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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C7E8C it is the complementary color #F38173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C7E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C7E8C shade: #117E87, #22909A, #33A2AD, #44B4C0 and #55C6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C7E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C7E8C shade: #0C7E8C, #006C79, #005A66, #004853 and #003640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C7E8C shade: #0C7E8C, #0C5C8C, #0C398C, #0C168C and #240C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C7E8C shade: #0C7E8C, #0C5C8C, #0C398C, #0C168C and #0C0C8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C7E8C shade matches the following richer shades: #0C7E8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C7E8C shade: #0C7E8C, #187580, #246B74, #316167 and #3D585B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C7E8C shade: #0C8C55, #0C8C77, #0C7F8C, #0C5D8C and #0C3B8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C7E8C shade: #053A40, #085C66, #0C7E8C, #0FA0B2 and #12C3D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C7E8C shade: #0C7E8C, #320C8C and #8C660C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C7E8C shade: #0C7E8C, #8C0C7F and #7F8C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C7E8C shade: #0C7E8C, #320C8C, #8C190C and #668C0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C7E8C shade: #0C7E8C, #590C8C, #8C190C and #3F8C0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

Complementary color

CMYK 0 / 47 / 53 / 5

HEX #F38173

RGB 243 129 115

HSL 6.56, 0.84%, 0.7%

LAB 66.51, 42.25, 27.37

 

CMYK 87 / 7 / 0 / 47

HEX #117E87

RGB 17 126 135

HSL 184.58, 0.78%, 0.3%

LAB 47.99, -24.55, -12.99

 

CMYK 78 / 6 / 0 / 40

HEX #22909A

RGB 34 144 154

HSL 185, 0.64%, 0.37%

LAB 54.68, -25.92, -13.92

 

CMYK 71 / 6 / 0 / 32

HEX #33A2AD

RGB 51 162 173

HSL 185.41, 0.54%, 0.44%

LAB 61.27, -26.88, -14.73

 

CMYK 65 / 6 / 0 / 25

HEX #44B4C0

RGB 68 180 192

HSL 185.81, 0.5%, 0.51%

LAB 67.78, -27.57, -15.46

 

CMYK 60 / 6 / 0 / 17

HEX #55C6D3

RGB 85 198 211

HSL 186.19, 0.59%, 0.58%

LAB 74.2, -28.06, -16.12

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 100 / 11 / 0 / 53

HEX #006C79

RGB 0 108 121

HSL 186.45, 1%, 0.24%

LAB 41.38, -21.03, -14.68

 

CMYK 100 / 12 / 0 / 60

HEX #005A66

RGB 0 90 102

HSL 187.06, 1%, 0.2%

LAB 34.54, -18.17, -13.44

 

CMYK 100 / 13 / 0 / 67

HEX #004853

RGB 0 72 83

HSL 187.95, 1%, 0.16%

LAB 27.46, -15.19, -12.17

 

CMYK 100 / 16 / 0 / 75

HEX #003640

RGB 0 54 64

HSL 189.38, 1%, 0.13%

LAB 20.08, -12.06, -10.88

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 91 / 34 / 0 / 45

HEX #0C5C8C

RGB 12 92 140

HSL 202.5, 0.84%, 0.3%

LAB 37.16, -3.71, -32.75

 

CMYK 91 / 59 / 0 / 45

HEX #0C398C

RGB 12 57 140

HSL 218.91, 0.84%, 0.3%

LAB 26.44, 19.93, -49.98

 

CMYK 91 / 84 / 0 / 45

HEX #0C168C

RGB 12 22 140

HSL 235.31, 0.84%, 0.3%

LAB 18.12, 42.39, -63.68

 

CMYK 74 / 91 / 0 / 45

HEX #240C8C

RGB 36 12 140

HSL 251.25, 0.84%, 0.3%

LAB 18.06, 47.66, -63.75

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 91 / 34 / 0 / 45

HEX #0C5C8C

RGB 12 92 140

HSL 202.5, 0.84%, 0.3%

LAB 37.16, -3.71, -32.75

 

CMYK 91 / 59 / 0 / 45

HEX #0C398C

RGB 12 57 140

HSL 218.91, 0.84%, 0.3%

LAB 26.44, 19.93, -49.98

 

CMYK 91 / 84 / 0 / 45

HEX #0C168C

RGB 12 22 140

HSL 235.31, 0.84%, 0.3%

LAB 18.12, 42.39, -63.68

 

CMYK 91 / 91 / 0 / 45

HEX #0C0C8C

RGB 12 12 140

HSL 240, 0.84%, 0.3%

LAB 16.67, 46.72, -66.1

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 81 / 9 / 0 / 50

HEX #187580

RGB 24 117 128

HSL 186.35, 0.68%, 0.3%

LAB 44.91, -21.6, -13.5

 

CMYK 69 / 8 / 0 / 55

HEX #246B74

RGB 36 107 116

HSL 186.75, 0.53%, 0.3%

LAB 41.46, -18.6, -11.49

 

CMYK 52 / 6 / 0 / 60

HEX #316167

RGB 49 97 103

HSL 186.67, 0.36%, 0.3%

LAB 38.17, -14.45, -8.45

 

CMYK 33 / 3 / 0 / 64

HEX #3D585B

RGB 61 88 91

HSL 186, 0.2%, 0.3%

LAB 35.45, -9.22, -4.99

 

CMYK 91 / 0 / 39 / 45

HEX #0C8C55

RGB 12 140 85

HSL 154.22, 0.84%, 0.3%

LAB 51.26, -44.99, 20.69

 

CMYK 91 / 0 / 15 / 45

HEX #0C8C77

RGB 12 140 119

HSL 170.16, 0.84%, 0.3%

LAB 52.02, -36.53, 2.34

 

CMYK 91 / 9 / 0 / 45

HEX #0C7F8C

RGB 12 127 140

HSL 186.09, 0.84%, 0.3%

LAB 48.45, -23.7, -15.25

 

CMYK 91 / 34 / 0 / 45

HEX #0C5D8C

RGB 12 93 140

HSL 202.03, 0.84%, 0.3%

LAB 37.48, -4.33, -32.25

 

CMYK 91 / 58 / 0 / 45

HEX #0C3B8C

RGB 12 59 140

HSL 217.97, 0.84%, 0.3%

LAB 27.02, 18.52, -49.04

 

CMYK 92 / 9 / 0 / 75

HEX #053A40

RGB 5 58 64

HSL 186.1, 0.86%, 0.14%

LAB 21.68, -13.71, -8.42

 

CMYK 92 / 10 / 0 / 60

HEX #085C66

RGB 8 92 102

HSL 186.38, 0.85%, 0.22%

LAB 35.33, -18.63, -12.22

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 92 / 10 / 0 / 30

HEX #0FA0B2

RGB 15 160 178

HSL 186.63, 0.84%, 0.38%

LAB 60.3, -27.55, -19.08

 

CMYK 92 / 10 / 0 / 15

HEX #12C3D8

RGB 18 195 216

HSL 186.36, 0.85%, 0.46%

LAB 72.31, -32.22, -21.82

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 64 / 91 / 0 / 45

HEX #320C8C

RGB 50 12 140

HSL 257.81, 0.84%, 0.3%

LAB 19.37, 48.61, -61.54

 

CMYK 0 / 27 / 91 / 45

HEX #8C660C

RGB 140 102 12

HSL 42.19, 0.84%, 0.3%

LAB 45.78, 7.67, 50.13

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 0 / 91 / 9 / 45

HEX #8C0C7F

RGB 140 12 127

HSL 306.09, 0.84%, 0.3%

LAB 32.64, 59.22, -31.19

 

CMYK 9 / 0 / 91 / 45

HEX #7F8C0C

RGB 127 140 12

HSL 66.09, 0.84%, 0.3%

LAB 55.37, -19.47, 57.22

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 64 / 91 / 0 / 45

HEX #320C8C

RGB 50 12 140

HSL 257.81, 0.84%, 0.3%

LAB 19.37, 48.61, -61.54

 

CMYK 0 / 82 / 91 / 45

HEX #8C190C

RGB 140 25 12

HSL 6.09, 0.84%, 0.3%

LAB 30.15, 46.42, 38.09

 

CMYK 27 / 0 / 91 / 45

HEX #668C0C

RGB 102 140 12

HSL 77.81, 0.84%, 0.3%

LAB 53.61, -30.29, 55.05

 

CMYK 91 / 10 / 0 / 45

HEX #0C7E8C

RGB 12 126 140

HSL 186.56, 0.84%, 0.3%

LAB 48.13, -23.18, -15.74

 

CMYK 36 / 91 / 0 / 45

HEX #590C8C

RGB 89 12 140

HSL 276.09, 0.84%, 0.3%

LAB 24.58, 52.87, -52.77

 

CMYK 0 / 82 / 91 / 45

HEX #8C190C

RGB 140 25 12

HSL 6.09, 0.84%, 0.3%

LAB 30.15, 46.42, 38.09

 

CMYK 55 / 0 / 91 / 45

HEX #3F8C0C

RGB 63 140 12

HSL 96.09, 0.84%, 0.3%

LAB 51.66, -44.36, 52.63

 

Description

Color code: HEX #0C7E8C | qconv.com Color code: HEX #0C7E8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 126 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 126 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 10 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 10% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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