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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C61FE it is the complementary color #F39E01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C61FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C61FE shade: #1161F9, #2273FF, #3385FF, #4497FF and #55A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C61FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C61FE shade: #0C61FE, #004FEB, #003DD8, #002BC5 and #0019B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C61FE shade: #0B61FE, #0B1FFE, #390BFE, #7A0BFE and #BC0BFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C61FE shade: #0B61FE, #0B1FFE and #0B0BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C61FE shade matches the following richer shades: #0B61FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C61FE shade: #0B61FE, #1F66EA, #336CD6, #4772C2 and #5B78AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C61FE shade: #0BE6FE, #0BA5FE, #0B64FE, #0B24FE and #340BFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C61FE shade: #0140B6, #014FDF, #0B61FE, #347BFE and #5E96FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C61FE shade: #0C61FE, #D50BFE and #C5FE0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C61FE shade: #0C61FE, #FE0B64 and #64FE0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C61FE shade: #0C61FE, #D50BFE, #FEA50B and #34FE0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C61FE shade: #0C61FE, #FE0BDD, #FEA50B and #0BFE2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

Complementary color

CMYK 0 / 35 / 100 / 5

HEX #F39E01

RGB 243 158 1

HSL 38.93, 0.99%, 0.48%

LAB 71.9, 22.57, 76.15

 

CMYK 93 / 61 / 0 / 2

HEX #1161F9

RGB 17 97 249

HSL 219.31, 0.95%, 0.52%

LAB 46.32, 36.51, -81.27

 

CMYK 87 / 55 / 0 / 0

HEX #2273FF

RGB 34 115 255

HSL 218.01, 1%, 0.57%

LAB 51.63, 28.15, -75.91

 

CMYK 80 / 48 / 0 / 0

HEX #3385FF

RGB 51 133 255

HSL 215.88, 1%, 0.6%

LAB 56.78, 18.2, -67.56

 

CMYK 73 / 41 / 0 / 0

HEX #4497FF

RGB 68 151 255

HSL 213.37, 1%, 0.63%

LAB 62.15, 9.15, -58.91

 

CMYK 67 / 34 / 0 / 0

HEX #55A9FF

RGB 85 169 255

HSL 210.35, 1%, 0.67%

LAB 67.67, 1.06, -50.12

 

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

CMYK 100 / 66 / 0 / 8

HEX #004FEB

RGB 0 79 235

HSL 219.83, 1%, 0.46%

LAB 40.56, 42.24, -82.88

 

CMYK 100 / 72 / 0 / 15

HEX #003DD8

RGB 0 61 216

HSL 223.06, 1%, 0.42%

LAB 34.59, 46.39, -81.89

 

CMYK 100 / 78 / 0 / 23

HEX #002BC5

RGB 0 43 197

HSL 226.9, 1%, 0.39%

LAB 28.8, 50.15, -80.45

 

CMYK 100 / 86 / 0 / 30

HEX #0019B2

RGB 0 25 178

HSL 231.57, 1%, 0.35%

LAB 23.37, 52.87, -78.21

 

CMYK 96 / 62 / 0 / 0

HEX #0B61FE

RGB 11 97 254

HSL 218.77, 0.99%, 0.52%

LAB 46.68, 38.22, -83.47

 

CMYK 96 / 88 / 0 / 0

HEX #0B1FFE

RGB 11 31 254

HSL 235.06, 0.99%, 0.52%

LAB 34.41, 72.57, -103.78

 

CMYK 78 / 96 / 0 / 0

HEX #390BFE

RGB 57 11 254

HSL 251.36, 0.99%, 0.52%

LAB 34.53, 78.09, -103.54

 

CMYK 52 / 96 / 0 / 0

HEX #7A0BFE

RGB 122 11 254

HSL 267.41, 0.99%, 0.52%

LAB 40.46, 81.34, -93.5

 

CMYK 26 / 96 / 0 / 0

HEX #BC0BFE

RGB 188 11 254

HSL 283.7, 0.99%, 0.52%

LAB 49.6, 87.98, -78.15

 

CMYK 96 / 62 / 0 / 0

HEX #0B61FE

RGB 11 97 254

HSL 218.77, 0.99%, 0.52%

LAB 46.68, 38.22, -83.47

 

CMYK 96 / 88 / 0 / 0

HEX #0B1FFE

RGB 11 31 254

HSL 235.06, 0.99%, 0.52%

LAB 34.41, 72.57, -103.78

 

CMYK 96 / 96 / 0 / 0

HEX #0B0BFE

RGB 11 11 254

HSL 240, 0.99%, 0.52%

LAB 32.85, 77.37, -106.39

 

CMYK 96 / 62 / 0 / 0

HEX #0B61FE

RGB 11 97 254

HSL 218.77, 0.99%, 0.52%

LAB 46.68, 38.22, -83.47

 

CMYK 96 / 62 / 0 / 0

HEX #0B61FE

RGB 11 97 254

HSL 218.77, 0.99%, 0.52%

LAB 46.68, 38.22, -83.47

 

CMYK 87 / 56 / 0 / 8

HEX #1F66EA

RGB 31 102 234

HSL 219.01, 0.83%, 0.52%

LAB 46.62, 28.29, -72.36

 

CMYK 76 / 50 / 0 / 16

HEX #336CD6

RGB 51 108 214

HSL 219.02, 0.67%, 0.52%

LAB 47.34, 18.62, -59.85

 

CMYK 63 / 41 / 0 / 24

HEX #4772C2

RGB 71 114 194

HSL 219.02, 0.5%, 0.52%

LAB 48.6, 10.56, -46.35

 

CMYK 48 / 31 / 0 / 31

HEX #5B78AF

RGB 91 120 175

HSL 219.29, 0.34%, 0.52%

LAB 50.4, 4.97, -32.47

 

CMYK 96 / 9 / 0 / 0

HEX #0BE6FE

RGB 11 230 254

HSL 185.93, 0.99%, 0.52%

LAB 83.87, -37, -24.55

 

CMYK 96 / 35 / 0 / 0

HEX #0BA5FE

RGB 11 165 254

HSL 201.98, 0.99%, 0.52%

LAB 65.07, -3.49, -53.78

 

CMYK 96 / 61 / 0 / 0

HEX #0B64FE

RGB 11 100 254

HSL 218.02, 0.99%, 0.52%

LAB 47.42, 36.33, -82.26

 

CMYK 96 / 86 / 0 / 0

HEX #0B24FE

RGB 11 36 254

HSL 233.83, 0.99%, 0.52%

LAB 34.98, 70.85, -102.82

 

CMYK 80 / 96 / 0 / 0

HEX #340BFE

RGB 52 11 254

HSL 250.12, 0.99%, 0.52%

LAB 34.24, 77.96, -104.02

 

CMYK 99 / 65 / 0 / 29

HEX #0140B6

RGB 1 64 182

HSL 219.12, 0.99%, 0.36%

LAB 31.92, 31.74, -66.43

 

CMYK 100 / 65 / 0 / 13

HEX #014FDF

RGB 1 79 223

HSL 218.92, 0.99%, 0.44%

LAB 39.46, 37.78, -77.88

 

CMYK 96 / 62 / 0 / 0

HEX #0B61FE

RGB 11 97 254

HSL 218.77, 0.99%, 0.52%

LAB 46.68, 38.22, -83.47

 

CMYK 80 / 52 / 0 / 0

HEX #347BFE

RGB 52 123 254

HSL 218.91, 0.99%, 0.6%

LAB 54.08, 24.11, -71.37

 

CMYK 63 / 41 / 0 / 0

HEX #5E96FE

RGB 94 150 254

HSL 219, 0.99%, 0.68%

LAB 62.8, 13.22, -57.28

 

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

CMYK 16 / 96 / 0 / 0

HEX #D50BFE

RGB 213 11 254

HSL 289.88, 0.99%, 0.52%

LAB 53.54, 91.26, -71.57

 

CMYK 22 / 0 / 96 / 0

HEX #C5FE0B

RGB 197 254 11

HSL 74.07, 0.99%, 0.52%

LAB 92.92, -44.09, 88.78

 

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

CMYK 0 / 96 / 61 / 0

HEX #FE0B64

RGB 254 11 100

HSL 338.02, 0.99%, 0.52%

LAB 54.27, 81.82, 20.05

 

CMYK 61 / 0 / 96 / 0

HEX #64FE0B

RGB 100 254 11

HSL 98.02, 0.99%, 0.52%

LAB 88.74, -74.43, 83.7

 

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

CMYK 16 / 96 / 0 / 0

HEX #D50BFE

RGB 213 11 254

HSL 289.88, 0.99%, 0.52%

LAB 53.54, 91.26, -71.57

 

CMYK 0 / 35 / 96 / 0

HEX #FEA50B

RGB 254 165 11

HSL 38.02, 0.99%, 0.52%

LAB 74.83, 23.61, 77.58

 

CMYK 80 / 0 / 96 / 0

HEX #34FE0B

RGB 52 254 11

HSL 109.88, 0.99%, 0.52%

LAB 87.79, -82.57, 82.54

 

CMYK 95 / 62 / 0 / 0

HEX #0C61FE

RGB 12 97 254

HSL 218.93, 0.99%, 0.52%

LAB 46.69, 38.25, -83.45

 

CMYK 0 / 96 / 13 / 0

HEX #FE0BDD

RGB 254 11 221

HSL 308.15, 0.99%, 0.52%

LAB 58.54, 92.95, -44.66

 

CMYK 0 / 35 / 96 / 0

HEX #FEA50B

RGB 254 165 11

HSL 38.02, 0.99%, 0.52%

LAB 74.83, 23.61, 77.58

 

CMYK 96 / 0 / 83 / 0

HEX #0BFE2C

RGB 11 254 44

HSL 128.15, 0.99%, 0.52%

LAB 87.55, -84.46, 77.08

 

Description

Color code: HEX #0C61FE | qconv.com Color code: HEX #0C61FE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 97 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 97 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 62 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 62% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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