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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C2468CE it is the complementary color #F3DB97CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C2468CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C2468CE shade: #112463CE, #223676CE, #334889CE, #445A9CCE and #556CAFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C2468CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C2468CE shade: #0C2468CE, #001255CE, #000042CE, #00002FCE and #00001CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C2468CE shade: #0C2469, #0D0C69, #260C69, #3F0C69 and #580C69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C2468CE shade: #0C2469 and #0C0C69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C2468CE shade matches the following richer shades: #0C2469 and #032072

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C2468CE shade: #0C2469, #16295F, #1F2E56, #29324D and #323743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C2468CE shade: #0C5669, #0C3E69, #0C2569, #0C0C69 and #250C69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C2468CE shade: #040B1F, #081844, #0C2469, #11318E and #153EB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C2468CE shade: #0C2468, #630C69 and #4A690C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C2468CE shade: #0C2468, #690C25 and #25690C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C2468CE shade: #0C2468, #630C69, #69500C and #12690C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C2468CE shade: #0C2468, #690C53, #69500C and #0C6922

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 53 / 0 / 48

HEX #0C2468CE

RGBA 12 36 104 0.81

HSLA 224.35, 0.79%, 0.23%, 0.81

LABA 17.18, 19.8, -42.22, 0.81

 

Complementary color

CMYK 0 / 8 / 31 / 4

HEX #F3DB97CE

RGBA 243 219 151 0.81

HSLA 44.35, 0.79%, 0.77%, 0.81

LABA 87.95, -1.11, 36.47, 0.81

 

CMYK 67 / 52 / 0 / 50

HEX #112463CE

RGBA 17 36 99 0.81

HSLA 226.1, 0.71%, 0.23%, 0.81

LABA 16.9, 18.18, -39.38, 0.81

 

CMYK 58 / 44 / 0 / 44

HEX #223676CE

RGBA 34 54 118 0.81

HSLA 225.71, 0.55%, 0.3%, 0.81

LABA 24.6, 15.42, -39.14, 0.81

 

CMYK 51 / 38 / 0 / 37

HEX #334889CE

RGBA 51 72 137 0.81

HSLA 225.35, 0.46%, 0.37%, 0.81

LABA 32.13, 13.44, -38.84, 0.81

 

CMYK 46 / 34 / 0 / 31

HEX #445A9CCE

RGBA 68 90 156 0.81

HSLA 225, 0.39%, 0.44%, 0.81

LABA 39.48, 11.97, -38.59, 0.81

 

CMYK 42 / 31 / 0 / 25

HEX #556CAFCE

RGBA 85 108 175 0.81

HSLA 224.67, 0.36%, 0.51%, 0.81

LABA 46.65, 10.83, -38.39, 0.81

 

CMYK 72 / 53 / 0 / 48

HEX #0C2468CE

RGBA 12 36 104 0.81

HSLA 224.35, 0.79%, 0.23%, 0.81

LABA 17.18, 19.8, -42.22, 0.81

 

CMYK 81 / 64 / 0 / 54

HEX #001255CE

RGBA 0 18 85 0.81

HSLA 227.29, 1%, 0.17%, 0.81

LABA 9.71, 23.83, -41.84, 0.81

 

CMYK 81 / 81 / 0 / 60

HEX #000042CE

RGBA 0 0 66 0.81

HSLA 240, 1%, 0.13%, 0.81

LABA 3.55, 24.67, -38.75, 0.81

 

CMYK 81 / 81 / 0 / 66

HEX #00002FCE

RGBA 0 0 47 0.81

HSLA 240, 1%, 0.09%, 0.81

LABA 1.85, 13.03, -27.55, 0.81

 

CMYK 81 / 81 / 0 / 72

HEX #00001CCE

RGBA 0 0 28 0.81

HSLA 240, 1%, 0.05%, 0.81

LABA 0.76, 5.32, -14.39, 0.81

 

CMYK 89 / 66 / 0 / 59

HEX #0C2469

RGB 12 36 105

HSL 224.52, 0.79%, 0.23%

LAB 17.27, 20.23, -42.72

 

CMYK 88 / 89 / 0 / 59

HEX #0D0C69

RGB 13 12 105

HSL 240.65, 0.79%, 0.23%

LAB 11.75, 35.69, -51.84

 

CMYK 64 / 89 / 0 / 59

HEX #260C69

RGB 38 12 105

HSL 256.77, 0.79%, 0.23%

LAB 13.8, 37.6, -48.37

 

CMYK 40 / 89 / 0 / 59

HEX #3F0C69

RGB 63 12 105

HSL 272.9, 0.79%, 0.23%

LAB 17.18, 40.92, -42.69

 

CMYK 16 / 89 / 0 / 59

HEX #580C69

RGB 88 12 105

HSL 289.03, 0.79%, 0.23%

LAB 21.42, 45.3, -35.6

 

CMYK 89 / 66 / 0 / 59

HEX #0C2469

RGB 12 36 105

HSL 224.52, 0.79%, 0.23%

LAB 17.27, 20.23, -42.72

 

CMYK 89 / 89 / 0 / 59

HEX #0C0C69

RGB 12 12 105

HSL 240, 0.79%, 0.23%

LAB 11.7, 35.65, -51.92

 

CMYK 89 / 66 / 0 / 59

HEX #0C2469

RGB 12 36 105

HSL 224.52, 0.79%, 0.23%

LAB 17.27, 20.23, -42.72

 

CMYK 97 / 72 / 0 / 55

HEX #032072

RGB 3 32 114

HSL 224.32, 0.95%, 0.23%

LAB 16.83, 26.26, -49.3

 

CMYK 89 / 66 / 0 / 59

HEX #0C2469

RGB 12 36 105

HSL 224.52, 0.79%, 0.23%

LAB 17.27, 20.23, -42.72

 

CMYK 77 / 57 / 0 / 63

HEX #16295F

RGB 22 41 95

HSL 224.38, 0.62%, 0.23%

LAB 18.29, 13.48, -34.47

 

CMYK 64 / 47 / 0 / 66

HEX #1F2E56

RGB 31 46 86

HSL 223.64, 0.47%, 0.23%

LAB 19.71, 7.9, -26.19

 

CMYK 47 / 35 / 0 / 70

HEX #29324D

RGB 41 50 77

HSL 225, 0.31%, 0.23%

LAB 21.16, 4.47, -17.82

 

CMYK 25 / 18 / 0 / 74

HEX #323743

RGB 50 55 67

HSL 222.35, 0.15%, 0.23%

LAB 23.05, 1.04, -8.14

 

CMYK 89 / 18 / 0 / 59

HEX #0C5669

RGB 12 86 105

HSL 192.26, 0.79%, 0.23%

LAB 33.46, -13.8, -16.95

 

CMYK 89 / 41 / 0 / 59

HEX #0C3E69

RGB 12 62 105

HSL 207.74, 0.79%, 0.23%

LAB 25.39, 1.44, -29.6

 

CMYK 89 / 65 / 0 / 59

HEX #0C2569

RGB 12 37 105

HSL 223.87, 0.79%, 0.23%

LAB 17.56, 19.5, -42.25

 

CMYK 89 / 89 / 0 / 59

HEX #0C0C69

RGB 12 12 105

HSL 240, 0.79%, 0.23%

LAB 11.7, 35.65, -51.92

 

CMYK 65 / 89 / 0 / 59

HEX #250C69

RGB 37 12 105

HSL 256.13, 0.79%, 0.23%

LAB 13.69, 37.5, -48.56

 

CMYK 87 / 65 / 0 / 88

HEX #040B1F

RGB 4 11 31

HSL 224.44, 0.77%, 0.07%

LAB 3.29, 2.91, -12.97

 

CMYK 88 / 65 / 0 / 73

HEX #081844

RGB 8 24 68

HSL 224, 0.79%, 0.15%

LAB 9.97, 12.64, -29.63

 

CMYK 89 / 66 / 0 / 59

HEX #0C2469

RGB 12 36 105

HSL 224.52, 0.79%, 0.23%

LAB 17.27, 20.23, -42.72

 

CMYK 88 / 65 / 0 / 44

HEX #11318E

RGB 17 49 142

HSL 224.64, 0.79%, 0.31%

LAB 24.54, 26.66, -54.32

 

CMYK 88 / 65 / 0 / 30

HEX #153EB3

RGB 21 62 179

HSL 224.43, 0.79%, 0.39%

LAB 31.48, 32.69, -65.36

 

CMYK 88 / 65 / 0 / 59

HEX #0C2468

RGB 12 36 104

HSL 224.35, 0.79%, 0.23%

LAB 17.18, 19.8, -42.22

 

CMYK 6 / 89 / 0 / 59

HEX #630C69

RGB 99 12 105

HSL 296.13, 0.79%, 0.23%

LAB 23.46, 47.46, -32.22

 

CMYK 30 / 0 / 89 / 59

HEX #4A690C

RGB 74 105 12

HSL 80, 0.79%, 0.23%

LAB 40.55, -25.16, 43.31

 

CMYK 88 / 65 / 0 / 59

HEX #0C2468

RGB 12 36 104

HSL 224.35, 0.79%, 0.23%

LAB 17.18, 19.8, -42.22

 

CMYK 0 / 89 / 65 / 59

HEX #690C25

RGB 105 12 37

HSL 343.87, 0.79%, 0.23%

LAB 21.58, 40.28, 11.37

 

CMYK 65 / 0 / 89 / 59

HEX #25690C

RGB 37 105 12

HSL 103.87, 0.79%, 0.23%

LAB 38.77, -38.3, 41.05

 

CMYK 88 / 65 / 0 / 59

HEX #0C2468

RGB 12 36 104

HSL 224.35, 0.79%, 0.23%

LAB 17.18, 19.8, -42.22

 

CMYK 6 / 89 / 0 / 59

HEX #630C69

RGB 99 12 105

HSL 296.13, 0.79%, 0.23%

LAB 23.46, 47.46, -32.22

 

CMYK 0 / 24 / 89 / 59

HEX #69500C

RGB 105 80 12

HSL 43.87, 0.79%, 0.23%

LAB 35.53, 3.74, 40.08

 

CMYK 83 / 0 / 89 / 59

HEX #12690C

RGB 18 105 12

HSL 116.13, 0.79%, 0.23%

LAB 38.3, -42.23, 40.46

 

CMYK 88 / 65 / 0 / 59

HEX #0C2468

RGB 12 36 104

HSL 224.35, 0.79%, 0.23%

LAB 17.18, 19.8, -42.22

 

CMYK 0 / 89 / 21 / 59

HEX #690C53

RGB 105 12 83

HSL 314.19, 0.79%, 0.23%

LAB 23.31, 45.21, -17.83

 

CMYK 0 / 24 / 89 / 59

HEX #69500C

RGB 105 80 12

HSL 43.87, 0.79%, 0.23%

LAB 35.53, 3.74, 40.08

 

CMYK 89 / 0 / 68 / 59

HEX #0C6922

RGB 12 105 34

HSL 134.19, 0.79%, 0.23%

LAB 38.37, -41.05, 31.95

 

Description

Color code: HEX #0C2468CE | qconv.com Color code: HEX #0C2468CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 36 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 36 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 53 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 53% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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