 3.85, -57.77

 

CMYK 86 / 36 / 0 / 13

HEX #208FDF

RGB 32 143 223

HSL 205.13, 0.75%, 0.5%

LAB 57.35, -1.28, -48.94

 

CMYK 74 / 31 / 0 / 21

HEX #358BCA

RGB 53 139 202

HSL 205.37, 0.58%, 0.5%

LAB 55.57, -4.49, -39.92

 

CMYK 60 / 25 / 0 / 29

HEX #4988B6

RGB 73 136 182

HSL 205.32, 0.43%, 0.5%

LAB 54.45, -6.3, -30.24

 

CMYK 42 / 17 / 0 / 37

HEX #5E85A1

RGB 94 133 161

HSL 205.07, 0.26%, 0.5%

LAB 53.74, -6.02, -19.19

 

CMYK 95 / 0 / 11 / 4

HEX #0BF4D8

RGB 11 244 216

HSL 172.79, 0.91%, 0.5%

LAB 86.86, -54.02, -0.1

 

CMYK 95 / 14 / 0 / 4

HEX #0BD1F4

RGB 11 209 244

HSL 189.01, 0.91%, 0.5%

LAB 77.4, -30.2, -29.12

 

CMYK 95 / 40 / 0 / 4

HEX #0B93F4

RGB 11 147 244

HSL 204.98, 0.91%, 0.5%

LAB 59.41, 3.25, -57.32

 

CMYK 95 / 65 / 0 / 4

HEX #0B55F4

RGB 11 85 244

HSL 220.94, 0.91%, 0.5%

LAB 42.91, 42.04, -84.07

 

CMYK 95 / 91 / 0 / 4

HEX #0B17F4

RGB 11 23 244

HSL 236.91, 0.91%, 0.5%

LAB 32.29, 72.3, -101.68

 

CMYK 95 / 40 / 0 / 35

HEX #0863A5

RGB 8 99 165

HSL 205.22, 0.91%, 0.34%

LAB 40.72, 1.75, -42.09

 

CMYK 95 / 40 / 0 / 20

HEX #0A7ACC

RGB 10 122 204

HSL 205.36, 0.91%, 0.42%

LAB 49.91, 2.95, -50.07

 

CMYK 95 / 40 / 0 / 4

HEX #0B92F4

RGB 11 146 244

HSL 205.24, 0.91%, 0.5%

LAB 59.12, 3.85, -57.77

 

CMYK 79 / 33 / 0 / 4

HEX #33A4F5

RGB 51 164 245

HSL 205.05, 0.91%, 0.58%

LAB 64.84, -3.83, -49.2

 

CMYK 64 / 27 / 0 / 3

HEX #5AB5F7

RGB 90 181 247

HSL 205.22, 0.91%, 0.66%

LAB 70.83, -7.44, -40.81

 

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

CMYK 36 / 95 / 0 / 4

HEX #9B0BF4

RGB 155 11 244

HSL 277.08, 0.91%, 0.5%

LAB 43.86, 82.3, -82.14

 

CMYK 2 / 0 / 95 / 4

HEX #F0F40B

RGB 240 244 11

HSL 61.03, 0.91%, 0.5%

LAB 93.12, -22.41, 90.21

 

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

CMYK 0 / 95 / 40 / 4

HEX #F40B93

RGB 244 11 147

HSL 324.98, 0.91%, 0.5%

LAB 53.58, 83.02, -9.48

 

CMYK 40 / 0 / 95 / 4

HEX #93F40B

RGB 147 244 11

HSL 84.98, 0.91%, 0.5%

LAB 87.45, -57.82, 83.37

 

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

CMYK 36 / 95 / 0 / 4

HEX #9B0BF4

RGB 155 11 244

HSL 277.08, 0.91%, 0.5%

LAB 43.86, 82.3, -82.14

 

CMYK 0 / 56 / 95 / 4

HEX #F46C0B

RGB 244 108 11

HSL 24.98, 0.91%, 0.5%

LAB 61.64, 48.38, 68.21

 

CMYK 59 / 0 / 95 / 4

HEX #64F40B

RGB 100 244 11

HSL 97.08, 0.91%, 0.5%

LAB 85.72, -71.2, 81.27

 

CMYK 95 / 40 / 0 / 5

HEX #0C92F3

RGB 12 146 243

HSL 205.19, 0.91%, 0.5%

LAB 59.07, 3.49, -57.3

 

CMYK 8 / 95 / 0 / 4

HEX #E00BF4

RGB 224 11 244

HSL 294.85, 0.91%, 0.5%

LAB 54.68, 91.28, -64.06

 

CMYK 0 / 56 / 95 / 4

HEX #F46C0B

RGB 244 108 11

HSL 24.98, 0.91%, 0.5%

LAB 61.64, 48.38, 68.21

 

CMYK 87 / 0 / 95 / 4

HEX #1FF40B

RGB 31 244 11

HSL 114.85, 0.91%, 0.5%

LAB 84.49, -81.82, 79.75

 

Description

Color code: HEX #0C92F3 | qconv.com Color code: HEX #0C92F3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 146 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 146 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 40 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 40% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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