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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BD6CD it is the complementary color #F42932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BD6CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BD6CD shade: #10D6C8, #21E8DB, #32FAEE, #43FFFF and #54FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BD6CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BD6CD shade: #0BD6CD, #00C4BA, #00B2A7, #00A094 and #008E81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BD6CD shade: #0BD5CC, #0BD596, #0BD55F, #0BD529 and #24D50B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BD6CD shade: #0BD5CC, #0BA8D5, #0B71D5, #0B3BD5 and #0B0BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BD6CD shade matches the following richer shades: #0BD5CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BD6CD shade: #0BD5CC, #1DC3BC, #30B1AB, #429F9B and #548D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BD6CD shade: #0BD55F, #0BD595, #0BD5CB, #0BA9D5 and #0B74D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BD6CD shade: #078781, #09AEA7, #0BD5CC, #17F3E9 and #3EF5ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BD6CD shade: #0BD6CD, #2A0BD5 and #D57A0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BD6CD shade: #0BD6CD, #CB0BD5 and #D5CB0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BD6CD shade: #0BD6CD, #2A0BD5, #D50B15 and #B7D50B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BD6CD shade: #0BD6CD, #660BD5, #D50B15 and #7AD50B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

Complementary color

CMYK 0 / 83 / 80 / 4

HEX #F42932

RGB 244 41 50

HSL 357.34, 0.9%, 0.56%

LAB 53, 73.09, 47.15

 

CMYK 93 / 0 / 7 / 16

HEX #10D6C8

RGB 16 214 200

HSL 175.76, 0.86%, 0.45%

LAB 77.5, -45.73, -5.38

 

CMYK 86 / 0 / 6 / 9

HEX #21E8DB

RGB 33 232 219

HSL 176.08, 0.81%, 0.52%

LAB 83.52, -47.32, -6.58

 

CMYK 80 / 0 / 5 / 2

HEX #32FAEE

RGB 50 250 238

HSL 176.4, 0.95%, 0.59%

LAB 89.5, -48.6, -7.68

 

CMYK 74 / 0 / 0 / 0

HEX #43FFFF

RGB 67 255 255

HSL 180, 1%, 0.63%

LAB 91.65, -44.55, -13.28

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

CMYK 100 / 0 / 5 / 23

HEX #00C4BA

RGB 0 196 186

HSL 176.94, 1%, 0.38%

LAB 71.57, -42.4, -6.59

 

CMYK 100 / 0 / 6 / 30

HEX #00B2A7

RGB 0 178 167

HSL 176.29, 1%, 0.35%

LAB 65.46, -40.02, -5.18

 

CMYK 100 / 0 / 7 / 37

HEX #00A094

RGB 0 160 148

HSL 175.5, 1%, 0.31%

LAB 59.23, -37.59, -3.73

 

CMYK 100 / 0 / 9 / 44

HEX #008E81

RGB 0 142 129

HSL 174.51, 1%, 0.28%

LAB 52.87, -35.12, -2.22

 

CMYK 95 / 0 / 4 / 16

HEX #0BD5CC

RGB 11 213 204

HSL 177.33, 0.9%, 0.44%

LAB 77.29, -44.32, -7.84

 

CMYK 95 / 0 / 30 / 16

HEX #0BD596

RGB 11 213 150

HSL 161.29, 0.9%, 0.44%

LAB 75.98, -58.19, 19.12

 

CMYK 95 / 0 / 55 / 16

HEX #0BD55F

RGB 11 213 95

HSL 144.95, 0.9%, 0.44%

LAB 75.13, -68.24, 45.72

 

CMYK 95 / 0 / 81 / 16

HEX #0BD529

RGB 11 213 41

HSL 128.91, 0.9%, 0.44%

LAB 74.71, -73.51, 66.03

 

CMYK 83 / 0 / 95 / 16

HEX #24D50B

RGB 36 213 11

HSL 112.57, 0.9%, 0.44%

LAB 74.82, -72.89, 71.84

 

CMYK 95 / 0 / 4 / 16

HEX #0BD5CC

RGB 11 213 204

HSL 177.33, 0.9%, 0.44%

LAB 77.29, -44.32, -7.84

 

CMYK 95 / 21 / 0 / 16

HEX #0BA8D5

RGB 11 168 213

HSL 193.37, 0.9%, 0.44%

LAB 64.06, -19.9, -32.84

 

CMYK 95 / 47 / 0 / 16

HEX #0B71D5

RGB 11 113 213

HSL 209.7, 0.9%, 0.44%

LAB 47.86, 12.15, -58.49

 

CMYK 95 / 72 / 0 / 16

HEX #0B3BD5

RGB 11 59 213

HSL 225.74, 0.9%, 0.44%

LAB 33.99, 46.76, -81.15

 

CMYK 95 / 95 / 0 / 16

HEX #0B0BD5

RGB 11 11 213

HSL 240, 0.9%, 0.44%

LAB 27.06, 67.09, -92.67

 

CMYK 95 / 0 / 4 / 16

HEX #0BD5CC

RGB 11 213 204

HSL 177.33, 0.9%, 0.44%

LAB 77.29, -44.32, -7.84

 

CMYK 95 / 0 / 4 / 16

HEX #0BD5CC

RGB 11 213 204

HSL 177.33, 0.9%, 0.44%

LAB 77.29, -44.32, -7.84

 

CMYK 85 / 0 / 4 / 24

HEX #1DC3BC

RGB 29 195 188

HSL 177.47, 0.74%, 0.44%

LAB 71.5, -40.18, -7.76

 

CMYK 73 / 0 / 3 / 31

HEX #30B1AB

RGB 48 177 171

HSL 177.21, 0.57%, 0.44%

LAB 65.76, -35.1, -6.91

 

CMYK 58 / 0 / 3 / 38

HEX #429F9B

RGB 66 159 155

HSL 177.42, 0.41%, 0.44%

LAB 60.18, -28.2, -6.17

 

CMYK 40 / 0 / 2 / 45

HEX #548D8A

RGB 84 141 138

HSL 176.84, 0.25%, 0.44%

LAB 54.83, -19.42, -4.3

 

CMYK 95 / 0 / 55 / 16

HEX #0BD55F

RGB 11 213 95

HSL 144.95, 0.9%, 0.44%

LAB 75.13, -68.24, 45.72

 

CMYK 95 / 0 / 30 / 16

HEX #0BD595

RGB 11 213 149

HSL 160.99, 0.9%, 0.44%

LAB 75.96, -58.42, 19.62

 

CMYK 95 / 0 / 5 / 16

HEX #0BD5CB

RGB 11 213 203

HSL 177.03, 0.9%, 0.44%

LAB 77.26, -44.6, -7.34

 

CMYK 95 / 21 / 0 / 16

HEX #0BA9D5

RGB 11 169 213

HSL 193.07, 0.9%, 0.44%

LAB 64.36, -20.43, -32.38

 

CMYK 95 / 46 / 0 / 16

HEX #0B74D5

RGB 11 116 213

HSL 208.81, 0.9%, 0.44%

LAB 48.72, 10.25, -57.11

 

CMYK 95 / 0 / 4 / 47

HEX #078781

RGB 7 135 129

HSL 177.19, 0.9%, 0.28%

LAB 50.64, -31.52, -5.51

 

CMYK 95 / 0 / 4 / 32

HEX #09AEA7

RGB 9 174 167

HSL 177.45, 0.9%, 0.36%

LAB 64.26, -37.91, -6.96

 

CMYK 95 / 0 / 4 / 16

HEX #0BD5CC

RGB 11 213 204

HSL 177.33, 0.9%, 0.44%

LAB 77.29, -44.32, -7.84

 

CMYK 91 / 0 / 4 / 5

HEX #17F3E9

RGB 23 243 233

HSL 177.27, 0.9%, 0.52%

LAB 87.08, -48.6, -8.68

 

CMYK 75 / 0 / 3 / 4

HEX #3EF5ED

RGB 62 245 237

HSL 177.38, 0.9%, 0.6%

LAB 88.18, -45.63, -9.09

 

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

CMYK 80 / 95 / 0 / 16

HEX #2A0BD5

RGB 42 11 213

HSL 249.21, 0.9%, 0.44%

LAB 28.21, 67.62, -90.72

 

CMYK 0 / 43 / 95 / 16

HEX #D57A0B

RGB 213 122 11

HSL 32.97, 0.9%, 0.44%

LAB 59.97, 29.08, 64.93

 

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

CMYK 5 / 95 / 0 / 16

HEX #CB0BD5

RGB 203 11 213

HSL 297.03, 0.9%, 0.44%

LAB 49.18, 83.34, -55.54

 

CMYK 0 / 5 / 95 / 16

HEX #D5CB0B

RGB 213 203 11

HSL 57.03, 0.9%, 0.44%

LAB 80.11, -13.75, 79.5

 

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

CMYK 80 / 95 / 0 / 16

HEX #2A0BD5

RGB 42 11 213

HSL 249.21, 0.9%, 0.44%

LAB 28.21, 67.62, -90.72

 

CMYK 0 / 95 / 90 / 16

HEX #D50B15

RGB 213 11 21

HSL 357.03, 0.9%, 0.44%

LAB 44.86, 69.17, 51.83

 

CMYK 14 / 0 / 95 / 16

HEX #B7D50B

RGB 183 213 11

HSL 68.91, 0.9%, 0.44%

LAB 80.56, -31.24, 78.84

 

CMYK 95 / 0 / 4 / 16

HEX #0BD6CD

RGB 11 214 205

HSL 177.34, 0.9%, 0.44%

LAB 77.62, -44.46, -7.89

 

CMYK 52 / 95 / 0 / 16

HEX #660BD5

RGB 102 11 213

HSL 267.03, 0.9%, 0.44%

LAB 33.71, 70.79, -81.43

 

CMYK 0 / 95 / 90 / 16

HEX #D50B15

RGB 213 11 21

HSL 357.03, 0.9%, 0.44%

LAB 44.86, 69.17, 51.83

 

CMYK 43 / 0 / 95 / 16

HEX #7AD50B

RGB 122 213 11

HSL 87.03, 0.9%, 0.44%

LAB 77.13, -54.03, 74.68

 

Description

Color code: HEX #0BD6CD | qconv.com Color code: HEX #0BD6CD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 214 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 214 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 4 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 4% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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