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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C46BD it is the complementary color #F3B942. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C46BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C46BD shade: #1146B8, #2258CB, #336ADE, #447CF1 and #558EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C46BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C46BD shade: #0C46BD, #0034AA, #002297, #001084 and #000071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C46BD shade: #0C45BB, #0C16BB, #310CBB, #600CBB and #8F0CBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C46BD shade: #0C45BB, #0C16BB and #0C0CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C46BD shade matches the following richer shades: #0C45BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C46BD shade: #0C45BB, #1C4BAB, #2C509B, #3C568B and #4C5B7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C46BD shade: #0CA4BB, #0C75BB, #0C46BB, #0C18BB and #2F0CBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C46BD shade: #07296D, #093794, #0C45BB, #0E54E2 and #286AF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C46BD shade: #0C46BD, #A40CBB and #8CBB0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C46BD shade: #0C46BD, #BB0C46 and #46BB0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C46BD shade: #0C46BD, #A40CBB, #BB810C and #23BB0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C46BD shade: #0C46BD, #BB0C9E, #BB810C and #0CBB29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

Complementary color

CMYK 0 / 24 / 73 / 5

HEX #F3B942

RGB 243 185 66

HSL 40.34, 0.88%, 0.61%

LAB 78.55, 9.87, 65.32

 

CMYK 91 / 62 / 0 / 28

HEX #1146B8

RGB 17 70 184

HSL 220.96, 0.83%, 0.39%

LAB 33.9, 29.11, -64.36

 

CMYK 83 / 57 / 0 / 20

HEX #2258CB

RGB 34 88 203

HSL 220.83, 0.71%, 0.46%

LAB 40.62, 25.7, -64.46

 

CMYK 77 / 52 / 0 / 13

HEX #336ADE

RGB 51 106 222

HSL 220.7, 0.72%, 0.54%

LAB 47.35, 22.87, -64.39

 

CMYK 72 / 49 / 0 / 5

HEX #447CF1

RGB 68 124 241

HSL 220.58, 0.86%, 0.61%

LAB 54.02, 20.53, -64.23

 

CMYK 67 / 44 / 0 / 0

HEX #558EFF

RGB 85 142 255

HSL 219.88, 1%, 0.67%

LAB 60.34, 16.87, -61.78

 

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

CMYK 100 / 69 / 0 / 33

HEX #0034AA

RGB 0 52 170

HSL 221.65, 1%, 0.33%

LAB 27.73, 34.95, -66.17

 

CMYK 100 / 77 / 0 / 41

HEX #002297

RGB 0 34 151

HSL 226.49, 1%, 0.3%

LAB 21.5, 39.18, -64.91

 

CMYK 100 / 88 / 0 / 48

HEX #001084

RGB 0 16 132

HSL 232.73, 1%, 0.26%

LAB 15.68, 42.31, -62.73

 

CMYK 100 / 100 / 0 / 56

HEX #000071

RGB 0 0 113

HSL 240, 1%, 0.22%

LAB 10.5, 43.45, -59.18

 

CMYK 94 / 63 / 0 / 27

HEX #0C45BB

RGB 12 69 187

HSL 220.46, 0.88%, 0.39%

LAB 33.82, 30.75, -66.26

 

CMYK 94 / 88 / 0 / 27

HEX #0C16BB

RGB 12 22 187

HSL 236.57, 0.88%, 0.39%

LAB 24.45, 56.94, -81.77

 

CMYK 74 / 94 / 0 / 27

HEX #310CBB

RGB 49 12 187

HSL 252.69, 0.88%, 0.39%

LAB 25.27, 61.01, -80.35

 

CMYK 49 / 94 / 0 / 27

HEX #600CBB

RGB 96 12 187

HSL 268.8, 0.88%, 0.39%

LAB 30.25, 64.24, -71.95

 

CMYK 24 / 94 / 0 / 27

HEX #8F0CBB

RGB 143 12 187

HSL 284.91, 0.88%, 0.39%

LAB 37.28, 69.85, -60.15

 

CMYK 94 / 63 / 0 / 27

HEX #0C45BB

RGB 12 69 187

HSL 220.46, 0.88%, 0.39%

LAB 33.82, 30.75, -66.26

 

CMYK 94 / 88 / 0 / 27

HEX #0C16BB

RGB 12 22 187

HSL 236.57, 0.88%, 0.39%

LAB 24.45, 56.94, -81.77

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CBB

RGB 12 12 187

HSL 240, 0.88%, 0.39%

LAB 23.44, 60.03, -83.46

 

CMYK 94 / 63 / 0 / 27

HEX #0C45BB

RGB 12 69 187

HSL 220.46, 0.88%, 0.39%

LAB 33.82, 30.75, -66.26

 

CMYK 94 / 63 / 0 / 27

HEX #0C45BB

RGB 12 69 187

HSL 220.46, 0.88%, 0.39%

LAB 33.82, 30.75, -66.26

 

CMYK 84 / 56 / 0 / 33

HEX #1C4BAB

RGB 28 75 171

HSL 220.28, 0.72%, 0.39%

LAB 34.44, 21.34, -55.77

 

CMYK 72 / 48 / 0 / 39

HEX #2C509B

RGB 44 80 155

HSL 220.54, 0.56%, 0.39%

LAB 35.28, 13.61, -44.78

 

CMYK 57 / 38 / 0 / 45

HEX #3C568B

RGB 60 86 139

HSL 220.25, 0.4%, 0.39%

LAB 36.89, 6.88, -32.46

 

CMYK 38 / 26 / 0 / 52

HEX #4C5B7B

RGB 76 91 123

HSL 220.85, 0.24%, 0.39%

LAB 38.64, 2.85, -19.89

 

CMYK 94 / 12 / 0 / 27

HEX #0CA4BB

RGB 12 164 187

HSL 187.89, 0.88%, 0.39%

LAB 61.84, -26.69, -21.79

 

CMYK 94 / 37 / 0 / 27

HEX #0C75BB

RGB 12 117 187

HSL 204, 0.88%, 0.39%

LAB 47.48, -0.55, -44.19

 

CMYK 94 / 63 / 0 / 27

HEX #0C46BB

RGB 12 70 187

HSL 220.11, 0.88%, 0.39%

LAB 34.08, 30.08, -65.84

 

CMYK 94 / 87 / 0 / 27

HEX #0C18BB

RGB 12 24 187

HSL 235.89, 0.88%, 0.39%

LAB 24.7, 56.18, -81.35

 

CMYK 75 / 94 / 0 / 27

HEX #2F0CBB

RGB 47 12 187

HSL 252, 0.88%, 0.39%

LAB 25.12, 60.92, -80.6

 

CMYK 94 / 62 / 0 / 57

HEX #07296D

RGB 7 41 109

HSL 220, 0.88%, 0.23%

LAB 18.95, 17.9, -42.58

 

CMYK 94 / 63 / 0 / 42

HEX #093794

RGB 9 55 148

HSL 220.14, 0.89%, 0.31%

LAB 26.53, 24.49, -54.77

 

CMYK 94 / 63 / 0 / 27

HEX #0C45BB

RGB 12 69 187

HSL 220.46, 0.88%, 0.39%

LAB 33.82, 30.75, -66.26

 

CMYK 94 / 63 / 0 / 11

HEX #0E54E2

RGB 14 84 226

HSL 220.19, 0.88%, 0.47%

LAB 41.1, 36.04, -76.88

 

CMYK 83 / 56 / 0 / 5

HEX #286AF1

RGB 40 106 241

HSL 220.3, 0.88%, 0.55%

LAB 48.4, 28.98, -73.39

 

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

CMYK 12 / 94 / 0 / 27

HEX #A40CBB

RGB 164 12 187

HSL 292.11, 0.88%, 0.39%

LAB 40.81, 72.97, -54.27

 

CMYK 25 / 0 / 94 / 27

HEX #8CBB0C

RGB 140 187 12

HSL 76.11, 0.88%, 0.39%

LAB 70.28, -36.62, 69.48

 

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

CMYK 0 / 94 / 63 / 27

HEX #BB0C46

RGB 187 12 70

HSL 340.11, 0.88%, 0.39%

LAB 40.03, 64.22, 17.16

 

CMYK 63 / 0 / 94 / 27

HEX #46BB0C

RGB 70 187 12

HSL 100.11, 0.88%, 0.39%

LAB 67.18, -59.35, 65.69

 

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

CMYK 12 / 94 / 0 / 27

HEX #A40CBB

RGB 164 12 187

HSL 292.11, 0.88%, 0.39%

LAB 40.81, 72.97, -54.27

 

CMYK 0 / 31 / 94 / 27

HEX #BB810C

RGB 187 129 12

HSL 40.11, 0.88%, 0.39%

LAB 58.31, 13.99, 62.06

 

CMYK 81 / 0 / 94 / 27

HEX #23BB0C

RGB 35 187 12

HSL 112.11, 0.88%, 0.39%

LAB 66.46, -65.52, 64.8

 

CMYK 94 / 63 / 0 / 26

HEX #0C46BD

RGB 12 70 189

HSL 220.34, 0.88%, 0.39%

LAB 34.26, 30.87, -66.72

 

CMYK 0 / 94 / 16 / 27

HEX #BB0C9E

RGB 187 12 158

HSL 309.94, 0.88%, 0.39%

LAB 43.21, 72.66, -32.94

 

CMYK 0 / 31 / 94 / 27

HEX #BB810C

RGB 187 129 12

HSL 40.11, 0.88%, 0.39%

LAB 58.31, 13.99, 62.06

 

CMYK 94 / 0 / 78 / 27

HEX #0CBB29

RGB 12 187 41

HSL 129.94, 0.88%, 0.39%

LAB 66.35, -66.12, 58.08

 

Description

Color code: HEX #0C46BD | qconv.com Color code: HEX #0C46BD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 70 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 70 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 63 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 63% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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