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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0C245FCE it is the complementary color #F3DBA0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0C245FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0C245FCE shade: #11245ACE, #22366DCE, #334880CE, #445A93CE and #556CA6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0C245FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0C245FCE shade: #0C245FCE, #00124CCE, #000039CE, #000026CE and #000013CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0C245FCE shade: #0C245F, #0C0D5F, #210C5F, #370C5F and #4E0C5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0C245FCE shade: #0C245F, #0C0D5F and #0C0C5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0C245FCE shade matches the following richer shades: #0C245F and #032068

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0C245FCE shade: #0C245F, #142857, #1D2B4E, #262F45 and #2E333D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0C245FCE shade: #0C515F, #0C3B5F, #0C255F, #0C0F5F and #1F0C5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0C245FCE shade: #030816, #07163B, #0C245F, #103284 and #1540A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0C245FCE shade: #0C245F, #570C5F and #465F0C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0C245FCE shade: #0C245F, #5F0C25 and #255F0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0C245FCE shade: #0C245F, #570C5F, #5F460C and #145F0C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0C245FCE shade: #0C245F, #5F0C4F, #5F460C and #0C5F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 50 / 0 / 51

HEX #0C245FCE

RGBA 12 36 95 0.81

HSLA 222.65, 0.78%, 0.21%, 0.81

LABA 16.34, 15.92, -37.66, 0.81

 

Complementary color

CMYK 0 / 8 / 28 / 4

HEX #F3DBA0CE

RGBA 243 219 160 0.81

HSLA 42.65, 0.78%, 0.79%, 0.81

LABA 88.09, -0.08, 32.07, 0.81

 

CMYK 66 / 49 / 0 / 52

HEX #11245ACE

RGBA 17 36 90 0.81

HSLA 224.38, 0.68%, 0.21%, 0.81

LABA 16.1, 14.34, -34.71, 0.81

 

CMYK 56 / 41 / 0 / 46

HEX #22366DCE

RGBA 34 54 109 0.81

HSLA 224, 0.52%, 0.28%, 0.81

LABA 23.94, 11.87, -34.44, 0.81

 

CMYK 49 / 35 / 0 / 40

HEX #334880CE

RGBA 51 72 128 0.81

HSLA 223.64, 0.43%, 0.35%, 0.81

LABA 31.57, 10.16, -34.18, 0.81

 

CMYK 44 / 31 / 0 / 34

HEX #445A93CE

RGBA 68 90 147 0.81

HSLA 223.29, 0.37%, 0.42%, 0.81

LABA 38.98, 8.92, -33.98, 0.81

 

CMYK 40 / 28 / 0 / 28

HEX #556CA6CE

RGBA 85 108 166 0.81

HSLA 222.96, 0.32%, 0.49%, 0.81

LABA 46.19, 7.97, -33.84, 0.81

 

CMYK 71 / 50 / 0 / 51

HEX #0C245FCE

RGBA 12 36 95 0.81

HSLA 222.65, 0.78%, 0.21%, 0.81

LABA 16.34, 15.92, -37.66, 0.81

 

CMYK 81 / 62 / 0 / 57

HEX #00124CCE

RGBA 0 18 76 0.81

HSLA 225.79, 1%, 0.15%, 0.81

LABA 8.61, 19.93, -37.47, 0.81

 

CMYK 81 / 81 / 0 / 63

HEX #000039CE

RGBA 0 0 57 0.81

HSLA 240, 1%, 0.11%, 0.81

LABA 2.67, 18.75, -33.68, 0.81

 

CMYK 81 / 81 / 0 / 69

HEX #000026CE

RGBA 0 0 38 0.81

HSLA 240, 1%, 0.07%, 0.81

LABA 1.26, 8.88, -21.58, 0.81

 

CMYK 81 / 81 / 0 / 75

HEX #000013CE

RGBA 0 0 19 0.81

HSLA 240, 1%, 0.04%, 0.81

LABA 0.42, 2.98, -8.12, 0.81

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 87 / 86 / 0 / 63

HEX #0C0D5F

RGB 12 13 95

HSL 239.28, 0.78%, 0.21%

LAB 10.5, 31.67, -47.27

 

CMYK 65 / 87 / 0 / 63

HEX #210C5F

RGB 33 12 95

HSL 255.18, 0.78%, 0.21%

LAB 12.04, 34, -44.66

 

CMYK 42 / 87 / 0 / 63

HEX #370C5F

RGB 55 12 95

HSL 271.08, 0.78%, 0.21%

LAB 14.96, 37.1, -39.75

 

CMYK 18 / 87 / 0 / 63

HEX #4E0C5F

RGB 78 12 95

HSL 287.71, 0.78%, 0.21%

LAB 18.84, 41.32, -33.27

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 87 / 86 / 0 / 63

HEX #0C0D5F

RGB 12 13 95

HSL 239.28, 0.78%, 0.21%

LAB 10.5, 31.67, -47.27

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5F

RGB 12 12 95

HSL 240, 0.78%, 0.21%

LAB 10.31, 32.21, -47.58

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 97 / 69 / 0 / 59

HEX #032068

RGB 3 32 104

HSL 222.77, 0.94%, 0.21%

LAB 15.76, 22.05, -44.56

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 77 / 54 / 0 / 66

HEX #142857

RGB 20 40 87

HSL 222.09, 0.63%, 0.21%

LAB 17.25, 10.52, -30.84

 

CMYK 63 / 45 / 0 / 69

HEX #1D2B4E

RGB 29 43 78

HSL 222.86, 0.46%, 0.21%

LAB 18.09, 6.46, -23.39

 

CMYK 45 / 32 / 0 / 73

HEX #262F45

RGB 38 47 69

HSL 222.58, 0.29%, 0.21%

LAB 19.54, 2.89, -14.98

 

CMYK 25 / 16 / 0 / 76

HEX #2E333D

RGB 46 51 61

HSL 220, 0.14%, 0.21%

LAB 21.15, 0.51, -7

 

CMYK 87 / 15 / 0 / 63

HEX #0C515F

RGB 12 81 95

HSL 190.12, 0.78%, 0.21%

LAB 31.32, -14.66, -13.94

 

CMYK 87 / 38 / 0 / 63

HEX #0C3B5F

RGB 12 59 95

HSL 206.02, 0.78%, 0.21%

LAB 23.78, -0.77, -25.7

 

CMYK 87 / 61 / 0 / 63

HEX #0C255F

RGB 12 37 95

HSL 221.93, 0.78%, 0.21%

LAB 16.64, 15.17, -37.17

 

CMYK 87 / 84 / 0 / 63

HEX #0C0F5F

RGB 12 15 95

HSL 237.83, 0.78%, 0.21%

LAB 10.89, 30.53, -46.61

 

CMYK 67 / 87 / 0 / 63

HEX #1F0C5F

RGB 31 12 95

HSL 253.73, 0.78%, 0.21%

LAB 11.83, 33.78, -45.02

 

CMYK 86 / 64 / 0 / 91

HEX #030816

RGB 3 8 22

HSL 224.21, 0.76%, 0.05%

LAB 2.27, 1.26, -7.44

 

CMYK 88 / 63 / 0 / 77

HEX #07163B

RGB 7 22 59

HSL 222.69, 0.79%, 0.13%

LAB 8.44, 9.92, -25.75

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 88 / 62 / 0 / 48

HEX #103284

RGB 16 50 132

HSL 222.41, 0.78%, 0.29%

LAB 23.86, 21.81, -49.21

 

CMYK 88 / 62 / 0 / 34

HEX #1540A9

RGB 21 64 169

HSL 222.57, 0.78%, 0.37%

LAB 31.09, 27.45, -60.03

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 8 / 87 / 0 / 63

HEX #570C5F

RGB 87 12 95

HSL 294.22, 0.78%, 0.21%

LAB 20.5, 43.16, -30.51

 

CMYK 26 / 0 / 87 / 63

HEX #465F0C

RGB 70 95 12

HSL 78.07, 0.78%, 0.21%

LAB 36.95, -21.87, 40.05

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 0 / 87 / 61 / 63

HEX #5F0C25

RGB 95 12 37

HSL 341.93, 0.78%, 0.21%

LAB 19.35, 37.27, 7.97

 

CMYK 61 / 0 / 87 / 63

HEX #255F0C

RGB 37 95 12

HSL 101.93, 0.78%, 0.21%

LAB 35.21, -34.38, 37.83

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 8 / 87 / 0 / 63

HEX #570C5F

RGB 87 12 95

HSL 294.22, 0.78%, 0.21%

LAB 20.5, 43.16, -30.51

 

CMYK 0 / 26 / 87 / 63

HEX #5F460C

RGB 95 70 12

HSL 41.93, 0.78%, 0.21%

LAB 31.44, 4.86, 36.08

 

CMYK 79 / 0 / 87 / 63

HEX #145F0C

RGB 20 95 12

HSL 114.22, 0.78%, 0.21%

LAB 34.72, -38.46, 37.2

 

CMYK 87 / 62 / 0 / 63

HEX #0C245F

RGB 12 36 95

HSL 222.65, 0.78%, 0.21%

LAB 16.34, 15.92, -37.66

 

CMYK 0 / 87 / 17 / 63

HEX #5F0C4F

RGB 95 12 79

HSL 311.57, 0.78%, 0.21%

LAB 21.06, 42.21, -18.8

 

CMYK 0 / 26 / 87 / 63

HEX #5F460C

RGB 95 70 12

HSL 41.93, 0.78%, 0.21%

LAB 31.44, 4.86, 36.08

 

CMYK 87 / 0 / 71 / 63

HEX #0C5F1C

RGB 12 95 28

HSL 131.57, 0.78%, 0.21%

LAB 34.69, -38.25, 30.75

 

Description

Color code: HEX #0C245FCE | qconv.com Color code: HEX #0C245FCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 36 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 36 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 50 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 50% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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