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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C694D it is the complementary color #F396B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C694D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C694D shade: #116948, #227B5B, #338D6E, #449F81 and #55B194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C694D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C694D shade: #0C694D, #00573A, #004527, #003314 and #002101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C694D shade: #0C694D, #0C6934, #0C691B, #17690C and #2F690C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C694D shade: #0C694D, #0C6966, #0C5369, #0C3A69 and #0C2169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C694D shade matches the following richer shades: #0C694D and #037251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C694D shade: #0C694D, #165F49, #1F5646, #294D42 and #32433E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C694D shade: #0C691A, #0C6933, #0C694C, #0C6964 and #0C5569

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C694D shade: #041F17, #084432, #0C694D, #118E68 and #15B383

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C694D shade: #0C694D, #0C1769 and #69270C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C694D shade: #0C694D, #4C0C69 and #694C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C694D shade: #0C694D, #0C1769, #690C2A and #695E0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C694D shade: #0C694D, #1D0C69, #690C2A and #58690C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

Complementary color

CMYK 0 / 38 / 27 / 5

HEX #F396B2

RGB 243 150 178

HSL 341.94, 0.79%, 0.77%

LAB 72.28, 38.4, 0.33

 

CMYK 84 / 0 / 31 / 59

HEX #116948

RGB 17 105 72

HSL 157.5, 0.72%, 0.24%

LAB 39.05, -33.33, 11.67

 

CMYK 72 / 0 / 26 / 52

HEX #227B5B

RGB 34 123 91

HSL 158.43, 0.57%, 0.31%

LAB 45.99, -34.1, 10.1

 

CMYK 64 / 0 / 22 / 45

HEX #338D6E

RGB 51 141 110

HSL 159.33, 0.47%, 0.38%

LAB 52.82, -34.44, 8.76

 

CMYK 57 / 0 / 19 / 38

HEX #449F81

RGB 68 159 129

HSL 160.22, 0.4%, 0.45%

LAB 59.53, -34.54, 7.58

 

CMYK 52 / 0 / 16 / 31

HEX #55B194

RGB 85 177 148

HSL 161.09, 0.37%, 0.51%

LAB 66.15, -34.52, 6.53

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 100 / 0 / 33 / 66

HEX #00573A

RGB 0 87 58

HSL 160, 1%, 0.17%

LAB 32.08, -30.88, 10.54

 

CMYK 100 / 0 / 43 / 73

HEX #004527

RGB 0 69 39

HSL 153.91, 1%, 0.14%

LAB 24.96, -27.97, 12.75

 

CMYK 100 / 0 / 61 / 80

HEX #003314

RGB 0 51 20

HSL 143.53, 1%, 0.1%

LAB 17.54, -24.7, 15.14

 

CMYK 100 / 0 / 97 / 87

HEX #002101

RGB 0 33 1

HSL 121.82, 1%, 0.06%

LAB 9.72, -19.39, 13.75

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 89 / 0 / 50 / 59

HEX #0C6934

RGB 12 105 52

HSL 145.81, 0.79%, 0.23%

LAB 38.6, -38.24, 22.74

 

CMYK 89 / 0 / 74 / 59

HEX #0C691B

RGB 12 105 27

HSL 129.68, 0.79%, 0.23%

LAB 38.31, -41.85, 35.07

 

CMYK 78 / 0 / 89 / 59

HEX #17690C

RGB 23 105 12

HSL 112.9, 0.79%, 0.23%

LAB 38.4, -41.41, 40.58

 

CMYK 55 / 0 / 89 / 59

HEX #2F690C

RGB 47 105 12

HSL 97.42, 0.79%, 0.23%

LAB 39.13, -35.38, 41.52

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 89 / 0 / 3 / 59

HEX #0C6966

RGB 12 105 102

HSL 178.06, 0.79%, 0.23%

LAB 39.82, -25.17, -5.47

 

CMYK 89 / 21 / 0 / 59

HEX #0C5369

RGB 12 83 105

HSL 194.19, 0.79%, 0.23%

LAB 32.45, -12.03, -18.52

 

CMYK 89 / 45 / 0 / 59

HEX #0C3A69

RGB 12 58 105

HSL 210.32, 0.79%, 0.23%

LAB 24.08, 4.22, -31.7

 

CMYK 89 / 69 / 0 / 59

HEX #0C2169

RGB 12 33 105

HSL 226.45, 0.79%, 0.23%

LAB 16.43, 22.41, -44.09

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 97 / 0 / 29 / 55

HEX #037251

RGB 3 114 81

HSL 162.16, 0.95%, 0.23%

LAB 42.23, -36.14, 10.68

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 77 / 0 / 23 / 63

HEX #165F49

RGB 22 95 73

HSL 161.92, 0.62%, 0.23%

LAB 35.67, -27.84, 6.33

 

CMYK 64 / 0 / 19 / 66

HEX #1F5646

RGB 31 86 70

HSL 162.55, 0.47%, 0.23%

LAB 32.68, -22.49, 3.97

 

CMYK 47 / 0 / 14 / 70

HEX #294D42

RGB 41 77 66

HSL 161.67, 0.31%, 0.23%

LAB 29.84, -16.03, 2.49

 

CMYK 25 / 0 / 7 / 74

HEX #32433E

RGB 50 67 62

HSL 162.35, 0.15%, 0.23%

LAB 26.85, -8.04, 0.81

 

CMYK 89 / 0 / 75 / 59

HEX #0C691A

RGB 12 105 26

HSL 129.03, 0.79%, 0.23%

LAB 38.3, -41.95, 35.49

 

CMYK 89 / 0 / 51 / 59

HEX #0C6933

RGB 12 105 51

HSL 145.16, 0.79%, 0.23%

LAB 38.59, -38.43, 23.28

 

CMYK 89 / 0 / 28 / 59

HEX #0C694C

RGB 12 105 76

HSL 161.29, 0.79%, 0.23%

LAB 39.08, -32.85, 9.28

 

CMYK 89 / 0 / 5 / 59

HEX #0C6964

RGB 12 105 100

HSL 176.77, 0.79%, 0.23%

LAB 39.75, -25.81, -4.35

 

CMYK 89 / 19 / 0 / 59

HEX #0C5569

RGB 12 85 105

HSL 192.9, 0.79%, 0.23%

LAB 33.12, -13.21, -17.47

 

CMYK 87 / 0 / 26 / 88

HEX #041F17

RGB 4 31 23

HSL 162.22, 0.77%, 0.07%

LAB 9.54, -12.67, 2.44

 

CMYK 88 / 0 / 26 / 73

HEX #084432

RGB 8 68 50

HSL 162, 0.79%, 0.15%

LAB 25, -23.37, 5.76

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 88 / 0 / 27 / 44

HEX #118E68

RGB 17 142 104

HSL 161.76, 0.79%, 0.31%

LAB 52.36, -41.04, 11.46

 

CMYK 88 / 0 / 27 / 30

HEX #15B383

RGB 21 179 131

HSL 161.77, 0.79%, 0.39%

LAB 64.99, -49.13, 14.05

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 89 / 78 / 0 / 59

HEX #0C1769

RGB 12 23 105

HSL 232.9, 0.79%, 0.23%

LAB 13.89, 29.31, -48.28

 

CMYK 0 / 63 / 89 / 59

HEX #69270C

RGB 105 39 12

HSL 17.42, 0.79%, 0.23%

LAB 25.2, 28.1, 31.09

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 28 / 89 / 0 / 59

HEX #4C0C69

RGB 76 12 105

HSL 281.29, 0.79%, 0.23%

LAB 19.31, 43.09, -39.13

 

CMYK 0 / 28 / 89 / 59

HEX #694C0C

RGB 105 76 12

HSL 41.29, 0.79%, 0.23%

LAB 34.39, 6.18, 39.12

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 89 / 78 / 0 / 59

HEX #0C1769

RGB 12 23 105

HSL 232.9, 0.79%, 0.23%

LAB 13.89, 29.31, -48.28

 

CMYK 0 / 89 / 60 / 59

HEX #690C2A

RGB 105 12 42

HSL 340.65, 0.79%, 0.23%

LAB 21.7, 40.64, 8.03

 

CMYK 0 / 10 / 89 / 59

HEX #695E0C

RGB 105 94 12

HSL 52.9, 0.79%, 0.23%

LAB 39.64, -4.61, 43.55

 

CMYK 89 / 0 / 27 / 59

HEX #0C694D

RGB 12 105 77

HSL 161.94, 0.79%, 0.23%

LAB 39.1, -32.58, 8.71

 

CMYK 72 / 89 / 0 / 59

HEX #1D0C69

RGB 29 12 105

HSL 250.97, 0.79%, 0.23%

LAB 12.89, 36.74, -49.91

 

CMYK 0 / 89 / 60 / 59

HEX #690C2A

RGB 105 12 42

HSL 340.65, 0.79%, 0.23%

LAB 21.7, 40.64, 8.03

 

CMYK 16 / 0 / 89 / 59

HEX #58690C

RGB 88 105 12

HSL 70.97, 0.79%, 0.23%

LAB 41.54, -18.92, 44.55

 

Description

Color code: HEX #0C694D | qconv.com Color code: HEX #0C694D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 105 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 105 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 27 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 27% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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