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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BED74 it is the complementary color #F4128B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BED74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BED74 shade: #10ED6F, #21FF82, #32FF95, #43FFA8 and #54FFBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BED74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BED74 shade: #0BED74, #00DB61, #00C94E, #00B73B and #00A528

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BED74 shade: #0BEF75, #0BEF38, #1CEF0B, #5AEF0B and #97EF0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BED74 shade: #0BEF75, #0BEFB2, #0BEEEF, #0BB0EF and #0B73EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BED74 shade matches the following richer shades: #0BEF75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BED74 shade: #0BEF75, #1FDA76, #34C678, #48B279 and #5C9E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BED74 shade: #1EEF0B, #0BEF35, #0BEF72, #0BEFAE and #0BEFEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BED74 shade: #08A04E, #09C762, #0BEF75, #2EF58B and #55F7A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BED74 shade: #0BED74, #0B5BEF and #EF170B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BED74 shade: #0BED74, #720BEF and #EF720B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BED74 shade: #0BED74, #0B5BEF, #EF0B88 and #EF9F0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BED74 shade: #0BED74, #0B17EF, #EF0B88 and #EFE30B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

Complementary color

CMYK 0 / 93 / 43 / 4

HEX #F4128B

RGB 244 18 139

HSL 327.88, 0.91%, 0.51%

LAB 53.52, 81.72, -4.78

 

CMYK 93 / 0 / 53 / 7

HEX #10ED6F

RGB 16 237 111

HSL 145.79, 0.87%, 0.5%

LAB 82.82, -73.23, 47.56

 

CMYK 87 / 0 / 49 / 0

HEX #21FF82

RGB 33 255 130

HSL 146.22, 1%, 0.56%

LAB 88.66, -75.15, 45.89

 

CMYK 80 / 0 / 42 / 0

HEX #32FF95

RGB 50 255 149

HSL 148.98, 1%, 0.6%

LAB 89.1, -70.66, 37.31

 

CMYK 74 / 0 / 34 / 0

HEX #43FFA8

RGB 67 255 168

HSL 152.23, 1%, 0.63%

LAB 89.65, -65.26, 28.63

 

CMYK 67 / 0 / 27 / 0

HEX #54FFBB

RGB 84 255 187

HSL 156.14, 1%, 0.66%

LAB 90.32, -59.03, 19.96

 

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

CMYK 100 / 0 / 56 / 14

HEX #00DB61

RGB 0 219 97

HSL 146.58, 1%, 0.43%

LAB 77, -70.19, 47.02

 

CMYK 100 / 0 / 61 / 21

HEX #00C94E

RGB 0 201 78

HSL 143.28, 1%, 0.39%

LAB 71.09, -67.19, 48.73

 

CMYK 100 / 0 / 68 / 28

HEX #00B73B

RGB 0 183 59

HSL 139.34, 1%, 0.36%

LAB 65.11, -63.95, 50.21

 

CMYK 100 / 0 / 76 / 35

HEX #00A528

RGB 0 165 40

HSL 134.55, 1%, 0.32%

LAB 59.03, -60.38, 51.19

 

CMYK 95 / 0 / 51 / 6

HEX #0BEF75

RGB 11 239 117

HSL 147.89, 0.91%, 0.49%

LAB 83.49, -73.15, 45.57

 

CMYK 95 / 0 / 77 / 6

HEX #0BEF38

RGB 11 239 56

HSL 131.84, 0.91%, 0.49%

LAB 82.96, -79.74, 69.55

 

CMYK 88 / 0 / 95 / 6

HEX #1CEF0B

RGB 28 239 11

HSL 115.53, 0.91%, 0.49%

LAB 82.92, -80.69, 78.45

 

CMYK 62 / 0 / 95 / 6

HEX #5AEF0B

RGB 90 239 11

HSL 99.21, 0.91%, 0.49%

LAB 83.93, -71.86, 79.7

 

CMYK 37 / 0 / 95 / 6

HEX #97EF0B

RGB 151 239 11

HSL 83.16, 0.91%, 0.49%

LAB 86.17, -54.53, 82.44

 

CMYK 95 / 0 / 51 / 6

HEX #0BEF75

RGB 11 239 117

HSL 147.89, 0.91%, 0.49%

LAB 83.49, -73.15, 45.57

 

CMYK 95 / 0 / 26 / 6

HEX #0BEFB2

RGB 11 239 178

HSL 163.95, 0.91%, 0.49%

LAB 84.49, -61.49, 16.32

 

CMYK 95 / 0 / 0 / 6

HEX #0BEEEF

RGB 11 238 239

HSL 180.26, 0.91%, 0.49%

LAB 85.73, -45.11, -13.84

 

CMYK 95 / 26 / 0 / 6

HEX #0BB0EF

RGB 11 176 239

HSL 196.58, 0.91%, 0.49%

LAB 67.54, -15.02, -41.71

 

CMYK 95 / 52 / 0 / 6

HEX #0B73EF

RGB 11 115 239

HSL 212.63, 0.91%, 0.49%

LAB 50.17, 21.06, -69.4

 

CMYK 95 / 0 / 51 / 6

HEX #0BEF75

RGB 11 239 117

HSL 147.89, 0.91%, 0.49%

LAB 83.49, -73.15, 45.57

 

CMYK 95 / 0 / 51 / 6

HEX #0BEF75

RGB 11 239 117

HSL 147.89, 0.91%, 0.49%

LAB 83.49, -73.15, 45.57

 

CMYK 86 / 0 / 46 / 15

HEX #1FDA76

RGB 31 218 118

HSL 147.91, 0.75%, 0.49%

LAB 77.13, -65.16, 37.12

 

CMYK 74 / 0 / 39 / 22

HEX #34C678

RGB 52 198 120

HSL 147.95, 0.58%, 0.49%

LAB 71.2, -55.49, 28.45

 

CMYK 60 / 0 / 32 / 30

HEX #48B279

RGB 72 178 121

HSL 147.74, 0.42%, 0.49%

LAB 65.44, -43.81, 20.26

 

CMYK 42 / 0 / 22 / 38

HEX #5C9E7B

RGB 92 158 123

HSL 148.18, 0.26%, 0.49%

LAB 60.03, -29.26, 11.79

 

CMYK 87 / 0 / 95 / 6

HEX #1EEF0B

RGB 30 239 11

HSL 115, 0.91%, 0.49%

LAB 82.93, -80.55, 78.47

 

CMYK 95 / 0 / 78 / 6

HEX #0BEF35

RGB 11 239 53

HSL 131.05, 0.91%, 0.49%

LAB 82.95, -79.94, 70.43

 

CMYK 95 / 0 / 52 / 6

HEX #0BEF72

RGB 11 239 114

HSL 147.11, 0.91%, 0.49%

LAB 83.45, -73.59, 46.93

 

CMYK 95 / 0 / 27 / 6

HEX #0BEFAE

RGB 11 239 174

HSL 162.89, 0.91%, 0.49%

LAB 84.41, -62.4, 18.28

 

CMYK 95 / 0 / 2 / 6

HEX #0BEFEB

RGB 11 239 235

HSL 178.95, 0.91%, 0.49%

LAB 85.91, -46.69, -11.48

 

CMYK 95 / 0 / 51 / 37

HEX #08A04E

RGB 8 160 78

HSL 147.63, 0.9%, 0.33%

LAB 57.79, -53.72, 32.86

 

CMYK 95 / 0 / 51 / 22

HEX #09C762

RGB 9 199 98

HSL 148.11, 0.91%, 0.41%

LAB 70.72, -63.41, 38.91

 

CMYK 95 / 0 / 51 / 6

HEX #0BEF75

RGB 11 239 117

HSL 147.89, 0.91%, 0.49%

LAB 83.49, -73.15, 45.57

 

CMYK 81 / 0 / 43 / 4

HEX #2EF58B

RGB 46 245 139

HSL 148.04, 0.91%, 0.57%

LAB 85.88, -69.39, 38.03

 

CMYK 66 / 0 / 35 / 3

HEX #55F7A0

RGB 85 247 160

HSL 147.78, 0.91%, 0.65%

LAB 87.48, -61.15, 29.8

 

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

CMYK 95 / 62 / 0 / 6

HEX #0B5BEF

RGB 11 91 239

HSL 218.95, 0.91%, 0.49%

LAB 43.92, 36.4, -79.6

 

CMYK 0 / 90 / 95 / 6

HEX #EF170B

RGB 239 23 11

HSL 3.16, 0.91%, 0.49%

LAB 50.67, 74.26, 61.44

 

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

CMYK 52 / 95 / 0 / 6

HEX #720BEF

RGB 114 11 239

HSL 267.11, 0.91%, 0.49%

LAB 37.93, 77.48, -89.28

 

CMYK 0 / 52 / 95 / 6

HEX #EF720B

RGB 239 114 11

HSL 27.11, 0.91%, 0.49%

LAB 62.01, 43.62, 68.06

 

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

CMYK 95 / 62 / 0 / 6

HEX #0B5BEF

RGB 11 91 239

HSL 218.95, 0.91%, 0.49%

LAB 43.92, 36.4, -79.6

 

CMYK 0 / 95 / 43 / 6

HEX #EF0B88

RGB 239 11 136

HSL 327.11, 0.91%, 0.49%

LAB 52.25, 81.01, -4.97

 

CMYK 0 / 33 / 95 / 6

HEX #EF9F0B

RGB 239 159 11

HSL 38.95, 0.91%, 0.49%

LAB 71.67, 20.43, 74.56

 

CMYK 95 / 0 / 51 / 7

HEX #0BED74

RGB 11 237 116

HSL 147.88, 0.91%, 0.49%

LAB 82.86, -72.67, 45.26

 

CMYK 95 / 90 / 0 / 6

HEX #0B17EF

RGB 11 23 239

HSL 236.84, 0.91%, 0.49%

LAB 31.61, 70.98, -99.98

 

CMYK 0 / 95 / 43 / 6

HEX #EF0B88

RGB 239 11 136

HSL 327.11, 0.91%, 0.49%

LAB 52.25, 81.01, -4.97

 

CMYK 0 / 5 / 95 / 6

HEX #EFE30B

RGB 239 227 11

HSL 56.84, 0.91%, 0.49%

LAB 88.6, -14.61, 86.8

 

Description

Color code: HEX #0BED74 | qconv.com Color code: HEX #0BED74 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 237 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 237 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 51 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 51% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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