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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C46E5 it is the complementary color #F3B91A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C46E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C46E5 shade: #1146E0, #2258F3, #336AFF, #447CFF and #558EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C46E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C46E5 shade: #0C46E5, #0034D2, #0022BF, #0010AC and #000099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C46E5 shade: #0C46E4, #0C0CE4, #470CE4, #810CE4 and #BB0CE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C46E5 shade: #0C46E4 and #0C0CE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C46E5 shade matches the following richer shades: #0C46E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C46E5 shade: #0C46E4, #1F4FD0, #3358BD, #4661AA and #5A6A96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C46E5 shade: #0CBCE4, #0C83E4, #0C49E4, #0C10E4 and #420CE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C46E5 shade: #082E95, #0A3ABD, #0C46E4, #255DF4 and #4D7AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C46E5 shade: #0C46E5, #D20CE4 and #9FE40C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C46E5 shade: #0C46E5, #E40C49 and #49E40C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C46E5 shade: #0C46E5, #D20CE4, #E4A70C and #1EE40C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C46E5 shade: #0C46E5, #E40CB5, #E4A70C and #0CE43B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

Complementary color

CMYK 0 / 24 / 89 / 5

HEX #F3B91A

RGB 243 185 26

HSL 43.96, 0.9%, 0.53%

LAB 78.36, 8.66, 77.23

 

CMYK 92 / 69 / 0 / 12

HEX #1146E0

RGB 17 70 224

HSL 224.64, 0.86%, 0.47%

LAB 37.63, 44.2, -81.45

 

CMYK 86 / 64 / 0 / 5

HEX #2258F3

RGB 34 88 243

HSL 224.5, 0.9%, 0.54%

LAB 43.93, 40.68, -81.82

 

CMYK 80 / 58 / 0 / 0

HEX #336AFF

RGB 51 106 255

HSL 223.82, 1%, 0.6%

LAB 49.78, 34.99, -78.92

 

CMYK 73 / 51 / 0 / 0

HEX #447CFF

RGB 68 124 255

HSL 222.03, 1%, 0.63%

LAB 54.93, 25.52, -70.52

 

CMYK 67 / 44 / 0 / 0

HEX #558EFF

RGB 85 142 255

HSL 219.88, 1%, 0.67%

LAB 60.34, 16.87, -61.78

 

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

CMYK 100 / 75 / 0 / 18

HEX #0034D2

RGB 0 52 210

HSL 225.14, 1%, 0.41%

LAB 32.05, 49.56, -82.62

 

CMYK 100 / 82 / 0 / 25

HEX #0022BF

RGB 0 34 191

HSL 229.32, 1%, 0.37%

LAB 26.46, 52.82, -80.79

 

CMYK 100 / 91 / 0 / 33

HEX #0010AC

RGB 0 16 172

HSL 234.42, 1%, 0.34%

LAB 21.39, 54.54, -77.9

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 95 / 69 / 0 / 11

HEX #0C46E4

RGB 12 70 228

HSL 223.89, 0.9%, 0.47%

LAB 37.95, 45.51, -83.2

 

CMYK 95 / 95 / 0 / 11

HEX #0C0CE4

RGB 12 12 228

HSL 240, 0.9%, 0.47%

LAB 29.27, 70.73, -97.63

 

CMYK 69 / 95 / 0 / 11

HEX #470CE4

RGB 71 12 228

HSL 256.39, 0.9%, 0.47%

LAB 32.27, 72.19, -92.55

 

CMYK 43 / 95 / 0 / 11

HEX #810CE4

RGB 129 12 228

HSL 272.5, 0.9%, 0.47%

LAB 38.78, 76.31, -81.56

 

CMYK 18 / 95 / 0 / 11

HEX #BB0CE4

RGB 187 12 228

HSL 288.61, 0.9%, 0.47%

LAB 47.53, 83.26, -66.89

 

CMYK 95 / 69 / 0 / 11

HEX #0C46E4

RGB 12 70 228

HSL 223.89, 0.9%, 0.47%

LAB 37.95, 45.51, -83.2

 

CMYK 95 / 95 / 0 / 11

HEX #0C0CE4

RGB 12 12 228

HSL 240, 0.9%, 0.47%

LAB 29.27, 70.73, -97.63

 

CMYK 95 / 69 / 0 / 11

HEX #0C46E4

RGB 12 70 228

HSL 223.89, 0.9%, 0.47%

LAB 37.95, 45.51, -83.2

 

CMYK 95 / 69 / 0 / 11

HEX #0C46E4

RGB 12 70 228

HSL 223.89, 0.9%, 0.47%

LAB 37.95, 45.51, -83.2

 

CMYK 85 / 62 / 0 / 18

HEX #1F4FD0

RGB 31 79 208

HSL 223.73, 0.74%, 0.47%

LAB 38.62, 33.25, -70.63

 

CMYK 73 / 53 / 0 / 26

HEX #3358BD

RGB 51 88 189

HSL 223.91, 0.58%, 0.47%

LAB 40.18, 22.17, -57.03

 

CMYK 59 / 43 / 0 / 33

HEX #4661AA

RGB 70 97 170

HSL 223.8, 0.42%, 0.47%

LAB 42.39, 12.73, -42.27

 

CMYK 40 / 29 / 0 / 41

HEX #5A6A96

RGB 90 106 150

HSL 224, 0.25%, 0.47%

LAB 45.2, 5.67, -25.92

 

CMYK 95 / 18 / 0 / 11

HEX #0CBCE4

RGB 12 188 228

HSL 191.11, 0.9%, 0.47%

LAB 70.63, -25.05, -30.92

 

CMYK 95 / 43 / 0 / 11

HEX #0C83E4

RGB 12 131 228

HSL 206.94, 0.9%, 0.47%

LAB 53.93, 6.81, -57.19

 

CMYK 95 / 68 / 0 / 11

HEX #0C49E4

RGB 12 73 228

HSL 223.06, 0.9%, 0.47%

LAB 38.63, 43.67, -82.08

 

CMYK 95 / 93 / 0 / 11

HEX #0C10E4

RGB 12 16 228

HSL 238.89, 0.9%, 0.47%

LAB 29.54, 69.89, -97.18

 

CMYK 71 / 95 / 0 / 11

HEX #420CE4

RGB 66 12 228

HSL 255, 0.9%, 0.47%

LAB 31.86, 71.97, -93.24

 

CMYK 95 / 69 / 0 / 42

HEX #082E95

RGB 8 46 149

HSL 223.83, 0.9%, 0.31%

LAB 24.24, 31.03, -59.14

 

CMYK 95 / 69 / 0 / 26

HEX #0A3ABD

RGB 10 58 189

HSL 223.91, 0.9%, 0.39%

LAB 31.27, 38.62, -71.65

 

CMYK 95 / 69 / 0 / 11

HEX #0C46E4

RGB 12 70 228

HSL 223.89, 0.9%, 0.47%

LAB 37.95, 45.51, -83.2

 

CMYK 85 / 62 / 0 / 4

HEX #255DF4

RGB 37 93 244

HSL 223.77, 0.9%, 0.55%

LAB 45.29, 38.1, -80.14

 

CMYK 69 / 50 / 0 / 4

HEX #4D7AF6

RGB 77 122 246

HSL 224.02, 0.9%, 0.63%

LAB 54.19, 24.75, -66.73

 

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

CMYK 8 / 95 / 0 / 11

HEX #D20CE4

RGB 210 12 228

HSL 295, 0.9%, 0.47%

LAB 51.34, 86.64, -60.54

 

CMYK 30 / 0 / 95 / 11

HEX #9FE40C

RGB 159 228 12

HSL 79.17, 0.9%, 0.47%

LAB 83.38, -47.2, 80.32

 

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

CMYK 0 / 95 / 68 / 11

HEX #E40C49

RGB 228 12 73

HSL 343.06, 0.9%, 0.47%

LAB 48.56, 74.32, 27.98

 

CMYK 68 / 0 / 95 / 11

HEX #49E40C

RGB 73 228 12

HSL 103.06, 0.9%, 0.47%

LAB 80.14, -71.87, 76.36

 

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

CMYK 8 / 95 / 0 / 11

HEX #D20CE4

RGB 210 12 228

HSL 295, 0.9%, 0.47%

LAB 51.34, 86.64, -60.54

 

CMYK 0 / 27 / 95 / 11

HEX #E4A70C

RGB 228 167 12

HSL 43.06, 0.9%, 0.47%

LAB 72.33, 11.47, 74.32

 

CMYK 87 / 0 / 95 / 11

HEX #1EE40C

RGB 30 228 12

HSL 115, 0.9%, 0.47%

LAB 79.49, -77.56, 75.56

 

CMYK 95 / 69 / 0 / 10

HEX #0C46E5

RGB 12 70 229

HSL 223.96, 0.9%, 0.47%

LAB 38.05, 45.87, -83.61

 

CMYK 0 / 95 / 21 / 11

HEX #E40CB5

RGB 228 12 181

HSL 313.06, 0.9%, 0.47%

LAB 51.94, 83.29, -32.34

 

CMYK 0 / 27 / 95 / 11

HEX #E4A70C

RGB 228 167 12

HSL 43.06, 0.9%, 0.47%

LAB 72.33, 11.47, 74.32

 

CMYK 95 / 0 / 74 / 11

HEX #0CE43B

RGB 12 228 59

HSL 133.06, 0.9%, 0.47%

LAB 79.55, -76.45, 65.22

 

Description

Color code: HEX #0C46E5 | qconv.com Color code: HEX #0C46E5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 70 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 70 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 69 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 69% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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