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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C307B it is the complementary color #F3CF84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C307B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C307B shade: #113076, #224289, #33549C, #4466AF and #5578C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C307B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C307B shade: #0C307B, #001E68, #000C55, #000042 and #00002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C307B shade: #0C2F79, #0C1279, #230C79, #410C79 and #5E0C79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C307B shade: #0C2F79, #0C1279 and #0C0C79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C307B shade matches the following richer shades: #0C2F79 and #012B83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C307B shade: #0C2F79, #17336E, #213763, #2C3B58 and #373E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C307B shade: #0C6A79, #0C4D79, #0C3079, #0C1379 and #220C79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C307B shade: #05122E, #082153, #0C2F79, #103E9E and #134DC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C307B shade: #0C307B, #6A0C79 and #5C790C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C307B shade: #0C307B, #790C30 and #30790C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C307B shade: #0C307B, #6A0C79, #79540C and #1A790C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C307B shade: #0C307B, #790C67, #79540C and #0C791E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

Complementary color

CMYK 0 / 15 / 46 / 5

HEX #F3CF84

RGB 243 207 132

HSL 40.54, 0.82%, 0.74%

LAB 84.66, 3.08, 41.84

 

CMYK 86 / 59 / 0 / 54

HEX #113076

RGB 17 48 118

HSL 221.58, 0.75%, 0.26%

LAB 22.09, 17.47, -43.23

 

CMYK 75 / 52 / 0 / 46

HEX #224289

RGB 34 66 137

HSL 221.36, 0.6%, 0.34%

LAB 29.52, 14.6, -43.09

 

CMYK 67 / 46 / 0 / 39

HEX #33549C

RGB 51 84 156

HSL 221.14, 0.51%, 0.41%

LAB 36.83, 12.49, -42.88

 

CMYK 61 / 42 / 0 / 31

HEX #4466AF

RGB 68 102 175

HSL 220.93, 0.44%, 0.48%

LAB 43.98, 10.89, -42.68

 

CMYK 56 / 38 / 0 / 24

HEX #5578C2

RGB 85 120 194

HSL 220.73, 0.47%, 0.55%

LAB 50.99, 9.64, -42.51

 

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

CMYK 100 / 71 / 0 / 59

HEX #001E68

RGB 0 30 104

HSL 222.69, 1%, 0.2%

LAB 15.1, 23.29, -45.64

 

CMYK 100 / 86 / 0 / 67

HEX #000C55

RGB 0 12 85

HSL 231.53, 1%, 0.17%

LAB 8.3, 27.84, -44.18

 

CMYK 100 / 100 / 0 / 74

HEX #000042

RGB 0 0 66

HSL 240, 1%, 0.13%

LAB 3.55, 24.67, -38.75

 

CMYK 100 / 100 / 0 / 82

HEX #00002F

RGB 0 0 47

HSL 240, 1%, 0.09%

LAB 1.85, 13.03, -27.55

 

CMYK 90 / 61 / 0 / 53

HEX #0C2F79

RGB 12 47 121

HSL 220.73, 0.82%, 0.26%

LAB 21.91, 19.04, -45.44

 

CMYK 90 / 85 / 0 / 53

HEX #0C1279

RGB 12 18 121

HSL 236.7, 0.82%, 0.26%

LAB 14.91, 38.04, -56.99

 

CMYK 71 / 90 / 0 / 53

HEX #230C79

RGB 35 12 121

HSL 252.66, 0.82%, 0.26%

LAB 15.49, 42.09, -55.98

 

CMYK 46 / 90 / 0 / 53

HEX #410C79

RGB 65 12 121

HSL 269.17, 0.82%, 0.26%

LAB 19.09, 45.19, -49.92

 

CMYK 22 / 90 / 0 / 53

HEX #5E0C79

RGB 94 12 121

HSL 285.14, 0.82%, 0.26%

LAB 23.75, 49.6, -42.11

 

CMYK 90 / 61 / 0 / 53

HEX #0C2F79

RGB 12 47 121

HSL 220.73, 0.82%, 0.26%

LAB 21.91, 19.04, -45.44

 

CMYK 90 / 85 / 0 / 53

HEX #0C1279

RGB 12 18 121

HSL 236.7, 0.82%, 0.26%

LAB 14.91, 38.04, -56.99

 

CMYK 90 / 90 / 0 / 53

HEX #0C0C79

RGB 12 12 121

HSL 240, 0.82%, 0.26%

LAB 13.95, 40.87, -58.58

 

CMYK 90 / 61 / 0 / 53

HEX #0C2F79

RGB 12 47 121

HSL 220.73, 0.82%, 0.26%

LAB 21.91, 19.04, -45.44

 

CMYK 99 / 67 / 0 / 49

HEX #012B83

RGB 1 43 131

HSL 220.62, 0.98%, 0.26%

LAB 21.48, 25.46, -52.49

 

CMYK 90 / 61 / 0 / 53

HEX #0C2F79

RGB 12 47 121

HSL 220.73, 0.82%, 0.26%

LAB 21.91, 19.04, -45.44

 

CMYK 79 / 54 / 0 / 57

HEX #17336E

RGB 23 51 110

HSL 220.69, 0.65%, 0.26%

LAB 22.57, 12.63, -37.33

 

CMYK 67 / 44 / 0 / 61

HEX #213763

RGB 33 55 99

HSL 220, 0.5%, 0.26%

LAB 23.53, 7.03, -28.65

 

CMYK 50 / 33 / 0 / 65

HEX #2C3B58

RGB 44 59 88

HSL 219.55, 0.33%, 0.26%

LAB 24.85, 2.95, -19.33

 

CMYK 29 / 21 / 0 / 69

HEX #373E4E

RGB 55 62 78

HSL 221.74, 0.17%, 0.26%

LAB 26.18, 1.37, -10.66

 

CMYK 90 / 12 / 0 / 53

HEX #0C6A79

RGB 12 106 121

HSL 188.26, 0.82%, 0.26%

LAB 40.84, -19.19, -15.49

 

CMYK 90 / 36 / 0 / 53

HEX #0C4D79

RGB 12 77 121

HSL 204.22, 0.82%, 0.26%

LAB 31.27, -1.86, -30.39

 

CMYK 90 / 60 / 0 / 53

HEX #0C3079

RGB 12 48 121

HSL 220.18, 0.82%, 0.26%

LAB 22.2, 18.32, -44.97

 

CMYK 90 / 84 / 0 / 53

HEX #0C1379

RGB 12 19 121

HSL 236.15, 0.82%, 0.26%

LAB 15.09, 37.51, -56.69

 

CMYK 72 / 90 / 0 / 53

HEX #220C79

RGB 34 12 121

HSL 252.11, 0.82%, 0.26%

LAB 15.4, 42.01, -56.13

 

CMYK 89 / 61 / 0 / 82

HEX #05122E

RGB 5 18 46

HSL 220.98, 0.8%, 0.1%

LAB 5.98, 5.85, -20.22

 

CMYK 90 / 60 / 0 / 67

HEX #082153

RGB 8 33 83

HSL 220, 0.82%, 0.18%

LAB 14.2, 12.46, -33.11

 

CMYK 90 / 61 / 0 / 53

HEX #0C2F79

RGB 12 47 121

HSL 220.73, 0.82%, 0.26%

LAB 21.91, 19.04, -45.44

 

CMYK 90 / 61 / 0 / 38

HEX #103E9E

RGB 16 62 158

HSL 220.56, 0.82%, 0.34%

LAB 29.47, 24.1, -56.05

 

CMYK 90 / 61 / 0 / 23

HEX #134DC4

RGB 19 77 196

HSL 220.34, 0.82%, 0.42%

LAB 36.8, 29.26, -66.65

 

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

CMYK 12 / 90 / 0 / 53

HEX #6A0C79

RGB 106 12 121

HSL 291.74, 0.82%, 0.26%

LAB 25.88, 51.72, -38.55

 

CMYK 24 / 0 / 90 / 53

HEX #5C790C

RGB 92 121 12

HSL 75.96, 0.82%, 0.26%

LAB 46.94, -25.33, 49.24

 

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

CMYK 0 / 90 / 60 / 53

HEX #790C30

RGB 121 12 48

HSL 340.18, 0.82%, 0.26%

LAB 25.39, 45.65, 9.49

 

CMYK 60 / 0 / 90 / 53

HEX #30790C

RGB 48 121 12

HSL 100.18, 0.82%, 0.26%

LAB 44.7, -41.41, 46.44

 

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

CMYK 12 / 90 / 0 / 53

HEX #6A0C79

RGB 106 12 121

HSL 291.74, 0.82%, 0.26%

LAB 25.88, 51.72, -38.55

 

CMYK 0 / 31 / 90 / 53

HEX #79540C

RGB 121 84 12

HSL 39.63, 0.82%, 0.26%

LAB 38.61, 9.18, 43.44

 

CMYK 79 / 0 / 90 / 53

HEX #1A790C

RGB 26 121 12

HSL 112.29, 0.82%, 0.26%

LAB 44.12, -46.31, 45.71

 

CMYK 90 / 61 / 0 / 52

HEX #0C307B

RGB 12 48 123

HSL 220.54, 0.82%, 0.26%

LAB 22.38, 19.17, -45.95

 

CMYK 0 / 90 / 15 / 53

HEX #790C67

RGB 121 12 103

HSL 309.91, 0.82%, 0.26%

LAB 27.59, 51.75, -24.09

 

CMYK 0 / 31 / 90 / 53

HEX #79540C

RGB 121 84 12

HSL 39.63, 0.82%, 0.26%

LAB 38.61, 9.18, 43.44

 

CMYK 90 / 0 / 75 / 53

HEX #0C791E

RGB 12 121 30

HSL 129.91, 0.82%, 0.26%

LAB 44.01, -46.88, 39.76

 

Description

Color code: HEX #0C307B | qconv.com Color code: HEX #0C307B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 48 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 48 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 61 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 61% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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