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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C532B it is the complementary color #F3ACD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C532B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C532B shade: #115326, #226539, #33774C, #44895F and #559B72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C532B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C532B shade: #0C532B, #004118, #002F05, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C532B shade: #0C552C, #0C5518, #14550C, #27550C and #3B550C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C532B shade: #0C552C, #0C553F, #0C5553, #0C4355 and #0C2F55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C532B shade matches the following richer shades: #0C552C and #045D2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C532B shade: #0C552C, #144D2D, #1C452E, #243D2F and #2B3530

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C532B shade: #13550C, #0C5518, #0C552C, #0C553F and #0C5552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C532B shade: #020D07, #073119, #0C552C, #11793F and #169D51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C532B shade: #0C532B, #0C2755 and #550F0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C532B shade: #0C532B, #2C0C55 and #552C0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C532B shade: #0C532B, #0C2755, #550C35 and #553A0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C532B shade: #0C532B, #0C1155, #550C35 and #55500C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

Complementary color

CMYK 0 / 29 / 13 / 5

HEX #F3ACD4

RGB 243 172 212

HSL 326.2, 0.75%, 0.81%

LAB 78.06, 31.9, -9.8

 

CMYK 80 / 0 / 54 / 67

HEX #115326

RGB 17 83 38

HSL 139.09, 0.66%, 0.2%

LAB 30.51, -31.41, 20.57

 

CMYK 66 / 0 / 44 / 60

HEX #226539

RGB 34 101 57

HSL 140.6, 0.5%, 0.26%

LAB 37.74, -31.98, 18.85

 

CMYK 57 / 0 / 36 / 53

HEX #33774C

RGB 51 119 76

HSL 142.06, 0.4%, 0.33%

LAB 44.83, -32.07, 17.33

 

CMYK 50 / 0 / 31 / 46

HEX #44895F

RGB 68 137 95

HSL 143.48, 0.34%, 0.4%

LAB 51.78, -31.94, 15.98

 

CMYK 45 / 0 / 26 / 39

HEX #559B72

RGB 85 155 114

HSL 144.86, 0.29%, 0.47%

LAB 58.59, -31.72, 14.77

 

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

CMYK 100 / 0 / 63 / 75

HEX #004118

RGB 0 65 24

HSL 142.15, 1%, 0.13%

LAB 23.16, -29.49, 19.59

 

CMYK 100 / 0 / 89 / 82

HEX #002F05

RGB 0 47 5

HSL 126.38, 1%, 0.09%

LAB 15.72, -25.57, 20.19

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 86 / 0 / 72 / 67

HEX #0C5518

RGB 12 85 24

HSL 129.86, 0.75%, 0.19%

LAB 30.98, -35.11, 28.59

 

CMYK 76 / 0 / 86 / 67

HEX #14550C

RGB 20 85 12

HSL 113.42, 0.75%, 0.19%

LAB 31.05, -34.83, 33.76

 

CMYK 54 / 0 / 86 / 67

HEX #27550C

RGB 39 85 12

HSL 97.81, 0.75%, 0.19%

LAB 31.7, -29.53, 34.61

 

CMYK 31 / 0 / 86 / 67

HEX #3B550C

RGB 59 85 12

HSL 81.37, 0.75%, 0.19%

LAB 32.82, -21.6, 36.05

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 86 / 0 / 26 / 67

HEX #0C553F

RGB 12 85 63

HSL 161.92, 0.75%, 0.19%

LAB 31.66, -27.29, 6.85

 

CMYK 86 / 0 / 2 / 67

HEX #0C5553

RGB 12 85 83

HSL 178.36, 0.75%, 0.19%

LAB 32.26, -21.14, -4.91

 

CMYK 86 / 21 / 0 / 67

HEX #0C4355

RGB 12 67 85

HSL 194.79, 0.75%, 0.19%

LAB 26.01, -10.11, -15.69

 

CMYK 86 / 45 / 0 / 67

HEX #0C2F55

RGB 12 47 85

HSL 211.23, 0.75%, 0.19%

LAB 19.09, 3.33, -26.57

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 96 / 0 / 54 / 64

HEX #045D2B

RGB 4 93 43

HSL 146.29, 0.92%, 0.19%

LAB 34.04, -36.16, 22.07

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 74 / 0 / 42 / 70

HEX #144D2D

RGB 20 77 45

HSL 146.32, 0.59%, 0.19%

LAB 28.5, -26.81, 13.79

 

CMYK 59 / 0 / 33 / 73

HEX #1C452E

RGB 28 69 46

HSL 146.34, 0.42%, 0.19%

LAB 25.86, -20.69, 9.64

 

CMYK 41 / 0 / 23 / 76

HEX #243D2F

RGB 36 61 47

HSL 146.4, 0.26%, 0.19%

LAB 23.4, -13.41, 5.62

 

CMYK 19 / 0 / 9 / 79

HEX #2B3530

RGB 43 53 48

HSL 150, 0.1%, 0.19%

LAB 21.11, -5.47, 1.74

 

CMYK 78 / 0 / 86 / 67

HEX #13550C

RGB 19 85 12

HSL 114.25, 0.75%, 0.19%

LAB 31.02, -35.04, 33.73

 

CMYK 86 / 0 / 72 / 67

HEX #0C5518

RGB 12 85 24

HSL 129.86, 0.75%, 0.19%

LAB 30.98, -35.11, 28.59

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 86 / 0 / 26 / 67

HEX #0C553F

RGB 12 85 63

HSL 161.92, 0.75%, 0.19%

LAB 31.66, -27.29, 6.85

 

CMYK 86 / 0 / 4 / 67

HEX #0C5552

RGB 12 85 82

HSL 177.53, 0.75%, 0.19%

LAB 32.22, -21.48, -4.33

 

CMYK 85 / 0 / 46 / 95

HEX #020D07

RGB 2 13 7

HSL 147.27, 0.73%, 0.03%

LAB 2.86, -3.81, 1.33

 

CMYK 86 / 0 / 49 / 81

HEX #073119

RGB 7 49 25

HSL 145.71, 0.75%, 0.11%

LAB 17.05, -21.01, 11.33

 

CMYK 86 / 0 / 48 / 67

HEX #0C552C

RGB 12 85 44

HSL 146.3, 0.75%, 0.19%

LAB 31.25, -31.87, 17.97

 

CMYK 86 / 0 / 48 / 53

HEX #11793F

RGB 17 121 63

HSL 146.54, 0.75%, 0.27%

LAB 44.45, -41.76, 24.05

 

CMYK 86 / 0 / 48 / 38

HEX #169D51

RGB 22 157 81

HSL 146.22, 0.75%, 0.35%

LAB 56.96, -51.21, 30.29

 

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

CMYK 86 / 54 / 0 / 67

HEX #0C2755

RGB 12 39 85

HSL 217.81, 0.75%, 0.19%

LAB 16.43, 9.25, -30.83

 

CMYK 0 / 82 / 86 / 67

HEX #550F0C

RGB 85 15 12

HSL 2.47, 0.75%, 0.19%

LAB 16.99, 31.5, 20.97

 

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

CMYK 48 / 86 / 0 / 67

HEX #2C0C55

RGB 44 12 85

HSL 266.3, 0.75%, 0.19%

LAB 12.31, 32.56, -37.41

 

CMYK 0 / 48 / 86 / 67

HEX #552C0C

RGB 85 44 12

HSL 26.3, 0.75%, 0.19%

LAB 22.86, 16.2, 27.61

 

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

CMYK 86 / 54 / 0 / 67

HEX #0C2755

RGB 12 39 85

HSL 217.81, 0.75%, 0.19%

LAB 16.43, 9.25, -30.83

 

CMYK 0 / 86 / 38 / 67

HEX #550C35

RGB 85 12 53

HSL 326.3, 0.75%, 0.19%

LAB 17.7, 35.91, -6.11

 

CMYK 0 / 32 / 86 / 67

HEX #553A0C

RGB 85 58 12

HSL 37.81, 0.75%, 0.19%

LAB 26.69, 7.33, 31.32

 

CMYK 86 / 0 / 48 / 67

HEX #0C532B

RGB 12 83 43

HSL 146.2, 0.75%, 0.19%

LAB 30.49, -31.24, 17.59

 

CMYK 86 / 80 / 0 / 67

HEX #0C1155

RGB 12 17 85

HSL 235.89, 0.75%, 0.19%

LAB 10.07, 25.48, -41.22

 

CMYK 0 / 86 / 38 / 67

HEX #550C35

RGB 85 12 53

HSL 326.3, 0.75%, 0.19%

LAB 17.7, 35.91, -6.11

 

CMYK 0 / 6 / 86 / 67

HEX #55500C

RGB 85 80 12

HSL 55.89, 0.75%, 0.19%

LAB 33.34, -6.32, 37.33

 

Description

Color code: HEX #0C532B | qconv.com Color code: HEX #0C532B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 83 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 83 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 48 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 48% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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