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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BF959 it is the complementary color #F406A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BF959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BF959 shade: #10F954, #21FF67, #32FF7A, #43FF8D and #54FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BF959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BF959 shade: #0BF959, #00E746, #00D533, #00C320 and #00B10D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BF959 shade: #0BF959, #0BF919, #3EF90B, #7EF90B and #BEF90B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BF959 shade: #0BF959, #0BF999, #0BF9D9, #0BD8F9 and #0B98F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BF959 shade matches the following richer shades: #0BF959

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BF959 shade: #0BF959, #20E560, #34D067, #48BC6E and #5CA875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BF959 shade: #3FF90B, #0BF917, #0BF957, #0BF996 and #0BF9D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BF959 shade: #04AD3C, #05D54A, #0BF959, #34FA75 and #5CFB90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BF959 shade: #0BF959, #0B7EF9 and #F90B1F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BF959 shade: #0BF959, #570BF9 and #F9570B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BF959 shade: #0BF959, #0B7EF9, #F90BAE and #F9860B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BF959 shade: #0BF959, #0B37F9, #F90BAE and #F9CD0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

Complementary color

CMYK 0 / 98 / 32 / 4

HEX #F406A6

RGB 244 6 166

HSL 319.66, 0.95%, 0.49%

LAB 54.15, 85.17, -19.88

 

CMYK 94 / 0 / 66 / 2

HEX #10F954

RGB 16 249 84

HSL 137.51, 0.95%, 0.52%

LAB 86.26, -80.04, 63.13

 

CMYK 87 / 0 / 60 / 0

HEX #21FF67

RGB 33 255 103

HSL 138.92, 1%, 0.56%

LAB 88.36, -78.82, 57.73

 

CMYK 80 / 0 / 52 / 0

HEX #32FF7A

RGB 50 255 122

HSL 141.07, 1%, 0.6%

LAB 88.73, -74.92, 49.74

 

CMYK 74 / 0 / 45 / 0

HEX #43FF8D

RGB 67 255 141

HSL 143.62, 1%, 0.63%

LAB 89.22, -70.06, 41.42

 

CMYK 67 / 0 / 37 / 0

HEX #54FFA0

RGB 84 255 160

HSL 146.67, 1%, 0.66%

LAB 89.83, -64.29, 32.94

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 100 / 0 / 70 / 9

HEX #00E746

RGB 0 231 70

HSL 138.18, 1%, 0.45%

LAB 80.51, -76.78, 62.32

 

CMYK 100 / 0 / 76 / 16

HEX #00D533

RGB 0 213 51

HSL 134.37, 1%, 0.42%

LAB 74.72, -73.28, 63.04

 

CMYK 100 / 0 / 84 / 24

HEX #00C320

RGB 0 195 32

HSL 129.85, 1%, 0.38%

LAB 68.85, -69.45, 62.95

 

CMYK 100 / 0 / 93 / 31

HEX #00B10D

RGB 0 177 13

HSL 124.41, 1%, 0.35%

LAB 62.91, -65.22, 61.56

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 0 / 90 / 2

HEX #0BF919

RGB 11 249 25

HSL 123.53, 0.95%, 0.51%

LAB 85.95, -83.86, 79.3

 

CMYK 75 / 0 / 96 / 2

HEX #3EF90B

RGB 62 249 11

HSL 107.14, 0.95%, 0.51%

LAB 86.4, -79.9, 81.47

 

CMYK 49 / 0 / 96 / 2

HEX #7EF90B

RGB 126 249 11

HSL 91.01, 0.95%, 0.51%

LAB 88.07, -66.11, 83.51

 

CMYK 24 / 0 / 96 / 2

HEX #BEF90B

RGB 190 249 11

HSL 74.87, 0.95%, 0.51%

LAB 91.11, -44.59, 87.2

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 0 / 39 / 2

HEX #0BF999

RGB 11 249 153

HSL 155.8, 0.95%, 0.51%

LAB 87.06, -70.26, 32.59

 

CMYK 96 / 0 / 13 / 2

HEX #0BF9D9

RGB 11 249 217

HSL 171.93, 0.95%, 0.51%

LAB 88.37, -55.77, 1.56

 

CMYK 96 / 13 / 0 / 2

HEX #0BD8F9

RGB 11 216 249

HSL 188.32, 0.95%, 0.51%

LAB 79.63, -31.97, -28.38

 

CMYK 96 / 39 / 0 / 2

HEX #0B98F9

RGB 11 152 249

HSL 204.45, 0.95%, 0.51%

LAB 61.1, 2.18, -57.36

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 86 / 0 / 58 / 10

HEX #20E560

RGB 32 229 96

HSL 139.49, 0.79%, 0.51%

LAB 80.29, -71.87, 51.41

 

CMYK 75 / 0 / 50 / 18

HEX #34D067

RGB 52 208 103

HSL 139.62, 0.62%, 0.51%

LAB 74.08, -61.94, 40.72

 

CMYK 62 / 0 / 41 / 26

HEX #48BC6E

RGB 72 188 110

HSL 139.66, 0.46%, 0.51%

LAB 68.37, -49.96, 30.01

 

CMYK 45 / 0 / 30 / 34

HEX #5CA875

RGB 92 168 117

HSL 139.74, 0.3%, 0.51%

LAB 62.98, -35.19, 19.2

 

CMYK 75 / 0 / 96 / 2

HEX #3FF90B

RGB 63 249 11

HSL 106.89, 0.95%, 0.51%

LAB 86.42, -79.75, 81.49

 

CMYK 96 / 0 / 91 / 2

HEX #0BF917

RGB 11 249 23

HSL 123.03, 0.95%, 0.51%

LAB 85.95, -83.91, 79.58

 

CMYK 96 / 0 / 65 / 2

HEX #0BF957

RGB 11 249 87

HSL 139.16, 0.95%, 0.51%

LAB 86.26, -79.91, 61.95

 

CMYK 96 / 0 / 40 / 2

HEX #0BF996

RGB 11 249 150

HSL 155.04, 0.95%, 0.51%

LAB 87.01, -70.82, 34.02

 

CMYK 96 / 0 / 14 / 2

HEX #0BF9D5

RGB 11 249 213

HSL 170.92, 0.95%, 0.51%

LAB 88.27, -56.81, 3.5

 

CMYK 98 / 0 / 65 / 32

HEX #04AD3C

RGB 4 173 60

HSL 139.88, 0.95%, 0.35%

LAB 61.86, -60.63, 46.23

 

CMYK 98 / 0 / 65 / 16

HEX #05D54A

RGB 5 213 74

HSL 139.9, 0.95%, 0.43%

LAB 74.9, -71.04, 54.72

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 79 / 0 / 53 / 2

HEX #34FA75

RGB 52 250 117

HSL 139.7, 0.95%, 0.59%

LAB 87.19, -73.82, 50.17

 

CMYK 63 / 0 / 43 / 2

HEX #5CFB90

RGB 92 251 144

HSL 139.62, 0.95%, 0.67%

LAB 88.58, -64.16, 39.24

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 49 / 0 / 2

HEX #0B7EF9

RGB 11 126 249

HSL 211.01, 0.95%, 0.51%

LAB 53.85, 17.99, -69.01

 

CMYK 0 / 96 / 88 / 2

HEX #F90B1F

RGB 249 11 31

HSL 354.96, 0.95%, 0.51%

LAB 52.37, 78.21, 56.35

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 65 / 96 / 0 / 2

HEX #570BF9

RGB 87 11 249

HSL 259.16, 0.95%, 0.51%

LAB 36.19, 78.05, -97.91

 

CMYK 0 / 65 / 96 / 2

HEX #F9570B

RGB 249 87 11

HSL 19.16, 0.95%, 0.51%

LAB 58.96, 59.36, 66.99

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 49 / 0 / 2

HEX #0B7EF9

RGB 11 126 249

HSL 211.01, 0.95%, 0.51%

LAB 53.85, 17.99, -69.01

 

CMYK 0 / 96 / 30 / 2

HEX #F90BAE

RGB 249 11 174

HSL 318.91, 0.95%, 0.51%

LAB 55.52, 86.63, -22.4

 

CMYK 0 / 46 / 96 / 2

HEX #F9860B

RGB 249 134 11

HSL 31.01, 0.95%, 0.51%

LAB 67.44, 37.57, 72.29

 

CMYK 96 / 0 / 64 / 2

HEX #0BF959

RGB 11 249 89

HSL 139.66, 0.95%, 0.51%

LAB 86.28, -79.7, 61.17

 

CMYK 96 / 78 / 0 / 2

HEX #0B37F9

RGB 11 55 249

HSL 228.91, 0.95%, 0.51%

LAB 37.19, 61.02, -96.33

 

CMYK 0 / 96 / 30 / 2

HEX #F90BAE

RGB 249 11 174

HSL 318.91, 0.95%, 0.51%

LAB 55.52, 86.63, -22.4

 

CMYK 0 / 18 / 96 / 2

HEX #F9CD0B

RGB 249 205 11

HSL 48.91, 0.95%, 0.51%

LAB 83.88, 0.69, 83.73

 

Description

Color code: HEX #0BF959 | qconv.com Color code: HEX #0BF959 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 249 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 249 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 64 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 64% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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