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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C92B9 it is the complementary color #F36D46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C92B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C92B9 shade: #1192B4, #22A4C7, #33B6DA, #44C8ED and #55DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C92B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C92B9 shade: #0C92B9, #0080A6, #006E93, #005C80 and #004A6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C92B9 shade: #0C93BB, #0C64BB, #0C35BB, #120CBB and #410CBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C92B9 shade: #0C93BB, #0C64BB, #0C35BB and #0C0CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C92B9 shade matches the following richer shades: #0C93BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C92B9 shade: #0C93BB, #1C8BAB, #2C829B, #3C798B and #4C707B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C92B9 shade: #0CBB84, #0CBBB2, #0C95BB, #0C66BB and #0C38BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C92B9 shade: #07566D, #097594, #0C93BB, #0EB2E2 and #28C4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C92B9 shade: #0C92B9, #550CBB and #BB9B0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C92B9 shade: #0C92B9, #BB0C95 and #95BB0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C92B9 shade: #0C92B9, #550CBB, #BB320C and #72BB0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C92B9 shade: #0C92B9, #890CBB, #BB320C and #3EBB0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

Complementary color

CMYK 0 / 55 / 71 / 5

HEX #F36D46

RGB 243 109 70

HSL 13.53, 0.88%, 0.61%

LAB 62.03, 49.1, 46.22

 

CMYK 91 / 19 / 0 / 29

HEX #1192B4

RGB 17 146 180

HSL 192.52, 0.83%, 0.39%

LAB 56.06, -19.55, -26.71

 

CMYK 83 / 18 / 0 / 22

HEX #22A4C7

RGB 34 164 199

HSL 192.73, 0.71%, 0.46%

LAB 62.52, -21.35, -27.43

 

CMYK 77 / 17 / 0 / 15

HEX #33B6DA

RGB 51 182 218

HSL 192.93, 0.69%, 0.53%

LAB 68.91, -22.76, -28.07

 

CMYK 71 / 16 / 0 / 7

HEX #44C8ED

RGB 68 200 237

HSL 193.14, 0.82%, 0.6%

LAB 75.23, -23.86, -28.64

 

CMYK 67 / 15 / 0 / 0

HEX #55DAFF

RGB 85 218 255

HSL 193.06, 1%, 0.67%

LAB 81.45, -25.04, -28.68

 

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

CMYK 100 / 23 / 0 / 35

HEX #0080A6

RGB 0 128 166

HSL 193.73, 1%, 0.33%

LAB 49.73, -15.52, -28.49

 

CMYK 100 / 25 / 0 / 42

HEX #006E93

RGB 0 110 147

HSL 195.1, 1%, 0.29%

LAB 43.15, -12.46, -27.57

 

CMYK 100 / 28 / 0 / 50

HEX #005C80

RGB 0 92 128

HSL 196.88, 1%, 0.25%

LAB 36.39, -9.25, -26.66

 

CMYK 100 / 32 / 0 / 57

HEX #004A6D

RGB 0 74 109

HSL 199.27, 1%, 0.21%

LAB 29.42, -5.84, -25.79

 

CMYK 94 / 21 / 0 / 27

HEX #0C93BB

RGB 12 147 187

HSL 193.71, 0.88%, 0.39%

LAB 56.62, -17.84, -29.83

 

CMYK 94 / 47 / 0 / 27

HEX #0C64BB

RGB 12 100 187

HSL 209.83, 0.88%, 0.39%

LAB 42.43, 10.17, -52.27

 

CMYK 94 / 72 / 0 / 27

HEX #0C35BB

RGB 12 53 187

HSL 225.94, 0.88%, 0.39%

LAB 29.94, 41.08, -72.65

 

CMYK 90 / 94 / 0 / 27

HEX #120CBB

RGB 18 12 187

HSL 242.06, 0.88%, 0.39%

LAB 23.6, 60.11, -83.18

 

CMYK 65 / 94 / 0 / 27

HEX #410CBB

RGB 65 12 187

HSL 258.17, 0.88%, 0.39%

LAB 26.66, 61.83, -78

 

CMYK 94 / 21 / 0 / 27

HEX #0C93BB

RGB 12 147 187

HSL 193.71, 0.88%, 0.39%

LAB 56.62, -17.84, -29.83

 

CMYK 94 / 47 / 0 / 27

HEX #0C64BB

RGB 12 100 187

HSL 209.83, 0.88%, 0.39%

LAB 42.43, 10.17, -52.27

 

CMYK 94 / 72 / 0 / 27

HEX #0C35BB

RGB 12 53 187

HSL 225.94, 0.88%, 0.39%

LAB 29.94, 41.08, -72.65

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CBB

RGB 12 12 187

HSL 240, 0.88%, 0.39%

LAB 23.44, 60.03, -83.46

 

CMYK 94 / 21 / 0 / 27

HEX #0C93BB

RGB 12 147 187

HSL 193.71, 0.88%, 0.39%

LAB 56.62, -17.84, -29.83

 

CMYK 94 / 21 / 0 / 27

HEX #0C93BB

RGB 12 147 187

HSL 193.71, 0.88%, 0.39%

LAB 56.62, -17.84, -29.83

 

CMYK 84 / 19 / 0 / 33

HEX #1C8BAB

RGB 28 139 171

HSL 193.43, 0.72%, 0.39%

LAB 53.66, -18.19, -25.27

 

CMYK 72 / 16 / 0 / 39

HEX #2C829B

RGB 44 130 155

HSL 193.51, 0.56%, 0.39%

LAB 50.53, -16.95, -20.8

 

CMYK 57 / 13 / 0 / 45

HEX #3C798B

RGB 60 121 139

HSL 193.67, 0.4%, 0.39%

LAB 47.62, -14.26, -15.81

 

CMYK 38 / 9 / 0 / 52

HEX #4C707B

RGB 76 112 123

HSL 194.04, 0.24%, 0.39%

LAB 45.02, -9.76, -10.16

 

CMYK 94 / 0 / 29 / 27

HEX #0CBB84

RGB 12 187 132

HSL 161.14, 0.88%, 0.39%

LAB 67.49, -52.47, 16.97

 

CMYK 94 / 0 / 5 / 27

HEX #0CBBB2

RGB 12 187 178

HSL 176.91, 0.88%, 0.39%

LAB 68.63, -40.39, -6.56

 

CMYK 94 / 20 / 0 / 27

HEX #0C95BB

RGB 12 149 187

HSL 193.03, 0.88%, 0.39%

LAB 57.23, -18.91, -28.88

 

CMYK 94 / 45 / 0 / 27

HEX #0C66BB

RGB 12 102 187

HSL 209.14, 0.88%, 0.39%

LAB 43.02, 8.87, -51.33

 

CMYK 94 / 70 / 0 / 27

HEX #0C38BB

RGB 12 56 187

HSL 224.91, 0.88%, 0.39%

LAB 30.63, 39.2, -71.52

 

CMYK 94 / 21 / 0 / 57

HEX #07566D

RGB 7 86 109

HSL 193.53, 0.88%, 0.23%

LAB 33.57, -12.67, -19.29

 

CMYK 94 / 21 / 0 / 42

HEX #097594

RGB 9 117 148

HSL 193.38, 0.89%, 0.31%

LAB 45.52, -15.62, -24.46

 

CMYK 94 / 21 / 0 / 27

HEX #0C93BB

RGB 12 147 187

HSL 193.71, 0.88%, 0.39%

LAB 56.62, -17.84, -29.83

 

CMYK 94 / 21 / 0 / 11

HEX #0EB2E2

RGB 14 178 226

HSL 193.58, 0.88%, 0.47%

LAB 67.59, -20.54, -34.52

 

CMYK 83 / 19 / 0 / 5

HEX #28C4F1

RGB 40 196 241

HSL 193.43, 0.88%, 0.55%

LAB 73.73, -23.35, -33.15

 

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

CMYK 55 / 94 / 0 / 27

HEX #550CBB

RGB 85 12 187

HSL 265.03, 0.88%, 0.39%

LAB 28.86, 63.26, -74.3

 

CMYK 0 / 17 / 94 / 27

HEX #BB9B0C

RGB 187 155 12

HSL 49.03, 0.88%, 0.39%

LAB 64.99, -0.24, 67

 

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

CMYK 0 / 94 / 20 / 27

HEX #BB0C95

RGB 187 12 149

HSL 313.03, 0.88%, 0.39%

LAB 42.76, 71.51, -28.21

 

CMYK 20 / 0 / 94 / 27

HEX #95BB0C

RGB 149 187 12

HSL 73.03, 0.88%, 0.39%

LAB 70.84, -33.01, 70.17

 

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

CMYK 55 / 94 / 0 / 27

HEX #550CBB

RGB 85 12 187

HSL 265.03, 0.88%, 0.39%

LAB 28.86, 63.26, -74.3

 

CMYK 0 / 73 / 94 / 27

HEX #BB320C

RGB 187 50 12

HSL 13.03, 0.88%, 0.39%

LAB 42.57, 53.14, 51.11

 

CMYK 39 / 0 / 94 / 27

HEX #72BB0C

RGB 114 187 12

HSL 85.03, 0.88%, 0.39%

LAB 68.86, -46.36, 67.75

 

CMYK 94 / 21 / 0 / 27

HEX #0C92B9

RGB 12 146 185

HSL 193.53, 0.88%, 0.39%

LAB 56.23, -18.01, -29.3

 

CMYK 27 / 94 / 0 / 27

HEX #890CBB

RGB 137 12 187

HSL 282.86, 0.88%, 0.39%

LAB 36.31, 69.01, -61.77

 

CMYK 0 / 73 / 94 / 27

HEX #BB320C

RGB 187 50 12

HSL 13.03, 0.88%, 0.39%

LAB 42.57, 53.14, 51.11

 

CMYK 67 / 0 / 94 / 27

HEX #3EBB0C

RGB 62 187 12

HSL 102.86, 0.88%, 0.39%

LAB 66.97, -61.11, 65.43

 

Description

Color code: HEX #0C92B9 | qconv.com Color code: HEX #0C92B9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 146 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 146 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 21 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 21% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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