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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C8C7F it is the complementary color #F37380. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C8C7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C8C7F shade: #118C7A, #229E8D, #33B0A0, #44C2B3 and #55D4C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C8C7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C8C7F shade: #0C8C7F, #007A6C, #006859, #005646 and #004433

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C8C7F shade: #0C8C7F, #0C8C5D, #0C8C3A, #0C8C17 and #238C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C8C7F shade: #0C8C7F, #0C778C, #0C548C, #0C318C and #0C0F8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C8C7F shade matches the following richer shades: #0C8C7F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C8C7F shade: #0C8C7F, #188075, #24746B, #316762 and #3D5B58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C8C7F shade: #0C8C39, #0C8C5B, #0C8C7D, #0C798C and #0C578C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C8C7F shade: #05403A, #08665D, #0C8C7F, #0FB2A2 and #12D8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C8C7F shade: #0C8C7F, #160C8C and #8C4A0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C8C7F shade: #0C8C7F, #7D0C8C and #8C7D0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C8C7F shade: #0C8C7F, #160C8C, #8C0C1B and #828C0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C8C7F shade: #0C8C7F, #3D0C8C, #8C0C1B and #5B8C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

Complementary color

CMYK 0 / 53 / 47 / 5

HEX #F37380

RGB 243 115 128

HSL 353.91, 0.84%, 0.7%

LAB 64.06, 50.27, 16.73

 

CMYK 88 / 0 / 13 / 45

HEX #118C7A

RGB 17 140 122

HSL 171.22, 0.78%, 0.31%

LAB 52.15, -35.34, 0.8

 

CMYK 78 / 0 / 11 / 38

HEX #229E8D

RGB 34 158 141

HSL 171.77, 0.65%, 0.38%

LAB 58.71, -36.53, -0.49

 

CMYK 71 / 0 / 9 / 31

HEX #33B0A0

RGB 51 176 160

HSL 172.32, 0.55%, 0.45%

LAB 65.19, -37.34, -1.62

 

CMYK 65 / 0 / 8 / 24

HEX #44C2B3

RGB 68 194 179

HSL 172.86, 0.51%, 0.51%

LAB 71.6, -37.87, -2.63

 

CMYK 60 / 0 / 7 / 17

HEX #55D4C6

RGB 85 212 198

HSL 173.39, 0.6%, 0.58%

LAB 77.93, -38.21, -3.55

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 100 / 0 / 11 / 52

HEX #007A6C

RGB 0 122 108

HSL 173.11, 1%, 0.24%

LAB 45.64, -32.29, -0.52

 

CMYK 100 / 0 / 14 / 59

HEX #006859

RGB 0 104 89

HSL 171.35, 1%, 0.2%

LAB 38.94, -29.7, 1.16

 

CMYK 100 / 0 / 19 / 66

HEX #005646

RGB 0 86 70

HSL 168.84, 1%, 0.17%

LAB 32.03, -27.04, 2.95

 

CMYK 100 / 0 / 25 / 73

HEX #004433

RGB 0 68 51

HSL 165, 1%, 0.13%

LAB 24.87, -24.27, 4.9

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 91 / 0 / 34 / 45

HEX #0C8C5D

RGB 12 140 93

HSL 157.97, 0.84%, 0.3%

LAB 51.41, -43.22, 16.4

 

CMYK 91 / 0 / 59 / 45

HEX #0C8C3A

RGB 12 140 58

HSL 141.56, 0.84%, 0.3%

LAB 50.85, -49.82, 34.55

 

CMYK 91 / 0 / 84 / 45

HEX #0C8C17

RGB 12 140 23

HSL 125.16, 0.84%, 0.3%

LAB 50.57, -53.39, 48.57

 

CMYK 75 / 0 / 91 / 45

HEX #238C0C

RGB 35 140 12

HSL 109.22, 0.84%, 0.3%

LAB 50.85, -51.03, 51.62

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 91 / 15 / 0 / 45

HEX #0C778C

RGB 12 119 140

HSL 189.84, 0.84%, 0.3%

LAB 45.86, -19.47, -19.2

 

CMYK 91 / 40 / 0 / 45

HEX #0C548C

RGB 12 84 140

HSL 206.25, 0.84%, 0.3%

LAB 34.62, 1.42, -36.78

 

CMYK 91 / 65 / 0 / 45

HEX #0C318C

RGB 12 49 140

HSL 222.66, 0.84%, 0.3%

LAB 24.22, 25.54, -53.61

 

CMYK 91 / 89 / 0 / 45

HEX #0C0F8C

RGB 12 15 140

HSL 238.59, 0.84%, 0.3%

LAB 17.05, 45.58, -65.47

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 81 / 0 / 9 / 50

HEX #188075

RGB 24 128 117

HSL 173.65, 0.68%, 0.3%

LAB 48.16, -30.62, -2.12

 

CMYK 69 / 0 / 8 / 55

HEX #24746B

RGB 36 116 107

HSL 173.25, 0.53%, 0.3%

LAB 44.13, -26.11, -2.07

 

CMYK 52 / 0 / 5 / 60

HEX #316762

RGB 49 103 98

HSL 174.44, 0.36%, 0.3%

LAB 39.97, -19.25, -2.69

 

CMYK 33 / 0 / 3 / 64

HEX #3D5B58

RGB 61 91 88

HSL 174, 0.2%, 0.3%

LAB 36.33, -11.78, -1.82

 

CMYK 91 / 0 / 59 / 45

HEX #0C8C39

RGB 12 140 57

HSL 141.09, 0.84%, 0.3%

LAB 50.84, -49.96, 35.03

 

CMYK 91 / 0 / 35 / 45

HEX #0C8C5B

RGB 12 140 91

HSL 157.03, 0.84%, 0.3%

LAB 51.37, -43.68, 17.48

 

CMYK 91 / 0 / 11 / 45

HEX #0C8C7D

RGB 12 140 125

HSL 172.97, 0.84%, 0.3%

LAB 52.19, -34.79, -0.89

 

CMYK 91 / 14 / 0 / 45

HEX #0C798C

RGB 12 121 140

HSL 188.91, 0.84%, 0.3%

LAB 46.51, -20.54, -18.21

 

CMYK 91 / 38 / 0 / 45

HEX #0C578C

RGB 12 87 140

HSL 204.84, 0.84%, 0.3%

LAB 35.57, -0.53, -35.27

 

CMYK 92 / 0 / 9 / 75

HEX #05403A

RGB 5 64 58

HSL 173.9, 0.86%, 0.14%

LAB 23.69, -19.26, -1.41

 

CMYK 92 / 0 / 9 / 60

HEX #08665D

RGB 8 102 93

HSL 174.26, 0.85%, 0.22%

LAB 38.45, -26.87, -1.98

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 92 / 0 / 9 / 30

HEX #0FB2A2

RGB 15 178 162

HSL 174.11, 0.84%, 0.38%

LAB 65.4, -40.91, -2.49

 

CMYK 92 / 0 / 9 / 15

HEX #12D8C4

RGB 18 216 196

HSL 173.94, 0.85%, 0.46%

LAB 78.01, -47.62, -2.49

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 84 / 91 / 0 / 45

HEX #160C8C

RGB 22 12 140

HSL 244.69, 0.84%, 0.3%

LAB 17.12, 47.02, -65.35

 

CMYK 0 / 47 / 91 / 45

HEX #8C4A0C

RGB 140 74 12

HSL 29.06, 0.84%, 0.3%

LAB 38.72, 23.9, 44.64

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 11 / 91 / 0 / 45

HEX #7D0C8C

RGB 125 12 140

HSL 292.97, 0.84%, 0.3%

LAB 30.68, 58.52, -42.58

 

CMYK 0 / 11 / 91 / 45

HEX #8C7D0C

RGB 140 125 12

HSL 52.97, 0.84%, 0.3%

LAB 52.14, -5.44, 55.13

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 84 / 91 / 0 / 45

HEX #160C8C

RGB 22 12 140

HSL 244.69, 0.84%, 0.3%

LAB 17.12, 47.02, -65.35

 

CMYK 0 / 91 / 81 / 45

HEX #8C0C1B

RGB 140 12 27

HSL 352.97, 0.84%, 0.3%

LAB 29.2, 49.88, 29.03

 

CMYK 7 / 0 / 91 / 45

HEX #828C0C

RGB 130 140 12

HSL 64.69, 0.84%, 0.3%

LAB 55.61, -18.13, 57.51

 

CMYK 91 / 0 / 9 / 45

HEX #0C8C7F

RGB 12 140 127

HSL 173.91, 0.84%, 0.3%

LAB 52.25, -34.2, -1.97

 

CMYK 56 / 91 / 0 / 45

HEX #3D0C8C

RGB 61 12 140

HSL 262.97, 0.84%, 0.3%

LAB 20.63, 49.58, -59.41

 

CMYK 0 / 91 / 81 / 45

HEX #8C0C1B

RGB 140 12 27

HSL 352.97, 0.84%, 0.3%

LAB 29.2, 49.88, 29.03

 

CMYK 35 / 0 / 91 / 45

HEX #5B8C0C

RGB 91 140 12

HSL 82.97, 0.84%, 0.3%

LAB 52.96, -34.7, 54.24

 

Description

Color code: HEX #0C8C7F | qconv.com Color code: HEX #0C8C7F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 140 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 140 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 9 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 9% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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