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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C59D4 it is the complementary color #F3A62B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C59D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C59D4 shade: #1159CF, #226BE2, #337DF5, #448FFF and #55A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C59D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C59D4 shade: #0C59D4, #0047C1, #0035AE, #00239B and #001188

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C59D4 shade: #0C59D4, #0C23D4, #2B0CD4, #610CD4 and #960CD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C59D4 shade: #0C59D4, #0C23D4 and #0C0CD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C59D4 shade matches the following richer shades: #0C59D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C59D4 shade: #0C59D4, #1E5DC1, #3061AF, #42659D and #54698B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C59D4 shade: #0CC6D4, #0C91D4, #0C5CD4, #0C26D4 and #260CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C59D4 shade: #073886, #0A48AD, #0C59D4, #186BF1 and #3F84F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C59D4 shade: #0C59D4, #AC0CD4 and #ACD40C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C59D4 shade: #0C59D4, #D40C5C and #5CD40C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C59D4 shade: #0C59D4, #AC0CD4, #D4840C and #34D40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C59D4 shade: #0C59D4, #D40CC0, #D4840C and #0CD420

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

Complementary color

CMYK 0 / 32 / 82 / 5

HEX #F3A62B

RGB 243 166 43

HSL 36.9, 0.89%, 0.56%

LAB 73.87, 19.02, 69.23

 

CMYK 92 / 57 / 0 / 19

HEX #1159CF

RGB 17 89 207

HSL 217.26, 0.85%, 0.44%

LAB 40.85, 25.57, -66.42

 

CMYK 85 / 53 / 0 / 11

HEX #226BE2

RGB 34 107 226

HSL 217.19, 0.77%, 0.51%

LAB 47.43, 22.24, -66.54

 

CMYK 79 / 49 / 0 / 4

HEX #337DF5

RGB 51 125 245

HSL 217.11, 0.91%, 0.58%

LAB 53.99, 19.45, -66.54

 

CMYK 73 / 44 / 0 / 0

HEX #448FFF

RGB 68 143 255

HSL 215.94, 1%, 0.63%

LAB 59.97, 13.93, -62.4

 

CMYK 67 / 37 / 0 / 0

HEX #55A1FF

RGB 85 161 255

HSL 213.18, 1%, 0.67%

LAB 65.47, 5.65, -53.6

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 100 / 63 / 0 / 24

HEX #0047C1

RGB 0 71 193

HSL 217.93, 1%, 0.38%

LAB 34.72, 31.39, -68.33

 

CMYK 100 / 70 / 0 / 32

HEX #0035AE

RGB 0 53 174

HSL 221.72, 1%, 0.34%

LAB 28.39, 35.84, -67.49

 

CMYK 100 / 77 / 0 / 39

HEX #00239B

RGB 0 35 155

HSL 226.45, 1%, 0.3%

LAB 22.19, 40.04, -66.23

 

CMYK 100 / 88 / 0 / 47

HEX #001188

RGB 0 17 136

HSL 232.5, 1%, 0.27%

LAB 16.4, 43.15, -64.06

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 94 / 83 / 0 / 17

HEX #0C23D4

RGB 12 35 212

HSL 233.1, 0.89%, 0.44%

LAB 29.5, 59.08, -88.02

 

CMYK 80 / 94 / 0 / 17

HEX #2B0CD4

RGB 43 12 212

HSL 249.3, 0.89%, 0.44%

LAB 28.19, 67.2, -90.17

 

CMYK 54 / 94 / 0 / 17

HEX #610CD4

RGB 97 12 212

HSL 265.5, 0.89%, 0.44%

LAB 33.04, 70.01, -81.97

 

CMYK 29 / 94 / 0 / 17

HEX #960CD4

RGB 150 12 212

HSL 281.4, 0.89%, 0.44%

LAB 40.41, 75.46, -69.58

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 94 / 83 / 0 / 17

HEX #0C23D4

RGB 12 35 212

HSL 233.1, 0.89%, 0.44%

LAB 29.5, 59.08, -88.02

 

CMYK 94 / 94 / 0 / 17

HEX #0C0CD4

RGB 12 12 212

HSL 240, 0.89%, 0.44%

LAB 27, 66.63, -92.19

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 84 / 52 / 0 / 24

HEX #1E5DC1

RGB 30 93 193

HSL 216.81, 0.73%, 0.44%

LAB 41.14, 18.22, -57.82

 

CMYK 73 / 45 / 0 / 31

HEX #3061AF

RGB 48 97 175

HSL 216.85, 0.57%, 0.44%

LAB 41.65, 10.66, -46.46

 

CMYK 58 / 36 / 0 / 38

HEX #42659D

RGB 66 101 157

HSL 216.92, 0.41%, 0.44%

LAB 42.61, 4.89, -34.24

 

CMYK 40 / 24 / 0 / 45

HEX #54698B

RGB 84 105 139

HSL 217.09, 0.25%, 0.44%

LAB 44.02, 1.32, -21.22

 

CMYK 94 / 7 / 0 / 17

HEX #0CC6D4

RGB 12 198 212

HSL 184.2, 0.89%, 0.44%

LAB 73.04, -35.11, -18.54

 

CMYK 94 / 32 / 0 / 17

HEX #0C91D4

RGB 12 145 212

HSL 200.1, 0.89%, 0.44%

LAB 57.16, -7.59, -43.1

 

CMYK 94 / 57 / 0 / 17

HEX #0C5CD4

RGB 12 92 212

HSL 216, 0.89%, 0.44%

LAB 41.98, 25.38, -67.45

 

CMYK 94 / 82 / 0 / 17

HEX #0C26D4

RGB 12 38 212

HSL 232.2, 0.89%, 0.44%

LAB 29.96, 57.72, -87.26

 

CMYK 82 / 94 / 0 / 17

HEX #260CD4

RGB 38 12 212

HSL 247.8, 0.89%, 0.44%

LAB 27.92, 67.06, -90.63

 

CMYK 95 / 58 / 0 / 47

HEX #073886

RGB 7 56 134

HSL 216.85, 0.9%, 0.28%

LAB 25.55, 17.82, -47.71

 

CMYK 94 / 58 / 0 / 32

HEX #0A48AD

RGB 10 72 173

HSL 217.18, 0.89%, 0.36%

LAB 33.39, 23.06, -58.69

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 90 / 56 / 0 / 5

HEX #186BF1

RGB 24 107 241

HSL 217.05, 0.89%, 0.52%

LAB 48.34, 27.4, -73.5

 

CMYK 74 / 46 / 0 / 5

HEX #3F84F3

RGB 63 132 243

HSL 217, 0.88%, 0.6%

LAB 56.12, 15.7, -61.98

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 19 / 94 / 0 / 17

HEX #AC0CD4

RGB 172 12 212

HSL 288, 0.89%, 0.44%

LAB 43.93, 78.42, -63.7

 

CMYK 19 / 0 / 94 / 17

HEX #ACD40C

RGB 172 212 12

HSL 72, 0.89%, 0.44%

LAB 79.55, -35.21, 77.64

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 0 / 94 / 57 / 17

HEX #D40C5C

RGB 212 12 92

HSL 336, 0.89%, 0.44%

LAB 45.68, 71.58, 11.84

 

CMYK 57 / 0 / 94 / 17

HEX #5CD40C

RGB 92 212 12

HSL 96, 0.89%, 0.44%

LAB 75.69, -62.44, 72.94

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 19 / 94 / 0 / 17

HEX #AC0CD4

RGB 172 12 212

HSL 288, 0.89%, 0.44%

LAB 43.93, 78.42, -63.7

 

CMYK 0 / 38 / 94 / 17

HEX #D4840C

RGB 212 132 12

HSL 36, 0.89%, 0.44%

LAB 62.11, 23.31, 66.19

 

CMYK 75 / 0 / 94 / 17

HEX #34D40C

RGB 52 212 12

HSL 108, 0.89%, 0.44%

LAB 74.73, -70.59, 71.75

 

CMYK 94 / 58 / 0 / 17

HEX #0C59D4

RGB 12 89 212

HSL 216.9, 0.89%, 0.44%

LAB 41.18, 27.34, -68.76

 

CMYK 0 / 94 / 9 / 17

HEX #D40CC0

RGB 212 12 192

HSL 306, 0.89%, 0.44%

LAB 49.58, 81.76, -42.68

 

CMYK 0 / 38 / 94 / 17

HEX #D4840C

RGB 212 132 12

HSL 36, 0.89%, 0.44%

LAB 62.11, 23.31, 66.19

 

CMYK 94 / 0 / 85 / 17

HEX #0CD420

RGB 12 212 32

HSL 126, 0.89%, 0.44%

LAB 74.36, -73.65, 67.95

 

Description

Color code: HEX #0C59D4 | qconv.com Color code: HEX #0C59D4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 89 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 89 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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