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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C92DD it is the complementary color #F36D22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C92DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C92DD shade: #1192D8, #22A4EB, #33B6FE, #44C8FF and #55DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C92DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C92DD shade: #0C92DD, #0080CA, #006EB7, #005CA4 and #004A91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C92DD shade: #0C93DF, #0C5ADF, #0C21DF, #2F0CDF and #680CDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C92DD shade: #0C93DF, #0C5ADF, #0C21DF and #0C0CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C92DD shade matches the following richer shades: #0C93DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C92DD shade: #0C93DF, #1F8ECC, #3288B9, #4583A6 and #587E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C92DD shade: #0CDFB8, #0CCDDF, #0C95DF, #0C5DDF and #0C24DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C92DD shade: #085F90, #0A79B8, #0C93DF, #21A8F3 and #48B7F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C92DD shade: #0C92DD, #800CDF and #DFD40C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C92DD shade: #0C92DD, #DF0C95 and #95DF0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C92DD shade: #0C92DD, #800CDF, #DF560C and #6BDF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C92DD shade: #0C92DD, #BF0CDF, #DF560C and #2BDF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

Complementary color

CMYK 0 / 55 / 86 / 5

HEX #F36D22

RGB 243 109 34

HSL 21.53, 0.9%, 0.54%

LAB 61.75, 47.88, 62.08

 

CMYK 92 / 32 / 0 / 15

HEX #1192D8

RGB 17 146 216

HSL 201.11, 0.85%, 0.46%

LAB 57.69, -6.48, -44.49

 

CMYK 86 / 30 / 0 / 8

HEX #22A4EB

RGB 34 164 235

HSL 201.19, 0.83%, 0.53%

LAB 64.07, -8.8, -44.95

 

CMYK 80 / 28 / 0 / 0

HEX #33B6FE

RGB 51 182 254

HSL 201.28, 0.99%, 0.6%

LAB 70.4, -10.69, -45.35

 

CMYK 73 / 22 / 0 / 0

HEX #44C8FF

RGB 68 200 255

HSL 197.65, 1%, 0.63%

LAB 75.92, -18.15, -37.24

 

CMYK 67 / 15 / 0 / 0

HEX #55DAFF

RGB 85 218 255

HSL 193.06, 1%, 0.67%

LAB 81.45, -25.04, -28.68

 

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

CMYK 100 / 37 / 0 / 21

HEX #0080CA

RGB 0 128 202

HSL 201.98, 1%, 0.4%

LAB 51.5, -1.81, -46.41

 

CMYK 100 / 40 / 0 / 28

HEX #006EB7

RGB 0 110 183

HSL 203.93, 1%, 0.36%

LAB 45.04, 1.72, -45.77

 

CMYK 100 / 44 / 0 / 36

HEX #005CA4

RGB 0 92 164

HSL 206.34, 1%, 0.32%

LAB 38.44, 5.49, -45.16

 

CMYK 100 / 49 / 0 / 43

HEX #004A91

RGB 0 74 145

HSL 209.38, 1%, 0.28%

LAB 31.67, 9.53, -44.58

 

CMYK 95 / 34 / 0 / 13

HEX #0C93DF

RGB 12 147 223

HSL 201.61, 0.9%, 0.46%

LAB 58.3, -4.63, -47.45

 

CMYK 95 / 60 / 0 / 13

HEX #0C5ADF

RGB 12 90 223

HSL 217.82, 0.9%, 0.46%

LAB 42.34, 30.97, -73.15

 

CMYK 95 / 85 / 0 / 13

HEX #0C21DF

RGB 12 33 223

HSL 234.03, 0.9%, 0.46%

LAB 30.63, 63.18, -92.49

 

CMYK 79 / 95 / 0 / 13

HEX #2F0CDF

RGB 47 12 223

HSL 249.95, 0.9%, 0.46%

LAB 29.9, 70.08, -93.67

 

CMYK 53 / 95 / 0 / 13

HEX #680CDF

RGB 104 12 223

HSL 266.16, 0.9%, 0.46%

LAB 35.07, 73.04, -84.93

 

CMYK 95 / 34 / 0 / 13

HEX #0C93DF

RGB 12 147 223

HSL 201.61, 0.9%, 0.46%

LAB 58.3, -4.63, -47.45

 

CMYK 95 / 60 / 0 / 13

HEX #0C5ADF

RGB 12 90 223

HSL 217.82, 0.9%, 0.46%

LAB 42.34, 30.97, -73.15

 

CMYK 95 / 85 / 0 / 13

HEX #0C21DF

RGB 12 33 223

HSL 234.03, 0.9%, 0.46%

LAB 30.63, 63.18, -92.49

 

CMYK 95 / 95 / 0 / 13

HEX #0C0CDF

RGB 12 12 223

HSL 240, 0.9%, 0.46%

LAB 28.56, 69.46, -95.94

 

CMYK 95 / 34 / 0 / 13

HEX #0C93DF

RGB 12 147 223

HSL 201.61, 0.9%, 0.46%

LAB 58.3, -4.63, -47.45

 

CMYK 95 / 34 / 0 / 13

HEX #0C93DF

RGB 12 147 223

HSL 201.61, 0.9%, 0.46%

LAB 58.3, -4.63, -47.45

 

CMYK 85 / 30 / 0 / 20

HEX #1F8ECC

RGB 31 142 204

HSL 201.5, 0.74%, 0.46%

LAB 56.08, -7.78, -40.27

 

CMYK 73 / 26 / 0 / 27

HEX #3288B9

RGB 50 136 185

HSL 201.78, 0.57%, 0.46%

LAB 53.8, -9.15, -33.03

 

CMYK 58 / 21 / 0 / 35

HEX #4583A6

RGB 69 131 166

HSL 201.65, 0.41%, 0.46%

LAB 52.12, -9.42, -24.67

 

CMYK 40 / 14 / 0 / 42

HEX #587E93

RGB 88 126 147

HSL 201.36, 0.25%, 0.46%

LAB 50.81, -7.63, -15.54

 

CMYK 95 / 0 / 17 / 13

HEX #0CDFB8

RGB 12 223 184

HSL 168.91, 0.9%, 0.46%

LAB 79.79, -53.86, 6.5

 

CMYK 95 / 8 / 0 / 13

HEX #0CCDDF

RGB 12 205 223

HSL 185.12, 0.9%, 0.46%

LAB 75.49, -34.96, -20.76

 

CMYK 95 / 33 / 0 / 13

HEX #0C95DF

RGB 12 149 223

HSL 201.04, 0.9%, 0.46%

LAB 58.88, -5.78, -46.52

 

CMYK 95 / 58 / 0 / 13

HEX #0C5DDF

RGB 12 93 223

HSL 216.97, 0.9%, 0.46%

LAB 43.11, 29.02, -71.88

 

CMYK 95 / 84 / 0 / 13

HEX #0C24DF

RGB 12 36 223

HSL 233.18, 0.9%, 0.46%

LAB 31.04, 61.95, -91.81

 

CMYK 94 / 34 / 0 / 44

HEX #085F90

RGB 8 95 144

HSL 201.62, 0.89%, 0.3%

LAB 38.29, -4.2, -33.4

 

CMYK 95 / 34 / 0 / 28

HEX #0A79B8

RGB 10 121 184

HSL 201.72, 0.9%, 0.38%

LAB 48.51, -4.22, -40.82

 

CMYK 95 / 34 / 0 / 13

HEX #0C93DF

RGB 12 147 223

HSL 201.61, 0.9%, 0.46%

LAB 58.3, -4.63, -47.45

 

CMYK 86 / 31 / 0 / 5

HEX #21A8F3

RGB 33 168 243

HSL 201.43, 0.9%, 0.54%

LAB 65.59, -8.23, -46.94

 

CMYK 71 / 25 / 0 / 4

HEX #48B7F5

RGB 72 183 245

HSL 201.5, 0.9%, 0.62%

LAB 70.76, -11.9, -39.88

 

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

CMYK 43 / 95 / 0 / 13

HEX #800CDF

RGB 128 12 223

HSL 272.99, 0.9%, 0.46%

LAB 38.16, 75.17, -79.72

 

CMYK 0 / 5 / 95 / 13

HEX #DFD40C

RGB 223 212 12

HSL 56.87, 0.9%, 0.46%

LAB 83.34, -13.96, 82.19

 

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

CMYK 0 / 95 / 33 / 13

HEX #DF0C95

RGB 223 12 149

HSL 321.04, 0.9%, 0.46%

LAB 49.64, 78.78, -17.02

 

CMYK 33 / 0 / 95 / 13

HEX #95DF0C

RGB 149 223 12

HSL 81.04, 0.9%, 0.46%

LAB 81.4, -48.75, 78.52

 

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

CMYK 43 / 95 / 0 / 13

HEX #800CDF

RGB 128 12 223

HSL 272.99, 0.9%, 0.46%

LAB 38.16, 75.17, -79.72

 

CMYK 0 / 61 / 95 / 13

HEX #DF560C

RGB 223 86 12

HSL 21.04, 0.9%, 0.46%

LAB 54.42, 50.8, 61.8

 

CMYK 52 / 0 / 95 / 13

HEX #6BDF0C

RGB 107 223 12

HSL 92.99, 0.9%, 0.46%

LAB 79.57, -62.25, 76.3

 

CMYK 95 / 34 / 0 / 13

HEX #0C92DD

RGB 12 146 221

HSL 201.53, 0.9%, 0.46%

LAB 57.9, -4.8, -46.96

 

CMYK 14 / 95 / 0 / 13

HEX #BF0CDF

RGB 191 12 223

HSL 290.9, 0.9%, 0.46%

LAB 47.84, 83, -63.52

 

CMYK 0 / 61 / 95 / 13

HEX #DF560C

RGB 223 86 12

HSL 21.04, 0.9%, 0.46%

LAB 54.42, 50.8, 61.8

 

CMYK 81 / 0 / 95 / 13

HEX #2BDF0C

RGB 43 223 12

HSL 111.18, 0.9%, 0.46%

LAB 78.06, -74.93, 74.44

 

Description

Color code: HEX #0C92DD | qconv.com Color code: HEX #0C92DD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 146 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 146 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 34 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 34% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

85% - MEN
Link: http://wgm2gc.axshare.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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