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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C44BF it is the complementary color #F3BB40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C44BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C44BF shade: #1144BA, #2256CD, #3368E0, #447AF3 and #558CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C44BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C44BF shade: #0C44BF, #0032AC, #002099, #000E86 and #000073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C44BF shade: #0C44C0, #0C14C0, #350CC0, #650CC0 and #960CC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C44BF shade: #0C44C0, #0C14C0 and #0C0CC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C44BF shade matches the following richer shades: #0C44C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C44BF shade: #0C44C0, #1D4BAF, #2D519F, #3E578E and #4E5D7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C44BF shade: #0CA5C0, #0C75C0, #0C45C0, #0C15C0 and #330CC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C44BF shade: #072972, #0A3799, #0C44C0, #0F52E7 and #2D6AF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C44BF shade: #0C44BF, #AB0CC0 and #8DC00C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C44BF shade: #0C44BF, #C00C45 and #45C00C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C44BF shade: #0C44BF, #AB0CC0, #C0870C and #21C00C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C44BF shade: #0C44BF, #C00C9F, #C0870C and #0CC02D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

Complementary color

CMYK 0 / 23 / 74 / 5

HEX #F3BB40

RGB 243 187 64

HSL 41.23, 0.88%, 0.6%

LAB 79.02, 8.74, 66.56

 

CMYK 91 / 63 / 0 / 27

HEX #1144BA

RGB 17 68 186

HSL 221.89, 0.83%, 0.4%

LAB 33.56, 31.23, -66.1

 

CMYK 83 / 58 / 0 / 20

HEX #2256CD

RGB 34 86 205

HSL 221.75, 0.72%, 0.47%

LAB 40.25, 27.78, -66.22

 

CMYK 77 / 54 / 0 / 12

HEX #3368E0

RGB 51 104 224

HSL 221.62, 0.74%, 0.54%

LAB 46.96, 24.89, -66.15

 

CMYK 72 / 50 / 0 / 5

HEX #447AF3

RGB 68 122 243

HSL 221.49, 0.88%, 0.61%

LAB 53.62, 22.48, -65.99

 

CMYK 67 / 45 / 0 / 0

HEX #558CFF

RGB 85 140 255

HSL 220.59, 1%, 0.67%

LAB 59.81, 18.07, -62.63

 

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

CMYK 100 / 71 / 0 / 33

HEX #0032AC

RGB 0 50 172

HSL 222.56, 1%, 0.34%

LAB 27.46, 37.02, -67.82

 

CMYK 100 / 79 / 0 / 40

HEX #002099

RGB 0 32 153

HSL 227.45, 1%, 0.3%

LAB 21.33, 41.08, -66.43

 

CMYK 100 / 90 / 0 / 47

HEX #000E86

RGB 0 14 134

HSL 233.73, 1%, 0.26%

LAB 15.67, 43.83, -64.01

 

CMYK 100 / 100 / 0 / 55

HEX #000073

RGB 0 0 115

HSL 240, 1%, 0.23%

LAB 10.83, 44, -59.92

 

CMYK 94 / 65 / 0 / 25

HEX #0C44C0

RGB 12 68 192

HSL 221.33, 0.88%, 0.4%

LAB 34.02, 33.35, -68.87

 

CMYK 94 / 90 / 0 / 25

HEX #0C14C0

RGB 12 20 192

HSL 237.33, 0.88%, 0.4%

LAB 24.9, 59.08, -83.98

 

CMYK 72 / 94 / 0 / 25

HEX #350CC0

RGB 53 12 192

HSL 253.67, 0.88%, 0.4%

LAB 26.23, 62.47, -81.71

 

CMYK 47 / 94 / 0 / 25

HEX #650CC0

RGB 101 12 192

HSL 269.67, 0.88%, 0.4%

LAB 31.43, 65.84, -72.93

 

CMYK 22 / 94 / 0 / 25

HEX #960CC0

RGB 150 12 192

HSL 286, 0.88%, 0.4%

LAB 38.82, 71.75, -60.54

 

CMYK 94 / 65 / 0 / 25

HEX #0C44C0

RGB 12 68 192

HSL 221.33, 0.88%, 0.4%

LAB 34.02, 33.35, -68.87

 

CMYK 94 / 90 / 0 / 25

HEX #0C14C0

RGB 12 20 192

HSL 237.33, 0.88%, 0.4%

LAB 24.9, 59.08, -83.98

 

CMYK 94 / 94 / 0 / 25

HEX #0C0CC0

RGB 12 12 192

HSL 240, 0.88%, 0.4%

LAB 24.15, 61.37, -85.23

 

CMYK 94 / 65 / 0 / 25

HEX #0C44C0

RGB 12 68 192

HSL 221.33, 0.88%, 0.4%

LAB 34.02, 33.35, -68.87

 

CMYK 94 / 65 / 0 / 25

HEX #0C44C0

RGB 12 68 192

HSL 221.33, 0.88%, 0.4%

LAB 34.02, 33.35, -68.87

 

CMYK 83 / 57 / 0 / 31

HEX #1D4BAF

RGB 29 75 175

HSL 221.1, 0.72%, 0.4%

LAB 34.78, 23.01, -57.59

 

CMYK 72 / 49 / 0 / 38

HEX #2D519F

RGB 45 81 159

HSL 221.05, 0.56%, 0.4%

LAB 35.88, 14.62, -46.22

 

CMYK 56 / 39 / 0 / 44

HEX #3E578E

RGB 62 87 142

HSL 221.25, 0.39%, 0.4%

LAB 37.47, 7.73, -33.37

 

CMYK 38 / 26 / 0 / 51

HEX #4E5D7E

RGB 78 93 126

HSL 221.25, 0.24%, 0.4%

LAB 39.5, 3.1, -20.37

 

CMYK 94 / 14 / 0 / 25

HEX #0CA5C0

RGB 12 165 192

HSL 189, 0.88%, 0.4%

LAB 62.33, -25.52, -23.83

 

CMYK 94 / 39 / 0 / 25

HEX #0C75C0

RGB 12 117 192

HSL 205, 0.88%, 0.4%

LAB 47.76, 1.41, -46.63

 

CMYK 94 / 64 / 0 / 25

HEX #0C45C0

RGB 12 69 192

HSL 221, 0.88%, 0.4%

LAB 34.27, 32.7, -68.46

 

CMYK 94 / 89 / 0 / 25

HEX #0C15C0

RGB 12 21 192

HSL 237, 0.88%, 0.4%

LAB 25.01, 58.74, -83.79

 

CMYK 73 / 94 / 0 / 25

HEX #330CC0

RGB 51 12 192

HSL 253, 0.88%, 0.4%

LAB 26.08, 62.38, -81.97

 

CMYK 94 / 64 / 0 / 55

HEX #072972

RGB 7 41 114

HSL 220.93, 0.88%, 0.24%

LAB 19.42, 20.06, -45.05

 

CMYK 93 / 64 / 0 / 40

HEX #0A3799

RGB 10 55 153

HSL 221.12, 0.88%, 0.32%

LAB 27.01, 26.58, -57.05

 

CMYK 94 / 65 / 0 / 25

HEX #0C44C0

RGB 12 68 192

HSL 221.33, 0.88%, 0.4%

LAB 34.02, 33.35, -68.87

 

CMYK 94 / 65 / 0 / 9

HEX #0F52E7

RGB 15 82 231

HSL 221.39, 0.88%, 0.48%

LAB 41.07, 39.22, -79.77

 

CMYK 81 / 56 / 0 / 5

HEX #2D6AF2

RGB 45 106 242

HSL 221.42, 0.88%, 0.56%

LAB 48.61, 29.74, -73.6

 

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

CMYK 11 / 94 / 0 / 25

HEX #AB0CC0

RGB 171 12 192

HSL 293, 0.88%, 0.4%

LAB 42.35, 74.9, -54.65

 

CMYK 27 / 0 / 94 / 25

HEX #8DC00C

RGB 141 192 12

HSL 77, 0.88%, 0.4%

LAB 71.82, -38.47, 70.73

 

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

CMYK 0 / 94 / 64 / 25

HEX #C00C45

RGB 192 12 69

HSL 341, 0.88%, 0.4%

LAB 41.06, 65.4, 19.34

 

CMYK 64 / 0 / 94 / 25

HEX #45C00C

RGB 69 192 12

HSL 101, 0.88%, 0.4%

LAB 68.74, -61.24, 66.97

 

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

CMYK 11 / 94 / 0 / 25

HEX #AB0CC0

RGB 171 12 192

HSL 293, 0.88%, 0.4%

LAB 42.35, 74.9, -54.65

 

CMYK 0 / 30 / 94 / 25

HEX #C0870C

RGB 192 135 12

HSL 41, 0.88%, 0.4%

LAB 60.39, 12.92, 63.84

 

CMYK 83 / 0 / 94 / 25

HEX #21C00C

RGB 33 192 12

HSL 113, 0.88%, 0.4%

LAB 68.06, -67.2, 66.12

 

CMYK 94 / 64 / 0 / 25

HEX #0C44BF

RGB 12 68 191

HSL 221.23, 0.88%, 0.4%

LAB 33.93, 32.97, -68.44

 

CMYK 0 / 94 / 17 / 25

HEX #C00C9F

RGB 192 12 159

HSL 311, 0.88%, 0.4%

LAB 44.19, 73.74, -31.92

 

CMYK 0 / 30 / 94 / 25

HEX #C0870C

RGB 192 135 12

HSL 41, 0.88%, 0.4%

LAB 60.39, 12.92, 63.84

 

CMYK 94 / 0 / 77 / 25

HEX #0CC02D

RGB 12 192 45

HSL 131, 0.88%, 0.4%

LAB 68, -67.28, 58.4

 

Description

Color code: HEX #0C44BF | qconv.com Color code: HEX #0C44BF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 68 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 68 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 64 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 64% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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