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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C6CF7 it is the complementary color #F39308. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C6CF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C6CF7 shade: #116CF2, #227EFF, #3390FF, #44A2FF and #55B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C6CF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C6CF7 shade: #0C6CF7, #005AE4, #0048D1, #0036BE and #0024AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C6CF7 shade: #0D6DF8, #0D2DF8, #2B0DF8, #6B0DF8 and #AA0DF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C6CF7 shade: #0D6DF8, #0D2DF8 and #0D0DF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C6CF7 shade matches the following richer shades: #0D6DF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C6CF7 shade: #0D6DF8, #2170E3, #3574CF, #4978BB and #5D7BA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C6CF7 shade: #0DECF8, #0DADF8, #0D6EF8, #0D30F8 and #280DF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C6CF7 shade: #054AAC, #075BD4, #0D6DF8, #3585F9 and #5D9DFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C6CF7 shade: #0C6CF7, #C50DF8 and #CCF80D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C6CF7 shade: #0C6CF7, #F80D6E and #6EF80D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C6CF7 shade: #0C6CF7, #C50DF8, #F8960D and #3FF80D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C6CF7 shade: #0C6CF7, #F80DE4, #F8960D and #0DF820

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

Complementary color

CMYK 0 / 40 / 97 / 5

HEX #F39308

RGB 243 147 8

HSL 35.49, 0.94%, 0.49%

LAB 69.43, 28.4, 73.63

 

CMYK 93 / 55 / 0 / 5

HEX #116CF2

RGB 17 108 242

HSL 215.73, 0.9%, 0.51%

LAB 48.58, 26.86, -73.67

 

CMYK 87 / 51 / 0 / 0

HEX #227EFF

RGB 34 126 255

HSL 215.02, 1%, 0.57%

LAB 54.53, 21.26, -71.21

 

CMYK 80 / 44 / 0 / 0

HEX #3390FF

RGB 51 144 255

HSL 212.65, 1%, 0.6%

LAB 59.77, 11.5, -62.75

 

CMYK 73 / 36 / 0 / 0

HEX #44A2FF

RGB 68 162 255

HSL 209.84, 1%, 0.63%

LAB 65.19, 2.71, -54.08

 

CMYK 67 / 29 / 0 / 0

HEX #55B4FF

RGB 85 180 255

HSL 206.47, 1%, 0.67%

LAB 70.73, -5.11, -45.3

 

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

CMYK 100 / 61 / 0 / 11

HEX #005AE4

RGB 0 90 228

HSL 216.32, 1%, 0.45%

LAB 42.63, 32.58, -75.51

 

CMYK 100 / 66 / 0 / 18

HEX #0048D1

RGB 0 72 209

HSL 219.33, 1%, 0.41%

LAB 36.44, 36.93, -74.8

 

CMYK 100 / 72 / 0 / 25

HEX #0036BE

RGB 0 54 190

HSL 222.95, 1%, 0.37%

LAB 30.29, 41.23, -73.85

 

CMYK 100 / 79 / 0 / 33

HEX #0024AB

RGB 0 36 171

HSL 227.37, 1%, 0.34%

LAB 24.33, 45.12, -72.41

 

CMYK 95 / 56 / 0 / 3

HEX #0D6DF8

RGB 13 109 248

HSL 215.49, 0.94%, 0.51%

LAB 49.25, 28.4, -75.92

 

CMYK 95 / 82 / 0 / 3

HEX #0D2DF8

RGB 13 45 248

HSL 231.83, 0.94%, 0.51%

LAB 35.48, 65.5, -98.62

 

CMYK 83 / 95 / 0 / 3

HEX #2B0DF8

RGB 43 13 248

HSL 247.66, 0.94%, 0.51%

LAB 33.09, 75.98, -102.58

 

CMYK 57 / 95 / 0 / 3

HEX #6B0DF8

RGB 107 13 248

HSL 264, 0.94%, 0.51%

LAB 38.18, 78.71, -93.97

 

CMYK 31 / 95 / 0 / 3

HEX #AA0DF8

RGB 170 13 248

HSL 280.09, 0.94%, 0.51%

LAB 46.46, 84.54, -80.04

 

CMYK 95 / 56 / 0 / 3

HEX #0D6DF8

RGB 13 109 248

HSL 215.49, 0.94%, 0.51%

LAB 49.25, 28.4, -75.92

 

CMYK 95 / 82 / 0 / 3

HEX #0D2DF8

RGB 13 45 248

HSL 231.83, 0.94%, 0.51%

LAB 35.48, 65.5, -98.62

 

CMYK 95 / 95 / 0 / 3

HEX #0D0DF8

RGB 13 13 248

HSL 240, 0.94%, 0.51%

LAB 32.15, 75.57, -104.18

 

CMYK 95 / 56 / 0 / 3

HEX #0D6DF8

RGB 13 109 248

HSL 215.49, 0.94%, 0.51%

LAB 49.25, 28.4, -75.92

 

CMYK 95 / 56 / 0 / 3

HEX #0D6DF8

RGB 13 109 248

HSL 215.49, 0.94%, 0.51%

LAB 49.25, 28.4, -75.92

 

CMYK 85 / 51 / 0 / 11

HEX #2170E3

RGB 33 112 227

HSL 215.57, 0.78%, 0.51%

LAB 48.83, 19.36, -64.83

 

CMYK 74 / 44 / 0 / 19

HEX #3574CF

RGB 53 116 207

HSL 215.45, 0.62%, 0.51%

LAB 49.19, 11.22, -52.88

 

CMYK 61 / 36 / 0 / 27

HEX #4978BB

RGB 73 120 187

HSL 215.26, 0.46%, 0.51%

LAB 50.02, 4.84, -40.06

 

CMYK 44 / 26 / 0 / 35

HEX #5D7BA7

RGB 93 123 167

HSL 215.68, 0.3%, 0.51%

LAB 51.02, 1.28, -26.86

 

CMYK 95 / 5 / 0 / 3

HEX #0DECF8

RGB 13 236 248

HSL 183.06, 0.94%, 0.51%

LAB 85.43, -41.52, -19.03

 

CMYK 95 / 30 / 0 / 3

HEX #0DADF8

RGB 13 173 248

HSL 199.15, 0.94%, 0.51%

LAB 67.09, -10.12, -47.32

 

CMYK 95 / 56 / 0 / 3

HEX #0D6EF8

RGB 13 110 248

HSL 215.23, 0.94%, 0.51%

LAB 49.51, 27.76, -75.5

 

CMYK 95 / 81 / 0 / 3

HEX #0D30F8

RGB 13 48 248

HSL 231.06, 0.94%, 0.51%

LAB 35.94, 64.14, -97.86

 

CMYK 84 / 95 / 0 / 3

HEX #280DF8

RGB 40 13 248

HSL 246.89, 0.94%, 0.51%

LAB 32.95, 75.92, -102.81

 

CMYK 97 / 57 / 0 / 33

HEX #054AAC

RGB 5 74 172

HSL 215.21, 0.94%, 0.35%

LAB 33.79, 21.09, -57.43

 

CMYK 97 / 57 / 0 / 17

HEX #075BD4

RGB 7 91 212

HSL 215.41, 0.94%, 0.43%

LAB 41.66, 25.88, -67.97

 

CMYK 95 / 56 / 0 / 3

HEX #0D6DF8

RGB 13 109 248

HSL 215.49, 0.94%, 0.51%

LAB 49.25, 28.4, -75.92

 

CMYK 79 / 47 / 0 / 2

HEX #3585F9

RGB 53 133 249

HSL 215.51, 0.94%, 0.59%

LAB 56.46, 16.18, -64.77

 

CMYK 63 / 37 / 0 / 2

HEX #5D9DFA

RGB 93 157 250

HSL 215.54, 0.94%, 0.67%

LAB 64.44, 7.62, -52.49

 

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

CMYK 21 / 95 / 0 / 3

HEX #C50DF8

RGB 197 13 248

HSL 286.98, 0.94%, 0.51%

LAB 50.61, 87.93, -73.09

 

CMYK 18 / 0 / 95 / 3

HEX #CCF80D

RGB 204 248 13

HSL 71.23, 0.94%, 0.51%

LAB 91.69, -38.75, 87.85

 

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

CMYK 0 / 95 / 56 / 3

HEX #F80D6E

RGB 248 13 110

HSL 335.23, 0.94%, 0.51%

LAB 53.35, 80.91, 12.56

 

CMYK 56 / 0 / 95 / 3

HEX #6EF80D

RGB 110 248 13

HSL 95.23, 0.94%, 0.51%

LAB 87.23, -70.05, 82.44

 

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

CMYK 21 / 95 / 0 / 3

HEX #C50DF8

RGB 197 13 248

HSL 286.98, 0.94%, 0.51%

LAB 50.61, 87.93, -73.09

 

CMYK 0 / 40 / 95 / 3

HEX #F8960D

RGB 248 150 13

HSL 34.98, 0.94%, 0.51%

LAB 70.73, 28.95, 74.16

 

CMYK 75 / 0 / 95 / 3

HEX #3FF80D

RGB 63 248 13

HSL 107.23, 0.94%, 0.51%

LAB 86.12, -79.44, 81.07

 

CMYK 95 / 56 / 0 / 3

HEX #0C6CF7

RGB 12 108 247

HSL 215.49, 0.94%, 0.51%

LAB 48.91, 28.62, -75.93

 

CMYK 0 / 95 / 8 / 3

HEX #F80DE4

RGB 248 13 228

HSL 305.11, 0.94%, 0.51%

LAB 57.89, 92.69, -49.7

 

CMYK 0 / 40 / 95 / 3

HEX #F8960D

RGB 248 150 13

HSL 34.98, 0.94%, 0.51%

LAB 70.73, 28.95, 74.16

 

CMYK 95 / 0 / 87 / 3

HEX #0DF820

RGB 13 248 32

HSL 124.85, 0.94%, 0.51%

LAB 85.67, -83.31, 77.91

 

Description

Color code: HEX #0C6CF7 | qconv.com Color code: HEX #0C6CF7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 108 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 108 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 56 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 56% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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