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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C7E4D it is the complementary color #F381B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C7E4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C7E4D shade: #117E48, #22905B, #33A26E, #44B481 and #55C694

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C7E4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C7E4D shade: #0C7E4D, #006C3A, #005A27, #004814 and #003601

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C7E4D shade: #0C7E4D, #0C7E2E, #0C7E0F, #277E0C and #467E0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C7E4D shade: #0C7E4D, #0C7E6C, #0C717E, #0C537E and #0C347E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C7E4D shade matches the following richer shades: #0C7E4D and #01894E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C7E4D shade: #0C7E4D, #17734B, #22684A, #2D5D48 and #385147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C7E4D shade: #0C7E10, #0C7E2E, #0C7E4C, #0C7E6B and #0C737E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C7E4D shade: #05321F, #085836, #0C7E4D, #0FA464 and #13C97B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C7E4D shade: #0C7E4D, #0C267E and #7E1F0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C7E4D shade: #0C7E4D, #4C0C7E and #7E4C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C7E4D shade: #0C7E4D, #0C267E, #7E0C3D and #7E630C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C7E4D shade: #0C7E4D, #130C7E, #7E0C3D and #767E0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

Complementary color

CMYK 0 / 47 / 27 / 5

HEX #F381B2

RGB 243 129 178

HSL 334.21, 0.83%, 0.73%

LAB 68, 49.09, -5.96

 

CMYK 87 / 0 / 43 / 51

HEX #117E48

RGB 17 126 72

HSL 150.28, 0.76%, 0.28%

LAB 46.32, -41.91, 21.45

 

CMYK 76 / 0 / 37 / 44

HEX #22905B

RGB 34 144 91

HSL 151.09, 0.62%, 0.35%

LAB 53, -42.98, 19.73

 

CMYK 69 / 0 / 32 / 36

HEX #33A26E

RGB 51 162 110

HSL 151.89, 0.52%, 0.42%

LAB 59.59, -43.55, 18.19

 

CMYK 62 / 0 / 28 / 29

HEX #44B481

RGB 68 180 129

HSL 152.68, 0.45%, 0.49%

LAB 66.1, -43.82, 16.81

 

CMYK 57 / 0 / 25 / 22

HEX #55C694

RGB 85 198 148

HSL 153.45, 0.5%, 0.55%

LAB 72.53, -43.9, 15.57

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 100 / 0 / 46 / 58

HEX #006C3A

RGB 0 108 58

HSL 152.22, 1%, 0.21%

LAB 39.63, -39.32, 20.63

 

CMYK 100 / 0 / 57 / 65

HEX #005A27

RGB 0 90 39

HSL 146, 1%, 0.18%

LAB 32.83, -36.23, 22.81

 

CMYK 100 / 0 / 72 / 72

HEX #004814

RGB 0 72 20

HSL 136.67, 1%, 0.14%

LAB 25.82, -32.68, 24.83

 

CMYK 100 / 0 / 98 / 79

HEX #003601

RGB 0 54 1

HSL 121.11, 1%, 0.11%

LAB 18.54, -28.57, 25.27

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 90 / 0 / 63 / 51

HEX #0C7E2E

RGB 12 126 46

HSL 137.89, 0.83%, 0.27%

LAB 45.9, -46.74, 34.68

 

CMYK 90 / 0 / 88 / 51

HEX #0C7E0F

RGB 12 126 15

HSL 121.58, 0.83%, 0.27%

LAB 45.68, -49.53, 46.29

 

CMYK 69 / 0 / 90 / 51

HEX #277E0C

RGB 39 126 12

HSL 105.79, 0.83%, 0.27%

LAB 46.15, -45.49, 47.6

 

CMYK 44 / 0 / 90 / 51

HEX #467E0C

RGB 70 126 12

HSL 89.47, 0.83%, 0.27%

LAB 47.3, -36.39, 49.04

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 90 / 0 / 14 / 51

HEX #0C7E6C

RGB 12 126 108

HSL 170.53, 0.83%, 0.27%

LAB 47.08, -33.38, 1.6

 

CMYK 90 / 10 / 0 / 51

HEX #0C717E

RGB 12 113 126

HSL 186.84, 0.83%, 0.27%

LAB 43.35, -21.19, -14.68

 

CMYK 90 / 34 / 0 / 51

HEX #0C537E

RGB 12 83 126

HSL 202.63, 0.83%, 0.27%

LAB 33.5, -3.68, -29.97

 

CMYK 90 / 59 / 0 / 51

HEX #0C347E

RGB 12 52 126

HSL 218.95, 0.83%, 0.27%

LAB 23.8, 17.57, -45.53

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 99 / 0 / 43 / 46

HEX #01894E

RGB 1 137 78

HSL 153.97, 0.99%, 0.27%

LAB 50.03, -46, 22.95

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 80 / 0 / 35 / 55

HEX #17734B

RGB 23 115 75

HSL 153.91, 0.67%, 0.27%

LAB 42.69, -36.12, 14.89

 

CMYK 67 / 0 / 29 / 59

HEX #22684A

RGB 34 104 74

HSL 154.29, 0.51%, 0.27%

LAB 39.13, -29.6, 10.63

 

CMYK 52 / 0 / 23 / 64

HEX #2D5D48

RGB 45 93 72

HSL 153.75, 0.35%, 0.27%

LAB 35.7, -21.95, 7.1

 

CMYK 31 / 0 / 12 / 68

HEX #385147

RGB 56 81 71

HSL 156, 0.18%, 0.27%

LAB 32.21, -11.99, 2.83

 

CMYK 90 / 0 / 87 / 51

HEX #0C7E10

RGB 12 126 16

HSL 122.11, 0.83%, 0.27%

LAB 45.69, -49.48, 46.04

 

CMYK 90 / 0 / 63 / 51

HEX #0C7E2E

RGB 12 126 46

HSL 137.89, 0.83%, 0.27%

LAB 45.9, -46.74, 34.68

 

CMYK 90 / 0 / 40 / 51

HEX #0C7E4C

RGB 12 126 76

HSL 153.68, 0.83%, 0.27%

LAB 46.34, -41.52, 19.21

 

CMYK 90 / 0 / 15 / 51

HEX #0C7E6B

RGB 12 126 107

HSL 170, 0.83%, 0.27%

LAB 47.05, -33.67, 2.15

 

CMYK 90 / 9 / 0 / 51

HEX #0C737E

RGB 12 115 126

HSL 185.79, 0.83%, 0.27%

LAB 44.01, -22.25, -13.68

 

CMYK 90 / 0 / 38 / 80

HEX #05321F

RGB 5 50 31

HSL 154.67, 0.82%, 0.11%

LAB 17.52, -20.45, 7.94

 

CMYK 91 / 0 / 39 / 65

HEX #085836

RGB 8 88 54

HSL 154.5, 0.83%, 0.19%

LAB 32.47, -31.39, 13.55

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 91 / 0 / 39 / 36

HEX #0FA464

RGB 15 164 100

HSL 154.23, 0.83%, 0.35%

LAB 59.5, -50.67, 23.44

 

CMYK 91 / 0 / 39 / 21

HEX #13C97B

RGB 19 201 123

HSL 154.29, 0.83%, 0.43%

LAB 71.79, -59.19, 27.59

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 90 / 70 / 0 / 51

HEX #0C267E

RGB 12 38 126

HSL 226.32, 0.83%, 0.27%

LAB 19.93, 27.5, -51.88

 

CMYK 0 / 75 / 90 / 51

HEX #7E1F0C

RGB 126 31 12

HSL 10, 0.83%, 0.27%

LAB 27.96, 39.77, 35.11

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 40 / 90 / 0 / 51

HEX #4C0C7E

RGB 76 12 126

HSL 273.68, 0.83%, 0.27%

LAB 21.23, 47.89, -49.53

 

CMYK 0 / 40 / 90 / 51

HEX #7E4C0C

RGB 126 76 12

HSL 33.68, 0.83%, 0.27%

LAB 37.17, 16.34, 42.55

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 90 / 70 / 0 / 51

HEX #0C267E

RGB 12 38 126

HSL 226.32, 0.83%, 0.27%

LAB 19.93, 27.5, -51.88

 

CMYK 0 / 90 / 52 / 51

HEX #7E0C3D

RGB 126 12 61

HSL 334.21, 0.83%, 0.27%

LAB 26.84, 48.04, 2.8

 

CMYK 0 / 21 / 90 / 51

HEX #7E630C

RGB 126 99 12

HSL 45.79, 0.83%, 0.27%

LAB 43.34, 2.72, 47.51

 

CMYK 90 / 0 / 39 / 51

HEX #0C7E4D

RGB 12 126 77

HSL 154.21, 0.83%, 0.27%

LAB 46.36, -41.3, 18.66

 

CMYK 85 / 90 / 0 / 51

HEX #130C7E

RGB 19 12 126

HSL 243.68, 0.83%, 0.27%

LAB 15, 42.69, -60.04

 

CMYK 0 / 90 / 52 / 51

HEX #7E0C3D

RGB 126 12 61

HSL 334.21, 0.83%, 0.27%

LAB 26.84, 48.04, 2.8

 

CMYK 6 / 0 / 90 / 51

HEX #767E0C

RGB 118 126 12

HSL 64.21, 0.83%, 0.27%

LAB 50.45, -16.24, 52.94

 

Description

Color code: HEX #0C7E4D | qconv.com Color code: HEX #0C7E4D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 126 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 126 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 39 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 39% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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