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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BD309 it is the complementary color #F42CF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BD309. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BD309 shade: #10D304, #21E517, #32F72A, #43FF3D and #54FF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BD309. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BD309 shade: #0BD309, #00C100, #00AF00, #009D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BD309 shade: #0BD309, #41D309, #78D309, #AED309 and #D3C109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BD309 shade: #0BD309, #09D33D, #09D374, #09D3AA and #09C5D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BD309 shade matches the following richer shades: #0BD309

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BD309 shade: #0BD309, #1CC11B, #2EAF2C, #3F9D3E and #508C50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BD309 shade: #78D309, #42D309, #0CD309, #09D33B and #09D371

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BD309 shade: #078305, #09AB07, #0BD309, #12F510 and #39F737

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BD309 shade: #0BD309, #09AED3 and #D3095D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BD309 shade: #0BD309, #090CD3 and #D3090C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BD309 shade: #0BD309, #09AED3, #CF09D3 and #D32E09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BD309 shade: #0BD309, #0971D3, #CF09D3 and #D36A09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

Complementary color

CMYK 1 / 82 / 0 / 4

HEX #F42CF6

RGB 244 44 246

HSL 299.41, 0.92%, 0.57%

LAB 59.61, 90.37, -57.09

 

CMYK 92 / 0 / 98 / 17

HEX #10D304

RGB 16 211 4

HSL 116.52, 0.96%, 0.42%

LAB 74, -73.99, 71.79

 

CMYK 86 / 0 / 90 / 10

HEX #21E517

RGB 33 229 23

HSL 117.09, 0.82%, 0.49%

LAB 79.85, -77.33, 74.48

 

CMYK 80 / 0 / 83 / 3

HEX #32F72A

RGB 50 247 42

HSL 117.66, 0.93%, 0.57%

LAB 85.69, -79.95, 75.97

 

CMYK 74 / 0 / 76 / 0

HEX #43FF3D

RGB 67 255 61

HSL 118.14, 1%, 0.62%

LAB 88.47, -79.03, 73.57

 

CMYK 67 / 0 / 69 / 0

HEX #54FF50

RGB 84 255 80

HSL 118.63, 1%, 0.66%

LAB 88.91, -74.85, 67.74

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 69 / 0 / 96 / 17

HEX #41D309

RGB 65 211 9

HSL 103.37, 0.92%, 0.43%

LAB 74.66, -68.18, 72.1

 

CMYK 43 / 0 / 96 / 17

HEX #78D309

RGB 120 211 9

HSL 87.03, 0.92%, 0.43%

LAB 76.44, -53.93, 74.28

 

CMYK 18 / 0 / 96 / 17

HEX #AED309

RGB 174 211 9

HSL 70.99, 0.92%, 0.43%

LAB 79.39, -33.99, 77.86

 

CMYK 0 / 9 / 96 / 17

HEX #D3C109

RGB 211 193 9

HSL 54.65, 0.92%, 0.43%

LAB 77.29, -9.58, 77.51

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 96 / 0 / 71 / 17

HEX #09D33D

RGB 9 211 61

HSL 135.45, 0.92%, 0.43%

LAB 74.18, -71.58, 59.05

 

CMYK 96 / 0 / 45 / 17

HEX #09D374

RGB 9 211 116

HSL 151.78, 0.92%, 0.43%

LAB 74.77, -64.35, 35.06

 

CMYK 96 / 0 / 19 / 17

HEX #09D3AA

RGB 9 211 170

HSL 167.82, 0.92%, 0.43%

LAB 75.79, -52.73, 8.21

 

CMYK 96 / 7 / 0 / 17

HEX #09C5D3

RGB 9 197 211

HSL 184.16, 0.92%, 0.43%

LAB 72.69, -35.04, -18.52

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 85 / 0 / 86 / 24

HEX #1CC11B

RGB 28 193 27

HSL 119.64, 0.75%, 0.43%

LAB 68.36, -67.5, 63.76

 

CMYK 74 / 0 / 75 / 31

HEX #2EAF2C

RGB 46 175 44

HSL 119.08, 0.6%, 0.43%

LAB 62.86, -58.7, 53.78

 

CMYK 60 / 0 / 61 / 38

HEX #3F9D3E

RGB 63 157 62

HSL 119.37, 0.43%, 0.43%

LAB 57.58, -47.08, 40.74

 

CMYK 43 / 0 / 43 / 45

HEX #508C50

RGB 80 140 80

HSL 120, 0.27%, 0.43%

LAB 52.99, -32.49, 26.07

 

CMYK 43 / 0 / 96 / 17

HEX #78D309

RGB 120 211 9

HSL 87.03, 0.92%, 0.43%

LAB 76.44, -53.93, 74.28

 

CMYK 69 / 0 / 96 / 17

HEX #42D309

RGB 66 211 9

HSL 103.07, 0.92%, 0.43%

LAB 74.68, -67.99, 72.12

 

CMYK 94 / 0 / 96 / 17

HEX #0CD309

RGB 12 211 9

HSL 119.11, 0.92%, 0.43%

LAB 73.99, -74.08, 71.28

 

CMYK 96 / 0 / 72 / 17

HEX #09D33B

RGB 9 211 59

HSL 134.85, 0.92%, 0.43%

LAB 74.17, -71.76, 59.76

 

CMYK 96 / 0 / 46 / 17

HEX #09D371

RGB 9 211 113

HSL 150.89, 0.92%, 0.43%

LAB 74.72, -64.87, 36.51

 

CMYK 95 / 0 / 96 / 49

HEX #078305

RGB 7 131 5

HSL 119.05, 0.93%, 0.27%

LAB 47.35, -51.85, 49.82

 

CMYK 95 / 0 / 96 / 33

HEX #09AB07

RGB 9 171 7

HSL 119.27, 0.92%, 0.35%

LAB 60.96, -63.24, 60.77

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 93 / 0 / 93 / 4

HEX #12F510

RGB 18 245 16

HSL 119.48, 0.92%, 0.51%

LAB 84.73, -82.76, 79.43

 

CMYK 77 / 0 / 78 / 3

HEX #39F737

RGB 57 247 55

HSL 119.38, 0.92%, 0.59%

LAB 85.84, -78.42, 72.76

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 96 / 18 / 0 / 17

HEX #09AED3

RGB 9 174 211

HSL 190.99, 0.92%, 0.43%

LAB 65.77, -23.77, -29.09

 

CMYK 0 / 96 / 56 / 17

HEX #D3095D

RGB 211 9 93

HSL 335.05, 0.92%, 0.43%

LAB 45.41, 71.68, 10.81

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 96 / 94 / 0 / 17

HEX #090CD3

RGB 9 12 211

HSL 239.11, 0.92%, 0.43%

LAB 26.8, 66.35, -91.94

 

CMYK 0 / 96 / 94 / 17

HEX #D3090C

RGB 211 9 12

HSL 359.11, 0.92%, 0.43%

LAB 44.33, 68.74, 54.64

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 96 / 18 / 0 / 17

HEX #09AED3

RGB 9 174 211

HSL 190.99, 0.92%, 0.43%

LAB 65.77, -23.77, -29.09

 

CMYK 2 / 96 / 0 / 17

HEX #CF09D3

RGB 207 9 211

HSL 298.81, 0.92%, 0.43%

LAB 49.69, 83.84, -53.53

 

CMYK 0 / 78 / 96 / 17

HEX #D32E09

RGB 211 46 9

HSL 10.99, 0.92%, 0.43%

LAB 46.74, 61.82, 56.83

 

CMYK 95 / 0 / 96 / 17

HEX #0BD309

RGB 11 211 9

HSL 119.41, 0.92%, 0.43%

LAB 73.98, -74.13, 71.27

 

CMYK 96 / 46 / 0 / 17

HEX #0971D3

RGB 9 113 211

HSL 209.11, 0.92%, 0.43%

LAB 47.72, 11.3, -57.58

 

CMYK 2 / 96 / 0 / 17

HEX #CF09D3

RGB 207 9 211

HSL 298.81, 0.92%, 0.43%

LAB 49.69, 83.84, -53.53

 

CMYK 0 / 50 / 96 / 17

HEX #D36A09

RGB 211 106 9

HSL 28.81, 0.92%, 0.43%

LAB 56.26, 36.6, 62.65

 

Description

Color code: HEX #0BD309 | qconv.com Color code: HEX #0BD309 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 211 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 211 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 96 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 96% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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