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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C8ECE it is the complementary color #F37131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C8ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C8ECE shade: #118EC9, #22A0DC, #33B2EF, #44C4FF and #55D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C8ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C8ECE shade: #0C8ECE, #007CBB, #006AA8, #005895 and #004682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C8ECE shade: #0C8ECF, #0C5ACF, #0C25CF, #270CCF and #5B0CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C8ECE shade: #0C8ECF, #0C5ACF, #0C25CF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C8ECE shade matches the following richer shades: #0C8ECF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C8ECE shade: #0C8ECF, #1D88BD, #2F82AB, #417C9A and #537688

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C8ECE shade: #0CCFA4, #0CC5CF, #0C91CF, #0C5DCF and #0C29CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C8ECE shade: #075981, #0973A8, #0C8ECF, #13A8F1 and #3AB6F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C8ECE shade: #0C8ECE, #700CCF and #CFBE0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C8ECE shade: #0C8ECE, #CF0C91 and #91CF0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C8ECE shade: #0C8ECE, #700CCF, #CF490C and #6ACF0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C8ECE shade: #0C8ECE, #AB0CCF, #CF490C and #2FCF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

Complementary color

CMYK 0 / 53 / 80 / 5

HEX #F37131

RGB 243 113 49

HSL 19.79, 0.89%, 0.57%

LAB 62.58, 46.38, 56.85

 

CMYK 92 / 29 / 0 / 21

HEX #118EC9

RGB 17 142 201

HSL 199.24, 0.84%, 0.43%

LAB 55.77, -9.75, -39.09

 

CMYK 85 / 27 / 0 / 14

HEX #22A0DC

RGB 34 160 220

HSL 199.35, 0.73%, 0.5%

LAB 62.21, -11.92, -39.6

 

CMYK 79 / 26 / 0 / 6

HEX #33B2EF

RGB 51 178 239

HSL 199.47, 0.85%, 0.57%

LAB 68.59, -13.66, -40.04

 

CMYK 73 / 23 / 0 / 0

HEX #44C4FF

RGB 68 196 255

HSL 198.93, 1%, 0.63%

LAB 74.78, -16.06, -39.01

 

CMYK 67 / 16 / 0 / 0

HEX #55D6FF

RGB 85 214 255

HSL 194.47, 1%, 0.67%

LAB 80.32, -23.04, -30.42

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

CMYK 100 / 34 / 0 / 27

HEX #007CBB

RGB 0 124 187

HSL 200.21, 1%, 0.37%

LAB 49.5, -5.23, -40.99

 

CMYK 100 / 37 / 0 / 34

HEX #006AA8

RGB 0 106 168

HSL 202.14, 1%, 0.33%

LAB 42.97, -1.8, -40.29

 

CMYK 100 / 41 / 0 / 42

HEX #005895

RGB 0 88 149

HSL 204.56, 1%, 0.29%

LAB 36.27, 1.87, -39.63

 

CMYK 100 / 46 / 0 / 49

HEX #004682

RGB 0 70 130

HSL 207.69, 1%, 0.25%

LAB 29.39, 5.83, -39

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 94 / 57 / 0 / 19

HEX #0C5ACF

RGB 12 90 207

HSL 216, 0.89%, 0.43%

LAB 41.05, 24.72, -66.09

 

CMYK 94 / 82 / 0 / 19

HEX #0C25CF

RGB 12 37 207

HSL 232.31, 0.89%, 0.43%

LAB 29.17, 56.64, -85.66

 

CMYK 81 / 94 / 0 / 19

HEX #270CCF

RGB 39 12 207

HSL 248.31, 0.89%, 0.43%

LAB 27.3, 65.81, -88.76

 

CMYK 56 / 94 / 0 / 19

HEX #5B0CCF

RGB 91 12 207

HSL 264.31, 0.89%, 0.43%

LAB 31.79, 68.4, -81.17

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 94 / 57 / 0 / 19

HEX #0C5ACF

RGB 12 90 207

HSL 216, 0.89%, 0.43%

LAB 41.05, 24.72, -66.09

 

CMYK 94 / 82 / 0 / 19

HEX #0C25CF

RGB 12 37 207

HSL 232.31, 0.89%, 0.43%

LAB 29.17, 56.64, -85.66

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 85 / 28 / 0 / 26

HEX #1D88BD

RGB 29 136 189

HSL 199.88, 0.73%, 0.43%

LAB 53.54, -9.99, -35.76

 

CMYK 73 / 24 / 0 / 33

HEX #2F82AB

RGB 47 130 171

HSL 199.84, 0.57%, 0.43%

LAB 51.28, -11.04, -28.92

 

CMYK 58 / 19 / 0 / 40

HEX #417C9A

RGB 65 124 154

HSL 200.22, 0.41%, 0.43%

LAB 49.34, -10.12, -21.98

 

CMYK 39 / 13 / 0 / 47

HEX #537688

RGB 83 118 136

HSL 200.38, 0.24%, 0.43%

LAB 47.72, -7.55, -13.79

 

CMYK 94 / 0 / 21 / 19

HEX #0CCFA4

RGB 12 207 164

HSL 166.77, 0.89%, 0.43%

LAB 74.43, -52.56, 9.49

 

CMYK 94 / 5 / 0 / 19

HEX #0CC5CF

RGB 12 197 207

HSL 183.08, 0.89%, 0.43%

LAB 72.57, -36.2, -16.53

 

CMYK 94 / 30 / 0 / 19

HEX #0C91CF

RGB 12 145 207

HSL 199.08, 0.89%, 0.43%

LAB 56.91, -9.44, -40.67

 

CMYK 94 / 55 / 0 / 19

HEX #0C5DCF

RGB 12 93 207

HSL 215.08, 0.89%, 0.43%

LAB 41.86, 22.75, -64.77

 

CMYK 94 / 80 / 0 / 19

HEX #0C29CF

RGB 12 41 207

HSL 231.08, 0.89%, 0.43%

LAB 29.83, 54.7, -84.56

 

CMYK 95 / 31 / 0 / 49

HEX #075981

RGB 7 89 129

HSL 199.67, 0.9%, 0.27%

LAB 35.55, -6.57, -28.59

 

CMYK 95 / 32 / 0 / 34

HEX #0973A8

RGB 9 115 168

HSL 200, 0.9%, 0.35%

LAB 45.83, -6.87, -35.75

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECF

RGB 12 142 207

HSL 200, 0.89%, 0.43%

LAB 56.02, -7.73, -42.08

 

CMYK 92 / 30 / 0 / 5

HEX #13A8F1

RGB 19 168 241

HSL 199.73, 0.89%, 0.51%

LAB 65.35, -9.67, -46.24

 

CMYK 76 / 25 / 0 / 5

HEX #3AB6F3

RGB 58 182 243

HSL 199.78, 0.89%, 0.59%

LAB 70.05, -13.74, -39.92

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

CMYK 46 / 94 / 0 / 19

HEX #700CCF

RGB 112 12 207

HSL 270.77, 0.89%, 0.43%

LAB 34.42, 70.2, -76.73

 

CMYK 0 / 8 / 94 / 19

HEX #CFBE0C

RGB 207 190 12

HSL 54.77, 0.89%, 0.43%

LAB 76.14, -9.75, 76.19

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

CMYK 0 / 94 / 30 / 19

HEX #CF0C91

RGB 207 12 145

HSL 319.08, 0.89%, 0.43%

LAB 46.41, 75.08, -19.83

 

CMYK 30 / 0 / 94 / 19

HEX #91CF0C

RGB 145 207 12

HSL 79.08, 0.89%, 0.43%

LAB 76.48, -43.49, 74.53

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

CMYK 46 / 94 / 0 / 19

HEX #700CCF

RGB 112 12 207

HSL 270.77, 0.89%, 0.43%

LAB 34.42, 70.2, -76.73

 

CMYK 0 / 65 / 94 / 19

HEX #CF490C

RGB 207 73 12

HSL 18.77, 0.89%, 0.43%

LAB 49.57, 50.8, 57.38

 

CMYK 49 / 0 / 94 / 19

HEX #6ACF0C

RGB 106 207 12

HSL 91.08, 0.89%, 0.43%

LAB 74.65, -56.75, 72.29

 

CMYK 94 / 31 / 0 / 19

HEX #0C8ECE

RGB 12 142 206

HSL 199.79, 0.89%, 0.43%

LAB 55.97, -8.1, -41.6

 

CMYK 17 / 94 / 0 / 19

HEX #AB0CCF

RGB 171 12 207

HSL 288.92, 0.89%, 0.43%

LAB 43.4, 77.41, -61.68

 

CMYK 0 / 65 / 94 / 19

HEX #CF490C

RGB 207 73 12

HSL 18.77, 0.89%, 0.43%

LAB 49.57, 50.8, 57.38

 

CMYK 77 / 0 / 94 / 19

HEX #2FCF0C

RGB 47 207 12

HSL 109.23, 0.89%, 0.43%

LAB 73.06, -69.83, 70.34

 

Description

Color code: HEX #0C8ECE | qconv.com Color code: HEX #0C8ECE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 142 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 142 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 31 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 31% 0% 19% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - Hello World!
Link: http://66beta.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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