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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C6183 it is the complementary color #F39E7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C6183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C6183 shade: #11617E, #227391, #3385A4, #4497B7 and #55A9CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C6183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C6183 shade: #0C6183, #004F70, #003D5D, #002B4A and #001937

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C6183 shade: #0C6183, #0C4183, #0C2183, #170C83 and #370C83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C6183 shade: #0C6183, #0C4183, #0C2183 and #0C0C83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C6183 shade matches the following richer shades: #0C6183 and #01668E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C6183 shade: #0C6183, #185C77, #23576C, #2F5260 and #3A4D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C6183 shade: #0C8365, #0C8183, #0C6183, #0C4183 and #0C2283

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C6183 shade: #052937, #09455D, #0C6183, #107DA8 and #1399CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C6183 shade: #0C6183, #450C83 and #83750C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C6183 shade: #0C6183, #830C61 and #61830C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C6183 shade: #0C6183, #450C83, #832E0C and #49830C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C6183 shade: #0C6183, #690C83, #832E0C and #26830C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

Complementary color

CMYK 0 / 35 / 49 / 5

HEX #F39E7C

RGB 243 158 124

HSL 17.14, 0.83%, 0.72%

LAB 72.87, 28.04, 30.81

 

CMYK 87 / 23 / 0 / 51

HEX #11617E

RGB 17 97 126

HSL 195.96, 0.76%, 0.28%

LAB 38.15, -11.85, -22.67

 

CMYK 77 / 21 / 0 / 43

HEX #227391

RGB 34 115 145

HSL 196.22, 0.62%, 0.35%

LAB 45.15, -13.41, -23.24

 

CMYK 69 / 19 / 0 / 36

HEX #3385A4

RGB 51 133 164

HSL 196.46, 0.53%, 0.42%

LAB 52.02, -14.51, -23.72

 

CMYK 63 / 17 / 0 / 28

HEX #4497B7

RGB 68 151 183

HSL 196.7, 0.46%, 0.49%

LAB 58.77, -15.3, -24.15

 

CMYK 58 / 16 / 0 / 21

HEX #55A9CA

RGB 85 169 202

HSL 196.92, 0.52%, 0.56%

LAB 65.41, -15.89, -24.54

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 100 / 29 / 0 / 56

HEX #004F70

RGB 0 79 112

HSL 197.68, 1%, 0.22%

LAB 31.26, -7.75, -24.79

 

CMYK 100 / 34 / 0 / 64

HEX #003D5D

RGB 0 61 93

HSL 200.65, 1%, 0.18%

LAB 24.09, -4.19, -23.92

 

CMYK 100 / 42 / 0 / 71

HEX #002B4A

RGB 0 43 74

HSL 205.14, 1%, 0.15%

LAB 16.61, -0.27, -23.11

 

CMYK 100 / 55 / 0 / 78

HEX #001937

RGB 0 25 55

HSL 212.73, 1%, 0.11%

LAB 8.75, 4.23, -22.39

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 91 / 50 / 0 / 49

HEX #0C4183

RGB 12 65 131

HSL 213.28, 0.83%, 0.28%

LAB 28.11, 10.49, -41.68

 

CMYK 91 / 75 / 0 / 49

HEX #0C2183

RGB 12 33 131

HSL 229.41, 0.83%, 0.28%

LAB 19.24, 32.8, -56.17

 

CMYK 82 / 91 / 0 / 49

HEX #170C83

RGB 23 12 131

HSL 245.55, 0.83%, 0.28%

LAB 15.92, 44.38, -61.67

 

CMYK 58 / 91 / 0 / 49

HEX #370C83

RGB 55 12 131

HSL 261.68, 0.83%, 0.28%

LAB 18.86, 46.64, -56.7

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 91 / 50 / 0 / 49

HEX #0C4183

RGB 12 65 131

HSL 213.28, 0.83%, 0.28%

LAB 28.11, 10.49, -41.68

 

CMYK 91 / 75 / 0 / 49

HEX #0C2183

RGB 12 33 131

HSL 229.41, 0.83%, 0.28%

LAB 19.24, 32.8, -56.17

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C83

RGB 12 12 131

HSL 240, 0.83%, 0.28%

LAB 15.38, 43.99, -62.58

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 99 / 28 / 0 / 44

HEX #01668E

RGB 1 102 142

HSL 197.02, 0.99%, 0.28%

LAB 40.35, -9.65, -28.95

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 80 / 23 / 0 / 53

HEX #185C77

RGB 24 92 119

HSL 197.05, 0.66%, 0.28%

LAB 36.33, -10.78, -21.2

 

CMYK 68 / 19 / 0 / 58

HEX #23576C

RGB 35 87 108

HSL 197.26, 0.51%, 0.28%

LAB 34.51, -10.07, -17.17

 

CMYK 51 / 15 / 0 / 62

HEX #2F5260

RGB 47 82 96

HSL 197.14, 0.34%, 0.28%

LAB 32.88, -8.34, -12.08

 

CMYK 31 / 8 / 0 / 67

HEX #3A4D54

RGB 58 77 84

HSL 196.15, 0.18%, 0.28%

LAB 31.46, -5.48, -6.55

 

CMYK 91 / 0 / 23 / 49

HEX #0C8365

RGB 12 131 101

HSL 164.87, 0.83%, 0.28%

LAB 48.57, -37.54, 7.85

 

CMYK 91 / 2 / 0 / 49

HEX #0C8183

RGB 12 129 131

HSL 181.01, 0.83%, 0.28%

LAB 48.78, -27.71, -9.45

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 91 / 50 / 0 / 49

HEX #0C4183

RGB 12 65 131

HSL 213.28, 0.83%, 0.28%

LAB 28.11, 10.49, -41.68

 

CMYK 91 / 74 / 0 / 49

HEX #0C2283

RGB 12 34 131

HSL 228.91, 0.83%, 0.28%

LAB 19.48, 32.15, -55.78

 

CMYK 91 / 25 / 0 / 78

HEX #052937

RGB 5 41 55

HSL 196.8, 0.83%, 0.12%

LAB 14.92, -6.62, -12.61

 

CMYK 90 / 26 / 0 / 64

HEX #09455D

RGB 9 69 93

HSL 197.14, 0.82%, 0.2%

LAB 27.03, -8.48, -19.29

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 90 / 26 / 0 / 34

HEX #107DA8

RGB 16 125 168

HSL 196.97, 0.83%, 0.36%

LAB 49.01, -12.36, -30.76

 

CMYK 91 / 26 / 0 / 19

HEX #1399CE

RGB 19 153 206

HSL 197.01, 0.83%, 0.44%

LAB 59.32, -13.99, -36.33

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 47 / 91 / 0 / 49

HEX #450C83

RGB 69 12 131

HSL 268.74, 0.83%, 0.28%

LAB 20.7, 48.17, -53.6

 

CMYK 0 / 11 / 91 / 49

HEX #83750C

RGB 131 117 12

HSL 52.94, 0.83%, 0.28%

LAB 48.98, -5.22, 52.25

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 0 / 91 / 26 / 49

HEX #830C61

RGB 131 12 97

HSL 317.14, 0.83%, 0.28%

LAB 29.29, 53.15, -17.39

 

CMYK 26 / 0 / 91 / 49

HEX #61830C

RGB 97 131 12

HSL 77.14, 0.83%, 0.28%

LAB 50.45, -28.08, 52.31

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 47 / 91 / 0 / 49

HEX #450C83

RGB 69 12 131

HSL 268.74, 0.83%, 0.28%

LAB 20.7, 48.17, -53.6

 

CMYK 0 / 65 / 91 / 49

HEX #832E0C

RGB 131 46 12

HSL 17.14, 0.83%, 0.28%

LAB 31.36, 35.03, 38.25

 

CMYK 44 / 0 / 91 / 49

HEX #49830C

RGB 73 131 12

HSL 89.24, 0.83%, 0.28%

LAB 49.1, -37.46, 50.63

 

CMYK 91 / 26 / 0 / 49

HEX #0C6183

RGB 12 97 131

HSL 197.14, 0.83%, 0.28%

LAB 38.32, -10.32, -25.47

 

CMYK 20 / 91 / 0 / 49

HEX #690C83

RGB 105 12 131

HSL 286.89, 0.83%, 0.28%

LAB 26.46, 53.44, -43.95

 

CMYK 0 / 65 / 91 / 49

HEX #832E0C

RGB 131 46 12

HSL 17.14, 0.83%, 0.28%

LAB 31.36, 35.03, 38.25

 

CMYK 71 / 0 / 91 / 49

HEX #26830C

RGB 38 131 12

HSL 106.89, 0.83%, 0.28%

LAB 47.84, -47.44, 49.05

 

Description

Color code: HEX #0C6183 | qconv.com Color code: HEX #0C6183 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 97 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 97 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 26 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 26% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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