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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C5D52 it is the complementary color #F3A2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C5D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C5D52 shade: #115D4D, #226F60, #338173, #449386 and #55A599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C5D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C5D52 shade: #0C5D52, #004B3F, #00392C, #002719 and #001506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C5D52 shade: #0C5F54, #0C5F3D, #0C5F27, #0C5F11 and #1E5F0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C5D52 shade: #0C5F54, #0C545F, #0C3E5F, #0C275F and #0C115F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C5D52 shade matches the following richer shades: #0C5F54 and #04675A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C5D52 shade: #0C5F54, #15564D, #1E4D47, #264541 and #2F3C3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C5D52 shade: #0C5F26, #0C5F3C, #0C5F52, #0C555F and #0C3F5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C5D52 shade: #031613, #083A33, #0C5F54, #118374 and #16A894

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C5D52 shade: #0C5D52, #100C5F and #5F310C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C5D52 shade: #0C5D52, #520C5F and #5F520C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C5D52 shade: #0C5D52, #100C5F, #5F0C19 and #5B5F0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C5D52 shade: #0C5D52, #290C5F, #5F0C19 and #425F0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

Complementary color

CMYK 0 / 33 / 29 / 5

HEX #F3A2AD

RGB 243 162 173

HSL 351.85, 0.77%, 0.79%

LAB 74.77, 31.44, 6.69

 

CMYK 82 / 0 / 17 / 64

HEX #115D4D

RGB 17 93 77

HSL 167.37, 0.69%, 0.22%

LAB 34.97, -26.48, 2.84

 

CMYK 69 / 0 / 14 / 56

HEX #226F60

RGB 34 111 96

HSL 168.31, 0.53%, 0.28%

LAB 42.08, -27.15, 1.55

 

CMYK 60 / 0 / 11 / 49

HEX #338173

RGB 51 129 115

HSL 169.23, 0.43%, 0.35%

LAB 49.06, -27.45, 0.46

 

CMYK 54 / 0 / 9 / 42

HEX #449386

RGB 68 147 134

HSL 170.13, 0.37%, 0.42%

LAB 55.9, -27.56, -0.5

 

CMYK 48 / 0 / 7 / 35

HEX #55A599

RGB 85 165 153

HSL 171, 0.32%, 0.49%

LAB 62.63, -27.55, -1.36

 

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

CMYK 100 / 0 / 16 / 71

HEX #004B3F

RGB 0 75 63

HSL 170.4, 1%, 0.15%

LAB 27.82, -23.92, 1.34

 

CMYK 100 / 0 / 23 / 78

HEX #00392C

RGB 0 57 44

HSL 166.32, 1%, 0.11%

LAB 20.47, -21.09, 3.28

 

CMYK 100 / 0 / 36 / 85

HEX #002719

RGB 0 39 25

HSL 158.46, 1%, 0.08%

LAB 12.74, -18.07, 5.47

 

CMYK 100 / 0 / 71 / 92

HEX #001506

RGB 0 21 6

HSL 137.14, 1%, 0.04%

LAB 4.96, -9.06, 4.8

 

CMYK 87 / 0 / 12 / 63

HEX #0C5F54

RGB 12 95 84

HSL 172.05, 0.78%, 0.21%

LAB 35.8, -25.91, -0.32

 

CMYK 87 / 0 / 36 / 63

HEX #0C5F3D

RGB 12 95 61

HSL 155.42, 0.78%, 0.21%

LAB 35.2, -32.28, 13

 

CMYK 87 / 0 / 59 / 63

HEX #0C5F27

RGB 12 95 39

HSL 139.52, 0.78%, 0.21%

LAB 34.82, -36.71, 25.27

 

CMYK 87 / 0 / 82 / 63

HEX #0C5F11

RGB 12 95 17

HSL 123.61, 0.78%, 0.21%

LAB 34.61, -39.35, 35.34

 

CMYK 68 / 0 / 87 / 63

HEX #1E5F0C

RGB 30 95 12

HSL 106.99, 0.78%, 0.21%

LAB 34.98, -36.28, 37.53

 

CMYK 87 / 0 / 12 / 63

HEX #0C5F54

RGB 12 95 84

HSL 172.05, 0.78%, 0.21%

LAB 35.8, -25.91, -0.32

 

CMYK 87 / 12 / 0 / 63

HEX #0C545F

RGB 12 84 95

HSL 187.95, 0.78%, 0.21%

LAB 32.36, -16.37, -12.36

 

CMYK 87 / 35 / 0 / 63

HEX #0C3E5F

RGB 12 62 95

HSL 203.86, 0.78%, 0.21%

LAB 24.8, -2.8, -24.09

 

CMYK 87 / 59 / 0 / 63

HEX #0C275F

RGB 12 39 95

HSL 220.48, 0.78%, 0.21%

LAB 17.25, 13.68, -36.17

 

CMYK 87 / 82 / 0 / 63

HEX #0C115F

RGB 12 17 95

HSL 236.39, 0.78%, 0.21%

LAB 11.31, 29.32, -45.92

 

CMYK 87 / 0 / 12 / 63

HEX #0C5F54

RGB 12 95 84

HSL 172.05, 0.78%, 0.21%

LAB 35.8, -25.91, -0.32

 

CMYK 96 / 0 / 13 / 60

HEX #04675A

RGB 4 103 90

HSL 172.12, 0.93%, 0.21%

LAB 38.66, -28.6, 0.16

 

CMYK 87 / 0 / 12 / 63

HEX #0C5F54

RGB 12 95 84

HSL 172.05, 0.78%, 0.21%

LAB 35.8, -25.91, -0.32

 

CMYK 76 / 0 / 10 / 66

HEX #15564D

RGB 21 86 77

HSL 171.69, 0.61%, 0.21%

LAB 32.59, -22.4, -0.6

 

CMYK 61 / 0 / 8 / 70

HEX #1E4D47

RGB 30 77 71

HSL 172.34, 0.44%, 0.21%

LAB 29.51, -17.64, -1.27

 

CMYK 45 / 0 / 6 / 73

HEX #264541

RGB 38 69 65

HSL 172.26, 0.29%, 0.21%

LAB 26.88, -12.63, -1.2

 

CMYK 22 / 0 / 3 / 76

HEX #2F3C3A

RGB 47 60 58

HSL 170.77, 0.12%, 0.21%

LAB 24.13, -5.83, -0.54

 

CMYK 87 / 0 / 60 / 63

HEX #0C5F26

RGB 12 95 38

HSL 138.8, 0.78%, 0.21%

LAB 34.81, -36.87, 25.79

 

CMYK 87 / 0 / 37 / 63

HEX #0C5F3C

RGB 12 95 60

HSL 154.7, 0.78%, 0.21%

LAB 35.18, -32.52, 13.57

 

CMYK 87 / 0 / 14 / 63

HEX #0C5F52

RGB 12 95 82

HSL 170.6, 0.78%, 0.21%

LAB 35.74, -26.53, 0.83

 

CMYK 87 / 11 / 0 / 63

HEX #0C555F

RGB 12 85 95

HSL 187.23, 0.78%, 0.21%

LAB 32.7, -16.94, -11.83

 

CMYK 87 / 34 / 0 / 63

HEX #0C3F5F

RGB 12 63 95

HSL 203.13, 0.78%, 0.21%

LAB 25.14, -3.47, -23.55

 

CMYK 86 / 0 / 14 / 91

HEX #031613

RGB 3 22 19

HSL 170.53, 0.76%, 0.05%

LAB 5.78, -6.82, -0.28

 

CMYK 86 / 0 / 12 / 77

HEX #083A33

RGB 8 58 51

HSL 171.6, 0.76%, 0.13%

LAB 21.27, -17.92, -0.26

 

CMYK 87 / 0 / 12 / 63

HEX #0C5F54

RGB 12 95 84

HSL 172.05, 0.78%, 0.21%

LAB 35.8, -25.91, -0.32

 

CMYK 87 / 0 / 11 / 49

HEX #118374

RGB 17 131 116

HSL 172.11, 0.77%, 0.29%

LAB 49.02, -32.97, -0.27

 

CMYK 87 / 0 / 12 / 34

HEX #16A894

RGB 22 168 148

HSL 171.78, 0.77%, 0.37%

LAB 61.92, -40.09, 0.24

 

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

CMYK 83 / 87 / 0 / 63

HEX #100C5F

RGB 16 12 95

HSL 242.89, 0.78%, 0.21%

LAB 10.55, 32.46, -47.17

 

CMYK 0 / 48 / 87 / 63

HEX #5F310C

RGB 95 49 12

HSL 26.75, 0.78%, 0.21%

LAB 25.73, 17.92, 30.97

 

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

CMYK 14 / 87 / 0 / 63

HEX #520C5F

RGB 82 12 95

HSL 290.6, 0.78%, 0.21%

LAB 19.57, 42.13, -32.06

 

CMYK 0 / 14 / 87 / 63

HEX #5F520C

RGB 95 82 12

HSL 50.6, 0.78%, 0.21%

LAB 34.99, -2.48, 39.17

 

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

CMYK 83 / 87 / 0 / 63

HEX #100C5F

RGB 16 12 95

HSL 242.89, 0.78%, 0.21%

LAB 10.55, 32.46, -47.17

 

CMYK 0 / 87 / 74 / 63

HEX #5F0C19

RGB 95 12 25

HSL 350.6, 0.78%, 0.21%

LAB 19.08, 36.46, 16.12

 

CMYK 4 / 0 / 87 / 63

HEX #5B5F0C

RGB 91 95 12

HSL 62.89, 0.78%, 0.21%

LAB 38.61, -12.04, 42.14

 

CMYK 87 / 0 / 12 / 64

HEX #0C5D52

RGB 12 93 82

HSL 171.85, 0.77%, 0.21%

LAB 35.04, -25.55, -0.19

 

CMYK 57 / 87 / 0 / 63

HEX #290C5F

RGB 41 12 95

HSL 260.96, 0.78%, 0.21%

LAB 12.99, 35, -43.07

 

CMYK 0 / 87 / 74 / 63

HEX #5F0C19

RGB 95 12 25

HSL 350.6, 0.78%, 0.21%

LAB 19.08, 36.46, 16.12

 

CMYK 31 / 0 / 87 / 63

HEX #425F0C

RGB 66 95 12

HSL 80.96, 0.78%, 0.21%

LAB 36.69, -23.62, 39.71

 

Description

Color code: HEX #0C5D52 | qconv.com Color code: HEX #0C5D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 93 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 93 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 12 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 12% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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