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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C273ACE it is the complementary color #F3D8C5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C273ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C273ACE shade: #112735CE, #223948CE, #334B5BCE, #445D6ECE and #556F81CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C273ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C273ACE shade: #0C273ACE, #001527CE, #000314CE, #000001CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C273ACE shade: #0C283B, #0C1B3B, #0C0E3B, #170C3B and #230C3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C273ACE shade: #0C283B, #0C1B3B, #0C0E3B and #0C0C3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C273ACE shade matches the following richer shades: #0C283B, #062941 and #012A47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C273ACE shade: #0C283B, #122735, #182630, #1D252A and #232424

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C273ACE shade: #0C3B35, #0C353B, #0C283B, #0C1C3B and #0C0F3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C273ACE shade: #000000, #051119, #0C283B, #133F5E and #1A5680

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C273ACE shade: #0C273A, #280C3B and #3B3B0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C273ACE shade: #0C273A, #3B0C28 and #283B0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C273ACE shade: #0C273A, #280C3B, #3B1F0C and #1F3B0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C273ACE shade: #0C273A, #370C3B, #3B1F0C and #113B0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 27 / 0 / 63

HEX #0C273ACE

RGBA 12 39 58 0.81

HSLA 204.78, 0.66%, 0.14%, 0.81

LABA 14.59, -2.65, -15.2, 0.81

 

Complementary color

CMYK 0 / 9 / 15 / 4

HEX #F3D8C5CE

RGBA 243 216 197 0.81

HSLA 24.78, 0.66%, 0.86%, 0.81

LABA 88.06, 6.39, 12.78, 0.81

 

CMYK 55 / 21 / 0 / 64

HEX #112735CE

RGBA 17 39 53 0.81

HSLA 203.33, 0.51%, 0.14%, 0.81

LABA 14.55, -3.57, -11.73, 0.81

 

CMYK 43 / 17 / 0 / 58

HEX #223948CE

RGBA 34 57 72 0.81

HSLA 203.68, 0.36%, 0.21%, 0.81

LABA 22.77, -4.13, -12.02, 0.81

 

CMYK 36 / 14 / 0 / 52

HEX #334B5BCE

RGBA 51 75 91 0.81

HSLA 204, 0.28%, 0.28%, 0.81

LABA 30.62, -4.44, -12.33, 0.81

 

CMYK 31 / 13 / 0 / 46

HEX #445D6ECE

RGBA 68 93 110 0.81

HSLA 204.29, 0.24%, 0.35%, 0.81

LABA 38.17, -4.65, -12.66, 0.81

 

CMYK 28 / 11 / 0 / 40

HEX #556F81CE

RGBA 85 111 129 0.81

HSLA 204.55, 0.21%, 0.42%, 0.81

LABA 45.48, -4.8, -13.01, 0.81

 

CMYK 64 / 27 / 0 / 63

HEX #0C273ACE

RGBA 12 39 58 0.81

HSLA 204.78, 0.66%, 0.14%, 0.81

LABA 14.59, -2.65, -15.2, 0.81

 

CMYK 81 / 37 / 0 / 69

HEX #001527CE

RGBA 0 21 39 0.81

HSLA 207.69, 1%, 0.08%, 0.81

LABA 6.17, -0.6, -14.71, 0.81

 

CMYK 81 / 69 / 0 / 75

HEX #000314CE

RGBA 0 3 20 0.81

HSLA 231, 1%, 0.04%, 0.81

LABA 1.04, 2, -7.86, 0.81

 

CMYK 81 / 81 / 0 / 81

HEX #000001CE

RGBA 0 0 1 0.81

HSLA 240, 1%, 0%, 0.81

LABA 0.02, 0.14, -0.38, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 80 / 54 / 0 / 77

HEX #0C1B3B

RGB 12 27 59

HSL 220.85, 0.66%, 0.14%

LAB 10.39, 6.82, -22.58

 

CMYK 80 / 76 / 0 / 77

HEX #0C0E3B

RGB 12 14 59

HSL 237.45, 0.66%, 0.14%

LAB 6.4, 16.5, -29.05

 

CMYK 61 / 80 / 0 / 77

HEX #170C3B

RGB 23 12 59

HSL 254.04, 0.66%, 0.14%

LAB 6.87, 20.19, -28.23

 

CMYK 41 / 80 / 0 / 77

HEX #230C3B

RGB 35 12 59

HSL 269.36, 0.66%, 0.14%

LAB 8.45, 23.14, -25.6

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 80 / 54 / 0 / 77

HEX #0C1B3B

RGB 12 27 59

HSL 220.85, 0.66%, 0.14%

LAB 10.39, 6.82, -22.58

 

CMYK 80 / 76 / 0 / 77

HEX #0C0E3B

RGB 12 14 59

HSL 237.45, 0.66%, 0.14%

LAB 6.4, 16.5, -29.05

 

CMYK 80 / 80 / 0 / 77

HEX #0C0C3B

RGB 12 12 59

HSL 240, 0.66%, 0.14%

LAB 5.93, 17.61, -29.8

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 91 / 37 / 0 / 75

HEX #062941

RGB 6 41 65

HSL 204.41, 0.83%, 0.14%

LAB 15.52, -2.04, -18.64

 

CMYK 99 / 41 / 0 / 72

HEX #012A47

RGB 1 42 71

HSL 204.86, 0.97%, 0.14%

LAB 16.09, -0.8, -21.88

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 66 / 26 / 0 / 79

HEX #122735

RGB 18 39 53

HSL 204, 0.49%, 0.14%

LAB 14.61, -3.31, -11.64

 

CMYK 50 / 21 / 0 / 81

HEX #182630

RGB 24 38 48

HSL 205, 0.33%, 0.14%

LAB 14.37, -2.66, -8.44

 

CMYK 31 / 12 / 0 / 84

HEX #1D252A

RGB 29 37 42

HSL 203.08, 0.18%, 0.14%

LAB 14.13, -2.08, -4.48

 

CMYK 3 / 0 / 0 / 86

HEX #232424

RGB 35 36 36

HSL 180, 0.01%, 0.14%

LAB 14.1, -0.46, -0.16

 

CMYK 80 / 0 / 10 / 77

HEX #0C3B35

RGB 12 59 53

HSL 172.34, 0.66%, 0.14%

LAB 21.81, -17.15, -0.81

 

CMYK 80 / 10 / 0 / 77

HEX #0C353B

RGB 12 53 59

HSL 187.66, 0.66%, 0.14%

LAB 19.8, -11.52, -7.87

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 80 / 53 / 0 / 77

HEX #0C1C3B

RGB 12 28 59

HSL 219.57, 0.66%, 0.14%

LAB 10.74, 6.03, -22.02

 

CMYK 80 / 75 / 0 / 77

HEX #0C0F3B

RGB 12 15 59

HSL 236.17, 0.66%, 0.14%

LAB 6.64, 15.9, -28.65

 

CMYK 80 / 32 / 0 / 90

HEX #051119

RGB 5 17 25

HSL 204, 0.67%, 0.06%

LAB 4.55, -1.64, -6.37

 

CMYK 80 / 32 / 0 / 77

HEX #0C283B

RGB 12 40 59

HSL 204.26, 0.66%, 0.14%

LAB 15.02, -2.93, -15.25

 

CMYK 80 / 33 / 0 / 63

HEX #133F5E

RGB 19 63 94

HSL 204.8, 0.66%, 0.22%

LAB 25.26, -2.99, -22.69

 

CMYK 80 / 33 / 0 / 50

HEX #1A5680

RGB 26 86 128

HSL 204.71, 0.66%, 0.3%

LAB 34.87, -3.39, -29.02

 

CMYK 79 / 33 / 0 / 77

HEX #0C273A

RGB 12 39 58

HSL 204.78, 0.66%, 0.14%

LAB 14.59, -2.65, -15.2

 

CMYK 32 / 80 / 0 / 77

HEX #280C3B

RGB 40 12 59

HSL 275.74, 0.66%, 0.14%

LAB 9.24, 24.39, -24.29

 

CMYK 0 / 0 / 80 / 77

HEX #3B3B0C

RGB 59 59 12

HSL 60, 0.66%, 0.14%

LAB 23.95, -6.9, 27.63

 

CMYK 79 / 33 / 0 / 77

HEX #0C273A

RGB 12 39 58

HSL 204.78, 0.66%, 0.14%

LAB 14.59, -2.65, -15.2

 

CMYK 0 / 80 / 32 / 77

HEX #3B0C28

RGB 59 12 40

HSL 324.26, 0.66%, 0.14%

LAB 11.59, 26.06, -6.44

 

CMYK 32 / 0 / 80 / 77

HEX #283B0C

RGB 40 59 12

HSL 84.26, 0.66%, 0.14%

LAB 22.32, -16.38, 25.45

 

CMYK 79 / 33 / 0 / 77

HEX #0C273A

RGB 12 39 58

HSL 204.78, 0.66%, 0.14%

LAB 14.59, -2.65, -15.2

 

CMYK 32 / 80 / 0 / 77

HEX #280C3B

RGB 40 12 59

HSL 275.74, 0.66%, 0.14%

LAB 9.24, 24.39, -24.29

 

CMYK 0 / 47 / 80 / 77

HEX #3B1F0C

RGB 59 31 12

HSL 24.26, 0.66%, 0.14%

LAB 15.15, 11.6, 17.58

 

CMYK 47 / 0 / 80 / 77

HEX #1F3B0C

RGB 31 59 12

HSL 95.74, 0.66%, 0.14%

LAB 21.75, -20.31, 24.66

 

CMYK 79 / 33 / 0 / 77

HEX #0C273A

RGB 12 39 58

HSL 204.78, 0.66%, 0.14%

LAB 14.59, -2.65, -15.2

 

CMYK 7 / 80 / 0 / 77

HEX #370C3B

RGB 55 12 59

HSL 294.89, 0.66%, 0.14%

LAB 11.9, 28.38, -19.88

 

CMYK 0 / 47 / 80 / 77

HEX #3B1F0C

RGB 59 31 12

HSL 24.26, 0.66%, 0.14%

LAB 15.15, 11.6, 17.58

 

CMYK 71 / 0 / 80 / 77

HEX #113B0C

RGB 17 59 12

HSL 113.62, 0.66%, 0.14%

LAB 21.11, -25.17, 23.78

 

Description

Color code: HEX #0C273ACE | qconv.com Color code: HEX #0C273ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 39 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 39 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 27 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 27% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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