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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C2BE7 it is the complementary color #F3D418. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C2BE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C2BE7 shade: #112BE2, #223DF5, #334FFF, #4461FF and #5573FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C2BE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C2BE7 shade: #0C2BE7, #0019D4, #0007C1, #0000AE and #00009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C2BE7 shade: #0C2BE9, #280CE9, #640CE9, #9F0CE9 and #DB0CE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C2BE7 shade: #0C2BE9 and #0C0CE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C2BE7 shade matches the following richer shades: #0C2BE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C2BE7 shade: #0C2BE9, #203AD5, #3448C1, #4856AD and #5B6499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C2BE7 shade: #0CA3E9, #0C68E9, #0C2DE9, #260CE9 and #610CE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C2BE7 shade: #081D9A, #0A24C1, #0C2BE9, #2A47F4 and #5169F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C2BE7 shade: #0C2BE7, #E90CDE and #85E90C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C2BE7 shade: #0C2BE7, #E90C2D and #2DE90C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C2BE7 shade: #0C2BE7, #E90CDE, #E9C80C and #0CE917

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C2BE7 shade: #0C2BE7, #E90C9B, #E9C80C and #0CE959

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

Complementary color

CMYK 0 / 13 / 90 / 5

HEX #F3D418

RGB 243 212 24

HSL 51.51, 0.9%, 0.52%

LAB 85.1, -5.28, 82.76

 

CMYK 92 / 81 / 0 / 11

HEX #112BE2

RGB 17 43 226

HSL 232.54, 0.86%, 0.48%

LAB 32.56, 59.8, -90.98

 

CMYK 86 / 75 / 0 / 4

HEX #223DF5

RGB 34 61 245

HSL 232.32, 0.91%, 0.55%

LAB 38.32, 57.22, -92.2

 

CMYK 80 / 69 / 0 / 0

HEX #334FFF

RGB 51 79 255

HSL 231.76, 1%, 0.6%

LAB 43.53, 51.38, -89.17

 

CMYK 73 / 62 / 0 / 0

HEX #4461FF

RGB 68 97 255

HSL 230.7, 1%, 0.63%

LAB 48.26, 42.14, -81.38

 

CMYK 67 / 55 / 0 / 0

HEX #5573FF

RGB 85 115 255

HSL 229.41, 1%, 0.67%

LAB 53.4, 33.27, -72.97

 

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

CMYK 100 / 88 / 0 / 17

HEX #0019D4

RGB 0 25 212

HSL 232.92, 1%, 0.42%

LAB 27.98, 62.88, -90.57

 

CMYK 100 / 96 / 0 / 24

HEX #0007C1

RGB 0 7 193

HSL 237.82, 1%, 0.38%

LAB 23.68, 62.64, -86.62

 

CMYK 100 / 100 / 0 / 32

HEX #0000AE

RGB 0 0 174

HSL 240, 1%, 0.34%

LAB 20.27, 59.46, -80.99

 

CMYK 100 / 100 / 0 / 39

HEX #00009B

RGB 0 0 155

HSL 240, 1%, 0.3%

LAB 17.3, 54.61, -74.37

 

CMYK 95 / 82 / 0 / 9

HEX #0C2BE9

RGB 12 43 233

HSL 231.58, 0.9%, 0.48%

LAB 33.33, 61.86, -93.71

 

CMYK 83 / 95 / 0 / 9

HEX #280CE9

RGB 40 12 233

HSL 247.6, 0.9%, 0.48%

LAB 30.87, 72.39, -97.78

 

CMYK 57 / 95 / 0 / 9

HEX #640CE9

RGB 100 12 233

HSL 263.89, 0.9%, 0.48%

LAB 35.7, 75, -89.61

 

CMYK 32 / 95 / 0 / 9

HEX #9F0CE9

RGB 159 12 233

HSL 279.91, 0.9%, 0.48%

LAB 43.53, 80.53, -76.44

 

CMYK 6 / 95 / 0 / 9

HEX #DB0CE9

RGB 219 12 233

HSL 296.2, 0.9%, 0.48%

LAB 53.17, 88.78, -60.34

 

CMYK 95 / 82 / 0 / 9

HEX #0C2BE9

RGB 12 43 233

HSL 231.58, 0.9%, 0.48%

LAB 33.33, 61.86, -93.71

 

CMYK 95 / 95 / 0 / 9

HEX #0C0CE9

RGB 12 12 233

HSL 240, 0.9%, 0.48%

LAB 29.97, 72, -99.31

 

CMYK 95 / 82 / 0 / 9

HEX #0C2BE9

RGB 12 43 233

HSL 231.58, 0.9%, 0.48%

LAB 33.33, 61.86, -93.71

 

CMYK 95 / 82 / 0 / 9

HEX #0C2BE9

RGB 12 43 233

HSL 231.58, 0.9%, 0.48%

LAB 33.33, 61.86, -93.71

 

CMYK 85 / 73 / 0 / 16

HEX #203AD5

RGB 32 58 213

HSL 231.38, 0.74%, 0.48%

LAB 34.27, 48.14, -80.67

 

CMYK 73 / 63 / 0 / 24

HEX #3448C1

RGB 52 72 193

HSL 231.49, 0.58%, 0.48%

LAB 36.4, 34.13, -65.52

 

CMYK 58 / 50 / 0 / 32

HEX #4856AD

RGB 72 86 173

HSL 231.68, 0.41%, 0.48%

LAB 39.67, 21.22, -48.4

 

CMYK 41 / 35 / 0 / 40

HEX #5B6499

RGB 91 100 153

HSL 231.29, 0.25%, 0.48%

LAB 43.71, 10.54, -30.02

 

CMYK 95 / 30 / 0 / 9

HEX #0CA3E9

RGB 12 163 233

HSL 199, 0.9%, 0.48%

LAB 63.47, -10.03, -44.81

 

CMYK 95 / 55 / 0 / 9

HEX #0C68E9

RGB 12 104 233

HSL 215.02, 0.9%, 0.48%

LAB 46.79, 25.79, -71.53

 

CMYK 95 / 81 / 0 / 9

HEX #0C2DE9

RGB 12 45 233

HSL 231.04, 0.9%, 0.48%

LAB 33.64, 60.93, -93.19

 

CMYK 84 / 95 / 0 / 9

HEX #260CE9

RGB 38 12 233

HSL 247.06, 0.9%, 0.48%

LAB 30.78, 72.35, -97.94

 

CMYK 58 / 95 / 0 / 9

HEX #610CE9

RGB 97 12 233

HSL 263.08, 0.9%, 0.48%

LAB 35.38, 74.8, -90.17

 

CMYK 95 / 81 / 0 / 40

HEX #081D9A

RGB 8 29 154

HSL 231.37, 0.9%, 0.32%

LAB 21.07, 43.34, -67.47

 

CMYK 95 / 81 / 0 / 24

HEX #0A24C1

RGB 10 36 193

HSL 231.48, 0.9%, 0.4%

LAB 27.23, 52.66, -80.69

 

CMYK 95 / 82 / 0 / 9

HEX #0C2BE9

RGB 12 43 233

HSL 231.58, 0.9%, 0.48%

LAB 33.33, 61.86, -93.71

 

CMYK 83 / 71 / 0 / 4

HEX #2A47F4

RGB 42 71 244

HSL 231.39, 0.9%, 0.56%

LAB 40.46, 51.72, -88.09

 

CMYK 67 / 57 / 0 / 4

HEX #5169F6

RGB 81 105 246

HSL 231.27, 0.9%, 0.64%

LAB 50.1, 35.76, -73.33

 

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

CMYK 0 / 95 / 5 / 9

HEX #E90CDE

RGB 233 12 222

HSL 302.99, 0.9%, 0.48%

LAB 54.93, 89.44, -51.18

 

CMYK 43 / 0 / 95 / 9

HEX #85E90C

RGB 133 233 12

HSL 87.15, 0.9%, 0.48%

LAB 83.6, -58.13, 79.96

 

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

CMYK 0 / 95 / 81 / 9

HEX #E90C2D

RGB 233 12 45

HSL 351.04, 0.9%, 0.48%

LAB 49.22, 74.53, 45.36

 

CMYK 81 / 0 / 95 / 9

HEX #2DE90C

RGB 45 233 12

HSL 111.04, 0.9%, 0.48%

LAB 81.22, -77.52, 77.04

 

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

CMYK 0 / 95 / 5 / 9

HEX #E90CDE

RGB 233 12 222

HSL 302.99, 0.9%, 0.48%

LAB 54.93, 89.44, -51.18

 

CMYK 0 / 14 / 95 / 9

HEX #E9C80C

RGB 233 200 12

HSL 51.04, 0.9%, 0.48%

LAB 81.1, -3.61, 80.93

 

CMYK 95 / 0 / 90 / 9

HEX #0CE917

RGB 12 233 23

HSL 122.99, 0.9%, 0.48%

LAB 80.97, -79.66, 75.38

 

CMYK 95 / 81 / 0 / 9

HEX #0C2BE7

RGB 12 43 231

HSL 231.51, 0.9%, 0.48%

LAB 33.08, 61.25, -92.98

 

CMYK 0 / 95 / 33 / 9

HEX #E90C9B

RGB 233 12 155

HSL 321.18, 0.9%, 0.48%

LAB 51.78, 81.43, -17.16

 

CMYK 0 / 14 / 95 / 9

HEX #E9C80C

RGB 233 200 12

HSL 51.04, 0.9%, 0.48%

LAB 81.1, -3.61, 80.93

 

CMYK 95 / 0 / 62 / 9

HEX #0CE959

RGB 12 233 89

HSL 140.9, 0.9%, 0.48%

LAB 81.33, -75.02, 55.63

 

Description

Color code: HEX #0C2BE7 | qconv.com Color code: HEX #0C2BE7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 43 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 43 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 81 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 81% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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