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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BD113 it is the complementary color #F42EEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BD113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BD113 shade: #10D10E, #21E321, #32F534, #43FF47 and #54FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BD113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BD113 shade: #0BD113, #00BF00, #00AD00, #009B00 and #008900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BD113 shade: #0BD013, #38D00B, #6DD00B, #A3D00B and #D0C90B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BD113 shade: #0BD013, #0BD048, #0BD07D, #0BD0B3 and #0BB9D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BD113 shade matches the following richer shades: #0BD013

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BD113 shade: #0BD013, #1DBF23, #2EAD34, #409B44 and #528954

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BD113 shade: #6ED00B, #39D00B, #0BD012, #0BD046 and #0BD07B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BD113 shade: #07820C, #09A90F, #0BD013, #12F31B and #39F541

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BD113 shade: #0BD113, #0BA2D0 and #D00B53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BD113 shade: #0BD113, #120BD0 and #D0120B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BD113 shade: #0BD113, #0BA2D0, #D00BCA and #D0390B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BD113 shade: #0BD113, #0B67D0, #D00BCA and #D0740B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

Complementary color

CMYK 0 / 81 / 3 / 4

HEX #F42EEC

RGB 244 46 236

HSL 302.42, 0.9%, 0.57%

LAB 59.2, 88.51, -52.16

 

CMYK 92 / 0 / 93 / 18

HEX #10D10E

RGB 16 209 14

HSL 119.38, 0.87%, 0.44%

LAB 73.38, -73.25, 70.24

 

CMYK 85 / 0 / 85 / 11

HEX #21E321

RGB 33 227 33

HSL 120, 0.78%, 0.51%

LAB 79.25, -76.43, 72.14

 

CMYK 80 / 0 / 79 / 4

HEX #32F534

RGB 50 245 52

HSL 120.62, 0.91%, 0.58%

LAB 85.11, -78.87, 72.89

 

CMYK 74 / 0 / 72 / 0

HEX #43FF47

RGB 67 255 71

HSL 121.28, 1%, 0.63%

LAB 88.53, -78.33, 70.42

 

CMYK 67 / 0 / 65 / 0

HEX #54FF5A

RGB 84 255 90

HSL 122.11, 1%, 0.66%

LAB 88.99, -73.95, 64

 

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

CMYK 100 / 0 / 100 / 25

HEX #00BF00

RGB 0 191 0

HSL 120, 1%, 0.37%

LAB 67.47, -69.35, 66.93

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 100 / 0 / 100 / 39

HEX #009B00

RGB 0 155 0

HSL 120, 1%, 0.3%

LAB 55.53, -59.42, 57.35

 

CMYK 100 / 0 / 100 / 46

HEX #008900

RGB 0 137 0

HSL 120, 1%, 0.27%

LAB 49.36, -54.3, 52.41

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 73 / 0 / 95 / 18

HEX #38D00B

RGB 56 208 11

HSL 106.29, 0.9%, 0.43%

LAB 73.53, -68.8, 70.9

 

CMYK 48 / 0 / 95 / 18

HEX #6DD00B

RGB 109 208 11

HSL 90.15, 0.9%, 0.43%

LAB 75.07, -56.23, 72.79

 

CMYK 22 / 0 / 95 / 18

HEX #A3D00B

RGB 163 208 11

HSL 73.71, 0.9%, 0.43%

LAB 77.83, -37, 76.15

 

CMYK 0 / 3 / 95 / 18

HEX #D0C90B

RGB 208 201 11

HSL 57.87, 0.9%, 0.43%

LAB 79.16, -14.9, 78.6

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 95 / 0 / 65 / 18

HEX #0BD048

RGB 11 208 72

HSL 138.58, 0.9%, 0.43%

LAB 73.32, -69.56, 53.82

 

CMYK 95 / 0 / 40 / 18

HEX #0BD07D

RGB 11 208 125

HSL 154.72, 0.9%, 0.43%

LAB 73.97, -61.61, 29.45

 

CMYK 95 / 0 / 14 / 18

HEX #0BD0B3

RGB 11 208 179

HSL 171.17, 0.9%, 0.43%

LAB 75.1, -49.13, 2.39

 

CMYK 95 / 11 / 0 / 18

HEX #0BB9D0

RGB 11 185 208

HSL 187.01, 0.9%, 0.43%

LAB 68.98, -30.2, -22.52

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 85 / 0 / 82 / 25

HEX #1DBF23

RGB 29 191 35

HSL 122.22, 0.74%, 0.43%

LAB 67.76, -66.43, 61.23

 

CMYK 73 / 0 / 70 / 32

HEX #2EAD34

RGB 46 173 52

HSL 122.83, 0.58%, 0.43%

LAB 62.27, -57.37, 50.15

 

CMYK 59 / 0 / 56 / 39

HEX #409B44

RGB 64 155 68

HSL 122.64, 0.42%, 0.43%

LAB 57.03, -45.3, 37.2

 

CMYK 40 / 0 / 39 / 46

HEX #528954

RGB 82 137 84

HSL 122.18, 0.25%, 0.43%

LAB 52.2, -29.76, 22.86

 

CMYK 47 / 0 / 95 / 18

HEX #6ED00B

RGB 110 208 11

HSL 89.85, 0.9%, 0.43%

LAB 75.11, -55.92, 72.84

 

CMYK 73 / 0 / 95 / 18

HEX #39D00B

RGB 57 208 11

HSL 105.99, 0.9%, 0.43%

LAB 73.55, -68.63, 70.92

 

CMYK 95 / 0 / 91 / 18

HEX #0BD012

RGB 11 208 18

HSL 122.13, 0.9%, 0.43%

LAB 73.04, -73.11, 69.4

 

CMYK 95 / 0 / 66 / 18

HEX #0BD046

RGB 11 208 70

HSL 137.97, 0.9%, 0.43%

LAB 73.3, -69.77, 54.62

 

CMYK 95 / 0 / 41 / 18

HEX #0BD07B

RGB 11 208 123

HSL 154.11, 0.9%, 0.43%

LAB 73.94, -61.99, 30.44

 

CMYK 95 / 0 / 91 / 49

HEX #07820C

RGB 7 130 12

HSL 122.44, 0.9%, 0.27%

LAB 47.02, -51.29, 48.16

 

CMYK 95 / 0 / 91 / 34

HEX #09A90F

RGB 9 169 15

HSL 122.25, 0.9%, 0.35%

LAB 60.31, -62.45, 59.06

 

CMYK 95 / 0 / 91 / 18

HEX #0BD013

RGB 11 208 19

HSL 122.44, 0.9%, 0.43%

LAB 73.04, -73.08, 69.26

 

CMYK 93 / 0 / 89 / 5

HEX #12F31B

RGB 18 243 27

HSL 122.4, 0.9%, 0.51%

LAB 84.13, -81.95, 77.45

 

CMYK 77 / 0 / 73 / 4

HEX #39F541

RGB 57 245 65

HSL 122.55, 0.9%, 0.59%

LAB 85.28, -77.17, 69.11

 

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

CMYK 95 / 22 / 0 / 18

HEX #0BA2D0

RGB 11 162 208

HSL 194.01, 0.9%, 0.43%

LAB 62.05, -18.48, -33.19

 

CMYK 0 / 95 / 60 / 18

HEX #D00B53

RGB 208 11 83

HSL 338.07, 0.9%, 0.43%

LAB 44.62, 70.17, 15.88

 

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

CMYK 91 / 95 / 0 / 18

HEX #120BD0

RGB 18 11 208

HSL 242.13, 0.9%, 0.43%

LAB 26.51, 65.87, -90.68

 

CMYK 0 / 91 / 95 / 18

HEX #D0120B

RGB 208 18 11

HSL 2.13, 0.9%, 0.43%

LAB 44.04, 66.98, 54.45

 

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

CMYK 95 / 22 / 0 / 18

HEX #0BA2D0

RGB 11 162 208

HSL 194.01, 0.9%, 0.43%

LAB 62.05, -18.48, -33.19

 

CMYK 0 / 95 / 3 / 18

HEX #D00BCA

RGB 208 11 202

HSL 301.83, 0.9%, 0.43%

LAB 49.39, 82.54, -48.82

 

CMYK 0 / 73 / 95 / 18

HEX #D0390B

RGB 208 57 11

HSL 14.01, 0.9%, 0.43%

LAB 47.44, 57.38, 56.41

 

CMYK 95 / 0 / 91 / 18

HEX #0BD113

RGB 11 209 19

HSL 122.42, 0.9%, 0.43%

LAB 73.36, -73.35, 69.53

 

CMYK 95 / 50 / 0 / 18

HEX #0B67D0

RGB 11 103 208

HSL 211.98, 0.9%, 0.43%

LAB 44.7, 16.59, -60.74

 

CMYK 0 / 95 / 3 / 18

HEX #D00BCA

RGB 208 11 202

HSL 301.83, 0.9%, 0.43%

LAB 49.39, 82.54, -48.82

 

CMYK 0 / 44 / 95 / 18

HEX #D0740B

RGB 208 116 11

HSL 31.98, 0.9%, 0.43%

LAB 57.97, 30.17, 63.23

 

Description

Color code: HEX #0BD113 | qconv.com Color code: HEX #0BD113 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 209 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 209 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 91 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 91% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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